Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 
A still from the 2021 series 'Take Care of Zizi,' written by Mariam Naoum. (Supplied)
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Updated 02 August 2024
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Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 

Egyptian screenwriter Mariam Naoum to mentor young Saudi female filmmakers 
  • Netflix’s Saudi Female Future Filmmakers Program will launch in September 

JEDDAH: Fifteen new and emerging female filmmakers from Saudi Arabia are about to get the opportunity of a lifetime: mentorship from famed Egyptian screenwriter Mariam Naoum, as part of a new training program from Netflix run in partnership with Naoum’s Sard Writing Room and NEOM Media Industries. 

The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. 

“The first phase is an intense introduction to the processes of writing, directing and production. It will involve extensive time being spent with all the participants taking them through the basics,” Naoum tells Arab News. “And then the second phase will be more hands-on work done in groups. The participants will be separated or grouped into teams of four or five, and each group will write their own projects or their own short film.” 




Mariam Naoum. (Supplied)

Participants will then be given the opportunity to pitch their scripts to a panel of experts in a simulation pitch exercise at the upcoming Red Sea International Film Festival. They will also be guests at the festival, attending workshops and panel discussions as well as networking events.  

Sard, or the Sard Writing Room, was founded by Naoum in 2016 and is a “dedicated hub” for scriptwriters that has so far spawned 17 TV series and a feature film. Sard is billed as “a safe space for aspiring screenwriters to develop their projects, improve their writing skills, and practice their creative freedom.” 

Netflix previously partnered with Sard to launch the Because She Created writing program in Egypt to train women in writing and develop their storytelling and creative expression skills. 

“Sard believes that expressing oneself through writing is the first step to self-discovery and we’re proud to have discovered talent through this program that we feel will one day become the scriptwriters of the future,” Naoum said at the time. 

When asked about the kind of talent they are looking to attract for the new Saudi-based program, Naoum said: “We are looking for passionate participants. We want to discover indie filmmakers or women who are now looking at filmmaking as a career option and are looking to discover their abilities to express themselves through writing, directing and production. 




The first of the Saudi Female Future Filmmakers Program’s two phases will launch in September. (Supplied)

“We are looking for women who want to tell their own authentic stories, and through the application process, we are trying — through the questions — to discover that with them. The application form features questions like their favorite films, their favorite books, their favorite story that changed the lives, a moment in their life that they appreciate… We are trying to discover them as humans and discover their passion and the reason behind why they are looking into this.” 

Naoum — known for her work on films like “One-Zero” and “Between Two Seas,” as well as TV series including “Take Care of Zizi” — has garnered acclaim for writing stories that focus on issues facing everyday people, especially women. Most of her work is based on true stories. 

“I think this is my way to reflect on what is happening in the region and my feelings toward the society I am living in. I’m always reflecting on current happenings, how we arrived here — how did Egyptians end up at this point in this kind of situation in society? And then I want to share my thoughts with the audience,” she says. 

Naoum is bullish about the prospects for the Saudi entertainment industry. “I think it has great potential because there is a will for doing things and creating opportunities and there is a true wealth in terms of a young generation of filmmakers. And I can see how they are investing in studying cinema with workshops and more. And I think this will lead to a new wave,” she says. 

Applications for the Saudi Female Future Filmmakers Program are open until August 10 for women aged 21 and over, residing in Saudi Arabia with no prior experience working in the film and TV industry. 


Gulf Theater Festival in Riyadh revives tradition, fosters regional cultural exchange

Gulf Theater Festival in Riyadh revives tradition, fosters regional cultural exchange
Updated 11 September 2024
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Gulf Theater Festival in Riyadh revives tradition, fosters regional cultural exchange

Gulf Theater Festival in Riyadh revives tradition, fosters regional cultural exchange
  • For the first time since 1988, the festival is being hosted in Saudi Arabia, celebrating a rich legacy of Gulf theatrical collaboration
  • Event, running from Sept. 10 to 17, brings together artists, performers, and cultural figures from across the Gulf Cooperation Council nations to promote regional artistic exchange

RIYADH: The 14th Gulf Theater Festival kicked off in Riyadh, marking a grand return after an eight-year hiatus.

For the first time since 1988, the festival is being hosted in Saudi Arabia, celebrating a rich legacy of Gulf theatrical collaboration.

The event, running from Sept. 10 to 17, brings together artists, performers, and cultural figures from across the Gulf Cooperation Council nations to promote regional artistic exchange.

Held at the Princess Nourah bint Abdulrahman University Theater, the festival commenced with an opening ceremony that featured prominent figures from the Gulf and Arab theater scenes.

As part of the proceedings, the festival will include a series of competitive theatrical performances, workshops, and discussions aimed at enhancing production and collaboration.

The event also honors creative minds, recognizing their contributions to the art form with a series of awards.

Speaking on behalf of Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan, Sultan Al-Bazie, CEO of the Theater and Performing Arts Commission, highlighted the festival’s significance.

“The festival is a night of Gulf culture, celebrating theater as a platform for creativity that has enriched cultural memory and fostered collaboration between our sister nations,” he said.

Al-Bazie also emphasized the support the cultural sectors receive from Saudi Arabia’s leadership, noting that the festival reflects the Kingdom’s vision for advancing the Gulf theater scene.

“The event aligns with our commitment to creating a thriving Gulf cultural landscape that enhances national identity, encourages dialogue with the world, and boosts the economic sustainability of the arts,” he added.

In an exclusive comment to Arab News, Al-Bazie shared his hopes for the future of the festival.

He said: “The festival returns after an absence of eight years and is held periodically among the GCC countries.

“It will continue to grow stronger and greater and evolve into institutional work to promote aid, theatrical production, training, and joint efforts. These are all hopes we aim to achieve in the coming years.”

With its rich blend of performances, lectures, and cultural exchange, the Gulf Theater Festival is expected to solidify Riyadh’s role as a central hub for regional artistic collaboration.

The event not only revives long-standing traditions but also paves the way for a more sustainable and dynamic future for Gulf theater.


‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three
Updated 11 September 2024
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‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

‘I Am Georgina’ highlights Saudi Arabia in first trailer for season three

DUBAI: After two successful seasons, “Soy Georgina” (“I Am Georgina”) is set to return to Netflix with a third season on Sept. 18 that highlights star Georgina Rodriguez's life in Saudi Arabia, according to a trailer dropped by the streaming giant today.

The new season will give a peek inside power couple Georgina Rodriguez and Cristiano Ronaldo’s luxurious new life in Saudi Arabia, a move that took place in Dec. 2022 when the Portuguese football legend signed with Saudi Pro League club Al-Nassr.

The trailer begins with shots of Rodriguez in AlUla, Saudi Arabia’s historic UNESCO heritage site, as she poses in front of the Instagram-famous mirrored Maraya Concert Hall.

There is a strong focus on her long-term partnership with Ronaldo as she’s seen supporting from the stands at various football matches.

The trailer also briefly spotlights Rodriguez and her family – including the couple’s children and her stepson Cristiano Jr. – at the St. Regis Red Sea Resort in Saudi Arabia.

Light-hearted moments show the family spending time at the dinner table at their Saudi home, laughing and making conversation.

The trailer also prominently features Rodriguez at Paris Fashion Week, waiting nervously backstage as she gets ready to walk the runway for Swiss fashion label Vetements.


Lindsay Lohan, part-Arab models stun at Michael Kors show

Lindsay Lohan, part-Arab models stun at Michael Kors show
Updated 11 September 2024
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Lindsay Lohan, part-Arab models stun at Michael Kors show

Lindsay Lohan, part-Arab models stun at Michael Kors show

DUBAI: Dubai-based Hollywood star Lindsay Lohan was spotted at the Michael Kors show during New York Fashion Week, where she watched part-Arab models Nora Attal and Loli Bahia walk the runway.

Lohan wore a sleek silver satin slip dress paired with a long grey coat featuring a fur collar. She kept her look minimal with subtle jewelry and straight, flowing hair.

Lohan wore a sleek silver satin slip dress paired with a long grey coat featuring a fur collar. (Getty Images)

The show took place in a cavernous space in midtown, with stark metal benches lining the rectangular walls. Gigantic faux black rocks were scattered throughout the center and sides of the venue, similar to the rocky beaches of the Amalfi Coast. The dramatic Italian cliffs in an urban setting played into Kors’ abstract inspiration.

Lohan watched as the Arab models graced the runway. Attal wore a strapless black lace midi dress with a deep sweetheart neckline and a small center cutout, accentuated by a belted waist that added structure to the silhouette.

Attal wore a strapless black lace midi dress with a deep sweetheart neckline. (Getty Images)

Meanwhile, Bahia was seen in a tailored black ensemble, featuring a sharp blazer with a plunging neckline and high-waisted shorts, cinched at the waist with a thin black belt for a sleek, minimalist look.

For this collection Kors told The Associated Press that he was “glued” to pop culture and was especially fascinated by the recent Netflix series “Ripley,” based on Patricia Highsmith’s classic novel, “The Talented Mr. Ripley.” The dark story is set in coastal Italy where a man who covets a friend’s wealthy life kills him and takes over his identity, killing anyone else who threatens his new persona.

Bahia was seen in a tailored black ensemble, featuring a sharp blazer with a plunging neckline and high-waisted shorts. (Getty Images)

“There’s lots of texture, black raffia, white embroideries. Everything is very tactile,” Kors explained. “It’s all the colors that you would find in the Mediterranean. So all of the natural colors have very soft browns and creams. And then of course, there’s going to be blue.”

The brand’s craftsmanship was on display with intricate peekaboo lace dresses and skirts and several dresses, skirts and coats adorned with flower appliqué. Accessories stood out in the collection with leather handbags, hats and shoes teeming with black raffia that looked like leather straw. The ever-present trench coat appeared for men and women on the runway, mostly oversized and slouchy, AP noted.  


Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three
Updated 11 September 2024
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Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

Saudi box office sells 8.5 million tickets in first half of 2024 with two Saudi films in top three

DUBAI: The burgeoning Saudi film industry is going from strength to strength.

On Tuesday, Prince Badr bin Abdullah bin Mohammed bin Farhan Al-Saud, Minister of Culture and Governor of the Royal Commission for AlUla, took to X to reveal that the Saudi box office has made SAR 421.8 million ($112,410,096) in the first half of 2024, adding that two of the three leading films were Saudi-produced. He did not reveal the names of the two films.

“Saudi box office sales have reached 8.5 million tickets with revenues exceeding 421.8m SAR during the first half of 2024. Two of the best-selling films amongst the top 3 are Saudi #SaudiVision20230,” he wrote.

Saudi Arabia’s cinema scene has been booming since lifting its 35-year ban in 2018. With 66 theaters across 22 cities and box office sales reaching $919 million in 2023 (up 25% from 2022), the industry is growing at a rapid pace.

While Hollywood films like Christopher Nolan’s “Oppenheimer” and Tom Cruise-starring “Mission: Impossible – Dead Reckoning” have contributed to ticket sales, Saudi films have also been making a mark.

Saudi filmmaker Ali Kalthami’s Riyadh-based thriller “Mandoob” (“Night Courier”) has been a success since it was released at the beginning of 2024, soaring to the top of the Saudi box office following its screening at the Red Sea Film Festival in Jeddah. The film tells the story of Fahad, who, after getting fired from a call centre, takes a job as a night courier who illegally sells alcohol in order to save his ailing father.

“Sattar,” the Saudi Arabian family comedy about a depressed man who follows his dreams of becoming a freestyle wrestling champion, smashed box office records last year, earning $2.2 million over its first 12 days, instantly making it the highest-grossing Saudi movie of all time, so far.

 


New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
Updated 10 September 2024
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New partnership to conserve AlUla’s cultural heritage

New partnership to conserve AlUla’s cultural heritage
  • National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization
  • Abeer Al-Akel: Our partnership with the National Archives exemplifies the power of international collaboration

JEDDAH: The Royal Commission for AlUla has signed a partnership agreement with the UK National Archives in line with the commission’s goals of cultural heritage preservation, international collaboration, and contribution to Vision 2030.

Through its expertise in archival management and historical documentation, the National Archives will work with the commission in four broad areas: training and scientific exchange, archival research, public programming, and digitization. Specific initiatives will focus on joint research projects, digital archive initiatives, and cultural exhibitions.

Abeer Al-Akel, acting CEO of the commission, said: “RCU’s campaign of comprehensive regeneration is transforming AlUla into a global hub for heritage and culture — and an extraordinary location for residents and visitors. Our commitment to conservation supports Vision 2030’s goal of promoting Saudi culture through initiatives that are ‘powered by the past, reimagined for the future.’

“Our partnership with the National Archives exemplifies the power of international collaboration, combining expertise and resources from Saudi Arabia and the UK to enhance cultural heritage research and public programming.”

Saul Nasse, chief executive and keeper of the National Archives, said: “Working with the Royal Commission for AlUla is an opportunity to share our pioneering work in documenting and safeguarding heritage. RCU has an ambitious strategy to preserve the rich stories of northwest Arabia, and we look forward to contributing our insights and experience.”

Through this collaboration, RCU and the National Archives aim to enhance the visibility of Saudi documentary heritage and strengthen the capacity of local archives to provide wide access to these invaluable resources, further solidifying AlUla’s position as a global hub for cultural preservation and exploration.