Faisal Samra: ‘If I’m not an artist, then I don’t exist’

Faisal Samra: ‘If I’m not an artist, then I don’t exist’
Saudi-Bahraini Faisal Samra always knew he wanted to be an artist. (Supplied)
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Updated 12 September 2024
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Faisal Samra: ‘If I’m not an artist, then I don’t exist’

Faisal Samra: ‘If I’m not an artist, then I don’t exist’
  • The Saudi-Bahraini artist discusses his roots and how it helped develop his experimental style

DUBAI: The seasoned Saudi-Bahraini artist Faisal Samra always knew what he wanted to achieve in his life, and faced down resistance with his rebellious nature.  

“Everything was fixed and planned,” he says, looking back on his formative years. “Since my childhood, I knew what I wanted to do.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Born in Bahrain in 1956, Samra is the descendant of a Saudi family that had settled in British-ruled Bahrain, where, he says, work opportunities were, at the time, more readily available than in the Kingdom. Samra, who is based between Bahrain and Spain, describes his early years in Bahrain, spent in a large and old Khaleeji-style house, as crucial to his future career. 

“As a child, when my family had people over for big meals, they cooked over fire and wood, which transformed into charcoal. I took this charcoal and made lines on walls,” he tells Arab News with a laugh. “It all started from this moment. This was an important stage because I still work with charcoal. My parents would paint over the scribbles, but I drew again. I wasn’t just drawing on walls at home, but also on the streets. At school, I was drawing on tables and I couldn’t control myself; I was obsessed. When I was six or seven, my art teacher told me, ‘Instead of drawing on tables, here is a piece of paper and some coloring pencils,’ and it was through him that I discovered colors. My parents never bought for me art materials to encourage me, but I kept drawing until this day.”   




“Performance 36” from Faisal Samra’s “Distorted Reality” series, 2007. (Supplied)

At the age of 12, Samra and his family moved to Saudi Arabia, settling in the Eastern Province. At school, he continued his pursuit of art and theater. He and his friends, he says, became “the talk of town.” When he was 14, he received his first art book — a collection of Michelangelo’s drawings. All in all, art was, and still is, his life.  

“Art is not separate from me. It is not a job, but an activity of making life. On a daily basis, whether I am working on a project or not, I have to draw something,” he says. “If you truly want to do art the right way and live in it, it has to be a disease. You can’t get rid of it, as if you’re pressing a ‘Stop’ button. True art has to live inside your body and surround you every moment. It’s a question of existence: If I’m not an artist, then I don’t exist.”  

During the 1970s, in his late teens, Samra decided he wanted to study art abroad, specifically in Paris — an idea that was quickly rejected by his family. He says that back then the regional art scene lacked both mentors and access, so he wanted to go where the action was: Europe.  

“In one way or another, I had to leave,” he says. “And I didn’t want to study art (just) anywhere: I wanted Paris, I wanted the École Nationale Supérieure des Beaux-Arts because it was the most challenging art school to get into at that time.”  

To save up money, Samra worked as a clerk at the petroleum company Aramco, while applying for delegations, via Riyadh, for educational opportunities abroad. And, in 1974, aged 18, he travelled to Paris, thanks to support provided by the Ministry of Media. It was there that he would learn about modern and contemporary European artists, and also attend art critique sessions.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@faisalsamra_)

During the 1980s, Samra spent his time in Saudi Arabia and, later, in France, where he took on the role of art consultant at the Institut du Monde Arabe, the then-newly founded cultural center for Arab affairs. As for his own art, a few exhibitions were set up in Paris in the late Eighties and early Nineties. Today, his works have been acquired by, among others, the British Museum, the Jameel Art Foundation, Mathaf: Arab Museum of Modern Art, and the Bahrain National Museum, and he is currently represented by Ayyam Gallery in Dubai.   

Over the years, Samra has experimented with film, performance, painting and photography. “I don’t like still water; I like it to be moving. I’m exploring to find something different,” he says. “The core of my research is man’s existence in our world, and how we react to it, and how the world reacts to him.”  




A recent Faisal Samra exhibition in Dubai. (Courtesy of Pia Torelli)

A sense of disturbing movement occupies some of his figurative works, as in his recent painting series “Immortal Moment (Coping With The Shock),” which depicts open-mouthed faces, partially covered with an explosion of paint, as if they have been shot. One of his best-known series, “Distorted Reality,” which was intended to confront media biases in the early 2000s, features covered individuals in blurred motion. In essence, such bold works portray the troubled state of the world, and he doesn’t sugarcoat his words.  

“We are living in times of change, but not development — “development” means that you are headed to something better,” says Samra. “If we developed in a certain area, then we destroyed something else. We invented things but we lost things at the same time.”   


Coldplay add second and third dates to 2025 Abu Dhabi concert

Coldplay add second and third dates to 2025 Abu Dhabi concert
Updated 25 September 2024
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Coldplay add second and third dates to 2025 Abu Dhabi concert

Coldplay add second and third dates to 2025 Abu Dhabi concert
  • Palestinian-Chilean artist Elyanna will open for the band in the Emirati capital

DUBAI: While fans across the UAE scramble to get tickets to Coldplay’s Abu Dhabi concert in January 2025, the band has added another two dates to their trip to the UAE.

The British band are now set to bring their hugely successful “Music of the Spheres World Tour” to Zayed Sports City Stadium on Jan. 11 as well as Jan. 12 and Jan. 14, it was announced on Wednesday.

Palestinian-Chilean artist Elyanna will open for the band.

The 22-year-old has been a frequent collaborator of the group this year, joining the band on stage at their Glastonbury set. Last week, she released the Arabic edition of the band's new song “We Pray.” On Saturday, she performed with Coldplay in Las Vegas.

Promoters Live Nation Middle East confirmed Abu Dhabi will be the only stop in the region for the band.


Bella Hadid returns to the runway at Saint Laurent’s Paris Fashion Week show

Bella Hadid returns to the runway at Saint Laurent’s Paris Fashion Week show
Updated 25 September 2024
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Bella Hadid returns to the runway at Saint Laurent’s Paris Fashion Week show

Bella Hadid returns to the runway at Saint Laurent’s Paris Fashion Week show

DUBAI: US Dutch Palestinian supermodel Bella Hadid made a return to the runway at Saint Laurent’s Paris Fashion Week show following a two-year hiatus from the catwalk on Tuesday night. 
The model, who has been open about her battle with Lyme disease and who recently launched a fragrance brand, hit the runway in a masculine suit by creative head Anthony Vaccarello. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Vaccarello offered a lineup of ample, masculine suits for the Parisian label's spring-summer 2025 collection, with prominent shoulders and matching ties, Reuters reported. 
Models made their way steadily around an open-air runway set up in the central courtyard of the Kering-owned fashion house's Left Bank headquarters.
They wore thick, studious glasses or aviator shades.
Bomber jackets added heft to the silhouettes, while chunky jewelry and pointy stilettos brought extra glamour to the looks, which were closely fashioned after the personal style of the house founder, Yves Saint Laurent.
Part way through the show, Vaccarello shifted to more feminine, bohemian styles, sending out flowing skirts in paisley motifs and shimmery brocade jackets covered with flowers and paired with short skirts.
The late-night show drew crowds of onlookers who cheered at the celebrity arrivals including singer Lenny Kravitz, model Kate Moss and actor Gwyneth Paltrow. It capped the second day of Paris Fashion week, which runs to Oct. 1 and includes some of the biggest global fashion labels, including Hermes, Chanel, Valentino and LVMH-owned Louis Vuitton.


Lebanese celebrities and entrepreneurs speak out for Lebanon

Lebanese celebrities and entrepreneurs speak out for Lebanon
Updated 25 September 2024
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Lebanese celebrities and entrepreneurs speak out for Lebanon

Lebanese celebrities and entrepreneurs speak out for Lebanon

DUBAI: Amid the ongoing Israeli assault on Lebanon, Lebanese celebrities and entrepreneurs including Razane Jammal, Karen Wazen and Jessica Kahawaty have taken to social media to raise awareness and express their concerns.

British Lebanese actress Jammal, who played Lyta Hall in the 2022 Netflix adaptation of Neil Gaiman’s “The Sandman,” took to Instagram to share a piece of art that depicted a bleeding heart on a stamp of Lebanon, captioning the post, “No words. Just bleeding.”

She also posted a video from an earlier interview with Elle Arabia where she talks about the resilience of Lebanese people. She captioned the post with a quote from her interview, “I really have hope for us. I know it’s very dark, but I have hope for my people, and I have hope for my country. There is no other way… life is hope.”

 Dubai-based Lebanese influencer and entrepreneur Karen Wazen also took to Instagram to share a lengthy statement.

“From the moment we were born, war has been a reality,” she wrote. “Being Lebanese means distinguishing the sounds of an explosion, from the roar of fighter jets, the crackle of fireworks, and the breaking of sound barriers.

“Do not normalize Lebanese’ suffering. Despite our strength, we are not okay, and should not be okay,” she continued. “Do not normalize forced displacement, war crimes and human rights violations.

“Today we are all Lebanese, we are all victims of injustice, dirty politics, terrorism, racism and impunity… until when?”

 Australian Lebanese model and entrepreneur Kahawaty took to Instagram to address her more than 1.5 million followers.

“For my non-Lebanese friends, I want to tell you a little story about Lebanon. It is a small country, only 10,452 km squared which is roughly the size of New York or Tokyo. A whole country, the size of one of these popular cities. For as long as I can remember and for many years before my arrival to this world, Lebanon has been a pawn in a greater fight. My country hasn’t known peace… ever,” she began.

“I ask you all to pray for Lebanon. Our people are suffering immensely, and our hearts are broken,” she added, as she requested readers to listen to her all-time favourite excerpts of a speech by American political scientist, Michael Parenti, which she posted on social media. “This is relevant to not just Lebanon but so many countries in the world subject to the evils of… you know who.”

The speech slammed former colonial powers, saying “poor countries are not ‘under-developed,’ they are over-exploited.”


Amina Muaddi spotted at Paris Fashion Week as Amira Al-Zuhair hits the runway

 Amina Muaddi spotted at Paris Fashion Week as Amira Al-Zuhair hits the runway
Updated 25 September 2024
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Amina Muaddi spotted at Paris Fashion Week as Amira Al-Zuhair hits the runway

 Amina Muaddi spotted at Paris Fashion Week as Amira Al-Zuhair hits the runway

DUBAI: Romanian Jordanian designer Amina Muaddi, founder of the eponymous luxury brand, turned heads at the Dior show at Paris Fashion Week, while part-Saudi model Amira Al-Zuhair graced the runway for Danish fashion label Ganni.

Muaddi opted for a classic white button-down shirt and a sleek black satin pencil skirt. (Getty Images)

Muaddi, who is a regular at Dior fashion shows, opted for a classic white button-down shirt and a sleek black satin pencil skirt. Her look was accessorized with a pair of dark, round sunglasses and a small, textured blue Dior handbag.

The Dior collection, by Maria Grazia Chiuri, took a sporty turn, blending athletic prowess with an urban menace. The designs evoked a 1960s sci-fi aesthetic, reminiscent of “Star Trek,” but with an edge — daring, asymmetrical shapes paired with knee-high boots that flirted with danger.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Chiuri’s intent was clear from the start: A nod to the power and autonomy of the female form. With a clear reference to Christian Dior’s iconic Amazone dress from the early 1950s, Chiuri reinterpreted the silhouette with sleek, athletic lines, the Associated Press reported.

It echoed the spirit of the recent Paris Olympics, as models walked in skin-tight black tops with geometric cut-outs, circular cutaway patterns, and lace-up boot sneakers. There was a dynamic tension between freedom of movement and structured control — a recurring theme in Chiuri’s work, which often explores the balance between comfort and couture.

Metallic accents, from shimmering embroidery to butterfly motifs, punctuated the otherwise severe palette, adding a touch of delicacy to the sharpness of the designs, according to AP.

Al-Zuhair walked the runway for Ganni in a dark grey, structured blazer styled over similarly colored tailored pants. (Getty Images)

Meanwhile, Al-Zuhair, whose mother is French, walked the runway for Ganni in a dark grey, structured blazer styled over similarly colored tailored pants. Adding an artistic touch, the model also wore a large, ruffled pale blue scarf around her neck, which contrasted with the dark tones of the outfit. 

On Wednesday, Al-Zuhair also shared images of the Missoni show she participated in during Milan Fashion Week on Instagram.

She wore a dynamic, eye-catching ensemble featuring bold, wavy stripes in black, white and yellow. The outfit included an asymmetrical top adorned with exaggerated ruffled detailing that cascaded down one side, paired with a high-waisted bikini bottom. Completing the look were matching high-heeled sandals in vibrant yellow, adding an extra pop of color.


Saudi-backed Johnny Depp film gets standing ovation at San Sebastian

Saudi-backed Johnny Depp film gets standing ovation at San Sebastian
Updated 25 September 2024
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Saudi-backed Johnny Depp film gets standing ovation at San Sebastian

Saudi-backed Johnny Depp film gets standing ovation at San Sebastian

DUBAI: The cast of Johnny Depp-helmed “Modi – Three Days on the Wing of Madness” took to the San Sebastian Film Festival red carpet in Spain on Tuesday night to usher in the star’s second directorial feature.

The film was supported by Saudi Arabia’s Red Sea Film Foundation through its Red Sea International Film Financing initiative. 

Red Sea Film Foundation Managing Director Shivani Pandya, Saudi film producer Mohammed Al-Turki — who was previously the CEO of the Red Sea Film Festival — Depp, and stars Riccardo Scamarcio, Antonia Desplat, Bruno Gouery, Ryan McParland and Luisa Ranieri attended the premiere.

The period flick debuted out of competition in San Sebastian where it earned a long standing ovation, according to The Hollywood Reporter.

“Modi” is Depp’s second directorial effort and comes 27 years after “The Brave,” his debut film as a director. Described as a “seventy-two-hour whirlwind in the life of bohemian artist Amedeo Modigliani,” the film follows the artist through a chaotic series of events through the streets of war-time Paris in 1916. 

At the press conference ahead of the screening, Depp revealed that co-star Al Pacino advised him to helm the movie. “I got a very strange phone call from Al Pacino who said ‘Do remember this Modigliani project?’ and he said I should direct it,” Depp said, according to Deadline.

“For some reason, Al saw me driving this strange machine. And when Pacino speaks, you listen, so I ran with it. But I had no idea what it would be until the pieces of the puzzle came together.”