Off the beaten track in Sri Lanka 

Off the beaten track in Sri Lanka 
A group of elephants at a watering hole in Yala National Park, Sri Lanka. (Shutterstock)
Short Url
Updated 08 November 2024
Follow

Off the beaten track in Sri Lanka 

Off the beaten track in Sri Lanka 
  • New visa rules have made it easier than ever for Gulf tourists to visit the island nation 

TORONTO: Sri Lanka has long been a favored destination for visitors from the Gulf. Easy access, budget-friendly offerings, and diverse experiences – from cultural and historic landmarks to idyllic beach resorts and scenic treks – make it an ideal getaway destination. And now, there’s one more reason for Saudis to take a trip to the island nation. Last month, the Sri Lankan government announced that residents of Saudi Arabia, the UAE, Qatar, Oman, and 31 other countries can now visit without a visa.  

The capital, Colombo, is probably the most popular destination in Sri Lanka, along with Kandy and Ella, but the less-frequented areas in the central and southern regions of the country are well worth considering.  




The Summerville Bungalow in Hatton. (Supplied)

My Sri Lanka trip started in Hatton, in the Nuwara Eliya region. Often called “Little England,” the region is a reminder of the country’s former colonial rule, with Tudor-style architecture and sprawling tea estates named after their former British proprietors.  

The central province is home to Sri Lanka’s renowned tea highlands. Tea is an integral part of the island’s history and culture — as its former name, Ceylon, suggests. 

My encounter with Ceylon tea starts at the Dunkeld Tea Factory, owned by The Dilmah Group, a family-run business that has become a global name. The tea is single-origin — meaning it is picked, cultivated, and packed from the lush, rolling terraces of the region. The tour takes guests through the history of Ceylon tea, which actually began with coffee plantations in the 18th century. But leaf disease devastated those plantations, leading to the demise of the short-lived coffee industry in Sri Lanka. In 1867, James Taylor, a Scottish man, planted the first tea clearing in Kandy. By the late 19th century, the country had become one of the largest tea producers in the world. Guests are also invited to a tea-tasting experience, including the Orange Pekoe, the robust tea blend that is a specialty of the region. 




The terraces of a tea plantation around the Ceylon Tea Trail. (Supplied)

I stayed at Summerville, one of the five palatial bungalows once home to English plantation owners which have now been refurbished into boutique properties by the Ceylon Tea Trails Hotel under the Resplendent Ceylon Group. Perched at nearly 4,000 feet and set across 2,000 hectares, the bungalows are perfect for those seeking a slow, luxurious vacation. Guests can enjoy breathtaking panoramic views of the emerald hilltops from various vantage points or unwind in the several tranquil lounge spaces scattered throughout the bungalows. Or — with a private chef and butler on hand — choose to indulge in a five-course dinner that features the likes of a Yatawatte tea-infused roasted chicken or the Earl Gray fondant. 

The tea trails, ranging from four to 15 kilometers long, connect the various bungalows, offering scenic hikes through the valleys. For those seeking adventure, the newly-inaugurated Pekoe Trail (a 300-km route with 22 phases) allows tourists to explore the rich biodiversity of the area. This trail can be experienced on foot or by rail. 




The Wild Coast Tented Lodge in Sri Lanka. (Supplied)

The next leg of my trip was drastically different. As we were making our way down from the central region to Sri Lanka’s southern tip, the hilltops, winding roads, and cool weather gave way to palm trees, speedy tuk-tuks, and tropical weather. 

In the Hambantota district, the biggest draw is undoubtedly Yala National Park, the second largest national park of the country, and the one with the highest density of leopards. An early morning or afternoon game drive provides ample opportunities to spot wildlife, including the elusive leopard, sloth bears, and elephants.  

After the adrenaline rush of a wildlife safari, I head to our ‘glamping’ lodge — the Wild Coast Tented Lodge, another one of Resplendent Ceylon’s properties. The luxury camp is unfenced and wildlife will often wander into the premises from the park, giving guests a sometimes-gleeful, sometimes-terrifying experience.  

The lodge itself is an architectural delight, focusing on sustainable design and the use of organic materials, including bamboo. It includes 28 “cocoons” or pods scattered throughout the jungle wilderness. The interiors feature rustic touches like cooper hardware, a leopard-claw bathtub, and vintage leather furniture. 

It’s also here that the jungle meets the Indian Ocean. As I wandered along the rugged coastline or enjoyed a sundowner, I was once again reminded of the serenity that Sri Lanka has to offer. 


South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival
Updated 53 min 10 sec ago
Follow

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

South Korean star Park Sung-hoon talks K-dramas at Red Sea International Film Festival

JEDDAH: South Korean actor Park Sung-hoon, who stars in Netflix’s smash hit “Squid Game,” jetted to Saudi Arabia for the Red Sea International Film Festival and spoke to Arab News about his hopes for Saudi-Korean cultural collaboration.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom.

“I am grateful for this, and this really motivated me to try to pay back for this interest, and here I am at the Red Sea International Film Festival enjoying every bit of it,” he said.

The rising South Korean star, who is also known for his roles in dramas such as “The Glory” and “Queen of Tears,” lauded the popularity of Korean entertainment content in the Kingdom. (Getty Images)

Globally, three South Korean subscription platforms lead in Korean content offerings: Wavve and Watcha, each with over 4,000 titles, and Tving, with over 3,500 titles, according to data science firm BB Media. Excluding local platforms, Amazon Prime Video currently holds the top position among global subscription streaming platforms in terms of Korean titles with 1,394, though Netflix is close behind and boasts more original K-dramas.

The actor touched on the role of streaming platforms in popularizing Korean content internationally, saying “Korea has always put an effort to make good quality movies and dramas because it is a way of bringing joy and comfort to people even during hard times, and I think with the advanced changes in technology, streaming networks and platforms provided ways for Korean movies and dramas to be shown to a wider audience.”

As the Kingdom’s entertainment scene continues to expand — with the likes of Film AlUla and the Red Sea Film Foundation offering support to rising filmmakers — the actor said he would like to see more cross-cultural collaboration.

“I was very impressed with what I have (seen) here in Saudi Arabia, and I am aware that the movie industry in Saudi Arabia is moving rapidly, and I would love to see more collaboration between Saudi Arabia and Korea in the film industry,” he said.

On the question of making a film in Saudi Arabia, the young Korean actor, who plays a contestant named Cho Sang-woo in “Squid Game,” said: “I would love definitely to work here. I am very impressed with the beautiful landscape and architecture. Just last night, I was thinking of how wonderful to be in the screen around this amazing landscape.”

He also pointed out that he will convey a positive message to friends and colleagues in Korea about Saudi Arabia, which he is visiting for the first time.

“I am so amazed (by) the great hospitality and passion that we felt at the festival. So, I hope that I will come back next year and also hope for future collaboration between South Korea and Saudi Arabia film industry,” he said.


Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 
Updated 08 December 2024
Follow

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’ 

DUBAI: Sparked by real-life events, the Tunisian short film, “In Three Layers of Darkness,” explores the experience of many immigrants traveling to the Western hemisphere.

Director Houcem Slouli told Arab News that his film, now playing at Jeddah’s Red Sea International Film Festival, critiques the “dehumanizing aspects of bureaucratic systems.”

“Last year, a Tunisian filmmaker had her first short film selected for a festival in France, but her visa was repeatedly denied, despite having all the necessary documents,” he said. He was referring to the case of filmmaker Wafa Lazhari, who was unable to attend the International Animation Film Festival in Annecy, France.

 

 

Outraged by this, Slouli sought to take the issue to the silver screen in his 15-minute film that features dialogue in French and Arabic. The director cast actors Ghassen Trabelsi, Mohamed Kolsi, Leila Masrouhi, Sinda Boudriga, Azza Medimegh, Nessrin Bani and Slim Dhib in the short.

“The film addresses themes such as immigration, bureaucratic injustice, dreams and ambition. A dream without borders, with no geographical limits,” the filmmaker explained, adding: “Through the character of Ghassen, we see someone defending his skills and his dreams, fighting for a fundamental right — the right to move freely in the world … unfortunately, for years, Arabs and Africans have not had this freedom and this blocks their ambitions and their dreams.”

Inspired by a verse in the Qur’an — verse six of Surah Az-Zumar — the film’s title symbolizes the many challenges that its protagonist faces in his quest to obtain a visa to stay in France. 

“The three layers represent personal, bureaucratic and social obstacles that trap him in a system,” Slouli said. Meanwhile, the Qur’anic verse is interpreted to mean layers within a mother’s womb.

From a malfunctioning parking ticket machine that makes him late for his interview to an invasive health inspection and an unfeeling immigration officer, the narrative presents its lead character with various obstacles.

Slouli hopes that portraying these hurdles will encourage a shift in thinking.

“I hope decision-makers will think about this universal desire for freedom of movement and about human rights that should be available to everyone, no matter their nationality or status,” he said.

He is particularly keen to take the story to the shores of the Red Sea, as “it’s also a chance to share Ghassen’s story with an Arab audience that understands the struggles related to migration and achieving dreams,” Slouli said.

It is not Slouli’s first experience at an international festival — in 2023, his short film “Conditional Desire” won the Best Short Film Award at Turkiye’s Accessible Film Festival. It was also featured as part of the Short Film Competition of the Silicon Valley African Film Festival in the US.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process. (Supplied)

Born in Tunisia in 1994, Slouli completed a degree in film and audiovisual studies at the Higher Institute of Arts and Multimedia in Manouba, Tunisia, before working with notable Tunisian production firms such as Nomadis Images, Artistes Producteurs Associes and Instinct Bleu Films, in addition to ad-hoc projects working as an assistant director and casting director.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process.  

“Of course, sometimes the discussions lead to conflicts, but there’s also real pleasure in these moments. They give life to the collaboration,” he said.

“It’s amazing to see how ideas come to life with the help of the production team, the actors, the director of photography, and everyone involved in the project. Cinema has this unique ability to capture human experiences and present them in a way that speaks to everyone.”

 


Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
Updated 08 December 2024
Follow

Marrakech Film Festival bestows Palestinian film ‘Happy Holidays’ with top award

It is the first Palestinian film to win Marrakech’s Etoile D’Or award. (X @Marrakech_Fest)
  • “The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work

MARRAKECH, Morocco: The Marrakech International Film Festival bestowed its top prize Friday on “Happy Holidays,” a Palestinian drama set in Israel whose screenplay won an award at the Venice Film Festival in September.
The film, directed by Scandar Copti, follows Israeli and Palestinian characters facing familial and societal pressures in present-day Haifa and stars both professional and non-professional actors. It is the first Palestinian film to win Marrakech’s Etoile D’Or award.
Screenwriter Mona Copti in an acceptance speech said the film team’s joy at winning was tempered by war in the Middle East and she denounced what she called the dehumanization of Palestinians.

The festival awarded its jury prize to two additional films from Somalia and Argentina. (X @Marrakech_Fest)

Eight features, each a director’s first or second film, competed in the festival. The winning films tackled social issues through the lens of family, a theme that the festival’s artistic director Remi Bonhomme underlined at its opening.
The festival awarded its jury prize to two additional films from Somalia and Argentina. The nine-member jury awarded Mo Harawe’s “The Village Next to Paradise” — a story about a family living under the threat of drone strikes dreaming of a better life — and Silvina Schnicer’s “The Cottage” about children who commit an unspeakable act at a rich family’s summer vacation home.
“The Village Next to Paradise” participated last year in the Marrakech festival’s Atlas Workshops, an initiative to develop filmmakers from Morocco, the Middle East and Africa and promote their work. In his acceptance speech, Harawe lauded the film’s Somali cast and crew and highlighted the significance of the award for Somalia.
Cecilia Rainero, the lead actor of “The Cottage,” thanked the jury and said it was meaningful amid Argentinian President Javier Milei’s moves to defund the country’s film industry.

 


Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster

Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster
Updated 07 December 2024
Follow

Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster

Brad Pitt turns heads at Abu Dhabi Grand Prix while filming F1 blockbuster
  • Pitt was spotted at the Yas Marina Circuit during Friday’s practice sessions

ABU DHABI: Hollywood megastar Brad Pitt brought a touch of cinematic glamor to the Abu Dhabi Grand Prix this weekend as he continued filming scenes for the highly anticipated movie “F1,” set to hit cinemas in June next year.

Pitt was spotted at the Yas Marina Circuit during Friday’s practice sessions, wearing a white racing jumpsuit as he posed with teams and filmed scenes alongside co-star Damson Idris.

The pair were photographed with Ferrari’s Carlos Sainz Jr. and Charles Leclerc, with the Spanish driver sharing selfies featuring Pitt, Idris, Leclerc and Ferrari team members, captioned: “Look who photobombed our team pic.”

In the film, Pitt stars as Sonny Hayes, a fictional 1990s F1 driver who makes a dramatic return to the track after a career-ending crash to mentor rookie Joshua Pearce, played by Idris.

The movie contains a stellar ensemble cast, including Javier Bardem, Sarah Niles, Kerry Condon and Tobias Menzies, with Joseph Kosinski directing. Adding authenticity, seven-time F1 champion Lewis Hamilton and legendary producer Jerry Bruckheimer are among the project’s key drivers.

The film blends the real-world of Formula 1 through fictional storytelling and the help of all 10 F1 teams. Real-life drivers such as Hamilton, Max Verstappen, Fernando Alonso, Sergio Perez and Sainz appear as themselves, adding an extra layer of authenticity.

Pitt underwent rigorous training to master the high-speed vehicles used in the film. “He’s an amazing driver,” Bruckheimer said. “Some of the F1 drivers said he’s a natural athlete. He really is.”

Following a teaser trailer in July, fans have eagerly awaited more glimpses of F1, with  continued filming at real races, including a high-profile shoot during the Las Vegas Grand Prix.


Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah
Updated 07 December 2024
Follow

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Michelle Yeoh, Eva Longoria inspire audiences in Jeddah

Jeddah: Hollywood actress Eva Longoria and Oscar-winning actress and producer Michelle Yeoh captivated the audience with their insights about the film industry at two “In Conversation” panels at the Red Sea International Film Festival in Jeddah.

With the festival set to run until Dec. 14 in Al-Balad, the conversations shed light on the significance of purpose-driven storytelling, cultural representation and breaking barriers in cinema.

Longoria, known for her role in “Desperate Housewives” and her directorial debut in “Flamin’ Hot,” shared her commitment to producing films that make a cultural impact.

Hollywood actress Eva Longoria posed before her In Conversation talk at the Red Sea International Film Festival. (Getty Images)

Speaking about her belief in using media as a force for social change, she said: “If we’re going to change the world, it’s going to be through culture. And who has the biggest impact on pop culture? Media — TV, films. If I can make things that change culture, culture changes minds and hearts.”

Longoria elaborated on her criteria for selecting projects, saying: “When I read a script, it’s clear to me very quickly if I want to direct it, do it, or be in it. It has to say something — bring a cultural or female perspective we need to see and hear.”

As a director, producer and actress, Longoria is keen to multitask. Expressing her belief in the leadership abilities of women, she said: “I like to direct, produce and act because I want to control everything. As women, we’re natural directors, decision-makers and multitaskers. It’s rewarding to do all three.”

Longoria also emphasized the importance of supporting women in the film industry, particularly women from underrepresented communities. Reflecting on her work with Latinas, she said: “When you help a woman, she helps her family. And when you improve the lives of families, you improve the lives of nations.”

Her advice to the next generation in the film industry focused on perseverance and the importance of experience. “If you don’t have the body of work, you can’t get the job. And you can’t get the job because you don’t have the body of work. You learn by doing. You volunteer your talents to anyone who will take you.”

Meanwhile, Yeoh, celebrated for her roles in “Crouching Tiger, Hidden Dragon,” and “Everything Everywhere All at Once,” for which she won the Best Actress Oscar in 2023, spoke about her involvement in action films.

She shared her experience with martial arts choreography, describing the art of movement in action sequences. “Action is like dance. Everything’s choreographed, but the projection of power and timing are different. It’s a blend of grace, speed and impact,” she said.

Yeoh’s experience in the industry has been one of defying expectations, particularly in action cinema. Reflecting on her groundbreaking role in 2000’s “Crouching Tiger, Hidden Dragon,” she praised director Ang Lee for revolutionizing martial arts films.

“Ang Lee is a poet. He introduced martial arts cinema to the world in a way that made audiences feel like they were running on rooftops with us.”

Her determination to challenge Hollywood’s limited portrayal of Asian women was a defining aspect of her career. She shared the impact of saying no to stereotypical roles. “At that time, roles for Asian women were so stereotyped. I waited for two years because I refused to step backwards. Saying no is powerful.”

As a champion of cultural representation, Yeoh discussed the evolving landscape of cinema, stressing the importance of creating opportunities for diverse storytellers. “It’s crucial to create equal opportunities for storytellers to tell their stories in their own way. That’s how the industry evolves.”

For Yeoh, the journey is more about authenticity. “Tell your stories. Don’t cut corners. Believe in what you do because if you don’t believe in that, you’ve lost the battle already.”

Her experience as both an actress and producer has shown her the importance of both personal growth and collective representation. “Cinema is one of the best ways to learn about the world ... bring the world to you,” Yeoh said.

Both Longoria and Yeoh emphasize the importance of representation in the film industry. Longoria advocates for breaking barriers by focusing on women’s roles and encouraging diversity behind the scenes. She is committed to creating spaces where women and people of color can thrive in the industry.

“It’s much harder for women and people of color to break through,” she said. “Not because of intentional exclusion but because people hire who they know and who has the experience. That’s why building pipelines is so critical.”

Yeoh echoes these sentiments, stressing the significance of diverse voices in filmmaking.

“We are beginning to see changes,” she said. “We are beginning to welcome more diversity. We are beginning to see more women, especially, behind the cameras and other jobs, just instead of being an actress.”

This year’s roster of speakers at the festival includes the Academy Award-winning actor Brendan Fraser, renowned director and producer Michael Mann, Academy Award-nominated actor Jeremy Renner, acclaimed director Spike Lee, actress and director Olivia Wilde, Tony and Grammy Award-winning actress Cynthia Erivo, as well as more Bollywood legends alongside Middle Eastern icons.