Saudi pavilion makes a splash at London Design Biennale 

Saudi pavilion makes a splash at London Design Biennale 
'Good Water,' Saudi National Pavilion at London Design Biennale 2025. (Courtesy of the Architecture and Design Commission)
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Updated 05 June 2025
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Saudi pavilion makes a splash at London Design Biennale 

Saudi pavilion makes a splash at London Design Biennale 

DHAHRAN: “Good Water,” the Saudi National Pavilion that reimagines our relationship with water, is sure to be popular with visitors at the London Design Biennale, which opens today.

Examining water systems, accessibility, equity and scarcity, the pavilion was commissioned by the Architecture and Design Commission and supported by the Ministry of Culture. Presented under the leadership of commission CEO Sumayah Al-Solaiman, it marks the fourth time the Kingdom has taken part in the event.

“In a Biennale that explores the intersection of inner experiences and external influences, ‘Good Water’ reflects the spirit of inquiry we hope to share with the world,” said Al-Solaiman.

“With this pavilion, we are proud to support the next generation of Saudi practitioners and provide platforms that amplify their voices on the international stage.”

Saudi artists Alaa Tarabzouni, Dur Kattan, Fahad bin Naif and Aziz Jamal worked as co-curators, collaborating across various disciplines.

“In the team, we don’t have specific roles,” Jamal told Arab News. “We all collaborated on everything. So the video, we all shot together — we all wrote together. We all have different backgrounds in the arts sector but we’ve worked together (in the Saudi art scene) for the past five years and that’s actually how we came together; it’s more of a democratic process and there’s no kind of strict guidelines.”




Saudi artist Aziz Jamal worked as one of the co-curators. (Supplied)

At the heart of the Saudi contribution in London is the sabeel, a traditional water fountain usually placed and funded privately in a shaded outdoor communal space. It is meant for use by anyone in the community, free of charge. 

The sabeel is an enduring symbol of hospitality and generosity, deeply rooted in the Arabian Peninsula and found in many spots throughout the Middle East.

“Growing up in Dhahran, you would see sabeels everywhere. Our house didn’t have one, but there was a mosque in front of our house that had one,” Jamal said.

The London installation strips the sabeel of nostalgia and re-centers it as a contemporary, working object. Visitors are invited to fill their cups — literally and figuratively, as they pause to reflect on the often unseen systems, labor and energy that make the flowing “free” water possible.

Stacks of paper cups will be provided, bearing the message “Good Water: 500 ml = one AI prompt” in vibrant color. There will also be refillable water bottles so spectators can have a “water-cooler moment” to chat, sip and ponder. 

The pavilion also features four videos, filmed at an old water factory in Riyadh, showing the painstaking journey of water from droplet to distribution. The screens trace the production process across different sizes of bottles, with each film lasting under 10 minutes.

Jamal’s relationship with water shifted since he started working on this project. 

“I have to say, watching and going to visit the water factory (in Riyadh) and seeing the enormous effort that it takes to fill up one tiny water bottle — you don’t take that effort for granted anymore,” he said. 

“Before, if there was a little bit of water in my water bottle, I would just leave it, but now it’s like, I make it a point to drink (it) all … to finish my water bottle, because it’s not just a matter of just getting the water filled up, it’s testing it, going through inspection, doing all the mineral checks. It has made me more conscious of every drop.”

Jamal’s aim is for visitors to the pavilion to quench their thirst with that same realization.

“What I really hope for is for people to interact with the piece,” he said. “We want that act of generosity to come through and we want people to drink the water.”

The eco-conscious will be glad to know the sabeel will dispense locally sourced water — not any transported from Riyadh. It will also be indoors. 

A printed catalogue written by the curators will also be available, offering further context in the form of essays, research material and images of water infrastructure and sabeels from across the Middle East and North Africa region. 

Saudi Arabia is one of the most water-scarce countries in the world. Only 2.5 percent of the world’s water is freshwater, and even less is accessible for drinking. The Kingdom is the largest producer of desalinated water globally, supplying over 60 percent of its potable water, according to the Saudi Pavilion team’s research.

“We thought (the sabeel) was a perfect anecdote to describe the attitude and the general principle behind this concept of water as a human right and not as a luxury,” Jamal said. “It’s free drinking water, but it’s from a private source. So we felt it really encompassed this specific phenomenon in Saudi, of paying it forward and offering water to people who don’t have access to it.”

With “Good Water,” the Saudi National Pavilion puts this scarcity — and the labor behind everyday hydration — center stage.

“Our research was about water and access to water,” Jamal added. “When we were first conceptualizing the piece for the London Biennale, we were looking at the infrastructure and water and access and what’s the hidden cost of free water in Saudi — and specifically looking at the object(ive) of a sabeel: What does this act of generosity and act of making water into a human right mean, and what is the hidden cost of that?”

Though the widespread distribution of plastic bottles has displaced the sabeel to some extent, Jamal emphasized its enduring relevance, especially in a country with scorching summers and large outdoor workforces.

“I think people are on the go, so they need something convenient, but I think water bottles haven’t killed off sabeels completely,” he said. “A lot of the workforce in Saudi, who have more direct contact under the sun and the streets — they still use it all the time. It’s not just drinking water — it’s cold drinking water, and in Saudi that’s very important.”

Jamal joked that after nearly a year of working on this project, the team would raise a glass of water in celebration.

The pavilion will be open until June 29 at Somerset House.


Red Sea-backed films set to shine at 2025 Locarno Film Festival

Red Sea-backed films set to shine at 2025 Locarno Film Festival
Updated 09 July 2025
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Red Sea-backed films set to shine at 2025 Locarno Film Festival

Red Sea-backed films set to shine at 2025 Locarno Film Festival

DUBAI: Three films supported by the Red Sea Film Foundation will feature at this year’s Locarno Film Festival, which takes place in Switzerland from Aug. 6-16.

Among the 2025 lineup are “Irkalla – Gilgamesh’s Dream” by Iraqi filmmaker Mohamed Al-Daradji, “Becoming” by Kazakh director Zhannat Alshanova, and “Exile” from Tunisian filmmaker Mehdi Hmili.

Each was backed by the foundation through either the Red Sea Fund or the Red Sea Souk, two initiatives designed to champion bold new voices from the Arab world and beyond.

“Irkalla – Gilgamesh’s Dream” offers a reimagining of the Epic of Gilgamesh set against a haunting contemporary backdrop. The film follows a street kid with diabetes as he tries to persuade his tough best friend, the legendary Gilgamesh, to take him to the underworld Arkala.

 “Becoming” by Alshanova, a London-based writer/director from Kazakhstan, follows a young woman grappling with identity and independence in modern-day Kazakhstan.

“Exile,” from Hmili, is a powerful portrait of displacement and belonging. In the biggest steel factory of Tunisia, four workers suffering from psychological and physical disorders are haunted by the loss of their colleague. In an atmosphere of social and political tension, their struggle will help them overcome their pain.

The Red Sea Film Foundation said it was “proud to have supported these exceptional projects” and celebrated their selection as a milestone moment for regional cinema.
 


Ashi Studio unveils sculptural silhouettes in Paris

Ashi Studio unveils sculptural silhouettes in Paris
Updated 09 July 2025
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Ashi Studio unveils sculptural silhouettes in Paris

Ashi Studio unveils sculptural silhouettes in Paris

DUBAI: Ashi Studio, founded by Saudi couturier Mohammed Ashi, presented its Fall/Winter 2026 haute couture collection during Paris Haute Couture Week, featuring a series of architectural gowns and tailored creations.

The collection focused on structured silhouettes and exaggerated proportions, with many looks emphasizing sharp tailoring, corsetry and sculpted waistlines. 

A palette of black, ivory and champagne was punctuated by shimmering metallics and embroidery. (Getty Images)

Several pieces featured dark satin corsets with lace trim, dramatic fishtails, high slits and cascading fringe panels. Throughout the collection, waists was cinched and hips were accentuated. 

A palette of black, ivory and champagne was punctuated by shimmering metallics and embroidery. Satin, tulle, lace and jacquard were prominent, with select garments incorporating feathers, beaded applique and textured embellishments. 

Several looks integrated embroidery that resembled botanical and animal motifs, while others featured sculptural three-dimensional elements like floral bustiers or carved wooden corsets. One standout piece was a cream ensemble embroidered with monkeys and leaves, while another featured a corset carved in a wood-like finish, wrapped by sculptural monkeys. 

One standout piece was a cream ensemble embroidered with monkeys and leaves, while another featured a corset carved in a wood-like finish, wrapped by sculptural monkeys. (Instagram)

Other designs included sheer tulle gowns with visible corsetry, jackets with dramatic shoulders and floral applique and fully sequined dresses embroidered with birds and foliage.

Some models carried small clutches made from matching textiles.

Nojoud Al-Rumaihi attended the show. (Getty Images) 

US rapper Cardi B was among the high-profile guests at the Paris-based brand’s presentation. She arrived wearing an ivory lace gown with a high-neck and long-sleeves. The dress featured sheer panels, tiered ruffles and a voluminous asymmetrical skirt. She completed the look with pointed heels and a side braid. 

The rapper posed for photos alongside Ashi ahead of the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Ashi Studio (@ashistudio)

Ashi’s creations have been worn by the likes of Beyonce, Lady Gaga, Jennifer Hudson, Kylie Minogue, Penélope Cruz, Deepika Padukone, Sonam Kapoor, Queen Rania of Jordan and more.  

Ashi became the first couturier from the Gulf region to join the Fédération de la Haute Couture in Paris as a guest member in 2023. He also became the first designer from the Gulf to be included in the BoF 500 list, the Business of Fashion’s index of the people shaping the fashion industry in 2023.

Ashi designed the inaugural fashion line for the cabin crew of the Kingdom’s new airline, Riyadh Air, which is on track to make its maiden flight this year. 


Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition
Updated 08 July 2025
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Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

DUBAI: Riyadh Fashion Week (RFW) is gearing up for its third edition, with organizers issuing a final call for designer applications. Fashion houses from across Saudi Arabia and around the world have until July 15 to submit their proposals for inclusion in the official calendar.

One of the Middle East’s most anticipated fashion events, RFW offers a platform for both emerging and established designers to showcase their collections to international buyers and industry leaders. 

The official calendar will feature a broad spectrum of brand activations beyond traditional runway shows. Designers can also take part in curated presentations, showroom exhibitions, trunk shows, retail pop-ups, creative takeovers, private dinners and immersive experiences. 

Saudi Arabia-based and international fashion brands across ready-to-wear, couture, menswear, and streetwear categories are eligible. 
“This is more than a runway,” said Burak Cakmak, CEO of the Saudi Fashion Commission. “It is a statement of creative identity, innovation, and ambition. Riyadh Fashion Week provides a high-impact opportunity for designers to tell their story on a global stage.”


Zayed National Museum to explore UAE’s storied history

Zayed National Museum to explore UAE’s storied history
Updated 08 July 2025
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Zayed National Museum to explore UAE’s storied history

Zayed National Museum to explore UAE’s storied history
  • Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena

DUBAI: As Zayed National Museum gets ready to open its doors in the UAE capital, Arab News spoke to director Peter Magee about the museum’s aims and what visitors can expect.

An opening date is yet to be announced, but the center will focus on the history of the UAE with special emphasis on Sheikh Zayed bin Sultan Al Nahyan. It will explore early human settlements that go back 300,000 years as well as the area’s language, traditions, and flora and fauna. 

“The narrative within the museum is guided by the enduring values of the UAE’s founding father, Sheikh Zayed bin Sultan Al-Nahyan,” explained Magee. “We look at those values and then we look at the way in which they guided him, but also the way in which they reflect social values which exist within the UAE both in the past and the present — and in the future.

Dr. Peter Magee. (Supplied)

“It's a national museum focused on the UAE, but of course it looks at the regional links which existed to other countries in the Arabian Gulf, the Indian Ocean and even further afield.”

One particular highlight is a full-size reconstruction of a Magan boat from the Bronze Age, constructed with reeds and palm-fiber rope. Magee and his team sailed in it for two days on the waters of the Arabian Gulf.

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena. (Supplied)

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena.

“The way I like to think about it is that each of these museums and institutions … is its own star … and in combination they appear like a constellation or something that can be read coherently together as well as individually,” Magee said.


Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week
Updated 08 July 2025
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Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

DUBAI: Lebanese designer Georges Hobeika presented his Fall/Winter 2025/2026 couture collection as part of Paris Haute Couture Week.

Known for his craftsmanship and red-carpet-ready designs, Hobeika’s latest offering featured a wide array of detailed gowns and structured silhouettes.

The runway collection showcased a soft color palette, with shades of beige, blush pink, maroon, black, blue, and brown making up the core color story.

Fabrics included heavily embroidered textiles, delicate lace, satin and tulle. Many looks incorporated tonal embellishments and shimmering surface details. 

Beaded bodices, crystal fringe, and metallic appliqués were prominent throughout the collection, adding texture and dimension.

Silhouettes ranged from structured floor-length gowns and A-line dresses to voluminous skirts and sleek, form-fitting eveningwear. There were also several mid-length and tea-length designs with sculptural detailing, along with a few two-piece sets featuring cropped tops and high-waisted skirts.

One standout bridal look appeared during the show — a long-sleeved gown with sheer detailing and silver embroidery. The dress was paired with a beaded headpiece and a trailing veil.

Accessories were kept minimal, with statement earrings and clean, slicked-back hair showed off by the models.

Toward the end of the show, Hobeika and his son Jad Hobeika walked the runway together to thank their supporters.

Paris Haute Couture Week kicked off on Monday with Schiaparelli’s Fall 2025 show, marking the start of a series of high-fashion presentations that will run through July 10.

The opening show did not begin with sequins or traditional red carpet glamor, but with the surreal sight of Cardi B and a live crow. 

Wrapped in a custom Schiaparelli gown of graphic fringe, the US rapper stood beneath the gilded columns of the Petit Palais, holding the black bird on her arm. Her avian plus one squawked, glared and nearly lunged — setting the tone for a monochrome show that itself soared straight into the surreal.

On the first day, Iris Van Herpen, Imane Ayissi, Rahul Mishra, Julie de Libran and Giambattista Valli also showcased their collections.

In addition to Georges Hobeika, several other Arab designers are on the calendar, including Ashi Studio, Elie Saab, Zuhair Murad and Rami Al-Ali.