The status quo of the cinema industry in Saudi Arabia represents the most outstanding feature of the Saudi idiosyncrasy. We hear and read about the production of Saudi films. Many of us have also actually watched some of them. This is solid proof that Saudi cinema is a reality and not a myth.
Furthermore, some Saudi films have won awards; this may not be because of their merit but perhaps because they project a particular aspect of Saudi Arabia. I am speculating because I am unsure. I am judging this by the way the foreign media flock toward any Saudi piece of art, which includes a feminine element, even if the art in question is below standard.
We now have film festivals and the production of a good number of films, some of which are about to be shown in Arab cinemas. Away from my personal convictions, I ask the question: Why do we contradict ourselves so much? At the outset, I do not believe that the opening of a cinema will lead to ethical corruption among our youths, as a large number of them watch Arab and Western films on television.
Regarding the cultural influence, then this is not something new. I may further venture to say that this cultural influence is outside our control since it comes via several means.
The increasing number of Saudi films unveil the condition of the Saudi cultural idiosyncrasy in which we notice unusual disparities.
Saudi cinema is an illegitimate child; this is despite the fact that film festivals are held under the umbrella of the Information Ministry. The reason is that everyone detach themselves from Saudi films to the extent that some people, who support this industry, are hesitant to open a cinema to show them.
In fact, the opening of cinemas is a positive solution, especially if they are under the umbrella of an official organ. Shows could then be organized separately by rotation — one time for women and children and the other time for young and old men.
Once opened, these cinemas would be better places for entertainment than far away and closed rest houses where the youth can commit mistakes.
Regrettably, we always try to organize entertainment for our youth in far away and isolated places — this usually begins with an activity in the house and ends with a separate and far distanced rest house here or there.
Saudi idiosyncrasy has brought appreciation and attention to Saudi movies, some of which have obtained awards in some Arab film festivals and perhaps will get awards soon at international festivals. These films are appreciated for the simple reason that they depict a particular aspect of Saudi culture.
To surpass all problems that may arise from Saudi idiosyncrasy, Saudi filmmakers should work according to a social philosophy that will focus on their national and human responsibility. This requires an awareness, not just ambition.
