Where We Are Going Today: 2welve Moons

Updated 05 July 2019

Where We Are Going Today: 2welve Moons

  • The cafe is always looking to keep up with the latest international coffee trends

Coffee lovers in a Saudi city are waking up to a fresh cafe experience.

Recently opened 2welve Moons cafe in Jeddah has been offering something of a coffee bean feast to its customers.

The coffee shop’s drinks come in all shapes and sizes, and are served to perfection hot, cold and flavored by trained baristas.

And the cafe is always looking to keep up with the latest international coffee trends.

Social media was recently buzzing over the craze of serving coffee in waffle cones lined with thick chocolate, and in no time 2welve Moons was offering the tasty new drinking experience to its clients.

The cafe’s desserts are not bad either, coming in a wide variety of decadent and delicious forms.

For the icing on the cake, the coffee house’s cozy interior includes an impressive counter-area wall peppered with little lights that shine like stars in a night sky.


Film Review: Afghan tale of three troubled pregnancies fails to deliver

Director Sahraa Karimi profiles the lives of three young Afghan women. (Supplied)
Updated 16 September 2019

Film Review: Afghan tale of three troubled pregnancies fails to deliver

VENICE: Dubbed Afghanistan’s first female director, Sahraa Karimi grew up in Iran with her refugee parents, and later studied cinema in Slovakia.

With 30 shorts and a couple of documentaries under her belt, she travelled this year to the Venice Film Festival with her debut fiction feature, “Hava, Maryam, Ayesha.”

Studying and making movies in Europe was not her scene. “Somehow, from a storytelling perspective, I don’t belong to that part of the world,” she said, recalling her days in Slovakia. “I belong to Afghanistan.”

She returned to Kabul to shoot “Hava, Maryam, Ayesha,” which was produced by Katayoon Shahabi of Noori Pictures that once helped introduce Iranian directors such as Asghar Farhadi and Mohammad Rasoulof to the world.

In her film, Karimi profiles the lives of three young Afghan women, linked only by problems with the men in their lives.

Hava’s (Arezoo Ariapoor) husband is callous to the point of being cruel, and her only comfort is talking to the baby in her womb. But when it stops kicking, she panics.

Maryam (Fereshta Afshar) is a popular television news reporter who wants to divorce her philandering husband. However, he insists on giving their marriage one more chance, and Maryam finds out she is pregnant.

Another expectant mother, 18-year-old Ayesha (Hasiba Ebrahimi), comes from a middleclass family but is left with no choice but to marry her cousin after being dumped by her cowardly boyfriend.

The three stories, while seemingly interesting, fail to engage because there is hardly any dramatic curve in them.

Possibly the only high point about the movie was Karimi’s relaying of the real-life tales she drew from women during her travels as a UNICEF representative. The experience was cathartic for many.

“Women don’t share their secret lives with their families or their communities, because they’re scared of rumors and gossip,” said Karimi. But with the female director, they felt comfortable and began to speak “about their suffering, wishes, and dreams.”

The more difficult part for Karimi was the shoot itself. The crew had to film under trying conditions with at least four bombs exploding in and around Kabul. But she labored on.

This probably prevented her from getting better technical results from an interesting concept, but the film could still have been pepped up with livelier storytelling.