Coffee lovers in a Saudi city are waking up to a fresh cafe experience.
Recently opened 2welve Moons cafe in Jeddah has been offering something of a coffee bean feast to its customers.
The coffee shop’s drinks come in all shapes and sizes, and are served to perfection hot, cold and flavored by trained baristas.
And the cafe is always looking to keep up with the latest international coffee trends.
Social media was recently buzzing over the craze of serving coffee in waffle cones lined with thick chocolate, and in no time 2welve Moons was offering the tasty new drinking experience to its clients.
The cafe’s desserts are not bad either, coming in a wide variety of decadent and delicious forms.
For the icing on the cake, the coffee house’s cozy interior includes an impressive counter-area wall peppered with little lights that shine like stars in a night sky.
Art Dubai 2020: Why the Mideast’s leading art fair is turning to Africa
The artworks feature a selection of 55 galleries that aim to further the fair’s focus on expanding conversations beyond traditional art production centers
The 2020 edition will include 21 first-time exhibitors from Nigeria, Sudan and Vietnam
Updated 12 December 2019
Rebecca Anne Proctor
DUBAI: Art Dubai returns for its 14th edition in from March 25-28, 2020, with a fair that continues to build off Dubai’s pivotal location between South Asia, East Africa, and the Gulf, bringing together global perspectives from geographies often overlooked in the realm of international contemporary art. Next year’s edition presents 90 galleries from 38 countries, including 21 first-time exhibitors from Nigeria, Sudan and Vietnam.
Artworks will be displayed across four gallery sections, including Art Dubai Contemporary, featuring a selection of 55 galleries that aim to further the fair’s focus on expanding conversations beyond traditional art production centers; Residents, curated by Johannesburg-based Kabelo Malatsie, which will focus on the African continent; Art Dubai Modern, curated by Sam Bardaouil and Till Fellrath presenting solo presentations by modern masters from the MENASA region; and Bawwaba, which means “gateway” in Arabic and is curated by Mumbai-based curator Nancy Adajania and showcases solo presentations by artists from, based in, and or focused on projects about the Middle East, Africa, Central, South and Southeast Asia and Latin America.
All eyes are on contemporary art from Africa and Art Dubai’s new focus for its Residents section, which showcases solo presentations from invited galleries whose artists have partaken in a UAE-based art residency, further affirms this statement. “The curatorial intervention in this year’s Residents will be looking at geometry and pattern,” Malatsie told Arab News. “Our perception of the world follows a logic that is learnt through various institutional and societal norms. The curatorial intervention will use institutional and individual norms to make biases and learnt perceptions visible to those coming to the exhibition.”
This year, Residents will feature presentations of African Masters positioned alongside emerging artists from across the continent, including Egypt, Ghana, Kenya, Morocco, Mozambique, South Africa and Sudan. The section will include London and Addis Ababa-based Addis Fine Art, exhibiting the work of Ethiopian artist Daniela Yohannes, Circle Art Gallery from Nairobi featuring the work of Kenyan artist Longinos Nagila, Accra-based Gallery 1957 presenting the work of Ghanaian artist Gideon Appah and SMAC with branches in Johannesburg, Cape Town and Stellenbosch, featuring the work of Wallen Mapondera from Zimbabwe amongst others.
“There is a natural progression in representation of art from the African continent at Art Dubai,” said Pablo del Val, the fair’s artistic director, to Arab News. “There are cultural and aesthetic connections that reflect in local social sensibilities and ideas and a significant community of African collectors based in Dubai. These relationships ensure that the art is contextualized, making it more powerful than if art from Africa were treated as an exception.”