REVIEW: 'Stranger Things' season three

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Finn Wolfhard (Mike Wheeler), Caleb McLaughlin (Lucas Sinclair), Charlie Heaton (Jonathan Byers), Sadie Sink (Max Mayfield), Noah Schnapp (Will Byers), Natalie Dyer (Nancy Wheeler) and Millie Bobby Brown (Eleven/Jane Hopper). (Netflix)
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Gaten Matarazzo (Dustin Henderson), Joe Keery (Steve Harrington) and Maya Hawke (Robin Buckley). (Netflix)
Updated 21 July 2019

REVIEW: 'Stranger Things' season three

  • Hit series returns, funnier and freakier

DUBAI: Netflix’s “Stranger Things” crossed the line from hit series to cultural phenomenon pretty early on with its mix of Eighties nostalgia, sweetly humorous kids-coming-of-age story, sci-fi thrills and genuinely spooky scenes.

After a second season that brought a darker, more dangerous vibe but lost some of the fun, showrunners the Duffer Brothers seem to have struck a better balance between the two in the third season, released last week.

Set in the summer of 1985, the central gang of kids: Mike Wheeler, Will Byers, Lucas Sinclair, Max Mayfield, Dustin Henderson and telepath Eleven (or El — or Jane Hopper as she’s now the legal adoptive daughter of Sherrif Jim Hopper) are on school vacation, and it’s that awkward summer when the boys start to take more interest in girls than in Dungeons & Dragons, much to Will’s chagrin. Mike and Lucas are (at the start of the series at least) bumbling their way through relationships with El and Max respectively. The Duffers mine these awkward ‘first-love’ scenarios for rich humor and some genuinely touching moments, as well as some realistic takes on how the complications of love interests affects the tight-knit gang of boys we met in the first series. And of how they enable Max and El to bond. It’s great to see El relax into hanging out with her first real girlfriend (in the platonic sense).

There’s plenty of humor too in the double-act of Dustin and Steve Harrington — formerly the high-school heartthrob, but now struggling to retain his ‘cool’ edge while working in an ice-cream parlor in the town’s new social hotspot, the Starcourt Mall. New arrival Robin is his co-worker — and thorn in side, constantly puncturing his ego.

Of course, there’s a darkness stirring too. The sinister, otherworldly monster defeated by El at the end of season two is not, it seems, as gone as everyone thought. Strange power fluctuations trigger Will’s awareness of his nemesis, and the kids quickly realize that their summer holidays aren’t going to be as carefree as they’d hoped. There’s the issue of exploding rats, for starters, and Max’s older brother, Billy, is acting very, well, strange.

Everything that made “Stranger Things” so wildly popular, then, is still in place, including stellar performances from the ensemble cast and the eye-catching attention to Eighties pop culture (new Coke, Phoebe Cates and Ralph Macchio, for example), to — of course — the unsettling notion of something very wrong happening just beneath Hawkins’ shiny, happy surface.


Iraq Pavilion at Venice Biennale shuts in solidarity with protesters

The Iraq Pavilion at the Venice Biennale has shut down in solidarity with protesters. Supplied
Updated 13 November 2019

Iraq Pavilion at Venice Biennale shuts in solidarity with protesters

  • In a show of solidarity with anti-government protestors, the Iraq Pavilion at the Venice Biennale has shut down
  • Initially set to run until Nov. 24, the exhibition entitled “Fatherland” was closed on Nov. 5.

DUBAI: Iraq is currently in the midst of ongoing anti-government protests that have claimed the lives of more than 260 Iraqis since they erupted earlier this month. In a show of solidarity, the Iraq Pavilion at the Venice Biennale has shut down.

Initially set to run until Nov. 24, the exhibition entitled “Fatherland” was closed on Nov. 5.

“Fatherland” is a collection of expressionist paintings by Iraqi-Kurdish artist Serwan Baran that were commissioned by Baghdad-based non-profit organization the Ruya Foundation, which in an official statement shared that the move was to show support to “the popular youth uprisings that have erupted in Iraq against state corruption and deteriorating economic and living conditions.”

“We condemn the use of violence against peaceful protesting, and the bloodshed that has led to the death of over 265 protesters so far,” read the statement shared on the organization’s Twitter account. “Peaceful protesting is a basic right, enshrined in Article 38.c of the Iraqi Constitution.”

“Since our founding in late 2012, we have worked hard, frequently in inhospitable circumstances, to create a platform for artists across Iraq to freely express their creativity, in a firm belief that culture is an integral component of any society, and a powerful force for change towards an open and free country. This is particularly important for Iraq, given its difficult recent history and authoritarian past,” it continued.

The Baghdad-based foundation, which was co-founded by Tamara Chalabi, daughter of former Iraqi politician Ahmed Chalabi, has overseen the Iraq Pavilion in Venice since 2013.