‘Noura’s Dream’ becomes nightmare dilemma in this raw tale

Updated 05 November 2019

‘Noura’s Dream’ becomes nightmare dilemma in this raw tale

CHENNAI: Hinde Boujemaa’s “Noura’s Dream,” which premiered at the recent Toronto International Film Festival and later featured at El Gouna Film Festival, saw the movie’s protagonist, Hend Sabri (Noura), clinch best actress award at the latter.

The director, who also wrote the script, tackles an unusual dilemma for a woman being pulled in three different directions by her husband, lover and three young children, two of them girls.

It is certainly not an easy task to lead a story such as this – emotionally complicated and set in Tunisia – to a closure.

In an interview with Variety, Boujemaa said: “There have been movies about adultery, but very few of them have been wholly empathetic to the woman. There’s often a kind of moral judgement attached. I wanted to make a film without any hint of moralizing.”

“Noura’s Dream” opens with a romantic scene. Working in a prison laundry, she is seen on her phone talking to her lover, handsome garage mechanic Lassaad (Hakim Boumsaoudi), and the two are all set to marry, her divorce just days away.

Her husband, Jamel (Lotfi Abdelli), is in jail having been caught committing petty crimes but when he is freed early after a presidential pardon, things get messy.




The director tackles an unusual dilemma for a woman being pulled in three different directions by her husband, lover and three young children. (Supplied) 

Boujemaa’s film has the feel of a Ken Loach (British director) movie, with its take on the predicament of the working class. There is a certain raw quality about “Noura’s Dream,” devoid of the polish and psychological complexities of “Marriage Story” (screened at Venice), in which auteur Noah Baumbach portrays the pain of a marital split with a degree of levity and sophistication.

A similar approach and treatment cannot be taken with Noura’s story, which is set in a very different kind of social environment that gives little freedom or equality to a woman. Take, for instance, the scene in which Noura’s defense lawyer, a woman, makes her client feel small and guilty, reminding her of the injustice and harm a split would do to her children.




Boujemaa’s film has the feel of a Ken Loach (British director) movie. (Supplied) 

Sabri brings to the fore the quandary of Noura, who is completely lost.

Should she go ahead with the divorce and marry Lassaad, a union that could mean abandoning her children who need their mother? Or should she stick with her wayward husband? There are no easy answers.


‘Arabs Are Not Funny’ comedy show just the opposite

Taking the stage at London’s lavish Royal Albert Hall were mixed Arab-Western comedians. (Supplied)
Updated 22 February 2020

‘Arabs Are Not Funny’ comedy show just the opposite

LONDON: Don’t let the name fool you, Friday night’s “Arabs Are Not Funny” comedy show was filled with nothing but quick-witted, snarky and overly-relatable quips. 

Taking the stage at London’s lavish Royal Albert Hall were mixed Arab-Western comedians Wary Nichen, Leila Ladhari, Mamoun Elagab and Esther Manito, with Iraqi-Scottish Sezar Alkassab hosting. 

The sold-out show started off with the host forcing the zaghrouta (a long, wavering, high-pitched vocal sound of joy) out of the audience, after encouraging them to “laugh at our culture and enjoy yourself.”

Sudanese-Irishman Elagab, who was recently nominated for BBC New Comedian of the Year, kicked off the night with a comedic look back at his upbringing in the UK, dealing with extremists in class, and the struggle of explaining stand-up comedy to his Sudanese uncle.

The sold-out show started off with the host forcing the zaghrouta. (Supplied)

Lebanese-Brit Manito humored the audience with stories of the struggle of taking her British husband to Beirut to meet her relatives, raising two children as an Arab mom, and having her Lebanese father living with her family yelling and cursing at the TV and on the phone. 

Tunisian-Swiss-Austrian Ladhari joked about her boyfriend’s father trying to bond with her by trying to sympathize with Daesh and letting her know that he “too doesn’t like eating pork.”

The highlight of the night was Algerian-Frenchman Nichen, who spoke of his job as a fulltime immigrant and the racism he endures in daily life in Paris. 

The show was organized by Arts Canteen, an organization that curates and produces events, exhibitions and festivals that support emerging, mid-career and established artists from the Arab world and surrounding regions, bringing their work to new audiences in the UK and beyond.