Camel herding in Western Sahara a passion with pedigree

A camel herder provides his animals with water, in the desert near Dakhla in Morocco-administered Western Sahara on October 13, 2019. (AFP / FADEL SENNA)
Updated 22 November 2019

Camel herding in Western Sahara a passion with pedigree

  • In the Western Sahara, a local adage holds that he who has no camel, has nothing
  • "Camels can endure everything: sun, wind, sand and lack of water, and if they could talk, you’d easily hear how intelligent they are,” says herder

DAKHLA, Western Sahara: In the Oued Eddahab desert in Western Sahara, Habiboullah Dlimi raises dairy and racing camels just like his ancestors used to — but with a little help from modern technology.
His animals roam free in the desert and are milked as camels always have been, by hand, at dawn and dusk.
When camels “feed on wild plants and walk all day, the milk is much better,” said the 59-year-old herder, rhapsodizing about the benefits of the nutrient-rich drink, known as the “source of life” for nomads.
But Dlimi no longer lives with his flock.
He lives in town with his family. His camels are watched over by hired herders and Dlimi follows GPS coordinates across the desert in a 4X4 vehicle to reach them.
He is reticent when asked about the size of his herd. “That would bring bad luck,” he said.
He prefers to speak of the gentleness and friendliness of the animals he knows like his own children.
“Camels can endure everything: sun, wind, sand and lack of water, and if they could talk, you’d easily hear how intelligent they are,” he said.




A camel is silhouetted against the sunset in the desert near Dakhla in Morocco-administered Western Sahara, on Oct. 13, 2019. (AFP / FADEL SENNA)


"The desert knows me"
Dlimi comes from a long line of desert dwellers from the Ouled Dlimi tribe.
As tradition dictates, he lists his ancestors going back five generations when introducing himself.
“I know the desert and the desert knows me,” he said.
Like elsewhere, the nomads of Western Sahara are settling, following a shift from rural to urban living.
“Young people prefer to stay in town,” Dlimi said, and herders now mostly come from neighboring Mauritania, whose desert north is traversed by caravans of up to a thousand camels.
Even they “often demand to work in areas covered by (mobile phone) network signal,” he added.
The population of the nearby town of Dakhla has tripled to 100,000 in 20 years, with growth driven by fishing, tourism and greenhouse farming encouraged by Morocco.
In this part of Western Sahara, development projects depend entirely on Rabat.
Morocco has controlled 80 percent of the former Spanish colony since the 1970s and wants to maintain it as an autonomous territory under its sovereignty.
The Polisario Front movement fought a war for independence from 1975 to 1991 and wants a referendum in which the people of Western Sahara choose between independence and integration with Morocco.
The United Nations has been trying to negotiate a political compromise for decades.
Like many in his tribe, Dlimi has family members on the other side of the Western Sahara Wall separating the Moroccan controlled areas from the Polisario controlled areas.
He favors loyalty to Morocco while others back independence, he said.
Tribal affiliation trumps politics, though.
“Tribes are tribes, it’s a social organization,” he said. “There are very strong links between us.”
To “preserve the past for the future,” Dlimi started a cultural association to conserve traditions from a time when there were no borders and “families followed the herds and the clouds.”




A camel herder guides his flock in the desert near Dakhla in Morocco-administered Western Sahara on Oct. 13, 2019. (AFP / FADEL SENNA)


The irony
While Dlimi loves the desert, he does have one complaint: “The camel dairy industry is valued everywhere in the world except here.”
Camel milk is trendy with health-conscious consumers and the lean meat is excellent, Dlimi claims.
Today though, it is small livestock farming that is the main agricultural focus, in response to what non-nomadic Moroccans tend to eat.
The 266,000 square kilometers (106,400 square miles) of Western Sahara under Moroccan control hosts some 6,000 herders, 105,000 camels, and 560,000 sheep and goats, according to figures from Rabat.
In other arid countries, including Saudi Arabia, intensive farming of camels has taken off.
But, while Moroccan authorities have undertaken several studies into developing Western Sahara’s camel industry, these have not so far been acted upon.
Regardless, a local adage holds that he who has no camel, has nothing.
“Some say that Saharans are crazy because when they have money they spend it on four feet,” Dlimi jokes.
For him, 20,000 dirhams ($2,000) spent on a camel is a safe investment.
But it is also a consuming passion.
His Facebook page and WhatsApp messages are filled with talk of camel husbandry techniques, research and racing.
Racing “is a pleasure and it pays,” Dlimi said.
Since the United Arab Emirates funded construction of a camel racing track at Tantan, 900 kilometers (560 miles) to the north, racing animals have appreciated in value and can sell for up to 120,000 dirhams, according to Dlimi.
To train his racing camels, Dlimi chases the young animals across the desert in his 4X4.
The technique has made him an eight-time champion in national competitions, he said.
But camels can be stubborn, Dlimi stressed, telling of how he once sold his best champion for a “very good price,” but the animal refused to race once it had changed hands.


Man eats $120,000 piece of art — a banana taped to wall

Updated 08 December 2019

Man eats $120,000 piece of art — a banana taped to wall

MIAMI: The move was bananas ... or maybe the work was just too appealing.
A performance artist shook up the crowd at the Art Basel show in Miami Beach on Saturday when he grabbed a banana that had been duct-taped to a gallery wall and ate it.
The banana was, in fact, a work of art by Italian artist Maurizio Cattelan titled “Comedian” and sold to a French collector for $120,000.
In a video posted on his Instagram account, David Datuna, who describes himself as a Georgian-born American artist living in New York, walks up to the banana and pulls it off the wall with the duct tape attached.
“Art performance ... hungry artist,” he said, as he peeled the fruit and took a bite. “Thank you, very good.”
A few bystanders could be heard giggling before a flustered gallery official whisked him to an adjoining space for questioning.
But the kerfuffle was resolved without a food fight.
“He did not destroy the art work. The banana is the idea,” Lucien Terras, director of museum relations for Galerie Perrotin, told the Miami Herald.
As it turns out, the value of the work is in the certificate of authenticity, the newspaper said. The banana is meant to be replaced.
A replacement banana was taped to the wall about 15 minutes after Datuna’s stunt.
“This has brought a lot of tension and attention to the booth and we’re not into spectacles,” Terras said. “But the response has been great. It brings a smile to a lot of people’s faces.”
Cattelan is perhaps best known for his 18-carat, fully functioning gold toilet called “America” that he had once offered on loan to US President Donald Trump.
The toilet, valued at around $5 to $6 million, was in the news again in September when it was stolen from Britain’s Blenheim Palace, the birthplace of wartime leader Winston Churchill, where it had been on display.