Ciara rocks Arab labels at American Music Awards

Ciara showed off a daring look by Lebanese designer Georges Hobeika. Getty Images
Updated 25 November 2019

Ciara rocks Arab labels at American Music Awards

  • Ciara displayed a striking lineup of show-stopping looks from Middle Eastern designers
  • However, the Grammy award-winning singer wasn’t the only star to seek out regional talent at the ceremony

DUBAI: One of the biggest questions ahead of the 2019 American Music Awards, which kicked off on Sunday in Los Angeles, was: How many outfits can the evening’s host Ciara pull off?  Turns out, the answer is nine. And among the lineup of glamorous, show-stopping ensembles were a number of designs from Arab labels.

First, she hit the red carpet in an oversized cobalt-colored plisse pantsuit from Balmain accessorized with matching turquoise jewelry from Los Angeles-based, Egyptian designer Jacquie Aiche, which set the tone for the rest of the head-turning looks that followed.

Following her opening performance of her new single “Melanin” — she opted for a custom Bryan Hearns creation — the mother-of-two slipped into a leopard-printed mini dress from Saudi couturier Ashi Studio for her third look. The glamorous look featured billowing sleeves and a long train and she accessorized it with a bold, diamond choker.

For her fourth look, Ciara chose an orange, crystal-embellished jumpsuit from Beirut-based label Georges Hobeika. Getty Images

 She followed up the striking ensemble with a design from another Arab couture house. For her fourth look, the “Goodies” singer chose an orange, crystal-embellished jumpsuit from Beirut-based label Georges Hobeika.  The long-sleeved ensemble boasted a high neck and an oversized bow that trailed on the floor. She completed the look with a pair of metallic sandals.

The 34-year-old also rocked designs from Alessandra Rich, Azzaro and Versace. She closed out the celebrity-filled event in a sheer, black Mugler design.

 The Grammy award-winning singer wasn’t the only star to seek out regional talent at the 47th edition of the annual awards ceremony.

American singer Toni Braxton wore not one, but two Arab designs. AFP

Singing legend Toni Braxton, who was honored at the event, wore  a feathered off-the-shoulder gown by Lebanese label Labourjoisie before switching into an ethereal white tulle gown by Kuwaiti designer Yousef Al-Jasmi for her nostalgic rendition of "Un-Break My Heart".

Other celebrities to step out on the red carpet wearing Arab labels include Heidi Klum, who turned to Bahraini label Monsoori for the occasion.

Elsewhere, Regina King arrived on the red carpet wearing a long, black cut-out Ashi Studio gown and Lauren Jauregui turned heads wearing a belted, snake skin design from LA-based, Syrian-Venezuelan label Usama Ishtay.

Meanwhile, American singer Paula Abdul stunned in a single-shoulder, crystal-embellished dress with a high slit from Lebanese label Charbel Zoe. 

Five Arab films that have won international acclaim

Updated 06 December 2019

Five Arab films that have won international acclaim

  • Saudi director Haifaa Al-Mansour’s 'The Perfect Candidate' is in the shortlist for an Oscar
  • A number of Arab productions are in the race for the Best Foreign Language Film Oscar

CAIRO: The Oscars are just around the corner, and in January the shortlist for the coveted Best Foreign Language Film award will be confirmed.

Several titles from the Middle East and North Africa (MENA) region have been submitted for consideration, including Saudi director Haifaa Al-Mansour’s “The Perfect Candidate.”

The entry, which tells the story of a Saudi doctor who takes on her country’s patriarchal system by running in municipal elections, is particularly significant as it is the Kingdom’s first Academy Award submission following the ban on theaters being lifted in 2017.

It is also the first to be supported by the Saudi Film Council, an organization launched at Cannes Film Festival in 2018.

Here is a look at other recent Arab titles that have achieved international acclaim, and why they are worth watching.


1. WADJDA — Saudi Arabia

“The Perfect Candidate” is not the first of Al-Mansour’s films to be submitted to the Oscars. Her critically acclaimed drama “Wadjda” became the first title to be submitted by the Kingdom in 2013 for the 86th Academy Awards. It marked the debut of a Saudi female filmmaker, with the film shot entirely in the Kingdom.

The story of a 10-year-old Wadjda, and her desire to buy a bicycle to race against a male friend, sheds light on traditions and women’s rights.

In an article for The Guardian newspaper, film critic Henry Barnes described “Wadjda” as a message that Al-Mansour wrapped “inside a love letter to her people.”


2. ESHTEBAK — Egypt

The Egyptian film industry has a good track record when it comes to titles receiving global acclaim, one of the most recent being “Eshtebak” (“Clash”), by director Mohamed Diab.

Set in a police van during a period of street protests and unrest in 2013, the film chronicles a time of political and social instability in the country, where a clash of ideologies and personalities unfolds between communities.

 Egyptian director Mohamed Diab's “Eshtebak” (“Clash”). (Supplied)

The resulting tensions and dilemmas are acted out by the people trapped in the van.

“Eshtebak” was selected as the opening film for the Un Certain Regard section at the 2016 Cannes Film Festival, and screened internationally across Europe, and in Brazil and China.

The film was publicly endorsed by actor Tom Hanks in a letter to the director: “Your film will go to great lengths to enlighten many. Audiences will see that humanity is a fragile community, but we are all in ‘this’ together.”


3. AL-JANNA AL-AAN — Palestine

A Golden Globe winner for Best Foreign Language Film — and nominated in the same category at the 78th Academy Awards — “Paradise Now” was described by its Palestinian director, Hany Abu-Assad, as “an artistic point of view of the political issue.”

The film digs deep into the human aspects of the Palestinian conflict, following the fictional story of two friends recruited by a terrorist group to become suicide bombers in Tel Aviv.

Palestinan director Hany Abu-Assad's “Al-Janna Al-Aan" (Supplied)

Armed with explosives, they attempt to cross into Israel, but are pursued by border guards and separated.

When they are reunited, one character decides against carrying out the bombing, and tries to convince his friend to quit as well.

“Paradise Now” was not Abu-Assad’s only Academy Award nomination. His film “Omar,” which won the Muhr awards for Best Film and Best Director at the 2013 Dubai International Film Festival, was also shortlisted for the same category at the 2014 Oscars.



4. CAFARNAUM — Lebanon

Directed by celebrated Lebanese filmmaker Nadine Labaki, “Capernaum” depicts the complicated life of undocumented migrants, refugees and workers in Lebanon through the story of 12-year old Zain, who lives in the slums of Beirut.

The film generated $68 million at the box office worldwide, more than 17 times its production budget, becoming the highest-grossing Middle Eastern and Arabic movie of all time.

Lebanese director Nadine Labaki's “Cafarnaum" (Supplied)

“Capernaum” won the Jury Prize at the 2018 Cannes Film Festival — it received a solid 15-minute standing ovation after its screening there — and was shortlisted for Best Foreign Language Film at the 91st Academy Awards.

Labaki’s other productions include “Caramel” and “Where Do We Go Now?”


5. THEEB — Jordan

This drama by Naji Abu Nowar starred non-professional Bedouin actors and focuses on events unfolding in the Wadi Rum desert in southern Jordan during World War I.

Jordanian director Naji Abu Nowar's “Theeb" (Supplied)

In 2016, “Theeb” won internationally recognition by becoming the first Jordanian nomination to make it to the shortlist for Best Foreign Language Film at the Academy Awards.

It was also nominated for Best Film Not in the English Language at the 69th British Academy Film Awards, and won the Best Director award at the 71st Venice International Film Festival.


• This report is being published by Arab News as a partner of the Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region.