Artist Firouz Farmanfarmaian turns confinement into creativity with his first virtual exhibition

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Firouz Farmanfarmaian. (Image supplied)
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'Confinement' by Firouz Farmanfarmaian. (Image supplied)
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'New Form IV' by Firouz Farmanfarmaian. (Image supplied)
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A sketch from Firouz Farmanfarmaian's 'Let's Get Lost (Let Them Send Out Alarms)' exhibition. (Image supplied)
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Updated 27 April 2020

Artist Firouz Farmanfarmaian turns confinement into creativity with his first virtual exhibition

  • For his latest work, the artist used only materials on hand in his studio

LONDON: When multidisciplinary artist Firouz Farmanfarmaian went into lockdown at his studio in Marbella, Spain, in March, he didn’t realize his time in confinement would be a period of intense creativity leading to his first ever participation in a VR exhibition.

Prior to isolation, Farmanfarmaian spent six months in the Draa Valley in South Morocco, working closely with local Amazigh artisans and painting in the deserted streets of abandoned ‘ghost’ villages — once populated by Berbers and, further back, by Jews.

He told Arab News that the first few days in confinement after his time in the wide open spaces of the Draa Valley had been “pretty brutal.” Then, out of the blue, a phone exchange with his agent Janet Rady led to the launch of a collaborative multi-platform digital exhibition available across Artsy, the Janet Rady Fine Arts (JRFA) website, Nouvelle Vague Artspaces, Kunsmatrix VR exhibition and Instagram.




Work in progress in Firouz Farmanfarmaian's studio in Marbella. (Image supplied)

“Let's Get Lost (Let Them Send Out Alarms),” which runs until May 13, features art that Farmanfarmaian created using only materials immediately on hand in his studio. In part this was due to the logistical restrictions of the lockdown, but  it was also a result of his admiration for the concept of ‘junkspace’ defined by the Dutch architect Rem Koolhaas as “what remains after modernization has run its course or, more precisely, what coagulates while modernization is in progress, its fallout.”

Farmanfarmaian worked with companies in the industrial area of Marbella where his studio is based, taking delivery of their unused materials and repurposing them for his art.

“I used industrial glue on wood and acrylic markers and plastic paint with a lot of texturization,” he said. “We are living through dark times so I logically went towards a darker type of palette which reflects the reality that people are dying in this plague and the mood I am in right now.” The muted colors also reflect the desert landscapes he was working in before the lockdown.

Farmanfarmaian also used an oval shape as a motif in his work for the first time. A departure from the triangle and cosmic cross that feature prominently in his preceding work. “When I used the triangle and cosmic cross they would be shown with an encasing. I slowly started in this series to move forward into this new form, in which the triangle and cross have disappeared and only the encasing, which had originally been created just to give them perspective, stayed,” he explained.




Work from Firouz Farmanfarmaian's 'Let's Get Lost (Let Them Send Out Alarms)' exhibition. (Image supplied)

There is a strong architectural feel to Farmanfarmaian’s work, a legacy of his grandfather, the pioneering architect Abdul Aziz Farmanfarmaian, whose extensive legacy includes high-profile projects in Saudi Arabia where he worked after the Iranian revolution. Although Farmanfarmaian studied architecture, he did not follow his grandfather into the profession. After three years he chose to switch to studying graphic design, but he recognizes “there is an element of architectonics in my work.”

In his work, you sense Farmanfarmaian searching for his lost roots. He left Iran aged four when his family moved to Spain because of the revolution. He was largely educated in Paris, under the guidance of his grandfather. He is also powerfully influenced by the concept of ‘trace,’ as espoused by the late French philosopher Edouard Glissant.

“His idea was that the archaic cultures and memory have to be revisited and put forward again in order for to us to communicate better today,” Farmanfarmaian said

This philosophy influenced his post-tribal exhibition “Memorandum of the Unknown Path,” a powerful site-specific installation in the main halls of the Théâtre Royal de Marrakech for the 1-54 Marrakech 2020 African art fair. This work is currently going through the qualification process for the Jameel Prize, echoing the footsteps of his late great aunt, the celebrated artist Monir Shahroudy Farmanfarmaian, who was a finalist in 2011.

For Farmanfarmaian, the coronavirus has meant isolation but also intense creativity and exploration of new ways of communicating. He believes it is the responsibility of artists to give hope in times of darkness.

“We are adaptive creatures and every situation can also be a blessing,” he said.


Lebanese actor Nicolas Mouawad to star in George Miller film 

Updated 27 October 2020

Lebanese actor Nicolas Mouawad to star in George Miller film 

DUBAI: Lebanese actor Nicolas Mouawad revealed this week that he is set to star in a Hollywood film by Oscar-winning director George Miller.

In an interview during the El-Gouna Film Festival with online news platform El-Shai, the star said he will travel to Australia by the end of October to start shooting. 

“I feel very blessed to be able to take part (in) such a movie with a legend like George Miller. Actor(s) live and die without even getting close to an opportunity like this. I truly couldn’t be any happier,” Mouawad said. 

“I’ve been waiting to finally go and shoot the movie. It was postponed due to COVID-19,” he added. 

This is not Mouawad’s first Hollywood experience. In July, he released, on Instagram, the trailer of his first US-produced movie, “His Only Son,” by American director David Helling. The film is yet to be released.

Mouawad, 41, started his career as a TV host. In 2006, he got his first acting role in Lebanese writer Marwan Najjar’s series “Helm Athar.”

He has since then starred in some of the most-watched series in Lebanon and Egypt, winning multiple awards such as the Best Actor award at the London International Film Festival, Lebanon’s Murex d'Or for Best Actor, and more.  

Mouawad most recently revealed he is starring in his first Egyptian film, a thriller titled  “Mako,” alongside Turkish actor Murat Yıldırım, Egyptian actresses Basma, Nahed El Sebai, and more.