Hemmerle: Jewels that transcend uncertain times

Hemmerle ring, diamond, copper, pebbles and white gold. (Supplied)
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Updated 14 May 2020

Hemmerle: Jewels that transcend uncertain times

  • Due to the effects of Covid-19 a quieter form of luxury is taking place, one exemplified by 127-year-old vanguard jewelry house Hemmerle that has strong links to the Arab world

DUBAI: Buying an expensive piece of jewelry is one of the last thoughts on people’s minds in the current climate. The retail industry has been decimated by the coronavirus pandemic, with luxury and fashion firms among those sectors being hit the hardest. Bricks and mortar stores remain shut, and online shoppers are cautious about discretionary spending. Reports, from trade publication The Business of Fashion and consultancy McKinsey & Company, state that sales are expected to decrease as much as 40 percent this year. That’s an extraordinary figure. But a new form of luxury is taking shape, one dubbed “silent luxury.”

“Experience also suggests that, after a large-scale crisis with a heavy emotional toll, consumer preferences could shift, at least for a time, toward ‘silent luxury’ - paying more attention to classic elements, such as craftsmanship and heritage, and less to conspicuousness and ‘bling,’” according to an early April article from McKinsey.

This Hemmerle necklace boasts an ancient Javanese glass bead with patterning and coloring like a painting. (Supplied)

During the pandemic there has been a rapid shift in consumerism, exacerbated by the present state of the world, toward investing in high-end pieces that are made to last. They demonstrate the epitome of craftsmanship, sustainability and have a higher potential for resale on the growing secondary market. These are luxury goods that are not just one-of-a-kind, they stand the test of time for their narrative, beauty and dedication to the essence of the materials from which they are made.

Since its inception 127 years ago the fourth-generation, family-run and Munich-based jeweler Hemmerle has upheld the values of craftsmanship, integrity, innovation and beauty through its vanguard designs and use of dazzling materials. After weeks and weeks of lockdown its husband and wife team Christian and Yasmin Hemmerle, who run the jewelry house, are cautiously reopening the doors of their Munich boutique as Germany slowly gets back to business.

Portrait of Yasmin and Christian Hammerle photographed by Jens Bruchhaus. (Supplied)

“We are providing our clients with masks when they come in and are abiding by social distancing measures,” Christian Hemmerle told Arab News. “We are continuing to be creative but are facing the same challenges as everyone else.”

The lockdown provided their clients with the opportunity to appreciate Hemmerle jewels in new ways. “We have clients who have sent us pictures of themselves in their garden and around the house wearing their jewels,” Yasmin told Arab News. “Just because they were told not to go out doesn’t mean that they couldn’t experience the feeling of joy in dressing up in their jewels.”

Hemmerle Harmony bangle, emeralds, olive wood, bronze and white gold. (Supplied)

Both believe that beholding an object of beauty helps to transcend present challenges. “Simply knowing they (the jewels) are on me gives me the biggest pleasure,” one client told Yasmin during the lockdown. 

“When someone buys a piece of jewelry from us, they buy it because they want to wear it not because they want someone to see them wearing it,” Yasmin said. “The jewels give the wearer an emotion in return. They provide happiness.”

Hemmerle has long been influenced by Islamic geometry and the use of materials and stones traditionally used throughout the Arabian Peninsula. (Supplied)

The sense of beauty that comes from beholding an Hemmerle jewel stems from the house’s many influences, particularly from the Middle East. Hemmerle has long been influenced by Islamic geometry and the use of materials and stones like pearls, turquoise, garnets, carnelian, amber, coral, agate and faience—stones that would have been used in traditional jewelry throughout the Arabian Peninsula.

For example, one particular necklace features a piece of ancient Egyptian faience from the Amarna Period (circa 1352 – 1336 B.C.). For Hemmerle’s 125th anniversary, the house created a body of work entitled “Revived Treasures” that drew inspiration from ancient Egypt, including the structures, forms and proportions of its temples. The stylized simplicity of this necklace evokes structures of ancient Egyptian temples.

Hemmerle necklace, Ancient Egyptian faience, emeralds, sapphires, agate beads, bronze, white gold. (Supplied)

At the heart of Hemmerle’s work is the rediscovery of ancient materials to incorporate into its contemporary designs. The rarity of the intact 3,000-year-old faience lies in its subdued and elegant form, as well as the four pigments found in its inlay. This particular faience represents the lotus flower, which is significant for ancient Egypt. Upon closer inspection, one observes perforations used to hold strands of beads together that would traditionally form a collar with a mirror faience on the other end.

“Returning this faience to its original purpose in our work honors the past while also celebrating it in the present,” said Christian.  

Hemmerle bronze and white gold earrings paved with diamonds. (Supplied)

From its design to the pure state of materials used, every piece of Hemmerle jewelry is unique and can take years as well as hundreds of hours to produce. Prices are always on request and can reach into the six digits. Buying a Hemmerle piece of jewelry is like buying a work of art, it’s one that will stand the test of time.

“We still must allow ourselves to experience and enjoy beauty,” said Yasmin. “Yes, people are hesitant right now to spend. It’s a mindset. Because everything is strenuous right now and people are filled with uncertainty, surrounding yourself with beautiful things or wearing your favorite jewelry or even getting a bit dressed up nourishes your soul. It makes you radiate from inside.”

Egyptian photographer to take part in exhibition in Germany 

Updated 12 August 2020

Egyptian photographer to take part in exhibition in Germany 

DUBAI: Egyptian photographer Mohamed Hassan is among a long list of international artists who will showcase their work at “Facing Britain,” an exhibition scheduled at Germany’s renowned Museum Goch. 

The fair, set to take place from Sept. 27 to Nov 7, focuses on the period of Britain’s European Union membership between 1963 until 2020. 


Beautiful horses Pembrokeshire #wales #documentyourdays #shootpentax

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Hassan, who has been living in Wales since 2007, will showcase his work that he says “aims to challenge some of the stereotypes and judgements that people make about other people.”

“My personal experience as an Egyptian living in Wales for the last 10 years is that I am often judged or stereotyped by my appearance,” Hassan, who is originally from Alexandria, says on his website. 


Portrait of an amazing artist @lindanorrisglass Check her work on http://www.linda-norris.com/gallery/

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“During the last few years, as a result of events in the world, I have personal experience of less tolerance of my background with people sometimes behaving very negatively towards me as a fear of Islam and Muslims has grown,” he added. 

Hassan’s art has been exhibited at prestigious galleries including Wales’s Mission Gallery, the Waterfront National Museum, London’s Trajectory Showcase Competition Exhibition and more.



A post shared by Mo Hassan محمد حسن (@mohamed_hassan.photo) on

The exhibition also focuses on the 1970s and 1980s, when artistic documentary photography gained an importance worldwide.

Besides Hassan, the exhibition will also present work of artists from around the world including: James Barnor, John Bulmer, Rob Bremner, Thom Corbishley, Robert Darch, Anna Fox, Henry Grant, Ken Grant, Judy Greenway and many more.