JEDDAH: The UAE Minister for Foreign Affairs Dr. Anwar Gargash has told Arab News that the GCC is “collectively in agreement with any threat towards its security” from Iran.
In a virtual press conference on Thursday, the minister addressed the 41st GCC summit held in AlUla where an agreement was signed to mend relations with Qatar, stressing the importance of solidarity, unity and security among the Gulf states.
He said that some differences remained in how to address major security issues in light of Doha’s recent relationship with Tehran.
Since 2017, Qatar has warmed its relationships with Iran and Turkey, which the four nations saw as undermining regional security. Relations with Iran and Turkey strengthened the quartet’s views of Qatar as a threat and increased tensions, especially over their support for Islamist groups, harboring extremists and interference with internal affairs.
The minister said that the UAE’s views on both Iran and Turkey are one of the same, highlighting that it is not just a Gulf issue but an Arab issue. He noted that Turkey is one of the largest trade partners in the Middle East and one that should respect Arab sovereignty and interests.
“We understand that the geostrategic consideration will take some time and we need to work together on these issues and I’m sure there’s a Qatari perspective there”
“The more the GCC is closer together, the more collectively it agrees on geo-strategic issues,” he said, adding that their target is to work towards closing the gap on these issues.
Gargash also announced that trade, transport and resumption of full diplomatic ties with Qatar will take place within a week after the signing of the AlUla Declaration.
“The declaration is a significant step at resolving a difficult and painful crisis within the GCC and the Gulf,” he said, adding: “I’m glad this is coming to an end but this crisis will also depend on the transparency and constructive approach that we deal with as we move forward.”
He noted that the resumption of trade, transport, investment and financial transactions will be easier to achieve compared to some of the other challenges as “confidence building measures will take a while.”
The minister added: “We realize that some issues are easier to fix. Some will take longer.”
To reach an agreement, the minister said that the topic of opening air space came up a few months ago but efforts were made by Saudi Arabia to address the more pressing issues and find a solution with the help of the US and gaining the support of the UAE.
He said the four nations “are in this together and we have to exit together.”
The minister emphasized efforts made by Kuwait and the US, noting that the rift has to run its course as this is an issue that is “within the family” and they will be working on rebuilding confidence between the two states.
Gargash said that the GCC will now “retool internally” and improve on issues of security, economy, science and more, adding that “a more stable and connected region is within our interest.”
Addressing the issue of the state-owned Al-Jazeera Arabic news channel, the minister said that the challenge will be the government’s perception of neutrality in the next coming period and is an internal matter that the Qataris have to face but “will depend on bilateral agreements between the states.”
On the topic of Israel, the minister said that he hopes the UAE’s support and signing of the Abraham Accords will change the sentiment in the region and “we hope to change the reality in the region,” but highlighted each country has its own sovereign decision towards the accords.
“This is not the first crisis in the GCC but the sharpest, and it is within our interest to not return to any small or large crisis,” said Gargash.
He stressed that “any crisis will leave issues of trust” noting that the 2017 crisis will push members to quickly address any future problems as “we genuinely want to restart and own what took place in AlUla.”
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How artists in coronavirus-hit Middle East found strength in solidarity
Creative networks, art galleries and cultural institutions across the region pulled together in difficult times
Grants, commissions and rent holidays helped Gulf region’s artists survive the pandemic and economic downturn
Updated 16 min 51 sec ago
Rebecca Anne Proctor
DUBAI: Art is cross-cultural in form, function and meaning. But since the coronavirus pandemic struck, fairs, exhibition spaces, concert halls, museums and performing arts centers across the world have been forced to close their doors and cancel events, threatening the livelihoods of artists and depriving societies of joys they once took for granted.
The art world in recent decades has existed on an international circuit of exhibitions, art fairs, biennials and performances. Artists, curators, collectors, gallerists and art lovers crisscrossed the globe to congregate at events as far apart as Dakar and Mexico City. That is, until world travel slowed and then ground to a halt in March 2020.
Today, with lockdown restrictions returning to many countries, art is shared primarily online and via social media or by appointment-only visits to galleries and museums. And as the world economy sputters, art creation, appreciation and sales has been sidelined. For many artists, the need to survive, both physically and mentally, has taken priority.
In the Middle East, a region perennially beset by conflict, uncertainty and political turmoil, art and culture have somehow found a way to flourish, oftentimes against unthinkable odds.
The picture already appeared bleak at the start of 2020, even before lockdown restrictions were imposed. The UAE was experiencing a prolonged economic downturn, while geopolitical tensions drove many of the region’s galleries, particularly those in Lebanon and Iran, to despair.
With ongoing social reforms, economic diversification and a rapidly expanding cultural scene, Saudi Arabia was the biggest beacon of hope, but the closing of its borders and event cancellations after March put a damper on the creative industry’s spirits.
Facing economic and financial hardship, the Middle East’s arts community knew instinctively it needed to pull together.
Initiatives were quickly launched by the likes of Art Jameel, the UAE Ministry of Culture, the Kamel Lazaar Foundation in Tunisia and Dubai’s vibrant arts hub Alserkal Avenue to support creative and cultural enterprises through community building and artistic exchange. Alserkal Avenue gave its tenants a three-month rent-free package.
Fast-forward to January 2021. Many galleries, institutions and performing arts centers in the Gulf region are up and running again, although strict social-distancing measures remain in place. Art Dubai, one of the first events to cancel its physical fair in 2020, has announced it will go ahead as planned from March 17-20 at its home in Madinat Jumeirah.
“For us at Art Jameel, 2020 was the year of collective survival and 2021 is one of collective recovery,” Antonia Carver, director of Art Jameel, told Arab News.
“We were able to distribute more than 100 micro-grants through the Research and Practice Platform that we launched back in April: this program, among others, clearly demonstrated the huge wealth of creative talent in the Arab world and how a network of continued support is sorely needed.”
The crisis is not over yet, to be sure. “Artists and creatives in the Middle East need the full gamut of support, including grants,” Carver added.
As it is often said, the show must go on — even if by other means. Supporting artists and commissioning new works even in the absence of physical events is key to keeping the art scene going, says Bill Bragin, artistic director of the Arts Center at New York University Abu Dhabi (NYUAD).
“The reality is that we probably won’t be doing in-person events until September 2021,” he told Arab News. “I’ve really tried to get rid of the language surrounding ‘real events’ or ‘live events’ and exchange these now for real-time events that are happening via the internet or by telephone and are no less real.”
What is crucial is to make sure artists are supported, he says. To that end, Bragin has commissioned several pieces by UAE-based artists to be performed later in the year.
“There was a sense of urgency,” said Bragin. “Those of us working in the art and culture scene in the UAE generally have a sense of mission about it. This is important work to us individually and also to the country and to the transformation of the UAE. We all want to keep the momentum. We don’t want to lose ground now.”
The same holds for Saudi Arabia. Although coronavirus restrictions have temporarily disrupted plans in different economic fields, the arts and culture sector has found ways to forge ahead.
“As difficult as 2020 was, it revealed humanity’s agility in response to extraordinary circumstances,” Farah Abushullaih, head of Ithra Museum at the King Abdulaziz Center for World Culture in Dhahran, told Arab News.
“At Ithra, we remained committed to our ethos of making culture accessible when we were forced to close our doors. We launched the online platform Ithra Connect to engage with our community. The initiative reached more than one million people, underscoring the appetite for culture in the Kingdom.”
Besides Ithra Connect, the museum also launched Ithra Open-Call to support young Saudi artists and the COVID-19 Exhibit, while Ithra’s annual Tanween exhibition was held digitally.
* Arts and crafts.
* Design & fashion.
* Film, video, photography & TV/radio.
* Music & performing arts.
* Publishing, software & computer games.
Ithra returns in 2021 with a full calendar of events, including Al-Sharqia Gets Creative, Ana Mohafeth and the Saudi Film Festival, which is organized in partnership with the Saudi Arabian Society for Culture & Arts in Dammam with the support of the Ministry of Culture’s Film Commission.
“Despite the inevitable slowdown of 2020, the art scene in Saudi is still thriving, because there’s an important number of creatives combined with an active Ministry of Culture and a growing number of institutions, collections and galleries that are building the infrastructure and creating opportunities for all the actors that make up an art scene,” said Alia Fattouh, director of Athr Gallery, one of the Kingdom’s premier contemporary art galleries based in Jeddah.
Misk Art Institute (MAI), established by Crown Prince Mohammed bin Salman in 2017 to encourage grassroots creativity, held its annual Misk Art Week from Dec. 3-7, drawing a record 85,000 unique online viewers and more than 2,500 physical attendees over the course of the five-day event in Riyadh.
“In the face of this pandemic, MAI adjusted its programming for Misk Art Week to present a hybrid form that offered virtual and online sessions as well as live events for local audiences,” Reem Al-Sultan, CEO of Misk Art Institute, told Arab News.
Some in the arts community want to see the same spirit of generosity extended to the wider region.
“We have seen a real proactiveness and safeguarding of the artistic cultural landscape here in the UAE during the pandemic,” Reem Fadda, director of Abu Dhabi Cultural Foundation, told Arab News.
“Institutions and governmental entities anchored themselves onto the cultural sphere during these tough times because they truly believed it was a catalyst for alleviation and support of our communities. Now the time has come for the UAE to also reach out and support the extended region where it can, through grants, commissioning opportunities, and other means.
“At the Cultural Foundation in Abu Dhabi we have announced a number of initiatives that are offering grants and commissions extending to the region, be it in performing arts, visual arts, or other disciplines.”
As daunting as they may be, the challenges confronting the Gulf region’s creative sector are one thing. The rest of the Middle East is a different story altogether.
The Beirut port blast of Aug. 4 struck at the very heart of the Middle East’s art scene, devastating an area where many galleries and studios are located.
Beirut has long been a regional center for artistic production, yet Lebanon lacks the state and private support structure available in the Gulf.
“The situation in Beirut is particularly urgent, given the need to rebuild physically, amid such a challenging political environment — although, sadly, this is also the situation in Syria, and other countries, too,” said Carver.
During these times of turmoil and transition, the Middle East needs the arts more than ever, says Carver.
“Culture is the crucible of society, where we discover and debate ideas and forms, and figure out our role going forward. Now they are needed more than ever, particularly in the Arab world,” he said.
“While in 2020 we were perhaps dazzled by the COVID-19 headlights, in 2021 we will have to try to make sense of it and move on.”