Curator Maya Allison sheds light on the UAE’s color-filled pavilion at 2022 Venice Biennale

Curator Maya Allison sheds light on the UAE’s color-filled pavilion at 2022 Venice Biennale
Mohamed Ahmed Ibrahim: Between Sunrise and Sunset. Supplied
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Updated 26 January 2022

Curator Maya Allison sheds light on the UAE’s color-filled pavilion at 2022 Venice Biennale

Curator Maya Allison sheds light on the UAE’s color-filled pavilion at 2022 Venice Biennale

DUBAI: Nine years after the UAE gained its independence in 1971, the Emirates Fine Art Society was formed by the first generation of contemporary artists to pioneer cultural activities in the country. One of its experimental members is Emirati land artist Mohamed Ahmed Ibrahim, born in 1962, who will be the sole exhibiting artist at the Venice Biennale’s UAE pavilion in spring 2022.

“Between Sunrise and Sunset” is the title of the upcoming exhibition, which will reunite Ibrahim and Abu Dhabi-based curator Maya Allison in a fifth artistic collaboration. “He’s doing something that I really haven’t seen any other artist do,” Allison told Arab News. “He’s extremely rigorous in his practice as an artist. What looks like a very intuitive, childlike process has underneath it many years of reading and research and thinking about what the nature of art is.”




The exhibition is curator Maya Allison in a fifth artistic collaboration. Supplied

Opening April 23, the exhibition’s installation will take pavilion viewers through a visual journey of the artist’s human-sized and organic sculptural forms, made of paper mache and cardboard, transitioning from black and white to bright colors and vice-versa. It is inspired by Ibrahim’s personal experience of growing up in the Emirati port town of Khor Fakkan, where he encountered time and again a particular notion of light and color in the area’s rocky nature.

“He was born and raised in Khor Fakkan, which has Al-Hajar Mountains behind it,” explained Allison. “Those mountains block the sunset, so that when the sun rises over Khor Fakkan, it’s very colorful and bright. In the middle of the afternoon, the sun goes behind the mountains and there’s just a giant shadow cast across the town. You just move into shadow and the world starts to feel more black and white. That movement is what he’s kind of referring to what you’ll see in the exhibition: the movement from morning till afternoon is very dramatic.”




The installation will take pavilion viewers through a visual journey of the artist’s human-sized and organic sculptural forms. Supplied

Ibrahim is also known for his symbol-filled paintings, draped in vivid color. In his sculptural work, there is more than meets the eye when it comes to his use of colored material. “As a child, he would try to imagine what the sunset looked like from the other side of these mountains. Of course the sunset is very colorful, but he is not able to see it,” said Allison.

“This fascination with bright colors that you see in some of his work is in part related to this sense of depravation from the colors of sunset. I think it’s a very nice outcome — he made the colors that he was missing in that part of the day.”

This year’s iteration of the Venice Biennale is being held under the theme “The Milk of Dreams,” derived from a book by 20th century surrealist artist Leonora Carrington. “One of the core elements of the theme is metamorphosis and the human-landscape relationship. Those two elements are very crucial to his work,” said Allison. “His work is right in that intersection where I think of the moment where nature becomes culture.”


Part-Palestinian model Bella Hadid to drop NFTs

Part-Palestinian model Bella Hadid to drop NFTs
Updated 21 May 2022

Part-Palestinian model Bella Hadid to drop NFTs

Part-Palestinian model Bella Hadid to drop NFTs

DUBAI: Palestinian-Dutch supermodel Bella Hadid is entering the metaverse world.

The catwalk star announced this week on Instagram that she will be selling non-fungible tokens called CY-B3LLA that “serve as a passport to this new world.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

An NFT is a digital asset that represents real-world objects like art, music and more. They are bought and sold online, usually with cryptocurrency.

Hadid told her 52.1 million followers that each NFT features “different and unique 3D scans of me, thought up with you in mind, that will be utilized around the world; designed to encourage travel, community, growth, fantasy and human interactions.”

The model said that in the coming months, the project will allow collectors to go to real locations and events around the world, where they can meet her.


Special fun-filled activities lined up for young Jeddah Season visitors

The Blippi- branded activity corner allows kids to learn and explore new concepts followed by a photo session. (Supplied)
The Blippi- branded activity corner allows kids to learn and explore new concepts followed by a photo session. (Supplied)
Updated 21 May 2022

Special fun-filled activities lined up for young Jeddah Season visitors

The Blippi- branded activity corner allows kids to learn and explore new concepts followed by a photo session. (Supplied)
  • Little Village zones feature favorite characters Peppa Pig, Blippi, L.O.L Surprise!

JEDDAH: A fun-filled agenda awaits children at the Jeddah Pier amusement park, one of the entertainment attractions at this year’s Jeddah Season festival of activities.

The specially created Little Village large play area offers games and events for youngsters through to June 28 in three activity zones featuring children’s characters Peppa Pig, Blippi, and L.O.L Surprise!

The Blippi-branded activity corner allows kids to learn and explore new concepts, and the iconic Blippi appeared for a soft opening of the Little Village during which visitors took part in a meet and greet, followed by a photo session.

The L.O.L Surprise! activity corner gives girls the opportunity to wear their favorite dresses, enjoy hair and makeup sessions, and try out cooking, singing, and dancing, and special fashion shows let little fashionistas take a ramp walk.

Meanwhile, the Peppa Pig activity corner has a range of activities including painting classes and the chance to play in the cartoon character’s grocery store.

Fadi Yousuf, site manager of Hwadi Events, Jeddah Pier’s organizing company, said: “Packed with wonderful and imaginative activities, we aim to create memories that will turn the Jeddah Season into a world of unforgettable stories for children.

HIGHLIGHTS

• The specially created Little Village large play area offers games and events for youngsters through to June 28 in three activity zones featuring children’s characters Peppa Pig, Blippi, and L.O.L Surprise!

• Jeddah Pier, open daily from 5 p.m. to 2 a.m., offers 39 entertainment attractions, seven diverse international experiences, and a roller coaster, among a host of other events. And musical parades including acrobats, and people dressed as trees, zombies, and track-suited monkeys are an integral part of the zone’s events.

“With the help of Spacetoon, we were delighted to bring the much-loved character Blippi to Jeddah and receive an amazing response from the fans.

“Apart from enjoying the activities, kids will be able to purchase Blippi, L.O.L Surprise!, and Peppa Pig products onsite.”

Jeddah Pier, open daily from 5 p.m. to 2 a.m., offers 39 entertainment attractions, seven diverse international experiences, and a roller coaster, among a host of other events.

And musical parades including acrobats, and people dressed as trees, zombies, and track-suited monkeys are an integral part of the zone’s events.

Jeddah Season will also be hosting a toy festival running until May 23 at Jeddah Superdome, the world’s largest geodesic dome without pillars, and kids who missed meeting Blippi at Jeddah Pier will get another chance at the festival.

More than 40 international toy brands are attending the event that will include stands and exhibitions, live shows, and performances of the Smurfs, Sonic, Peppa Pig, and other character favorites.

The annual Jeddah Season festival aims to highlight the city’s rich heritage and culture through a total of 2,800 activities in nine zones over the event period.

Being held under the slogan, Our Lovely Days, the second Jeddah Season follows on from the success of Riyadh Season that recorded more than 15 million visits over five months.

The festival season offers 70 interactive experiences, more than 60 recreational activities, seven Arab and two international plays, marine events, a circus, four international exhibitions, and a host of other services for families.

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Saudi artists shed light on the resurgence of analog photography

Analog photography is becoming more and more popular amongst Saudi and regional photographers. (Supplied)
Analog photography is becoming more and more popular amongst Saudi and regional photographers. (Supplied)
Updated 20 May 2022

Saudi artists shed light on the resurgence of analog photography

Analog photography is becoming more and more popular amongst Saudi and regional photographers. (Supplied)
  • While analog photography is becoming more and more popular amongst Saudi and regional photographers, there is still a shortage of labs and studios accessible to the public

RIYADH: At a time when one might view analog photography as an outdated craft, it is, in fact, becoming increasingly popular across the world, including in Saudi Arabia.

“Photos are the closest humanity has gotten to time travel,” said photographer Abdullah Al-Azzaz, whose has followed in the footsteps of his father, Saleh, who was also a photographer.

The newly established Bayt Al-Malaz — a creative space in the heart of Riyadh’s Malaz District — recently hosted an intriguing conversation about the significance and popularity of analog photography between Al-Azzaz and Princess Reem Al-Faisal, moderated by Sarah Assiri. The event was part of Bayt Al-Malaz’s “Moflmeen” discussion series.

HIGHLIGHT

While analog photography is becoming more and more popular amongst Saudi and regional photographers, there is still a shortage of labs and studios accessible to the public. In Riyadh, the number of studios where film can be developed has fallen from four to just a single space — Haitham Studios. This is largely due to the financial cost of establishing such a studio and the turnaround time for film development.

The two photographers addressed the issue of why — when digital cameras are so ubiquitous and easy to use — analog is making a comeback.

“My photography revolves around permanence, praise, eternality, and the spiritual side of us. The individual is a soul and not a body,” said Al-Faisal. “For us, film represents the soul. We are all born with natural instincts, and film, in its natural form, is untouched. It represents the soul that transforms after birth in dealing with life, accumulations, and memories — bad and good. It’s a way of expressing humanity.”

Al-Azzaz said that, for him, it was more about the technique than the philosophy of it all. “The experience of developing in a darkroom is so enriching. It separates you from the world, totally quiet and dark. It’s just you and the photo. It allows you to reflect on the photo more and gives you more freedom in reimagining it,” he said.

Photo manipulation, he explained, is not exclusive to digital photography. Before the existence of Photoshop, images could be manipulated in the darkroom using retouching techniques and tools, including cropping, brushing, dodging, burning and masking.

To really understand the true art of photography, some would argue, it is important to learn its history. Digital photography is not a replacement for film, but another medium entirely. “In any art, not just photography, we have to have a cultural, historical, and technical awareness… we are all an accumulation,” said Al-Faisal. “We are a product of our society and a product of our time. We cannot claim we aren’t affected [by these things]. Whoever claims otherwise is delusional.”

While analog photography is becoming more and more popular amongst Saudi and regional photographers, there is still a shortage of labs and studios accessible to the public. In Riyadh, the number of studios where film can be developed has fallen from four to just a single space — Haitham Studios. This is largely due to the financial cost of establishing such a studio and the turnaround time for film development.

The founder of the studio, Haitham Al-Sharif, explained the immersive nature of analog photography. “I chose film photography because I hated having no connection with my photos. With film photography, I take a max of 40 photos in a session. I can’t see them; I have to live in the moment, I have to listen and smell the streets, I have to talk to my subject if I’m taking their portraits, I have to listen to the music if I’m at a concert,” he told Arab News. “To me, that is art. That is the beauty of film.”

The lengthy process involved in analog photography can be intimidating and off-putting to amateur photographers. That’s why the development of the first digital camera in 1975 was so groundbreaking. Now, in an economy driven by content creation and visual media, content production is easier — and quicker — than ever before. But to some, the key difference lies in the creative experience itself. Some analog photographers suggest it is a way to truly connect with the moment, even if the results are not always what society deems ‘Insta-worthy.’

“When you can’t see the photo you aren’t forced to change it to make it the same as what the media thinks is good or what a magazine thinks is good. Film forces you to be patient and slow. It forces you to live in the (moment),” said Al-Sharif. “As a film photographer, you live in front of the lens as much as at the back of the lens. You become more connected to what you are photographing.”


Why Beirut Museum of Art project is a beacon of hope in crisis-plagued Lebanon

Why Beirut Museum of Art project is a beacon of hope in crisis-plagued Lebanon
Updated 21 May 2022

Why Beirut Museum of Art project is a beacon of hope in crisis-plagued Lebanon

Why Beirut Museum of Art project is a beacon of hope in crisis-plagued Lebanon
  • New York-based architects WORKac were approached in 2018 to design Beirut’s new art museum 
  • BeMA will stand on what was once the “green line” dividing the Lebanese capital during the civil war

DUBAI: For many Lebanese, the past can be a painful subject. A civil war destroyed large swaths of the country between 1975 and 1990. The postwar period has been marked by sectarian strife and government dysfunction.

But in spite of the traumas of recent decades, Lebanon remains a land of immense cultural wealth, with a rich history reflected in its architectural, cultural and anthropological heritage.

This is why the Beirut Museum of Art, or BeMA, which is due to open in 2026, has been billed as a “beacon of hope” in a country beset by political paralysis, economic decline and a worsening humanitarian crisis.

When Sandra Abou Nader and Rita Nammour launched the museum project, their goal was to showcase the wide diversity of Lebanese art and provide facilities for education, digitization, restoration, storage and artist-in-residency programs.

“They realized that there was, in fact, very little visibility for the Lebanese artistic scene, within the country and abroad, and for Lebanese artists, whether modern or contemporary,” BeMA’s art consultant, Juliana Khalaf, told Arab News.

Compuer-generated views of BeMA. Described as a 'vertical sculpture garden,' it will feature three gallery floors that borrow elements from local art deco designs. (Supplied/WORKac)

About 700 works of art will be on display at the new venue, drawn from the Lebanese Ministry of Culture’s collection of more than 2,000 pieces, the bulk of which have been in storage for decades.

“We are going to be housing this very important collection,” said Khalaf. “We call it the national collection and it belongs to the public. It’s our role to make it, for the very first time, accessible. It’s never been seen before.”

The artworks, created by more than 200 artists and dating from the late-19th century to the present day, tell the story of this small Mediterranean country from its renaissance era and independence to the civil war period and beyond.

The collection includes pieces by Lebanese American writer, poet and visual artist Kahlil Gibran and his mentor, the influential late-Ottoman-era master Daoud Corm, who was renowned for his sophisticated portraiture and still-life painting.

Works by pioneers of Lebanese modernism, such as Helen Khal, Saloua Raouda Choucair and Saliba Douaihy, will also feature among the collection, as will several lesser-known 20th-century artists, including Esperance Ghorayeb, who created several rare, abstract compositions in the 1970s.

“The collection is a reminder of the beautiful heritage that we have,” said Khalaf. “It shows us our culture through the eyes of our artists.”

Among the priorities for the BeMA team, in partnership with the Cologne Institute of Conservation Sciences, is the restoration of the collection, which includes several paintings and works on paper that have been damaged by war, neglect, improper storage or simply the passage of time.

Gathering information about the artists and their effects on Lebanon’s artistic heritage is another priority for the BeMA team, and is a task that has proved to be challenging given the dearth of published resources and the means to catalog them.

FASTFACT

* International Museum Day, held annual on or around May 18, highlights a specific theme or issue facing museums internationally.

“What was surprising was how little research there is out there and how much we need to do on that front, like getting the right equipment that is not currently available in the country to properly archive books and photography,” said Khalaf.

In 2018, the BeMA team approached WORKac, an architectural firm based in New York, for ideas about the new venue. Co-founded by Dan Wood and Amale Andraos, a Lebanese-born architect and former dean of Columbia University’s Graduate School of Architecture, Planning and Preservation, WORKac has designed museums in California, Texas, New York and Florida.

For Andraos, who left Lebanon at the age of three, the chance to design a home for Beirut’s artistic heritage is particularly special.

“I think it’s a very personal project for everyone involved,” she told Arab News. “Everybody put their heart and soul into this idea that Beirut really needed a museum to house the national collection.

“For me, personally, I have a great attachment to Beirut, to its history, as well as architecturally, artistically and intellectually.”

"Everyone involved in it sees it as a beacon of hope, it's almost like a resistance to collapse," says Amale Andraos, the Lebanese-born architect and co-founder of architecture firm WORKac. (Supplied)

Given the country’s troubled past and complex identity, Andraos believes the museum’s collection will prove valuable in helping Lebanon rediscover its sense of self and recover from past traumas.

“It’s an archive that we need to go back to, to understand who we are and how we move forward,” she said.

After the project was approved by city authorities, the first stone was laid at the site of the new museum in February. The initial phase requires Andraos and her team to examine the site for archaeological remains.

When complete, the museum will feature three gallery floors that borrow aesthetic elements from local Art Deco urban design. It has been described as an “open museum” and a “vertical sculpture garden,” owing to its cubic facade which will be embellished with bursts of greenery from top to bottom.

Andraos admits she was initially skeptical about the project. Lebanon is in the throes of multiple crises, including a financial collapse. Beirut, the capital, is yet to recover from the devastating blast at the city’s port on Aug. 4, 2020, when a warehouse filled with highly explosive ammonium nitrate caught fire and detonated, leveling an entire district.

All of this, combined with the additional economic damage caused by the COVID-19 pandemic, has caused thousands of young Lebanese to move abroad in search of work and respite from the seemingly endless litany of crises.

Lebanon is experiencing financial collapse, economic damage caused by the COVID-19 pandemic, mass unemployment and hunger, increasing poverty and government dysfunction. (AFP)

For some people in the country, though, it is precisely because of these issues that a museum celebrating Lebanon’s cultural achievements is needed, perhaps now more than ever.

“When I recently presented the museum to a member of the BeMA board, I said: ‘This is probably the worst time for a museum,’ and he said: ‘This is the most important time for a museum because we need culture, education and ideas,’” said Andraos.

“When people are hungry, it’s like art versus food — but art is also food, in some ways, for the spirit and the mind.

“Everyone involved in it sees it as a beacon of hope and the country needs to build its institutions. It’s almost like a resistance to collapse. We have a history that is worth valuing, rereading, and a culture that we need to preserve and build on.”

This is not to say that the project was welcomed by everyone at the beginning.

“There’s no large public attendance of museums; it’s something that really needs to be developed,” Khalaf said. “In that respect, people felt like it was an unnecessary project.

“But now that people actually see that it’s a serious project and is happening, the attitude has changed. People say there’s something to look forward to.”

To date, about 70 percent of funding for the project has been allocated and a public appeal will soon be launched to make up any shortfall. Entry to the museum will be free.

Located in the leafy, upmarket, residential Badaro district in the heart of Beirut, known for its early-20th-century, art deco-influenced buildings, the museum will stand on what was once the “green line” that separated the east and west of the capital during the civil war.

“What’s nice about it now is that it might become the ‘museum mile,’ because there’s the National Museum, BeMA, Mim Museum, and if you just go further down, you’ll actually get to the Sursock Museum,” said Khalaf.

“It changes the perspective from a war-torn Beirut to a culturally alive Beirut.” 

__________

Twitter: @artprojectdxb

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Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise

Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise
Updated 20 May 2022

Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise

Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise

LOS ANGELES: “Top Gun: Maverick” takes audiences back to the danger zone with more high-flying action and the return of US actor Tom Cruise to his 1986 star-making role.

Similar to the pilots it showcases, critics are calling the movie the best of the best and an exceptional successor to the original.

In an interview with Arab News, American actor Jon Hamm, who joined the cast as Vice Admiral Beau “Cyclone” Simpson, said that the team working on the movie had “tremendous respect for the original and a real deep desire to make a second chapter of the story that’s just as compelling as the first.”

Hamm recalled watching the first film when he was 15 years old. “I remember immediately after seeing it, I wanted to see it again.”

After decades of avoiding promotion, Navy test pilot “Maverick” Mitchell is ordered to train a squad of young Top Gun pilots.

Cruise and the cast of newcomers bring charm and emotion to the film particularly in the strained relationship between Maverick and Rooster, the son of his late best friend.

The actors in the movie credited Cruise’s well-established career saying that his 40-year experience helped them shoot the flick smoothly.

Actor Glen Powell, who stars as Lt. “Hangman” Seresin, said: “Tom Cruise put together our entire flight training program based on his experience on the first movie.

“So, the first movie they threw actors up there trying to get shots, but the problem is they’re vomiting and passing out and they’re just limp dolls in the back of a plane. So, you can’t use any of that footage.

“That’s only something Tom Cruise can ask for after a 40-year career of doing it at the highest level, so we get to look cool in the back of these F-18s,” Powell added.

Actor Miles Teller, who plays Lt. Bradley “Rooster” Bradshaw, said: “What an audience has been feeling for two hours, he can sum up in one look, and that is something that Tom really is a master of.

“He’s just been doing it at such a high level for such a long time and so I would just find myself sitting back and watching him,” Teller added.

“Top Gun: Maverick” premiered this week at the Cannes Film Festival, where Tom Cruise was lauded with a surprise Palme d’Or.

The movie will be released in Saudi Arabia on May 26.