John Legend serenades Riyadh at Diriyah E-Prix

John Legend serenades Riyadh at Diriyah E-Prix
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John Legend serenades Riyadh at Diriyah E-Prix
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“Do you wanna dance with me Riyadh? I wanna dance with you. I wanna see everyone in this place dancing tonight, Let’s go!” the singer encouraged the audience to move along with him in his pop anthem “All She Wanna Do," backdropped by stunning floral visuals. (AN Photo by Abdulrahman Shalhoub)
John Legend serenades Riyadh at Diriyah E-Prix
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“I don’t wanna brag but I want to be the best you’ve ever had, Riyadh… we’re gonna have some fun I promise” Legend said during “Tonight (Best You Ever Had).” (AN Photo by Abdulrahman Shalhoub)
John Legend serenades Riyadh at Diriyah E-Prix
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French Montana then took the stage to deliver a trap setlist following Legend’s show. (AN Photo by Abdulrahman Shalhoub)
John Legend serenades Riyadh at Diriyah E-Prix
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The renowned artist played some of his most popular songs including “All of Me,” which peaked on the Billboard 100 charts for 3 consecutive weeks, as well as “Green Light,” “Nervous,” and “All Night Long.” (AN Photo by Abdulrahman Shalhoub)
John Legend serenades Riyadh at Diriyah E-Prix
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“This is my first time in Saudi since 2019, so let me reintroduce myself. Let’s go!” the Moroccan-American singer said onstage, kicking off the setlist with “All The Way Up.” (AN Photo by Abdulrahman Shalhoub)
John Legend serenades Riyadh at Diriyah E-Prix
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Legend mesmerized the crowd with his ever-smooth and steady vocals, and heartwarming lyrics. He allowed the audience to join in on singing the epic ballad “All Of Me” on the second verse and chorus, with everyone chanting “I’ll give you all of me” in unison. (AN Photo by Abdulrahman Shalhoub)
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Updated 30 January 2023

John Legend serenades Riyadh at Diriyah E-Prix

John Legend serenades Riyadh at Diriyah E-Prix
  • “John Legend has been one of my favorite artists, especially because he’s an R&B singer and this is something that I actually follow and listen to — specifically him,” Saad Mohammed, who was present at the concert, told Arab News

RIYADH: American singer and songwriter John Legend performed at the Diriyah E-Prix on Saturday.  

The renowned artist played some of his most popular songs, including “All of Me,” which peaked on the Billboard 100 charts for three consecutive weeks, as well as “Green Light,” “Nervous” and “All Night Long.”

“John Legend has been one of my favorite artists, especially because he’s an R&B singer and this is something that I actually follow and listen to — specifically him,” Saad Mohammed, who was present at the concert, told Arab News.  

“I don’t want to brag but I want to be the best you’ve ever had, Riyadh…We’re going to have some fun, I promise,” Legend said.

With stunning visuals as his backdrop, the singer encouraged the audience to dance along with him to the pop anthem “All She Wanna Do” and to join in singing the chorus to “All of Me.”  

“You sound so beautiful,” Legend told the crowd.

HIGHLIGHTS

• John Legend played alongside others including Egyptian singer Mohammed Hamaki and French Montana.

• Starting off the night’s festivities was Saudi DJ Dani Bogari.

Mohammed said he was ecstatic that he no longer had to travel abroad to experience live entertainment shows by big acts such as Legend and French Montana.

“Part of our culture is hospitality and getting to experience this with foreigners and expats makes me happy. It’s as if you’re able to cook well but can’t share this talent that you have, and now we can finally do it,” he said, referencing Saudi’s portfolio of extraordinary events and celebrations.

Another audience member, Dalal Mohammed, said: “I came for John Legend, honestly, and he sang my favorite song, ‘All of Me!’” she told Arab News excitedly, describing the performance as a “dream.”

She too expressed her joy at being able to attend concerts and other events just five minutes away from her home, instead of having to travel abroad to do so.

“I love that international singers are coming to know our culture and hospitality and to see the new Saudi,” she said.

In her second time at Formula E, Fatima Al-Attas commended the event’s choice of music and artists.

“I am a fan of John Legend, and what’s nice is that he’s a really good performer and he seemed to enjoy the show and that had an effect on us, so we had more fun,” she told Arab News.

Legend played alongside others including Egyptian singer Mohammed Hamaki and French Montana, who took to the stage to deliver a trap setlist following Legend’s show.

“This is my first time in Saudi since 2019, so let me reintroduce myself. Let’s go!” the Moroccan American singer said onstage, kicking off the setlist with “All the Way Up.”

“I came for French Montana, of course. My favorite song is ‘Unforgettable,’ and I’m excited to hear that,” Dubai-based Rana Baeshen told Arab News.

Baeshen initially came to experience the Riyadh Season and visit family, taking the opportunity to also see Montana live.

“This country is developing so rapidly. I’m happy with what I saw here tonight,” she said.

Starting off the night’s festivities was Saudi DJ Dani Bogari following racer Pascal Wehrlein’s win.

Bogari told Arab News: “I’m absolutely immersed in joy. It’s my first time playing on such a large stage, so it feels incredible.

“It feels like there are lots of opportunities for local talent, so today being part of this experience, being alongside John Legend and French Montana — I don’t think there’s anything that I can say to describe it.”

While his performance diverged from his typical Afrohouse sound, his beats complemented the headlining R&B performances, as he mixed more lyrical and dance music into his set.

“When there’s a culture of music, it really means that this country is growing in the right direction. It’s creating positive energy within the people,” Bogari said.

 

 


Review: In ‘Faraway,’ a woman finds peace and place by the shimmering sea in Croatia 

Review: In ‘Faraway,’ a woman finds peace and place by the shimmering sea in Croatia 
Updated 23 March 2023

Review: In ‘Faraway,’ a woman finds peace and place by the shimmering sea in Croatia 

Review: In ‘Faraway,’ a woman finds peace and place by the shimmering sea in Croatia 

CHENNAI: Vanessa Jopp’s bilingual Netflix drama, “Faraway,” underlines the ways in which humanity is still living in a man's world. And she narrates it picturesquely. Shot aesthetically on a beautiful Croatian island where the sun dazzles magically and the sea is a shimmering blue, it makes up, however, for a rather ordinary story of an unhappy woman whose husband (Adnan Maral) owns a restaurant.  

The man is busy in his own little world, and pays little attention to his wife, Zeynep (Naomi Krauss). Their daughter (Bahar Balci) is no different. “Faraway” talks about a classic situation where so many women find themselves unhappy, unappreciated and lonely. They slog away for their families but find that they are little cared for.  

Naomi Krauss (right) and Goran Bogdan in ‘Faraway.’ (Supplied)

The breaking point comes when Zeynep's mother dies and her husband forgets to turn up for the funeral. This may seem a tad exaggerated, but this appears like the only way the plot can move into the second part of the drama, which is far more realistic.  

She runs away to her mother's birthplace, a lovely Croatian island, where something unexpected is all set to arrive. She walks into her mother's home and finds that it is occupied by a strange man, Josip (Goran Bogdan). And Zeynep's plan to turn the house into an Airbnb appears to be failing.

Vanessa Jopp’s bilingual Netflix drama,  ‘Faraway,’ underlines the ways in which humanity is still living in a man's world. (Supplied)

There is instant chemistry between the two, but Jopp and writer Jane Ainscough place this on a slow-burner. The relationship swings wildly between love and hate and the rom-com burns brightest in this segment.  

It is not very difficult to see what will follow, and how the story will end. Unfortunately, “Faraway” is highly predictable, but the visual brilliance overshadows the latent flaws.

Krauss is compelling to watch with a performance curve that is marvellous: she turns from an unhappy woman to one who finds joy and happiness in faraway Croatia. For those who are a romantic at heart, Jopp's work may be even  exhilarating. Yes, the visuals are stunning and add to the feel-good factor. A great work for an evening when you are not in a very critical mood and are willing to go with the flow of “Faraway.” 


What to watch in Ramadan: The latest slate of TV shows to hit your screens this month

What to watch in Ramadan: The latest slate of TV shows to hit your screens this month
Updated 23 March 2023

What to watch in Ramadan: The latest slate of TV shows to hit your screens this month

What to watch in Ramadan: The latest slate of TV shows to hit your screens this month

DUBAI: It is no secret that Ramadan TV series are among the most eagerly anticipated of the year, with fans across the Middle East — and the world — settling in to watch the latest hot new show after iftar each evening.

This year, regional production houses are offering up a slate of shows, including classic comedies, heart-felt roadtrips and even a docuseries focused on Anas Bukhash, who is famous for his YouTube talk show #ABTalks and has interviewed the likes of American Palestinian Netflix star Mo Amer, NBA legend Shaquille O’Neal, Gigi and Bella Hadid’s father Mohamed, and Mohammed Diab, director of Marvel’s “Moon Knight,” among others.

‘A Sitdown with Anas and Hala’ 

Starring: Anas Bukhash, Hala Kazim 

Where: OSN 

With #ABtalks, Anas Bukhash has cemented himself as a top Arabic-language interviewer, inviting stars from across the region onto his show for a series of often-heartfelt conversations about the human experience. In “A Sitdown with Anas and Hala” he hosts a very special guest — his own mother. The six-episode docuseries will follow Anas and Hala as they discuss grief, creating boundaries, and making connections, all on a quest to find their inner selves. Airing weekly in 30-minute episodes, each installment will find the two in their home as they discuss life, the universe, and everything.  

‘Gaafar El Omda’

Starring: Mohamed Ramadan, Zeina, Hala Sedki 

Where: MBC Shahid 

Love him or hate him, Mohamed Ramadan is the prime Arabic-language television season’s biggest star, each year turning in a role that becomes both must-watch and hotly debated, driven either by his on- or off-screen antics. Two years ago, his period piece “Moussa,” set in 1940s Egypt, was condemned by his peers after a seemingly unflattering portrayal of Egyptian comedy icon Ismail Yassine. Last year, “El Meshwar,” a series in which he plays a man in the throes of a curse, was also poorly received by many. “Gaafar El Omda” looks to be a return to form for the talented leading man, reuniting him with writer Mohammed Samy, who previously crafted the acclaimed Ramadan 2020 hit “Al Prince.” This time around, he plays a rich businessman and village elder named Gaafar, who offers a woman a loan on the condition that she become his wife for 400 days.  

‘El Keteeba 101’ 

Starring: Asser Yassin, Amr Youssef, Khaled Elsawy 

Where: MBC Shahid 

After a huge hit last year with “Suits Arabia,” an Arabic-language remake of the popular American legal series, Asser Yassin is back with a gun in his hand in “El Keteeba 101,” a military drama that pairs him with acclaimed actor Amr Youssef (from 2016’s massive hit “Grand Hotel”). The series is set in the Sinai Peninsula in 2014, as the Egyptian Army’s 101st Battalion wages war against terrorist organizations, striving to overcome what appear to be impossible odds. Yassin has cemented himself as one of the best action stars in the Arab world, especially after his 2022 hit “The Eight,” and a pairing with Youssef should prove impossible to resist.  

‘Road Trip’  

Starring: Saad Aziz, Saleh Abu Amra, Muhammad Al-Shehri 

Where: MBC1 and MBC Shahid 

Perhaps the greatest joy of the Ramadan television season is the surprises. In Saudi Arabia last year, that was “Road Trip” (Sikat Safar), a hilarious and heartfelt dramedy following three brothers who set off on the road after the death of their father. The second season reunites the trio of Mohammed Alshehri, Saleh Abuamrh, and Saad Aziz, this time to help their uncle run a small hotel that is threatened with demolition, all set in the gorgeous backdrop of the green southern part of the Kingdom. After Abuamrh’s widely-loved portrayal as the boss in the Saudi Arabian remake of “The Office,” expect this series to fully transition from underdog hit to Ramadan mainstay.  

‘Minho Waladna’ 

Starring: Ibrahem Al-Hajjaj, Fayez Bin Jurays, Khalid Al-Farraj 

Where: MBC Shahid 

Saudi comedian Ibrahim Al-Hajjaj is undoubtedly the most popular actor in the country at the moment, with his action-comedy “Sattar” still setting box-office records in the Kingdom, inching closer to number two on the all-time list overall, and his Netflix hit “Al Khallat+” still ranking in the country’s top five after nine weeks of release. Expect the second season of his Ramadan hit to be even bigger than the first, then. Here, Al-Hajjaj returns in a comedy following a conflict between two brothers who are attempting to run a company together but can’t seem to agree on how. Season two promises an unexpected love story, with Al-Hajjaj’s unique brand of physical comedy on full display throughout the month. 

‘Seroh El-Bateaa’ 

Starring: Ahmad Fahmy, Ahmed Salah El-Saadany, Shams 

Where: Starzplay  

After two decades behind the camera making only films, Egyptian director Khaled Youssef is making his hotly anticipated TV debut with this historical drama that follows a young man in search of the secret shrine of Sultan Hamed, supposedly in a village in the Egyptian countryside. The show is set across two timelines, one present day, and one in the French-Egyptian war of 1798, with parallel characters existing across both. A strongly political filmmaker who serves in the Egyptian parliament, Youssef’s films often tackle social justice and corruption with the gritty cinema veritè style and signature use of improvisation that has made him one of the Arab world’s most distinctive voices.  

‘Al Kabeer Awi’ 

Cast: Ahmed Mekky, Bayoumi Fouad, Mohamed Sallam, Rahma Ahmed 

Where: MBC Shahid 

Now in its seventh season, this long-running Egyptian hit continues to capitalize on the undeniable charisma of star Ahmed Mekky as the titular Al Kabeer, the mayor of Al-Mazareeta, a small town in the northern part of the country, as well as his twin brother, who returns to the country from the US to claim their father’s fortune. As the series has progressed, Mekky even added a third and fourth brother to the mix, while never losing audiences, even as the plots grew increasingly absurd. The latest season follows Al Kabeer after his latest marriage, and a mysterious potion transforms his grown son into a child. 

‘Bab Al Hara’ 

Starring: Nizar Abu Hajar, Nijah Sefkouni, Fadia Khattab, Tayser Iddriss 

Where: Starzplay 

No Ramadan TV list would be complete without the show that has become most synonymous with the season. “Bab Al Hara,” set to debut its 13th season, is still going strong, though many fans may debate in which season the show dropped from its peak. It follows the same family in Syria as the country continues its social and political transformation. In this season, set in 1945 and 1946, beloved star Nizar Abu Hajar returns as the characters grapple with an Evacuation Day that will see the final French soldiers leave the country ahead of April 17, 1946 — Syrian Independence Day. With Abu Hajar back front and center, will “Bab Al Hara” recapture its former glory? Stay tuned. 


Europe’s first majority Black orchestra debuts stateside

Europe’s first majority Black orchestra debuts stateside
Updated 23 March 2023

Europe’s first majority Black orchestra debuts stateside

Europe’s first majority Black orchestra debuts stateside
  • The London-headquartered Chineke! echoes similar efforts in the US, including the Detroit-based Sphinx organization that promotes representation of Black and Latino artists in classical music

NEW YORK: After more than three decades in the classical music industry, British double bassist Chi-chi Nwanoku began grappling with the question that had troubled her for years: Why was she consistently the only Black musician onstage?
“Why did I never ask anyone about it? Why did we never talk about it?” she describes wondering. “Was I being tolerated, or were people just completely unaware?“
“Or were people okay with the status quo?“
In 2015 Nwanoku took a leading role in creating a more diverse future for classical music, which, from musicians to conductors to repertoire, traditionally skews heavily white.
She founded Chineke!, Europe’s first majority Black and ethnically diverse professional orchestra, which this week played at the prestigious New York Philharmonic’s David Geffen Hall in Manhattan’s Lincoln Center.
The performance was part of their long-awaited North American debut tour — it was among the many performances the pandemic pushed back — which included stops in New York, Ottawa, Toronto, Boston, Worcester and Ann Arbor.
The New York show featured the pioneering composer Florence Price’s Symphony No. 1, along with a rendition of Mozart’s Clarinet Concerto featuring the New York Phil’s principal clarinet Anthony McGill.

The London-headquartered Chineke! echoes similar efforts in the United States, including the Detroit-based Sphinx organization that promotes representation of Black and Latino artists in classical music.
Yet the League of American Orchestras, which represents professional and amateur symphonies across the United States, found in a 2014 study on diversity that just 1.4 percent of orchestra musicians were Black — and there’s little reason to believe much has changed.
“Because the great majority of American orchestras are not individually transparent with racial and ethnic data on their artists, we do not know the percentage of Black orchestral artists in our orchestras today,” writes the Black Orchestral Network, a collective of Black musicians from more than 40 orchestras launched in 2022.
“From our vantage point, however, we have seen little meaningful progress.”
It’s mind-boggling to Nwanoku, who told AFP during a rehearsal break that “it seems to me that the only colleagues of color that I see who have a job in an orchestra in this country are those who are exceptional.”
“We have to be that much better to actually be given a job.”
Nwanoku believes that especially for young people, seeing more diverse faces onstage is “an immediate door-opener.”
“It’s the most incredibly winning thing to feel represented on a stage,” she said. “Even if when you walk through the front of house to buy a ticket, if you don’t see anyone who looks like you, that is immediately uncomfortable.”
“But when you see people that look like you in any place — in the supermarket, at the train station, at the concert hall, at the cinema — you immediately feel that is a place that I can walk into with confidence,” Nwanoku continued.
“You can be what you can see.”


Chairman of Saudi Arabia’s entertainment authority thanks Bollywood superstar Amitabh Bachchan for rare film collectable

Chairman of Saudi Arabia’s entertainment authority thanks Bollywood superstar Amitabh Bachchan for rare film collectable
Updated 22 March 2023

Chairman of Saudi Arabia’s entertainment authority thanks Bollywood superstar Amitabh Bachchan for rare film collectable

Chairman of Saudi Arabia’s entertainment authority thanks Bollywood superstar Amitabh Bachchan for rare film collectable
  • ‘You are an honor not to India only but to the world. Thank you for the gift that you sent it means a lot,’ said Al-Sheikh
  • Earlier this year, Bachchan won the Lifetime Achievement Award at the Joy Awards in Riyadh

DUBAI: Saudi Arabia’s chairman of the General Authority for Entertainment, Turki Al-Sheikh, took to Twitter this week to thank Bollywood superstar Amitabh Bachchan for gifting him his iconic jacket from his 1988 film “Shahenshah.”

“To the legendary and one of the best actors in the entertainment world in all time, you are an honor not to India only but to the world,” Al-Sheikh tweeted. “Thank you for the gift that you sent it means a lot.” 

Bachchan retweeted Al-Sheikh’s post and wrote: “My dear and most considerate friend . . . I am so honored that you have received the gift of the jacket with the steel arm that I wore in my film ‘Shahenshah’ . . . some day I shall tell you how I was able to retrieve it.” 

In the film, the actor played a double role: A corrupt police inspector by day and a vigilante at night. 

Earlier this year, Bachchan won the Lifetime Achievement Award at the Joy Awards in Riyadh. 

Saudi Arabia has long had an affinity for Bollywood with stars such as Shah Rukh Khan headlining last year’s Red Sea International Film Festival’s red carpet in December. 


Review: Keira Knightley shines as dogged reporter in ‘Boston Strangler’  

Review: Keira Knightley shines as dogged reporter in ‘Boston Strangler’  
Updated 21 March 2023

Review: Keira Knightley shines as dogged reporter in ‘Boston Strangler’  

Review: Keira Knightley shines as dogged reporter in ‘Boston Strangler’  

CHENNAI: Although the term “serial killer” wasn’t coined until about a decade after the events of new film “Boston Strangler,” out now on Disney+ in the Middle East, the Keira Knightley-starring thriller delves into the case of one of the US’s most notorious serial killers, who police say killed 13 women between 1962-64.  

Writer-director Matt Ruskin weaves this true-crime tale into a film following two female reporters who charted the case for local newspaper the Record American at the time.  

What is great about Ruskin’s work is its novel approach — it has a significant splash of gender politics (which is crucial considering all the killer’s victims were women) as we see how reporters Loretta McLaughlin (played with compelling ease by Knightley) and Jean Cole (Carrie Coon) fight a male-dominated police force and to help trap the Boston Strangler.  

Besides the police, McLaughlin — who begins by begrudgingly working as a Lifestyle reporter, testing out new toasters — also faces hurdles from her editor, who is reluctant to let her onto the male-dominated crime beat. But after her first front page story draws the ire of Boston Police Commissioner McNamara (Bill Camp), the editor asks another reporter, Cole, to help McLaughlin and there is no stopping the two dogged journalists, whose passion and dedication finally help get the Strangler (well, sort of — real life events saw  Albert DeSalvo fail to be convicted of any of the murders, although he did confess to them, before a posthumous DNA test in 2013 revealed he did in fact murder the last victim, Mary Sullivan).  

There are dramatic liberties taken as anyone who dives deeper into the real story will realize after a quick Google search, but the film is riveting.  

Interestingly, 30 years after the murders, McLaughlin wrote an article in the Boston Globe about what egged her on to chase the case. 

“An editor disputed the worth of a series on the four dead women, noting that they were ‘nobodies,’” she wrote. “That was it exactly, I felt. Why should anyone murder four obscure women. That was what made them so interesting… sisters in anonymity, like all of us.”  

Paul Leonard-Morgan’s score is creepy enough to get our hair to stand up on end, though Ruskin wisely avoids showing gore, relying instead on lighting and cinematic tension to instill a sense of horror.