Ithra hosts world premiere of Hijrah documentary at Islamic Arts Biennale

Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
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Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
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Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
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Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film. (Supplied)
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Updated 12 March 2023

Ithra hosts world premiere of Hijrah documentary at Islamic Arts Biennale

Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet.”
  • Directed by award-winning filmmaker Ovidio Salazar, the production is the first-ever cinematic account of the Hijrah
  • It captures the moment that marked the start of the spread of Islam

JEDDAH: Visitors gathered on Thursday at the Islamic Arts Biennale for the world premiere of Ithra’s “In the Footsteps of the Prophet” documentary film.

Directed by award-winning filmmaker Ovidio Salazar, the production is the first-ever cinematic account of the Hijrah, Prophet Muhammad’s eight-day journey from Makkah to Madinah in A.D. 622. It captures the moment that marked the start of the spread of Islam.

Dr. Abdullah Alkadi is a man with a mission. For the last 40 years, he has been focused on filling in the blanks to track the route that Prophet Muhammad walked many centuries ago.

Armed with a pair of binoculars, a wristwatch and various smart gadgets to measure coordinates based on a detail mentioned in a line of text, the professor of urban and regional planning at Imam Abdulrahman Bin Faisal University has studied what walking that path entailed.

He consulted several respected experts in the field, and used the new findings to paint an accurate and realistic picture that gives today’s audience a deeper connection to something that occurred many centuries ago.

Alkadi said: “My life has been determined by my quest to study and experience, not only the exact route the prophet and his companions took across the desert, but also the wider story, life, and legacy of this journey.”

The documentary, much like the book, follows the narrative in sections. Each of the Hijrah’s eight days is presented like a chapter.

The story of the great migration that Prophet Muhammad undertook has been one of the region’s most continuous narratives for the past 1,400 years, a tale that has been fondly repeated by Muslims and known by non-Muslims for centuries.

The significance of the Hijrah can be defined as the transition from the practice of Islam as an act of worship to a way of life, and Ithra’s exhibition, the book, and now the film, presents that journey to modern audiences.

On launching the book in 2022, Dr. Idries Trevathan told Arab News: “The Hijrah route is inaccessible by car. You literally have to walk it. It goes through meandering little valleys, and it’s very rocky.

“I think a lot of you when you think of Hijrah abroad, people outside Saudi Arabia think of the sand dunes. It’s not. It’s mountainous and it’s really difficult terrain.”

The exhibition was presented in collaboration with the National Museum of Saudi Arabia in Riyadh, the House of Islamic Arts in Jeddah, the King Abdulaziz Complex for Endowment Libraries in Madinah, and Turquoise Mountain, a prince of Wales charity supporting arts and heritage in the Middle East.

Ithra’s Hijrah started to come to life about four years ago, first with the exhibition, then the book and documentary.

Salazar said: “With Prof. Alkadi acting as guide, we retraced the path taken by the Prophet Muhammad on his monumental journey.

“We intended to visualize details of a cultural memory essential to understanding Islam’s foundation story. In this sense we made it as a deep map of the route — not just a two-dimensional view of what is there, but rather the why and how of it. 

“In this way, it attempts to ‘map the unmappable’. I hope that ‘In the Footsteps of the Prophet’ will help form a deeper understanding and start a conversation inviting everyone to reflect on the meaning of migration itself.”

Jassim Al-lawati, who was the Omani-English sound recordist and drone operator for the documentary, told Arab News that the schedule was a tough but rewarding one.

He said: “I think we all knew it was going to be really very tough. I’ve done lots of films and lots of long-form TV shows but this was a little bit different.

“We were all invested in it heavily, and spiritually. There was the local team, the logistics team. I think it must have been 16, maybe 18 people. People stayed for the whole month.

“It was eight days for the prophet to walk; it took us about four weeks with all the equipment and the charging.

“We went in January, so the weather was fine. I think probably most of the people you speak to, I think shooting the cave, it was the hardest day of their life. We had so much equipment, we had to walk all the way up there and film on the way up.”

Al-lawati called it the ultimate project, and it was one that helped him connect with his “Arab side” following years of living in London.

“It felt like it was the peak of your career, and maybe life,” he said.

The documentary is not meant to cater to only Muslims; it is something Ithra hopes transcends space and spirituality.

Christopher Wilton-Steer attended the opening night screening as a longtime friend of Salazar and the film crew.

He told Arab News: “I was reflecting on what this [film] would mean to a Muslim versus a non-Muslim. I guess as a non-Muslim I’m looking at this as a sort of historical journey.

“This is a piece of history; unearthing this route, looking at the milestones along it. How the prophet took this journey, what he encountered on his way, the tribes that he met and the geological features. So for me, I'm looking at it purely as a sort of historical piece of research.

“I didn't know anything about this route before. I kind of had a vague idea about this Makkah and Madinah journey but I had no idea about this route. It surprised me that it was eight days and that the guys took some five weeks, from what I understand, to get to walk that whole path.

“I think the thing that’s probably surprised me the most is that these are stories that we know from books we’ve read that are thousands of years old, but nobody has ever charted this before and actually done the research using the technology to do it.

“I think when you can connect this sort of story with the on-the-ground reality, then there’s something amazing that happens that connects it in a way that makes it more than just something that happened in the past. You can kind of see it, touch it and feel it today.”

Medina Trevathan, an artist who has participated at the biennale by hosting workshops and selling items, said: “I’m really excited to see the film in that visual format and I’ve been very lucky as my brother gifted me the book and I’ve been kind of perusing it throughout the trip and the images are breathtaking.”

“Hijrah: In the Footsteps of the Prophet” exhibition at Ithra’s Great Hall, Dhahran, was curated by the team of in-house experts led by Dr. Trevathan, the curator of Islamic art at Ithra, and Dr. Kumail Almusaly, the curator of international exhibitions. 

The collaboration with Alkadi presents a first-of-its-kind holistic and immersive experience of the prophet’s journey.

Nora Alzamil, head of programs at Ithra, said: “The Hijrah project showcases over two decades of research brought forth by a world-renowned team of subject matter experts in various fields.

“A first endeavor of its kind, The Hijrah project by Ithra sheds new light onto one of the most important journeys which has impacted civilization’s culture, heritage, and artistic vision to this day.”

A virtual reality experience of the Hijrah exhibition, using cutting-edge VR technologies, will also be made available at the Islamic Arts Biennale in Jeddah.

The guided tour will transport visitors to the Hijrah exhibition at Ithra and will be available and accessible through Ithra’s website for the duration of the exhibition’s run.          

Farah Abushullaih, the head of the museum at Ithra, told Arab News: “Inshallah, the Hijrah film is going to be premiering in Ithra as part of the Hijrah exhibition.

“And after that it’s going to be traveling with the Hijrah exhibition to Riyadh and then hopefully to Madinah in the future. After that, it will go internationally, along with the Hijrah exhibition, touring the world.”


French Algerian model Younes Bendjima stars in Farfetch’s latest campaign  

French Algerian model Younes Bendjima stars in Farfetch’s latest campaign  
Updated 30 March 2023

French Algerian model Younes Bendjima stars in Farfetch’s latest campaign  

French Algerian model Younes Bendjima stars in Farfetch’s latest campaign  

DUBAI: French Algerian model Younes Bendjima has starred in a new Spring/Summer 2023 campaign for British-Portuguese luxury fashion e-retailer Farfetch.  

Bendjima was joined by US actress Marcia Cross, famous for her role as Bree Van de Kamp in “Desperate Housewives.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by FARFETCH (@farfetch)

The campaign celebrates the idea that you only need to dress for yourself, not anyone else.  

In one scene, Cross is seen getting dressed up for herself and dancing contentedly alone in a red Ferragamo dress.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by FARFETCH (@farfetch)

Cross is also seen dressed in a Dolce & Gabbana leopard print coat while she says: “I’m so tired of everybody else’s opinions, I can make my own choices” with Younes seen shot fully clothed wearing a black sleeveless blazer by Jil Sander commenting” “What can you lose, when you’re doing you?” 

“Younes has such a quiet aura to himself, a kind soul with impeccable style,” creative director of Farfetch Yannis Henrion said in a released statement. “It’s brilliant to be able to portray both sides of the spectrum; showing two great personalities who love to express themselves with their style and make up their own aesthetic.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by FARFETCH (@farfetch)

“We are so excited to bring this unlikely pair of style icons together for this new campaign,” Henrion added. “Marcia is celebrated as an icon for her confidence and fierce style … We wanted to give Marcia the opportunity to show what her own style looks like since she is just as iconic and fierce in real life as in her best on-screen roles.” 

The online retailer previously starred actresses Kim Cattrall and Leighton Meester in their campaigns.  


Sahoor sorted: The food trucks and drive-thrus to visit in Saudi Arabia in Ramadan 

Sahoor sorted: The food trucks and drive-thrus to visit in Saudi Arabia in Ramadan 
Updated 30 March 2023

Sahoor sorted: The food trucks and drive-thrus to visit in Saudi Arabia in Ramadan 

Sahoor sorted: The food trucks and drive-thrus to visit in Saudi Arabia in Ramadan 

JEDDAH: Looking for a new late-night hangout this month? We’ve got you covered. 

Baozi, Riyadh 

This is one of the coolest pitstops to make in Riyadh’s Al-Olaya neighborhood. Asian flavors and Western concepts such as the hamburger collide here to create the most delicious hybrids. Unusual pairings include salted-caramel chicken wings, sesame-toast shrimp and brisket charcoal bao. The baos — fluffy Chinese buns — come pre-stuffed or with a side order of stuffing to allow you to get your mouthful just right. Fans of the food truck’s offerings wax lyrical about Baozi’s Shrimp of Thrones and Loca Chicken Bao. After a loaded sahoor — we recommend ordering a variety of dishes from the menu and sharing the spread with friends; the serving sizes are pretty large — top off the experience with a Hakuna Matata — fried oreo and ice cream — or, in keeping with the season, a wholesome date pudding with ice cream. It’s sure to keep you sated until iftar comes around.  

Serial Griller, Jeddah
 

When Saudi dentist Reham Fozi Shabana decided to ditch her day job for a food truck, little did she know she’d put together a burger joint people would rave about. Drawing from her own childhood, the Jeddah-based entrepreneur now has an eatery that suits the Arab palate; there are homemade burgers and crisp fries with toppings including Cheeto sauce and chicken sauce; chicken wraps; pancakes dripping in chocolate sauce; and, for Ramadan season, a new special: the Vimto slushy. Besides its readymade burgers such as ‘C Killer’ — with crispy chicken breast, cheese and spicy signature sauce, and B Killer, which has beef, cheese and cocktail sauce, Serial Griller also has a DIY BBQ box with food enough for six. The chain has outlets across Jeddah and can also be found on delivery apps.  

The Peak, Alkhobar 

There’s much to be said for the ambience of this chain — for one thing, there’s outdoor seating under the starlit sky. For another, there’s a pergola to add to the relaxed vibe. But even if you ignore the decor, this place serves up treats enough to draw a crowd. The large portions mean this American-style joint is perfect for sahoor with friends. The food, from burgers to the crunchy fries and cheese, is delicately smoked for that extra ounce of flavor. And for seasonal treats The Peak offers bites such as ice cream custard, with rose petals and pistachios adding a little crunch. Want to be the chef who does it himself and impresses the family while he’s at it? Order The Pack's Special Grill Combo with everything from mayo to seasoning for a grill-up at home.  

Mumbai On Wheels, Jeddah 

Got a hankering for some old-school Indian street food? Head over to this truck near Lulu Mall, in Jeddah’s Marwa area, where you can get pao bhaji (mixed vegetable with buns); papri chaat (small flour cakes with sweet and sour toppings); and vegetarian and non-vegetarian platters, among others. Billed as the city’s first Indian food truck, Mumbai on Wheels aims to emulate the roadside shacks back in India, complete with bright bulbs, a colorful veneer and spicy nosh straight from the Subcontinent. Favorites include the famous vada pav (deep fried potato dumpling in a bun), samosas and phirni (a sweet dish made with rice, milk, sugar and dried fruits). Just bear in mind that, like the logo, the food here is bound to be sizzling!   

X Bite, Jeddah 

There are no microwaves in this establishment, founded in 2017. The food is prepared fresh for every customer. With a simple cast of American diner favorites — burgers, crispy chicken, shakes and sodas — X Bite has won many fans and has grown to include a restaurant, but its initial outlet on Al-Madinah Al-Munawarah Road remains a big draw. X Bite also has a DIY kit, so sahoor can be a family affair minus travel. But it also goes the extra mile if you are looking for a caterer for a get-together. The team will tailor-make a menu for your guests, be they 40 or 400, they say. 

Salt, Riyadh 

The brainchild of Emirati Amal Al-Marri and Saudi Deem Albassam, Salt offers bite-sized burgers and cheesy fries but also signature delights locals will love, such as Lotus ice cream. Salt launched in the UAE back in 2014 and has expanded from the Emirates to Saudi Arabia, and has a permanent location at the U Walk complex in Riyadh. Try the classic wagyu beef burger with cheese and pickle in a buttered bun for an unforgettable meal. Salt also has trucks in Riyadh, Alkhobar, Dammam and AlUla.  

The 60 Pasta, Riyadh 

We love eating with our eyes before we eat with our mouth and this food truck delivers with bowls made of bread stuffed with delicious sauce and gooey, cheesy bites that slide down effortlessly. They aren’t stingy with their portion sizes either, so you can share your meal with that special someone. Highlights include truffle pasta, special pasta with spicy chicken, chicken Alfredo, and the signature 60 pasta bowl. Meals are made fresh and so there can be quite a long waiting time, but it’s worth it.  

Infuse, Riyadh 

Missing your daily cup of joe? Sip on classic or signature blends at this drive-thru café in Salim Ibn Moqil, An Nakheel. Unique infusions include macha latte, hibiscus watermelon, and infusion coconut latte. For food, there are buttery croissants, sandwiches, tarts and tiramisu. There’s also a place to sit, if you feel like staying a while, but service is quick and quality is unwavering; get ready for a new favorite coffee house. 


Cast of ‘Succession’ talk the beginning of the end of smash hit show

Cast of ‘Succession’ talk the beginning of the end of smash hit show
Updated 30 March 2023

Cast of ‘Succession’ talk the beginning of the end of smash hit show

Cast of ‘Succession’ talk the beginning of the end of smash hit show
  • It’s one of the most-acclaimed shows of the century, but the dark comedy’s fourth season will be its last 

DUBAI: There’s a regular lifecycle for a television masterpiece. At first, it’s a sleeper hit, adored by critics and early adopters. As the years go on, if it’s good enough, it grows into something much greater — a phenomenon that becomes so embedded that its quotes and characters become cultural touchstones. All of this has happened with HBO’s “Succession,” which just began its fourth season on OSN+. There’s one step in the cycle, however, that creator Jesse Armstrong is still hoping to avoid — the one where a great show carries on past its prime. And so, with this season, “Succession” will come to an end.  

As they filmed this latest season, however, no one knew this (except Armstrong). The cast and crew were shocked and heartbroken. All, that is, except actor Brian Cox, who plays Logan Roy, the domineering and acerbic business mogul whose ‘succession’ plan for his media empire carries the show’s central conflict.   

Brian Cox. (Supplied)

“I’m delighted. I’m very happy that it’s coming to an end,” Cox tells Arab News. 

This isn’t to say that Cox is not a fan of the show, or not grateful for the experience. Rather, in his eyes, stories should have endings, no matter how much the world may demand a next chapter.   

“Jesse implied to me that it was going to be coming to an end. Everyone else was hopeful that it was going to go on, but I was fine about it. I don’t hang on to things. It wasn’t really decided until around episode six or seven that it was going to be wrap-up time, but in the end, that’s the discipline of (Armstrong),” says Cox. 

“A lot of shows go well past their sell-by date. This show will never do that. It’s a good thing that people are mourning the fact that it’s coming to an end. It’s like a death in the family. But I think that’s healthy, and that’s what’s so extraordinary about Jesse — that he had the courage to do it. Never outstay your welcome,” Cox continues. 

Nicholas Braun and Matthew Macfadyen. (Supplied)

For his co-stars of course, it wasn’t just a matter of trying to milk out more story. Over the show’s run, while it is often merciless in its portrayal of the Roy family, from its patriarch to his four children and the many hangers-on beyond, it’s also open-hearted to them. The magic of the series is that it takes some of the most unrelatable and unlikable characters ever put on screen and, by focusing on their family dynamics, makes it impossible not to relate to them in some way — and impossible not to wonder who will actually succeed Logan Roy.  

“Jesse and the writers realized in the first season, when they had storylines that took the central characters away from each other, that it dissipated the tension and the energy. This family is so addicted to each other and so worried about what the other ones could do behind their back. They don’t fit in anywhere else in the world except with each other. Because of their wealth and elitism, they have no one else to relate to, so it’s family or bust,” says Sarah Snook, who plays Logan’s daughter Siobhan Roy. 

The close ties between the characters mirrors the real-life bond between the actors, says Alan Ruck, who plays Logan’s eldest son Connor. 

“With all the outlandish things that the writers have asked me to say or do, I think it all comes back to how you relate to the people you're working with,” he explains. “I just have to key into the energy of Sarah Snook, or Kieran Culkin, or Brian Cox or Jeremy Strong, and how much I like them. It keeps me in the room, and in the situation, no matter what crazy things (my character is) saying or doing.” 

While Culkin, who plays youngest son Roman, has been in the limelight since he appeared opposite his older brother Macaulay in 1990’s megahit “Home Alone,” what he’ll miss most about the show is the rest of the cast, knowing that it’s unlikely he’ll be working with them again because the show’s popularity would make it difficult for people to get past their character associations. The whole phenomenon thing, though, is a bit lost on him. 

“I don’t really have a sense of what a ‘global phenomenon’ is, exactly. My life is small. I do the show, then I’m home with my kids. I never see the scope. I’ll occasionally see a giant poster and go, ‘Oh cool, people are watching it,’” says Culkin. “When we filmed the pilot, I had a lot of fun doing it, but I didn’t know who the heck was going to want to see this show. I still don’t, but I’m glad they did, because we got to do this together.” 


Syrian-Cuban artist  Jason Seife discusses his digital artwork ‘A Modern Genesis: Spring Garden’  

Syrian-Cuban artist  Jason Seife discusses his digital artwork ‘A Modern Genesis: Spring Garden’  
Updated 30 March 2023

Syrian-Cuban artist  Jason Seife discusses his digital artwork ‘A Modern Genesis: Spring Garden’  

Syrian-Cuban artist  Jason Seife discusses his digital artwork ‘A Modern Genesis: Spring Garden’  

DUBAI: The Syrian-Cuban artist discusses his digital artwork that was showcased at Art Dubai in March.

A Modern Gensis, Spring Garden. (Supplied)

I was born in Miami, but my mother is from Cuba, and my dad from Syria. Growing up in Miami, the Hispanic side felt fulfilled, because I had friends who spoke Spanish and I speak Spanish fluently. But ties to the Middle Eastern side faded off, as my grandparents passed away and I didn’t speak Arabic. 

I always found that carpets felt nostalgic. They reminded me of when I was younger. The ones that were family heirlooms, we showcased them on walls. Carpets in general, design-wise, were always intriguing to me. I spent time in Syria, Istanbul, and Iran, studying under actual carpet weavers to understand how they are made so that I can then take it and hopefully make it new and exciting for younger generations to come.  

The goal of this piece, for which I worked off an existing carpet, was to make this new, to add life to it. A carpet is just a still image, but when you’re working digitally with animation, you can paint a more complete picture and show what’s really happening. It’s like a comic book, and with this medium, we can narrate as much as we want.  

I always start off on an iPad. For this piece, the digital designs existed in my hard drive as reference images for paintings. Once I saw a way of bringing those designs together into works of their own, that became really exciting for me.  

It was brought to life by 3D-sculpting every element in it. Every flower, leaf, and vine is 3D-rendered. When you animate something like this, you have to do “rigging,” which is essentially a skeleton that goes inside of the animal or the flower that allows it to move naturally.  

Each frame is done individually. When you’re working on something that has so many moving parts, you never know if, when it comes together, it’s going to be nauseating. Part of it is finding the right pace for the animation; this is a 20-second synchronized loop. I wanted it to feel like a symphony — calming and therapeutic, like looking through a window on a spring morning. When it all came together, it was so rewarding. 


Arab style stars tapped to show off Italian brand Etro’s latest accessory

Arab style stars tapped to show off Italian brand Etro’s latest accessory
Updated 29 March 2023

Arab style stars tapped to show off Italian brand Etro’s latest accessory

Arab style stars tapped to show off Italian brand Etro’s latest accessory

DUBAI: Iconic Italian luxury brand Etro, known for its ready-to-wear looks with luxurious fabrics and paisley prints, has added a new bag to its roster and collaborated with fashion-forward influencers from the Middle East to show it off.    

The brand has tapped names from the region — including Karen Wazen, Ola Farahat and Rym Saidi — to advertise its first-ever bag designed by Creative Director Marco de Vincenzo. 

Other popular faces in the campaign include Saudi beauty influencer Yara Al-Namlah, Iraqi blogger Deema Al-Asadi and Palestinian social media star Julia Hussein.  

Saudi Arabian fashion influencer Yara Al-Namlah with the Etro bag. (Supplied)

“XOXO gossip girls… There were rumors of a new #EtroVelaBag. Paparazzi say it’s the new age of ‘functionality’ in hand,” posted Al-Namlah on Instagram, along with a few shots of her carrying the bag.   

“Makin’ my way downtown— in @etro,” posted Wazen, the Lebanese fashion entrepreneur and social media influencer based out of Dubai.  

 

The classic bag draws inspiration from the nautical world as “its sharp silhouette and dynamic contours seem to ‘cut through’ the wind like a sail,” according to a press release. 

The V-shaped closure features a flexible zipper and a chain with a medal engraved with the Etro logo on one side and a Pegasus on the other, made with the same technique used to mint coins.  

The handbag comes in black, ivory, gianduja chocolate, and seasonal colors. A double detachable shoulder strap allows the bag to be worn on the shoulder or cross-body.  

Tunisian model Saidi, who turned heads at the recent Dubai World Cup, also took to Instagram to show off the bag.  

At the Dubai World Cup, the Tunisian model wore a red ensemble by Fendi, which celebrity stylist Cedric Haddad paired with a Virginie.O headpiece.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Ola (@olafarahat)

Meanwhile, in a recent interview with the New York Times, new Etro Creative Director de Vincenzo talked about being the first non-family member to lead the Italian luxury label.  

The previous co-creative directors were second-generation siblings Kean and Veronica.  

“It was an opportunity to be part of a story,” said de Vincenzo.