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Documentary photography workshop in Riyadh tackles gender equality

Documentary photography workshop in Riyadh tackles gender equality
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The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
Documentary photography workshop in Riyadh tackles gender equality
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The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
Documentary photography workshop in Riyadh tackles gender equality
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The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
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The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
Documentary photography workshop in Riyadh tackles gender equality
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The workshop explored the concept of equality through photography. (AN photo by Abdulrahman Bin Shalhoub)
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Updated 26 May 2023
Samia Hanifi

Documentary photography workshop in Riyadh tackles gender equality

Documentary photography workshop in Riyadh tackles gender equality
Updated 26 May 2023
Samia Hanifi

RIYADH: The embassies of Germany and France in Riyadh hosted documentary photography exhibitions in May.

The Goethe Institute, the French Embassy, and the Alliance Francaise in Saudi Arabia, in collaboration with Gharem Studio, set up a project in October 2022 called “Lens for Equality,” dedicated exclusively to documentary photography.

The genre refers to a form of photography which is used to show specific situations or environments, and also everyday events.

These photographs tend to be taken by professional photojournalists or reporters, but sometimes by amateurs.

Authorship of the genre is generally attributed to American historian Beaumont Newhall who, in March 1938, published the article “Documentary Approach to Photography.”

Artists participating took part in a 10-day workshop in which they had the opportunity to discuss and explore the theme of gender equality through their work by analyzing it from an artistic point of view.

The project was led by three mentors — Scarlett Coten from France, Susanne Kriemann from Germany and Tasneem Al-Sultan from Saudi Arabia.

The German, French and Saudi artists have had very different journeys in the world of photography.

Kriemann, a professor at Karlsruhe University of Arts and Design, said that photography is a “recording system” — a privileged means to study the human species.

Saudi American Al-Sultan is an award-winning photographer. She uses images to capture the spirit of the Middle East and its people, as well as recent changes that have transformed the region.

Coten explores the themes of gender, identity and intimacy mainly through the form of portraits.

The varied backgrounds of the three photographers added richness to the innovative workshop. The session aimed to mobilize artists and the public on a subject still new to Saudi Arabia, and promote the art of documentary photography.

Students’ photographs were exhibited in December 2022 at the Ahlam Gallery in the Al-Moussa Mall in Riyadh.

Topics: Saudi Arabia photography

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Apple unveils sleek, $3,500 ‘Vision Pro’ goggles. Will they be what VR has been looking for?

Apple unveils sleek, $3,500 ‘Vision Pro’ goggles. Will they be what VR has been looking for?
Updated 05 June 2023
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Apple unveils sleek, $3,500 ‘Vision Pro’ goggles. Will they be what VR has been looking for?

Apple unveils sleek, $3,500 ‘Vision Pro’ goggles. Will they be what VR has been looking for?
  • Headset will test the technology trendsetter’s ability to popularize new-fangled devices after others failed to capture the public’s imagination
Updated 05 June 2023
AP

CUPERTINO: Apple on Monday unveiled a long-rumored headset that will place its users between the virtual and real world, while also testing the technology trendsetter’s ability to popularize new-fangled devices after others failed to capture the public’s imagination.
After years of speculation, Apple CEO Tim Cook hailed the arrival of the sleek goggles — dubbed “Vision Pro” — at the the company’s annual developers conference held on a park-like campus in Cupertino, California, that Apple’s late co-founder Steve Jobs helped design.
“This marks the beginning of a journey that will bring a new dimension to powerful personal technology,” Cook told the crowd.
Although Apple executives provided an extensive preview of the headset’s capabilities during the final half hour of Monday’s event, consumers will have to wait before they can get their hands on the device and prepare to pay a hefty price to boot. Vision Pro will sell for $3,500 once it’s released in stores early next year.
The headset could become another milestone in Apple’s lore of releasing game-changing technology, even though the company hasn’t always been the first to try its hand at making a particular device.
Apple’s lineage of breakthroughs date back to a bow-tied Jobs peddling the first Mac in 1984 — a tradition that continued with the iPod in 2001, the iPhone in 2007, the iPad in 2010, the Apple Watch in 2014 and its AirPods in 2016.
The company emphasized that it drew upon its past decades of product design during the years it spent working on the Vision Pro, which Apple said involved more than 5,000 different patents. The goggles will be equipped with 12 cameras, six microphones and variety of sensors that will allow users to control it and various apps with just their eyes and hands. Apple also developed a technology to create three-dimensional digital version of each user to display during video conferencing.
If the new device turns out to be a niche product, it would leave Apple in the same bind as other major tech companies and startups that have tried selling headsets or glasses equipped with technology that either thrusts people into artificial worlds or projects digital images with scenery and things that are actually in front of them — a format known as “augmented reality.”
Facebook founder Mark Zuckerberg has been describing these alternate three-dimensional realities as the “metaverse.” It’s a geeky concept that he tried to push into the mainstream by changing the name of his social networking company to Meta Platforms in 2021 and then pouring billions of dollars into improving the virtual technology.
But the metaverse largely remains a digital ghost town, although Meta’s virtual reality headset, the Quest, remains the top-selling device in a category that so far has mostly appealed to video game players looking for even more immersive experiences. Cook and other Apple executives avoided referring to the metaverse in their presentations, describing the Vision Pro as the company’s first leap into “spatial computing” instead.
The response to virtual, augmented and mixed reality has been decidedly ho-hum so far. Some of the gadgets deploying the technology have even been derisively mocked, with the most notable example being Google’s Internet-connected glasses released more than a decade ago.
After Google co-founder Sergey Brin initially drummed up excitement about the device by demonstrating an early model’s potential “wow factor” with a skydiving stunt staged during a San Francisco tech conference, consumers quickly became turned off to a product that allowed its users to surreptitiously take pictures and video. The backlash became so intense that people who wore the gear became known as “Glassholes,” leading Google to withdraw the product a few years after its debut.
Microsoft also has had limited success with HoloLens, a mixed-reality headset released in 2016, although the software maker earlier this year insisted it remains committed to the technology.
Magic Leap, a startup that stirred excitement with previews of a mixed-reality technology that could conjure the spectacle of a whale breaching through a gymnasium floor, had so much trouble marketing its first headset to consumers in 2018 that it has since shifted its focus to industrial, health care and emergency uses.
Daniel Diez, Magic Leap’s chief transformation officer, said there are four major questions Apple’s goggles will have to answer: “What can people do with it? What does this thing look and feel like? Is it comfortable to wear? And how much is it going to cost?”
The anticipation that Apple’s goggles are going to sell for several thousand dollars already has dampened expectations for the product. Although he expects Apple’s goggles to boast “jaw dropping” technology, Wedbush Securities analyst Dan Ives said he expects the company to sell just 150,000 units during the device’s first year on the market — a mere speck in the company’s portfolio. By comparison, Apple sells more than 200 million of its marquee iPhones a year. But the iPhone wasn’t an immediate sensation, with sales of fewer than 12 million units in its first full year on the market.
Since 2016, the average annual shipments of virtual- and augmented-reality devices have averaged 8.6 million units, according to the research firm CCS Insight. The firm expects sales to remain sluggish this year, with a sales projection of about 11 million of the devices before gradually climbing to 67 million in 2026.
Before taking the wraps of its new goggles, Apple kicked off the event by announcing that the latest models of two high-end computer lines, the Mac Studio and Mac Pro, will be powered by a company-designed chip that has already been available in less expensive Macs.
The Mac Studio will sell for $2,000 and the Mac Pro will be priced at $7,000. As it typically does at this conference, Apple provided a peek at the next iPhone operating system, iOS 17. That software, which will include more personalization and location-sharing tools for phone calls and texting, is expected to be released as a free update in September.

Topics: Apple

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A little too pink? ‘Barbie’ causes a global paint shortage

A little too pink? ‘Barbie’ causes a global paint shortage
Updated 05 June 2023
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A little too pink? ‘Barbie’ causes a global paint shortage

A little too pink? ‘Barbie’ causes a global paint shortage
  • Whimsical Barbie-world utilized so much pink paint that the globe ran out, production designer claimed
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LONDON: Who knew a Barbie movie could cause such chaos? Greta Gerwig’s upcoming film about the iconic doll required a staggering amount of pink paint, so much so that it wiped out an entire company’s global supply.

In a recent interview with the American design magazine Architectural Digest, the director, together with production designer Sarah Greenwood and set decorator Katie Spencer, spoke about the construction of “Barbieland,” a whimsical world where everything, from roads to lampposts, is covered in fluorescent pink.

During the interview, Greenwood, a six-time Oscar nominee, revealed that “Barbie” caused an international pink paint shortage.

“The world ran out of pink,” she declared.

While some media outlets ran with the story, Lauren Proud, vice president of global marketing at Rosco, the paint company used by the film, offered some perspective to the Los Angeles Times.

Proud confirmed that the film “used as much paint as we had,” but explained that the “Barbie” production coincided with global supply chain issues during COVID-19 and extreme weather in Texas, which impacted the materials needed for the paint.

“There was this shortage and then we gave them everything we could — I don’t know they can claim credit,” Proud said, but admitted: “They did clean us out on paint.”

Gerwig told Architectural Digest that the eye-popping pink was key to “maintaining the ‘kid-ness’” of the film’s aesthetic.

The “Barbieland” design drew inspiration from the Kaufmann House in Palm Springs, Wayne Thiebaud paintings, movie “Pee-wee’s Big Adventure,” and “An American in Paris.”

Gerwig said: “I wanted the pinks to be very bright, and everything to be almost too much,” emphasizing her desire to capture the essence of what made her fall in love with Barbie as a child.

“Why walk down stairs when you can slide into your pool? Why trudge up stairs when you take an elevator that matches your dress?” said Gerwig.

Thankfully, the set designers managed to secure just enough paint for production, which mostly took place at Warner Bros Studios Leavesden in the UK.

The star-studded “Barbie” movie features an A-list cast including Margot Robbie as Barbie, Ryan Gosling as Ken, and an ensemble cast including Will Ferrell, Simu Liu, Dua Lipa, Helen Mirren, Issa Rae, America Ferrera, Kate McKinnon, Michael Cera, and Ncuti Gatwa.

After initial rumors of a possible ban in the Middle East and North Africa region, the production house confirmed that one of the most anticipated films of the year would be released in cinemas worldwide on July 21.

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Nepali guide rescues climber from Everest death zone

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Updated 04 June 2023
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Katmandu: A Nepali guide abandoned his client’s Everest summit bid to rescue a Malaysian climber in a deadly mountaineering season that has seen at least twelve deaths.
Gelje Sherpa was guiding a Chinese client to the 8,849-meter (29,032-feet) peak and planned to assist him to paraglide down.
Instead, only a few hundred meters from the summit, they came across a lone man clinging to a rope and shivering in the area known as the “death zone.”
The area above 8,000 meters has earned its name because of its thin air, freezing temperatures and low oxygen levels that heighten the risk of altitude sickness. It is also notorious for its difficult terrain.
“When I found him in that state, my heart did not let me leave him there,” Sherpa told AFP.
Many other climbers had walked past the man that day, but he declined to criticize them.
“It is a place where you have to think of your survival first,” he said.
Sherpa told his client — who will have paid at least $45,000 to attempt Everest, including a permit fee of $11,000 — to return without a summit.
“When I decided to go down, my client did not agree at first. Of course, he was there after spending a lot of money, it must have been his dream for years and he had to find time to come here to climb.
“He got angry and said he wanted to go to the summit.
“I had to scold him and tell him that he has to descend because he was my responsibility and I couldn’t send him to the summit on his own. He got upset.”
He explained that he wanted to take the sick man down the mountain.
“Then he realized that by ‘rescue’ I meant that I wanted to save him. He understood and then he apologized later.”
Sherpa, 30, fitted the ailing climber with his supplemental oxygen supply, improving some of his symptoms, but he was still unable to walk.
The rocky uneven terrain meant that Sherpa, who is about 1.6 meters tall (five feet and three inches) and weighs 55 kilograms, had to carry the Malaysian in some sections.
“It is a very difficult task to carry someone and bring them down from there. But some sections are very rocky, I couldn’t drag him,” said Sherpa.
“If I did that, he could have broken his bones, he was already not doing well.”
Sherpa hauled the man down nearly 700 meters for almost six hours to Camp 4 by himself.
“I’ve been a part of many search and rescue missions, but this was very challenging,” he said.
Joined by another guide, the pair wrapped the climber in sleeping mats and secured him with ropes, dragging him on snowy slopes and carrying him on their backs when necessary.
Finally, they arrived at Camp 3 at 7,162 meters (23,500 feet) and a helicopter using a long line lifted the stricken climber down to the base camp.
Sherpa was not able to meet the Malaysian climber again but received a message thanking him.
“He wrote me ‘You saved my life, you are god to me’,” Sherpa said.
Nepali guides, usually ethnic Sherpas from the valleys around Everest, are considered the backbone of the climbing industry and bear huge risks to carry equipment and food, fix ropes and repair ladders.
Sherpa’s video of the rescue two weeks ago has been liked on his Instagram more than 35,000 times and shared widely over social media, many applauding his selfless decision.
“As a guide you feel a sense of responsibility for others on the mountain and you have to make tough decisions,” said Ang Norbu Sherpa, president of Nepal National Mountain Guide Association.
“What he has done is commendable.”
Nepal issued a record 478 permits for Everest to foreign climbers this season and about 600 climbers and guides reached the top.
Twelve climbers have been confirmed dead, and five more are still missing.
Gelje Sherpa has reached the world’s highest point six times and did not regret his decision to turn back that day.
“People just focus on the summit, but everyone can do that,” he said. “To bring someone from higher than 8,000 meters is a lot more difficult than to summit.”

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Cairo mega sandstorm topples billboard, killing 1

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LONDON: A severe sandstorm that engulfed Egypt’s capital Cairo on Thursday toppled a billboard on to traffic, killing one person and injuring five others.

Local traffic authorities rushed to remove the debris and restore traffic movement as the cloud of orange sand made it difficult for drivers to see, Al-Ahram newspaper reported.

Egyptian authorities also closed the ports of Suez, Sokhna and Adabiya on the Red Sea, citing bad weather conditions, while the Red Sea Ports Authority suspended all maritime navigation as waves rose to over four meters in height.

The country’s Meteorological Authority said that extreme weather conditions are expected to continue, urging the public to wear face masks and avoid sunlight when outdoors for the next two days as temperatures exceed 40 degrees Celsius.

Sandstorms, known as khamsin, are an annual occurrence in Egypt, but rarely reach the size and speed of Thursday’s weather event in Cairo.

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Break in case of emergency: Japanese vending machine to offer free food if earthquake hits

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LONDON: Imagine a city with vending machines that unlock during earthquakes and other natural disasters, providing free food and supplies.

That is exactly what is happening in the Japanese coastal city of Ako, in Hyogo prefecture, as the country steps up its natural disaster preparations.

On Friday, Japanese news outlet The Mainichi reported that the city had launched a trial run with two emergency vending machines.

The machines usually sell snacks and drinks, but will also distribute items for free during major earthquakes or typhoons.

As well as 300 bottles of soda and 150 emergency food items, the lifesaving machines contain lockers filled with essential sanitary items, such as portable toilets and masks, the news outlet said.

The vending machines unlock when an evacuation order is issued after a quake or other natural disasters.

The “hygiene supply disaster prevention stockpiling vending machines” have been installed near buildings designated as evacuation shelters.

Ako is located in an area that is vulnerable to severe earthquakes. 

The emergency vending machine project is a collaboration between the municipality and Tokyo-based pharmaceutical firm Earth Corp., which has research and production facilities in Ako.

The company has signed agreements with 17 municipalities across Japan since 2020 to help solve local issues, with the machines in Ako said to be the first of their type in the country.

A company representative said: “We would like to spread this throughout the country as a socially oriented project.”

Vending machines can be found on almost every street in Japanese cities and sell a wide variety of items —  some as unique as bear or whale meat.

In a similar initiative, a vending machine with a radio that automatically broadcasts emergency information was installed in a Tokyo park earlier this year.

The radio will be activated by severe earthquakes, and transmit evacuation and other vital information from a local community station.

Japan is one of the most earthquake-prone countries in the world. On May 26, a 6.2 magnitude quake struck east of Tokyo.

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