‘Teri Meri Kahaniyaan,’ Pakistan’s first anthology film, hits cinema screens

‘Teri Meri Kahaniyaan,’ Pakistan’s first anthology film, hits cinema screens
Cast members of Teri Meri Kahaniyaan, Pakistan’s first anthology film. (Supplied)
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Updated 01 July 2023
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‘Teri Meri Kahaniyaan,’ Pakistan’s first anthology film, hits cinema screens

‘Teri Meri Kahaniyaan,’ Pakistan’s first anthology film, hits cinema screens
  • Two-hour film tells three separate stories exploring the lives of couples and the challenges they are facing
  • Segments cover a variety of genres, including horror, comedy and drama

LONDON: Billed as the first Pakistani anthology film, “Teri Meri Kahaniyaan,” the title of which translates as “Your and My Stories,” was released in several countries on Thursday.

The two-hour film, featuring a star-studded cast and a crew of acclaimed filmmakers, tells three separate stories exploring the lives of couples and the challenges they face. The segments, directed by Nabeel Qureshi, Nadeem Baig and Marina Khan, cover different genres that are stylistically mirrored by the cinematography choices.

“Saijin Mahal” tells the story of a homeless family in Karachi that takes shelter in an abandoned mansion. A clever blend horror and comedy, this darker depiction of life nevertheless manages to find some lighter moments amid the gloom.

In “Pasoori,” an upbeat rom-com, a bride-to-be is offered a once-in-a-lifetime opportunity but finds herself faced with a dilemma on her wedding day.

The focus shifts to drama in “Aik Sau Taeswaan.” During a train journey to Karachi, Sadaf, whose husband is cheating on her, meets a charming, soon-to-be divorced banker and artist. As these strangers exchange details of their lives, they begin re-evaluate their relationships.

“Unlike a regular feature, which goes on for a longer length and there’s more time for the viewers to get to understand the characters in depth, these stories are condensed into 40 minutes,” Pakistani actress Mehwish Hayat, who plays Sadaf, told Arab News.

“To perform and do justice to your character in that short period of time was quite challenging but I love a challenge.”

While the couples in each of the individual stories all go through their own particular trials and tribulations, set against distinct socioeconomic backdrops, some common themes emerge in the film. The stories all explore what it is that can keep two people together in the face of great adversity. Is it love? A sense of duty? Or merely necessity?

The film also explores the idea that life is, to some extent, guided as much by a series of uncontrollable circumstances as it is by the choices we make.

“I think cinema is always supposed to be larger than life, and most of the time it is a dream we’re selling,” said Hayat.

“But I believe that this particular film is both sticking to reality, the facts and struggles of couples, and yet still finds humor (and) elements of horror. It’s a beautiful mix of reality meets fantasy and magic.”

Films from Pakistan have been enjoying a surge in popularity in the Arab region, according to Pakistani actress Ramsha Khan, who also appears in the film.

“I remember I was in Abu Dhabi a while back and saw one of my dramas on TV dubbed in Arabic — it was a surreal moment,” she told Arab News. “The fact that there’s a demand for films from our part of the world, it really means a lot.”

Khan added that she hopes to have a chance expand her career into Arab cinema, including Saudi Arabia’s rapidly developing film industry.

“What I know of the Saudi film industry, and that’s very little, is that it’s fairly small, sort of like Pakistan,” she said.

“But I have seen what they have done with the Red Sea International Film Festival and I am really excited to see what they will do as their industry grows. They do go all out, for sure.

“If a good role and project comes my way, from anywhere in the world, including Saudi Arabia, I would love to explore the possibility.”
 


Netflix shines spotlight on Arab women at the Red Sea International Film Festival

 Netflix shines spotlight on Arab women at the Red Sea International Film Festival
Updated 06 December 2023
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Netflix shines spotlight on Arab women at the Red Sea International Film Festival

 Netflix shines spotlight on Arab women at the Red Sea International Film Festival

JEDDAH: Streaming giant Netflix is taking part in Jeddah’s Red Sea International Film Festival — set to run until Dec. 9 — with the “Because She Created” space, an installation at the event that shines a spotlight on female talent in the Arab world.

Organizers have focused on Adwa Bader, the Saudi-American interdisciplinary artist and star of Netflix’s upcoming local film “NAGA”; Saudi Arabia writer, performing artist, actor and director Fatima Al-Banawi, who is about to release her directorial debut “Basma”; and Haya Abdelsalam, who is the lead and creative producer behind Kuwaiti Netflix series “Devil’s Advocate.”

Fatima Al-Banawi was photographed in Netflix's Because She Created booth in Jeddah. (Supplied)

Bader spoke to Arab News about the initiative, saying it was important because “we as women have beautiful and powerful stories to tell, and the support of the industry is needed to not only help integrate us better but also recognize our work and the great stories that so many incredible Arab women are telling for the first time.”

Nuha El-Tayeb, content director for the Middle East, Africa and Turkiye at Netflix, echoed those sentiments, telling Arab News that it was critical to spotlight women, in particular, when it comes to the film industry in the region.

“It’s critical to authentic storytelling. Amplifying underrepresented voices, which includes Arab women, gives more people a chance to see their lives reflected on screen,” she said. “Arab women filmmakers are shifting perspectives and revolutionizing the industry in the region, creating Oscar-nominated films and representing the region at international film festivals and major platforms. It’s clear that they have important stories to tell.”

Streaming giant Netflix is taking part in Jeddah’s Red Sea International Film Festival — set to run until Dec. 9 — with the 'Because She Created' space. (Supplied)

El-Tayeb went on to highlight some of the projects that the initiative has supported over the years — including the “Because She Created” writing program, AFAC-Netflix Creative Equity Fund and “Women in Film,” a training program for emerging talent.

“‘Because She Created,’ while born in the Arab world, is a borderless endeavor. Through content on the service, financial grants, upskilling initiatives, and exposure at regional film festivals, we’re providing an avenue for female storytellers to help break the glass ceiling for women in entertainment,” El-Tayeb said.

She added that when it comes to pitches, Netflix is interested in “stories that are authentic and relatable. Stories with universal themes that have broader appeal and can resonate with our members at home.”

When it comes to the entertainment industry in Saudi Arabia, Bader noted the importance of representation on screen.

“It’s a young industry,” the actress added of the film scene in Saudi Arabia. “And we have been waiting to see representation in an authentic way in film and culture. We’ve been waiting to tell our stories and see them on screen, and it’s incredible to witness the transformation,” she said.

When it comes to encouraging Saudi Arabia’s youth to see film as a viable career, the actress believes education is key.

“Art is for everyone, and it can be a viable career if one is willing to take that risk. It’s not easy to be an artist, it’s an emotional job and it’s risky because not everyone can relate, but that’s exactly the reason why it’s even more important to integrate art in formal education to support future generations and support their career choices,” she said.


Tamer Ruggli’s ‘Back to Alexandria’ starring Nadine Labaki dives into complex mother-daughter relationship

Tamer Ruggli’s ‘Back to Alexandria’ starring Nadine Labaki dives into complex mother-daughter relationship
Updated 06 December 2023
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Tamer Ruggli’s ‘Back to Alexandria’ starring Nadine Labaki dives into complex mother-daughter relationship

Tamer Ruggli’s ‘Back to Alexandria’ starring Nadine Labaki dives into complex mother-daughter relationship
  • Swiss-Egyptian director Tamer Ruggli’s debut feature ‘Back to Alexandria’ stars lauded Lebanese actress Nadine Labaki
  • The film will screen at Jeddah’s Red Sea International Film Festival, with the director saying he expects it will resonate with Arab audiences

DUBAI: Jeddah’s Red Sea International Film Festival has attracted a slew of major titles for cinemagoers to watch before it wraps up on Dec. 9 and one of its most anticipated movies is Swiss-Egyptian director Tamer Ruggli’s debut feature, “Back to Alexandria.”

Starring veteran actors Nadine Labaki and Fanny Ardant, the film explores the complexities of a mother-daughter relationship with a script that features Arabic and French.

Sue (Labaki) is a psychotherapist living in Switzerland who returns to Egypt after 20 years to mend fences with her dying mother, Fairouz (Ardant).

Ruggli’s unconventional flick explores various layers of familial relationships.

The 37-year-old filmmaker told Arab News that he had initially wanted to do cartoons and later turned to film because it brought all the layers – colors, photography, costumes, and makeup – into one universe.

For his first movie, script development took seven years, and it became an ambitious project with a stellar cast.

He said: “We have a great cast of famous Arab actors that accepted to work on this more arthouse kind of film that they were normally used to.”

The film draws extensive references from his childhood.

The film poster for ‘Back to Alexandria.’ (Supplied)

“I grew up listening to my mother’s story on her relationship with her mother, how it affected her — she is the pretext of telling the story. But it’s very inspired by my childhood memories; the people I met growing up and those who have shaped me. I like to say it’s semi-autobiographical,” Ruggli added.

As mother and daughter unearth the past, Sue learns about Fairouz’s love life and better understands the complexities of their relationship.

He said: “Sue has an idealized image of her mother, and she discovers some things about her love life – that she loved someone else and had to marry a different person. She had to sacrifice a part of herself, so she rejected her daughter in a way. It symbolizes the freedom that she didn’t have.”

Aside from examining a contentious mother-daughter relationship, Ruggli has also included the presence of aunts in the film, making it even more relatable to Arab audiences.

“There’s this love-hate relationship with aunts – sometimes they even replace the mother’s role. So, we have different aunts present in the movie.

“For instance, Nadine’s character has this very close relationship with her aunt’s help, which is more human than that she has with her family,” he added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Tamer Ruggli (@tamer_ruggli)

One highlight of the film is the candy pink Cadillac Sue is seen driving around in, imagining conversations about things left unsaid between her and her mother. The car, which belongs to Fairouz, becomes a symbol of the mother’s eccentricity.

Ruggli said: “The car is very feminine and exuberant and is reminiscent of the mother. She’s this flamboyant character that lived in Egypt and always stood out from the crowd.”


Chris Hemsworth shares career insights at RSIFF 

Chris Hemsworth shares career insights at RSIFF 
Updated 05 December 2023
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Chris Hemsworth shares career insights at RSIFF 

Chris Hemsworth shares career insights at RSIFF 

JEDDAH: Marvel superstar Chris Hemsworth held a panel discussion during the Red Sea International Film Festival this week — and he gave fans insight on his career choices during the talk.  

Moderated by director Baz Luhrmann, who is also the head of the jury for this year’s edition of the film festival, the pair discussed Hemsworth’s involvement in the upcoming “Furiosa: A Mad Max Saga” movie. “There’s a lot of anticipation for myself and from the fanbase that has been there for the 45 years,” Hemsworth said. 

Luhrmann and Hemsworth also addressed how “Mad Max” franchise director, George Miller, was brave enough to create a fictional universe from scratch, with Hemsworth adding:  

 “Taking leap, doing something different, thinking outside the box. The fear and the anxiety that comes with that is something to face and overcoming that and choosing to tell a story from your perspective, to be influenced by other people but not to be directly mimicking anyone else … there’s courage to that.” 

Hemsworth later shared with the audience that the escapism offered by films attracted him to the art of storytelling from a young age — he also noted that the ability to shapeshift and inhabit different characters is part of the reason he got into the film industry. 

“From a very young age, whether it would be books or television films, I enjoyed the fantasy, I enjoyed the escapism, the journey that the narrative and the story would take me one,” he said.  

“I think the vivid imagination of me as young kid carried through and still does now and that was the attraction to inhabit different spaces and different worlds and be taken on a journey,” he added. 

 Hemsworth appeared at the festival as part of the In Conversation series that has already featured the likes of US actor Will Smith, Bollywood star Katrina Kaif and Arab stars Amina Khalil and Yasmine Sabri. 


Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF
Updated 05 December 2023
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Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

Filmmaker Talal Almusaad talks ‘weird, psychedelic’ short film ‘Salem’s Legs’ at RSIFF

RIYADH: At just 18, Saudi filmmaker Talal Almusaad is making his cinema debut with a short film titled “Salem’s Legs” at the Red Sea International Film Festival.

Almusaad was raised in the Eastern Province city of Dhahran at a time when cinemas were nonexistent in the Kingdom. Nevertheless, he saw films, notably the “Halloween” movie franchise, during visits to Bahrain. He cites Hollywood film giants Stanley Kubrick and Quentin Tarantino as among his favorite directors.

“From childhood, all I wanted to do was tell stories,” Almusaad, who is based in Riyadh, told Arab News. 

The fledgling director said that he is interested in making films about Saudi culture for non-Arab audiences, but also wants to surprise Arab audiences with “creepy and weird” plots.

“I want to make something new in Saudi cinema,” he said.

“Salem’s Legs,” which runs for just five minutes, is an Arabic-language dark comedy about two young friends, Salem and Mohammed. When the former swallows an anonymous pill and collapses, Mohammed panics and believes that his friend has died. He tries to get rid of Salem’s body by rolling it up in a carpet. Their adventures lead them to the Saudi desert.

‘Salem’s Legs,’ which runs for just five minutes, is an Arabic-language dark comedy. (Supplied)

“It’s a weird, psychedelic movie. You can even see that in our poster,” said the director of the fluorescent pop-art design.

“There is no message in the film, but that is the message: You don’t have to do a film with a message just to brag and say you’re an artist.”

The plotline was put together by scriptwriter Nawaf Alzahrani and the film features three actors, Mohammed Alajmi, Salem Alattas, and Norah Abdalaziz.

“I told the group, ‘Let’s make something we love. Don’t think about if we win or lose at the Red Sea Festival.’”

The film was shot in just 48 hours and will be screened at Vox Cinema in the Red Sea Mall on Dec. 5 and 8.

It is a surreal experience for Almusaad to showcase his work at the festival, as he only recently graduated from high school and hopes to study filmmaking abroad.

He would like to shoot one more film in his homeland, which has recently undergone a major transformation in terms of cinema access and production. At the festival alone, there are more than five Saudi feature films screening this year.

“If you told me five years ago that many filmmakers will do films in Saudi Arabia, I would not have believed that. It’s crazy,” Almusaad said.


Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings
Updated 05 December 2023
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Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

Short animation ‘Saleeg’ heads back to Saudi Arabia after international screenings

JEDDAH: With Jeddah’s Red Sea International Film Festival in full swing, Saudi Arabia’s up-and-coming talents are firmly in the spotlight.

Among the selection of Saudi films screening at the event, which runs until Dec. 9, “Saleeg,” a captivating short animation directed by Afnan Bawyan, stands out. This short masterpiece, running just shy of 10 minutes and produced in 2022, employs diverse puppetry techniques and was created in Amsterdam at 5 A.M. Studios.

“Saleeg” is showing in the “New Saudi, New Cinema: Shorts” category among the other 19 shorts from the Kingdom.

Saudi film director Afnan Bawyan  expressed her excitement about screening “Saleeg” in Jeddah, the city that inspired the film’s creation. In an interview with Arab News before the screening, she anticipated a profound connection between the local audience and the narrative, given its roots in Jeddah and the west of Saudi Arabia.

“I am thrilled to participate in the Red Sea International Film Festival as it signifies the inaugural screening of my film in Jeddah, the city that inspired its creation. I am optimistic that the audience in Jeddah and the Saudi western region will perceive the film uniquely and forge a deeper connection with the narrative and characters compared to any other audience as they will be able to relate to it,” Bawyan said.

The film’s title draws inspiration from the traditional Saudi Hijazi dish saleeg, which originates in Taif in the Makkah region. In the film, 60-year-old Hajer is preparing saleeg for dinner with her son. In need of vegetables, she rushes outside when she hears the grocer’s bell, but forgets to cover the pot. Meanwhile in the kitchen, the rice has fallen into the boiling water where it has expanded, overflowed and is soon flooding through the house and out into the yard, carrying Hajer with it.

The film is a family drama with voices in a Saudi dialect of Arabic, subtitled in Urdu, Tigrigna and English, and it made its mark on the international stage with a premiere at the Annecy International Animation Film Festival in France earlier this year.

The film poster for Saudi animation 'Saleeg.' Supplied

“The film has been fortunate to receive significant publicity, especially after its screening at Annecy International Animation Film Festival in France,” the director said.

“Saleeg” was also screened in the Saudi Cultural Exhibition in Paris and at the Film Criticism Conference in Riyadh and took part in more than 15 Saudi, Arab, and international film festivals.

The work discusses various issues in Saudi society, including rapid urbanization and the tension between traditional and contemporary ways of living, particularly how the elderly is affected.

Behind this film stands a director who, despite a background in chemistry, embarked on a self-taught journey into filmmaking, enhanced by attending workshops by the Saudi Film Commission.

Crafting the stop-motion film demanded over 65 days of meticulous work, she said. Bawyan’s expertise as a script supervisor for seven Saudi feature films laid the foundation for her debut as a writer and director with “Saleeg,” which was co-produced with animation writer and producer Mariam Khayat.

Looking ahead, Bawyan is working on a clutch of projects, including a new short-animated film set in her hometown, Makkah.