Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
Villa Hegra will connect two fundamental elements of AlUla's landscape, the urban plot and the oasis. (Supplied)
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Updated 01 August 2024
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Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
  • The CEO of the Saudi-French cultural hub discusses its achievements so far and plans for the future 
 

DUBAI: The Saudi-French cultural institution Villa Hegra — intended as “an incubator for artists and creators” — celebrated the first anniversary of its pre-opening program in July. It has been a year marked by a wide range of cultural activities and concerts, artistic retreats and research programs in the heart of AlUla as part of Villa Hegra’s first pre-opening cycle, which runs until the end of this year.  

Villa Hegra was officially established in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah Al-Saud and Jean-Yves Le Drian, then-French minister of foreign affairs, now president of AfAlula (the French Agency for AlUla Development). One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France. 




Artists from the Opera National de Paris met with students of the AlUla Music Hub, as part of the Villa’s recent partnership with the opera. (Supplied)

“It is not a private initiative. It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level,” Fériel Fodil, CEO of Villa Hegra, told Arab News’ French edition. “The villa will be a cluster of three assets: the cultural center, where the artist residencies will take place, and which will include a school for tourism and hospitality (Firendi AlUla); an apartment hotel with 80 rooms; and the villa itself.” 

The ultimate aim is to foster dialogue between both international and regional artists, local communities, and the oasis of AlUla. 

“When I think about architects, I go back to their ethos around working with nature rather than against it. When I think about the villa, I want to build humble yet impactful programs (for it),” Fodil said. “Architects in Alula add, complete, and transform. They build around trees to preserve the oasis.” 




American-Saudi artist Sarah Brahim and French artist Ugo Schiavi were the first of Villa Hegra's artists to travel to AlUla in July 2023, as part of the Villa's first preopening cycle. (Supplied)

Villa Hegra will be home to spaces for the performing arts, dancing, research, a digital studio, visual arts exhibitions, and yoga and fitness. It will also host artist residencies. The cultural center and the artist residencies are scheduled to launch towards the end of 2026, following the year-long second cycle of the pre-opening program. The hotel and Firendi AlUla should open in 2027.  

Part of Villa Hegra will also be dedicated to a regeneration of the town’s oasis, and the 10-hectare site itself will connect two fundamental elements of AlUla's landscape: the urban and the natural.  

“We are not (an add-on), we are rooted within the town,” said Fodil. “It is a very dense plot, and then very scattered in the oasis part. That (design) is going back to the heritage of AlUla where you have a winter farm and a ‘rihla’ — or journey — between the winter farm and the summer farm.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Villa Hegra has already initiated research into the cultural and socio-economic impact of cultural activations by the Royal Commission for AlUla on the local community. “The cultural center’s main objective is to engage with the community. We are working on the cultural program to reach the villa’s local and international ambition equally,” Fodil said. 

“We are trying to have a number of pre-opening programs — exhibitions for artist residencies, and public outreach activities, around podcasts, publications, and cinema,” she continued. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Naturally, French culture will play a major role. Following a successful concert organized by Villa Hegra at Maraya Concert Hall in January, the Opéra national de Paris will be back in AlUla to perform and to hold further workshops. The villa’s partnership with the Opéra national de Paris is in line with the Kingdom’s cultural ambitions, with the Royal Diriyah Opera House set to open in 2028. 

And over the past year, Villa Hegra has partnered with several leading French institutions to offer unique cultural initiatives, enrich AlUla’s cultural landscape, and facilitate the exchange of knowledge between Saudi Arabia and France. More than 20 French and Saudi artists have been collaborating and sharing knowledge at the villa, and more than 300 children and teenagers from the local community have participated in multidisciplinary workshops. There have also been talks given by experts in the fields of music, cinema, visual arts, architecture and the performing arts. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

As part of its second pre-opening cycle, along with the performance from the Opéra national de Paris, the villa will also host a science and arts workshop for children and teenagers, and a week of initiation into moviemaking and the history of cinema. 

The distinctiveness of the villa lies in its duality — Saudi and French, urban and oasis, open to children and adults, and with a local and international outreach. 

Partnerships are essential to the cultural identity of Villa Hegra. Whether through student exchange programs, research, or live events, the objective is to build momentum around art in the region. 

“We are also trying to find partners from the Saudi side, such as Hayy Jameel in Jeddah,” Fodil said. “We are looking for partnerships that have a look and feel of dialogue and have a training component to them, while bringing the best of both French and Saudi expertise.” 


Jade Thirlwall, UK pop star with Arab heritage, wins first solo BRIT Award

Jade Thirlwall, UK pop star with Arab heritage, wins first solo BRIT Award
Updated 02 March 2025
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Jade Thirlwall, UK pop star with Arab heritage, wins first solo BRIT Award

Jade Thirlwall, UK pop star with Arab heritage, wins first solo BRIT Award

DUBAI: English pop star Jade Thirlwall, who has Egyptian and Yemeni ancestry on her mother’s side, was named Best Pop Act at the BRIT Awards 2025.

The last member of girl group Little Mix to launch a solo career, Thirlwall was born to an English father and has Egyptian and Yemeni ancestry on her mother's side.

Jade Thirlwall took to the BRIT Awards red carpet in a baby blue Regency-esque gown designed by Glenn Martens for Diesel. (Getty Images)

Accepting her award at London’s 02 Arena on Saturday night, the singer got emotional, saying, "Oh my God, what?! This is my first solo BRIT Award. Oh my God! I can't cry because I've got to sing later but I did do a little piece of paper in case I won. I know it's cringe!’

Thirlwall — who wore a baby blue Regency-esque gown designed by Glenn Martens for Diesel — ended her acceptance speech with a shoutout to her former Little Mix bandmates. "And finally, of course, my Little Mix sisters. I love you so much. I wouldn't have this award without them and they changed my life. I'm so grateful.”

She later took to the stage to perform her debut top 10 single, “Angel Of My Dreams.”

She later took to the stage to perform her debut top 10 single, “Angel Of My Dreams.” (Getty Images)

Of her Arab heritage, Thirlwall had said in a previous interview with BBC, “My granddad was a Muslim from Yemen. He settled in South Shields and married my granny, who was Egyptian – but I never met her because she died when my mam was four.”

“It was interesting for me, growing up in an Arab community,” continued Thirlwall, who was raised in South Shields, a coastal town in England. “My granddad really wanted me to be Muslim, bless him! My mam made me go to church on Sunday, but I went to Muslim school on Saturdays — it was next to the local mosque where my grandfather went.”

In 2022, the singer did a Q&A session on her Instagram Stories, where she further talked about her Arab heritage.  “I love cooking Yemeni food, discovering Yemeni artists and creatives, and I will be continuing to learn Arabic on tour,” she said.

In a more recent interview with Bang Showbiz, the 32-year-old singer talked about cancel culture and her support for Palestine.

She said: “Cancel culture is thriving now. When you’re in the public eye, it’s quite scary. I’ve always been quite vocal, and I’m not always going to get it right. But you can’t be a pop artist right now without speaking out about certain things.

“I have been warned there could be consequences for speaking out about things like Palestine, but these are basic human rights.”


Architect Lina Ghotmeh to redesign British Museum’s Western Range Galleries

Architect Lina Ghotmeh to redesign British Museum’s Western Range Galleries
Model submitted by Lina Ghotmeh Architecture for competition
Updated 02 March 2025
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Architect Lina Ghotmeh to redesign British Museum’s Western Range Galleries

Architect Lina Ghotmeh to redesign British Museum’s Western Range Galleries

DUBAI: Lebanese-helmed architecture firm Lina Ghotmeh — Architecture (LG-A) will redesign the British Museum’s Western Range galleries after winning the contract in a competition.

The Paris-based firm, founded by Beirut-born Ghotmeh, will transform the museum’s historic building the houses some of the world’s greatest antiquities.

The competition for the project ran for nine months and attracted more than 60 teams. Five were shortlisted, including Reem Koolhaas and David Chipperfield, and were invited to take part in a two-stage competition, from which LG-A emerged as the winner.

Renderings of the proposed design by LG - A. (Supplied)

Gotmeh’s vision for the redesign for the galleries resonated with the judges due to its archaeological approach to the architectural design in what the museum is calling “one of the biggest cultural renovations undertaken anywhere in the world.”

“In Lina Ghotmeh we have an architect who combines a deep sensitivity to the history of our great collection while being a voice for the future,” said George Osborne, chairman of the British Museum and chair of the judging panel, in a statement. “We had many outstanding entries – and I thank the other practices for all their hard work – but I can say as chair of the judging panel, she was the standout winner.

“Her design ideas excited and enthused the trustees; when they become real buildings and galleries, we know they will excite and enthuse our millions of visitors,” added Osborne.

Lina Ghotmeh and Nicholas Cullinan in the Western Range. (The Trustees of the British Museum)

The judging panel comprised of experts in the field of architecture including Yvonne Farrell, Meneesha Kellay, Mahrukh Tarapor, and Sarah Younger. Alongside Nicholas Cullinan, director of the British Museum, were representatives from the British Museum’s Board of Trustees — artist Tracey Emin, Charlie Mayfield and Alejandro Santo Domingo.

Ghotmeh, who grew up in Beirut during the 1980s amid the Lebanese civil war, is known for her sensitivity when designing projects. In 2023, she designed the Serpentine Pavilion London, making her the second female architect to do so after Zaha Hadid. She has also been commissioned to design a contemporary art museum in AlUla, Saudi Arabia’s ancient desert region in the northwestern part of the country. In 2005, she won the international competition for the design of the Estonian National Museum while working in London and collaborating with Ateliers Jean Nouvel and Foster & Partners.

“The beauty of this project lies in how my work process is both confirmed and enriched by a project like the British Museum,” Ghotmeh told Arab News, adding how winning the project gave her “a feeling of sharing, of collective joy, an expression of deep humanity that arises from the connections and emotions these moments evoke.”

Renderings of the proposed design by LG - A. (Supplied)

Ghotmeh’s team also features Lebanese artist Ali Cherri, winner of the Silver Lion at the Venice Biennale in 2022, who is known for his art exploring cultural heritage, particularly in Lebanon and the wider Mediterranean, and geopolitics.

While prestigious, the redesign will be challenging. The Western Galleries, which comprise a third of the museum’s overall gallery space, total 15,650 square meters. The complex area includes the original 1850s buildings that were designed by Robert Smirke and later additions — all of which need to be renovated to meet present building standards. Many of the galleries contain important “heritage building fabric” the museum has said.

Ghotmeh also notes the feeling of responsibility in redesigning such an important museum, stating how she feels “the responsibility to bring our visions to life and continue this path of striving for quality and beauty.”

“Each project, for me, is a historical, material, and creative journey — like ‘archaeology of the future.’

“I am thrilled to design with a deep understanding of this museum — its history, the possibilities of what a 21st-century museum could be, the collection, its provenance, and the stories it should tell,” added Ghotmeh. “It’s about finding ways to engage with it, creating dialogue, and turning spaces into vessels. This is an opportunity to create extraordinary places that inspire a deep connection with the world.”


Actress Andria Tayeh fronts Armani’s latest campaign

Actress Andria Tayeh fronts Armani’s latest campaign
Updated 01 March 2025
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Actress Andria Tayeh fronts Armani’s latest campaign

Actress Andria Tayeh fronts Armani’s latest campaign

DUBAI: Lebanese Jordanian actress Andria Tayeh this week fronted Armani’s Ramadan campaign, set against the backdrop of a desert landscape.

Draped in a flowing emerald-green abaya, Tayeh was seen in the video applying the Vert Malachite perfume from Armani Prive as the camera captured the details of the fragrance and her attire. The setting featured sand dunes stretching into the horizon.

The campaign integrates elements of regional aesthetics with Armani’s luxury branding, aligning with the themes of Ramadan. Vert Malachite, known for its rich and opulent notes, is presented as part of the brand’s seasonal focus.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Andria Tayeh (@andria_tayeh)

“Ramadan is a time of gratitude and blessings,” the star wrote to her 1.1 million followers on Instagram. “Honored to share this journey with Armani Prive and Vert Malachite, and wishing you a month filled with light and peace.”

Tayeh, known for her roles in Austrian filmmaker Kurdwin Ayub’s “Mond” and Netflix’s hit series “Al-Rawabi School for Girls,” has had a busy start to the year, collaborating with multiple brands and fronting their campaigns.

Last month, Giorgio Armani announced her appointment as its new Middle East beauty ambassador.

She took to Instagram to express her excitement, writing: “I am thrilled and honored to embark on this new journey with Armani beauty.

“This marks a real milestone for me, as the brand embodies values I have always cherished: timeless elegance, dramatic simplicity, and women empowerment,” she said. “Armani beauty reveals one’s charismatic personality in the most subtle and natural way. It’s this pure simplicity that creates an impact, and this is exactly what I hope to bring to the Arab cinema world.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Andria Tayeh (@andria_tayeh)

That same month, she was named the first Middle Eastern ambassador for French hair care brand Kerastase.

In a promotional clip, she appeared in an all-white studio, answering questions about why she is the ideal Kerastase ambassador. Tayeh spoke in a mix of English, Arabic and French, playfully flipping her hair for the camera as she discusses her dedication to maintaining healthy hair.

“Growing up, hair was always a big part of my identity, and now, representing a brand that celebrates hair in all its beauty feels surreal. Here’s to confidence, strength and great hair,” Tayeh captioned her post on Instagram at the time.


Health-conscious Ramadan recipes: Easy detox curry by chef Mayssam Abdulkhalek

Health-conscious Ramadan recipes: Easy detox curry by chef Mayssam Abdulkhalek
Updated 01 March 2025
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Health-conscious Ramadan recipes: Easy detox curry by chef Mayssam Abdulkhalek

Health-conscious Ramadan recipes: Easy detox curry by chef Mayssam Abdulkhalek

DUBAI: Executive chef Mayssam Abdulkhalek at Qatar’s Zulal Wellness Resort shares a clean eating recipe for iftar.

This detox curry is high in vitamins and minerals and low in calories due to the inclusion of beta-carotene-packed pumpkin, fiber-rich kohlrabi and cauliflower.

Billed as the Middle East’s first full immersion wellbeing resort, Zulal Wellness Resort’s offerings are based on the core tenets of traditional Arabic and Islamic medicine.

Detox curry

Ingredients: 

               30        gr                 Pumpkin                                    

              40       gr                   Kohlrabi

              20       gr                   Purple Cauliflower

              20       gr                   Cauliflower

              10       gr                   Mushroom

                1       gr          Sweet Basil

              40       gr          Coconut Milk

              60       ml          Vegetable Stock

              0.1      gr          Salt

                 2      gr          Coconut Sugar

Detox Curry Paste 

            250       ml                   Vegetable Stock

              50       gr           Red Chili

                1       gr           Kaffir Lime Leaf

              75       gr           Garlic

              50       gr           Galangal

Instructions:

Curry Paste

1. Peel all vegetables, cut thinly, and put in the blender.

2. Blend with vegetable stock until smooth in texture.

Curry

1. In a large saucepan, bring the coconut milk and curry paste to a boil over medium-high heat.

2. Whisk until smooth, about 2 minutes. Add the kohlrabi, cauliflower, pumpkin, and mushroom. Bring to a simmer until vegetables are tender.

3. Season with salt and coconut sugar.

4. Put sweet basil at the last before serving.


Charlie Cox and Vincent D’Onofrio tease intense Daredevil-Kingpin showdown in ‘Daredevil: Born Again’

Charlie Cox and Vincent D’Onofrio tease intense Daredevil-Kingpin showdown in ‘Daredevil: Born Again’
Updated 01 March 2025
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Charlie Cox and Vincent D’Onofrio tease intense Daredevil-Kingpin showdown in ‘Daredevil: Born Again’

Charlie Cox and Vincent D’Onofrio tease intense Daredevil-Kingpin showdown in ‘Daredevil: Born Again’
  • Disney+ releases 2-episode premiere March 5
  • Actors highlight characters’ evolving dynamics

DUBAI: Marvel fans are all set for a return to Hell’s Kitchen as Disney+ gears up for the release of “Daredevil: Born Again,” a revival of the beloved “Daredevil” series that originally streamed on Netflix.

The new show brings back Charlie Cox as Matt Murdock, the blind lawyer who moonlights as the horned vigilante, and Vincent D’Onofrio as Wilson Fisk, the formidable crime boss known as Kingpin.

Ahead of the show’s two-episode premiere on March 5, Cox and D’Onofrio shared insights into their characters’ evolving dynamics in a virtual press conference.

Cox assured fans that while Murdock remains fundamentally the same character, he faces new emotional and psychological challenges. “It’s hard to talk about without spoilers,” he said.

“Early on, Matt suffers a trauma that forces him to rethink and rediscover his identity in a way we haven’t seen before. He ends up going down a path that I’d describe as a Band-Aid that has to be ripped off slowly and painfully.”

The revival finds Murdock attempting to leave his vigilante past behind, only to be drawn back into a dangerous game as Fisk reemerges — not as a crime lord, but as a politician running for mayor of New York City.

Their conflicting paths set the stage for a fresh yet intense confrontation between the two.

D’Onofrio highlighted the rarity of direct face-offs between Daredevil and Kingpin, despite their deep-seated rivalry. “We’ve only been in five or six scenes together over the years,” he revealed.

“And that’s because when we do share a scene, it has to mean something — it’s always at the beginning of something, or the end, or sometimes both. It has to be intense.”

This time, the show takes a different approach, bringing the two adversaries together much earlier in the season. Cox explained that this shift creates a fresh dynamic.

“Bringing us together early on is something we haven’t done before,” he said. “It puts them in a position where they have to trust each other’s ability to stay true to who they say they are. That changes the game.”

D’Onofrio also offered a metaphorical take on the characters’ struggles. “We’re both broken men trying to live in the daylight,” he said. “It’s like vampires trying to walk in the sun — it’s a struggle.

“He’s got his thing, I’ve got my plan, and putting us together creates an unavoidable tension.”