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Apple embraces the AI craze with its newly unleashed iPhone 16 lineup

Apple embraces the AI craze with its newly unleashed iPhone 16 lineup
Apple iPhone 16 models are displayed following Apple's "It's Glowtime" event in Cupertino, California, September 9, 2024. (AFP)
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Updated 10 September 2024
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Apple embraces the AI craze with its newly unleashed iPhone 16 lineup

Apple embraces the AI craze with its newly unleashed iPhone 16 lineup
  • Apple’s AI features are designed to turn its often-blundering virtual assistant Siri into a smarter and more versatile sidekick
Updated 10 September 2024
AP
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CUPERTINO, California: Apple on Monday charged into the artificial intelligence craze with a new iPhone lineup that marks the company’s latest attempt to latch onto a technology trend and transform it into a cultural phenomenon.
The four different iPhone 16 models will all come equipped with special chips needed to power a suite if AI tools that Apple hopes will make its marquee product even more indispensable and reverse a recent sales slump.
Apple’s AI features are designed to turn its often-blundering virtual assistant Siri into a smarter and more versatile sidekick, automate a wide range of tedious tasks and pull off other crowd-pleasing tricks such as creating customized emojis within seconds.
After receiving a standing ovation for Monday’s event, Apple CEO Tim Cook promised the AI package will unleash “innovations that will make a true difference in people’s lives.”
But the breakthroughs won’t begin as soon as the new iPhones — ranging in price from $800 to $1,200 — hit the stores on September 20.
Most of Apple’s AI functions will roll out as part of a free software updates to iOS 18, the operating system that will power the iPhone 16 rolling out from October through December. US English will be the featured language at launch but an update enabling other languages will come out next year, according to Apple.
It’s all part of a new approach that Apple previewed at a developers conference three months ago to create more anticipation for a next generation of iPhones amid a rare sales slump for the well-known devices.
Since Apple’s June conference, competitors such as Samsung and Google have made greater strides in AI – a technology widely expected to trigger the most dramatic changes in computing since the first iPhone came out 17 years ago.
Just as Apple elevated fledgling smartphones it into a must-have technology in 21st-century society, the Cupertino, California, company is betting it can do something similar with its tardy arrival to artificial intelligence.
In an attempt to set itself apart from the early leaders in AI, the technology being baked into the iPhone 16 is being promoted as “Apple Intelligence.” Despite the unique branding, Apple’s new approach mimics many of the features already available in the Samsung Galaxy S24 released in January and the Google Pixel 9 that came out last month.
“Apple could have waited another year for further development, but initial take up of AI- powered devices from the likes of Samsung has been encouraging, and Apple is keen to capitalize on this market,” said PP Foresight analyst Paolo Pescatore.
As it treads into new territory, Apple is trying to preserve its long-time commitment to privacy by tailoring its AI so that most of its technological tricks can processed on the device itself instead of relying on giant banks of computers located in remote data centers. When a task needs to connect to a data center, Apple promises it will be done in a tightly-controlled way that ensures that no personal data is stored remotely.
While corralling the personal information shared through Apple’s AI tools inherently reduces the chances that the data will be exploited or misused against a user’s wishes, it doesn’t guarantee iron-clad security. A device could still be stolen, for instance, or hacked through digital chicanery.
For users seeking to access even more AI tools than being offered by the iPhone, Apple is teaming up with OpenAI to give users the option of farming out more complicated tasks to the popular ChatGPT chatbot.
Although Apple is releasing a free version of its operating system to propel its on-device AI features, the chip needed to run the technology is only available on the iPhone 16 lineup and the high-end iPhone 15 models that came out a year ago.
That means most consumers who are interested in taking advantage of Apple’s approach to AI will have to buy one of the iPhone 16 models – a twist that investors are counting on will fuel a surge in demand heading into the holiday season.
The anticipated sales boom is the main reason Apple’s stock price has climbed by more than 10 percent, including a slight uptick Monday after the shares initially slipped following the showcase for the latest iPhones.
Besides its latest iPhones, Apple also introduced a new version of its smartwatch that will include a feature to help detect sleep apnea as well the next generation of its wireless headphones, the AirPods Pro, that will be able to function as a hearing aid with an upcoming software update.

Topics: Apple iPhone 16 artificial intelligence

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Sean ‘Diddy’ Combs sex trafficking trial set for May 2025

Sean ‘Diddy’ Combs sex trafficking trial set for May 2025
Updated 11 October 2024
AFP
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Sean ‘Diddy’ Combs sex trafficking trial set for May 2025

Sean ‘Diddy’ Combs sex trafficking trial set for May 2025
Updated 11 October 2024
AFP

NEW YORK: Music mogul Sean Combs is set to go on trial for racketeering and sex trafficking on May 5, 2025, a judge said in a court hearing Thursday.
The rapper known as “Diddy” will remain incarcerated, said federal judge Arun Subramanian, after he was indicted last month on three criminal counts that allege he sexually abused women and coerced them into drug-fueled sex parties using threats and violence.
Combs has twice been denied bail, as prosecutors have voiced concerns of witness tampering. He has pleaded not guilty to all charges.
As he entered the courtroom, Combs, wearing a light-colored wrinkled shirt and pants, greeted his mother and children who were attending the hearing.
Prosecutor Emily Johnson said there was still more evidence to explore, noting that 96 electronic devices had been seized in March and that more charges were possible.
Allegations have been building against the Grammy winner since last year, when singer Cassie, whose real name is Casandra Ventura, alleged Combs subjected her to more than a decade of coercion by physical force and drugs as well as a 2018 rape.
A spate of similarly lurid civil lawsuits since have painted a picture of Combs as a violent man who used his celebrity status to prey on women.
And in a bombastic announcement, lawyers said more than 100 people who say Combs assaulted or exploited them — some of them children — were planning more legal action.
The explosion of allegations against him has highlighted a culture in the music industry that many people contend allows for a wider pattern of rampant sexual misconduct.

BBC Weather app wrongly shows 18,995 mph wind speeds in Britain

BBC Weather app wrongly shows 18,995 mph wind speeds in Britain
Updated 10 October 2024
Reuters
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BBC Weather app wrongly shows 18,995 mph wind speeds in Britain

BBC Weather app wrongly shows 18,995 mph wind speeds in Britain
  • App malfunction suggested winds were 150 times stronger than Hurricane Milton currently battering Florida
Updated 10 October 2024
Reuters

LONDON: Britons woke up to alarming news on Thursday, with the widely used BBC Weather app forecasting winds 150 times stronger than Hurricane Milton, due to a data malfunction.
With television news channels showing Milton smashing into Florida in the United States, the unprecedented winds forecast on the BBC Weather app prompted many people to turn to social media for an explanation.
“Go home BBC weather app, you’re drunk. It’s about 37mph,” said one X user, posting under the username Larky McRory, next to a screenshot of the app showing wind speeds of 18,995 mph.
Hurricane Milton was registered as a Category 3 hurricane in Florida, with maximum sustained winds of 120 mph (195 kph).
BBC Weather sought to reassure the public that they did not in fact have to brace for hurricane winds, with a post on X saying that the weather was more likely to be a typical autumnal day of cold air and blustery showers.
“Don’t worry folks, there isn’t a hurricane on the way today for Scotland, and Edinburgh isn’t going to see wind gusts of an impossible magnitude of 17246mph!,” BBC Scotland Weather said on X. “There is a major error in the data being ingested into the app.”
A banner announcement on the app said: “We’re experiencing issues with our forecast data. We’re working to resolve it.” BBC Weather noted some temperatures were also displaying wrongly and apologized.
The malfunction prompted some social media users to recall the moment in 1987 when Britain’s then leading weather presenter, Michael Fish, reassured viewers that reports of a brewing hurricane were not accurate, just hours before hurricane-force winds hit the country.

Topics: BBC UK weather

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TikTok is designed to be addictive to kids and causes them harm, US states’ lawsuits say

TikTok is designed to be addictive to kids and causes them harm, US states’ lawsuits say
Updated 09 October 2024
AP
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TikTok is designed to be addictive to kids and causes them harm, US states’ lawsuits say

TikTok is designed to be addictive to kids and causes them harm, US states’ lawsuits say
Updated 09 October 2024
AP

More than a dozen states and the District of Columbia filed lawsuits against TikTok on Tuesday, saying that the popular short-form video app is designed to be addictive to kids and harms their mental health.
The lawsuits stem from a national investigation into TikTok, which was launched in March 2022 by a bipartisan coalition of attorneys general from many states, including New York, California, Kentucky and New Jersey. All of the complaints were filed in state courts.
At the heart of each lawsuit is the TikTok algorithm, which powers what users see on the platform by populating the app’s main “For You” feed with content tailored to people’s interests. The lawsuits note TikTok design features that they say addict children to the platform, such as the ability to scroll endlessly through content, push notifications that come with built-in “buzzes” and face filters that create unattainable appearances for users.
“They’ve chosen profit over the health and safety, well-being and future of our children,” California Attorney General Rob Bonta said at a news conference in San Francisco. “And that is not something we can accept. So we’ve sued.”
The latest lawsuits come nearly a year after dozens of states sued Instagram parent Meta Platforms Inc. in state and federal courts for harming young people and contributing to the youth mental health crisis by knowingly and deliberately designing addictive features that keep kids hooked on their platforms.
Keeping people on the platform is “how they generate massive ad revenue,” District of Columbia Attorney General Brian Schwalb said in an interview. “But unfortunately, that’s also how they generate adverse mental health impacts on the users.”
The legal challenges, which also include Google’s YouTube, are part of a growing reckoning against social media companies and their effects on young people’s lives. In some cases, the challenges have been coordinated in a way that resembles how states previously organized against the tobacco and pharmaceutical industries.
TikTok, though, is facing an even bigger obstacle, as its very existence in the US is in question. Under a federal law that took effect earlier this year, TikTok could be banned from the US by mid-January if its China-based parent company, ByteDance, doesn’t sell the platform by then. Both TikTok and ByteDance are challenging the law at an appeals court in Washington. A panel of three judges heard oral arguments in the case last month and are expected to issue a ruling, which could be appealed to the US Supreme Court.
In its filings Tuesday, the District of Columbia called the algorithm “dopamine-inducing,” and said it was created to be intentionally addictive so the company could trap many young users into excessive use and keep them on its app for hours on end. TikTok does this despite knowing that these behaviors will lead to profound psychological and physiological harms, such as anxiety, depression, body dysmorphia and other long-lasting problems, the district said.
TikTok is disappointed that the lawsuits were filed after the company had been working with the attorneys general for two years on addressing to the issues, a spokesman said.
“We strongly disagree with these claims, many of which we believe to be inaccurate and misleading,” the TikTok spokesman. Alex Haurek, said. “We’re proud of and remain deeply committed to the work we’ve done to protect teens and we will continue to update and improve our product.”
The social media company does not allow children under 13 to sign up for its main service and restricts some content for everyone under 18. But Washington and several other states said in their filings that children can easily bypass those restrictions, allowing them to access the service adults use despite the company’s claims that its platform is safe for children.
The District of Columbia alleges TikTok is operating as an “unlicensed virtual economy” by allowing people to purchase TikTok Coins – a virtual currency within the platform – and send “Gifts” to streamers on TikTok LIVE who can cash it out for real money. TikTok takes a 50 percent commission on these financial transactions but hasn’t registered as a money transmitter with the US Treasury Department or authorities in the district, according to the complaint.
Officials say teens are frequently exploited for sexually explicit content through TikTok’s LIVE streaming feature, which has allowed the app to operate essentially as a “virtual strip club” without any age restrictions. They say the cut the company gets from the financial transactions allows it to profit from exploitation.
The 14 attorneys general say the goal of their lawsuits is to stop TikTok from using these features, impose financial penalties for their alleged illegal practices and collect damages for users that have been harmed.
The use of social media among teens is nearly universal in the US and many other parts of the world. Almost all teens ages 13 to 17 in the US report using a social media platform, with about a third saying they use social media “almost constantly,” according to the Pew Research Center.
High school students who frequently use social media more commonly have persistent feelings of sadness or hopelessness, according to a new survey from the Centers for Disease Control and Prevention conducted last year in which about 20,000 teenagers participated.
Also on Tuesday, 22 other states including Alabama, Colorado, Florida and Michigan filed an amicus brief urging a Tennessee court to force TikTok to produce documents related to a multistate investigation that those attorney general offices say TikTok is withholding or destroying.
When TikTok failed to produce the requested information last year, 46 states including Minnesota filed an amicus brief in support of Tennessee. The amicus brief they filed Tuesday supports Tennessee’s continued efforts to compel TikTok’s compliance.
Last week, Texas Attorney General Ken Paxton sued TikTok, alleging the company was sharing and selling minors’ personal information in violation of a new state law that prohibits these practices. TikTok, which disputes the allegations, is also fighting against a similar data-oriented federal lawsuit filed in August by the Department of Justice.
Several Republican-led states, including Nebraska, Kansas, New Hampshire, Kansas, Iowa and Arkansas, also previously sued the company, some unsuccessfully, over allegations it is harming children’s mental health, exposing them to “inappropriate” content or allowing young people to be sexually exploited on its platform.

Duo wins Physics Nobel for key breakthroughs in AI

Duo wins Physics Nobel for key breakthroughs in AI
Updated 08 October 2024
AFP
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Duo wins Physics Nobel for key breakthroughs in AI

Duo wins Physics Nobel for key breakthroughs in AI
  • The pair will receive their prize, consisting of a diploma, a gold medal and a $1 million cheque, from King Carl XVI Gustaf in Stockholm
Updated 08 October 2024
AFP

STOCKHOLM: American John Hopfield and British-Canadian Geoffrey Hinton won the Nobel Prize in Physics on Tuesday for pioneering work in the development of artificial intelligence.
The pair were honored “for foundational discoveries and inventions that enable machine learning with artificial neural networks,” the jury said.
“This year’s two Nobel Laureates in Physics have used tools from physics to develop methods that are the foundation of today’s powerful machine learning,” the Swedish Royal Academy of Sciences said in a statement.
Hopfield, 91, a professor at Princeton University, was spotlighted for having created “an associative memory that can store and reconstruct images and other types of patterns in data.”
The jury said Hinton, a 76-year-old professor at the University of Toronto, “invented a method that can autonomously find properties in data, and so perform tasks such as identifying specific elements in pictures.”
“I’m flabbergasted... I had no idea that could happen,” Hinton told reporters via a phone interview as the winners of the award were announced in Stockholm.
The pair will receive their prize, consisting of a diploma, a gold medal and a $1 million cheque, from King Carl XVI Gustaf in Stockholm on December 10, the anniversary of the 1896 death of scientist Alfred Nobel who created the prizes in his last will and testament.
Last year, the Nobel Prize in Physics went to France’s Pierre Agostini, Hungarian-Austrian Ferenc Krausz and Franco-Swede Anne L’Huillier for research using ultra quick light flashes that enable the study of electrons inside atoms and molecules.
The Nobel season continues this week with the announcement of the winner, or winners, of the chemistry prize on Wednesday — followed by the much-anticipated prizes for literature on Thursday and peace on Friday.
The Economics Prize winds things up on Monday, October 14.
Awarded since 1901, the Nobel Prizes honor those who have, in the words of prize creator and scientist Alfred Nobel, “conferred the greatest benefit on humankind.”

Topics: AI

Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling

Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling
Updated 08 October 2024
AP
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Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling

Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling
  • The Netflix series tells the story of Dump Matsumoto, a real-life wrestling legend from the 1980s who grew up poor with an abusive father
Updated 08 October 2024
AP

TOKYO: “The Queen of Villains” is a typical coming-of-age tale about a young woman’s road to empowerment and self-discovery — except it all takes place in the body-slamming, arm-twisting world of Japanese professional wrestling.
The Netflix series, which began airing last month, tells the story of Dump Matsumoto, a real-life wrestling legend from the 1980s who grew up poor with a father who was often absent or abusive.
Matsumoto grew up angry, she said, and went on to create in her wrestling persona a ferocious, almost camp villain character, known in the sport as a “heel,” complete with outlandish Kabuki-like facial makeup, chains, sticks and a grotesque scowl. She loomed large as a symbol of fearless and defiant womanhood.
“I gave it my all to be evil,” Matsumoto said.
A hefty woman with a friendly smile, Matsumoto makes a point even now to adamantly deny that she was ever a nice person or acknowledge that many people in Japan, especially women, love her.
“I still beat people up in matches. I stuck forks in them and made them bleed,” she said, adding, “All the people who pretend to be good are the truly evil ones.”
“The Queen of Villains” follows the friendship between Matsumoto and Chigusa Nagayo of the popular wrestling tag team known as the Crush Gals. Nagayo served as an adviser, trainer and choreographer for the series’ dramatized wrestling scenes.
Japanese professional wrestling fans still talk about the matches between Matsumoto and the Crush Gals, including the ones they fought in the US
The actresses in the series spent two years training for their roles. They gained weight and muscle, and learned techniques like the “giant swing,” in which a wrestler grabs her opponent’s legs and moves in a dizzying circle, or the “flying knee kick,” which involves a jump and kick to the body while airborne.
The trick in professional wrestling is to execute the punches and body slams convincingly but in a controlled way to avoid serious injuries. A wrestler also must know how to fall properly.
One key fight scene took a month to film as the actors went over each move, again and again.
“Dump played a role to be hated by the entire nation,” said Yuriyan Retriever, a professional comedian who stars as Matsumoto in the series.
“Previously, there was a limit, maybe even unintentionally, beyond which I couldn’t go. But when I played Dump, all those emotions had to come out and be expressed,” she said.
She felt like she was no longer playing a role, she said, but that she had become Dump Matsumoto.
“It’s frightening to be hated, and I don’t think anyone wants to be hated,” Retriever said.
“When I finished a cut, I was crying. And my body was shaking. I can’t express it in words, but I understood all the pressures Dump must have felt.”
The series not only presents a women-beating-the-odds story against a backdrop of sexism and abusive management but it also captures the postwar period of the Showa-era in a way that feels authentic. The scenes used thousands of extras, many of them serious wrestling fans.
Some viewers say the real-life wrestling was more intense than the dramatized version in the new series.
Rionne McAvoy, an Australian filmmaker who as a professional wrestler was hit with a stick by Matsumoto, said: “The actors often fail to capture the intensity, grit and charisma required for these roles.”
But for most viewers, it’s real enough and heartbreaking.
“This is an eternal but emotional story portraying ordinary girls who passionately pursued a dream, found friendship and also themselves,” director Kazuya Shiraishi said.
“It gave me a chance to reflect on my own 15-year filmmaking career, what I truly want to be, what kind of films I want to make. I just wanted to tell their story, which is also everyone’s story.”

Topics: Netflix Japan wrestling

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