South Korean parliament votes to allow tattooists to work without a medical license

South Korean parliament votes to allow tattooists to work without a medical license
The current restrictions traces back to a 1992 Supreme Court verdict that defined cosmetic tattoos as medical procedures, citing health issues that could be caused by tattoo needles and ink. (AP)
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Updated 25 September 2025
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South Korean parliament votes to allow tattooists to work without a medical license

South Korean parliament votes to allow tattooists to work without a medical license
  • Tens of thousands of tattooists have been working in the shadows in South Korea for decades

SEOUL: South Korea’s parliament passed a landmark bill Thursday that would allow people to give tattoos without having a medical license.
The country currently allows only people with medical licenses to give tattoos, making it the only country in the industrialized world with such a restriction. Tens of thousands of tattooists have been working in the shadows in South Korea for decades.
The National Assembly passed the Tattooist Act by a 195-0 vote.
The Tattooist Act would introduce an official licensing system for tattooists and place them under state supervision. The act would take effect after a two-year grace period that begins once it’s formally proclaimed by President Lee Jae Myung. That step is considered a formality, as his Health Ministry has already expressed support for the measure.
The bill’s passage comes as public views toward tattoos are changing. In the past, tattoos were associated with gangsters or criminals, but they are now increasingly perceived as a form of self-expression, with K-pop idols and other celebrities openly displaying tattoos.
The current restrictions traces back to a 1992 Supreme Court verdict that defined cosmetic tattoos as medical procedures, citing health issues that could be caused by tattoo needles and ink. Authorities don’t aggressively enforce the rules, allowing tattooists to thrive in the shadows.


Monumental art displayed in shade of Egypt’s pyramids

Monumental art displayed in shade of Egypt’s pyramids
Updated 11 November 2025
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Monumental art displayed in shade of Egypt’s pyramids

Monumental art displayed in shade of Egypt’s pyramids
  • “There is an estimate that it’s more or less five million people reached by the message of the Third Paradise”
  • A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh

CAIRO: Installations by renowned international artists including Italy’s Michelangelo Pistoletto and Portugal’s Alexandre Farto have been erected in the sand under the great pyramids of Giza outside Cairo.
The fifth edition of the contemporary art exhibition “Forever is Now” is due to run to December 6.
The 92-year-old Pistoletto’s most famous work, Il Terzo Paradiso, comprises a three-meter-tall mirrored obelisk and a series of blocks tracing out the mathematical symbol for infinity in the sand.
“We have done more than 2,000 events all around the world, on five continents, in 60 nations,” said Francesco Saverio Teruzzi, construction coordinator in Pistoletto’s team.
“There is an estimate that it’s more or less five million people reached by the message of the Third Paradise.”
The Franco-Beninese artist King Houndekpinkou presented “White Totem of Light,” a column composed of ceramic fragments recovered from a factory in Cairo.
“It’s an incredible opportunity to converse with 4,500 years — or even more — of history,” he told AFP.
South Korean artist Jongkyu Park used the measurements of the Great Pyramid of Giza to create the geometric structures of his installation “Code of the Eternal.”
A thousand small cylindrical acrylic mirrors planted in the sand compose a Morse code poem imagining a dialogue between Tangun, the legendary founder of the first Korean kingdom, and an Egyptian pharaoh.
Farto, better known as Vhils, collected doors in Cairo and elsewhere in the world for a bricolage intended to evoke the archaeological process.
Six other artists, including Turkiye’s Mert Ege Kose, Lebanon’s Nadim Karam, Brazil’s Ana Ferrari, Egypt’s Salha Al-Masry and the Russian collective “Recycle Group,” are also taking part.