Mass-produced AI podcasts disrupt a fragile industry

Mass-produced AI podcasts disrupt a fragile industry
Artificial intelligence now makes it possible to mass-produce podcasts with completely virtual hosts, a development that is disrupting an industry still finding its footing and operating on a fragile business model. (AFP)
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Updated 13 October 2025
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Mass-produced AI podcasts disrupt a fragile industry

Mass-produced AI podcasts disrupt a fragile industry
  • No studio, no humans at the microphone, not even a recording — yet out comes a lively podcast, banter and all
  • With each episode costing one dollar to produce, a mere 20 listens is enough to turn a profit

NEW YORK: Artificial intelligence now makes it possible to mass-produce podcasts with completely virtual hosts, a development that is disrupting an industry still finding its footing and operating on a fragile business model.
Since Google launched Audio Overview, the first mass-market podcast generator that creates shows from documents and other inputs, just over a year ago, a wave of startups has rushed in, from ElevenLabs to Wondercraft.
No studio, no humans at the microphone, not even a recording — yet out comes a lively podcast, banter and all. Whether based on a legal document or a school handout, AI tools can deliver a state-of-the-art podcast at the click of a mouse.
A pioneer in this movement is Inception Point AI, which was launched in 2023 and releases about 3,000 podcasts per week with a team of just eight people.
The immediate goal is to play the volume game, said Jeanine Wright, Inception’s founder and the former number two at leading audio studio Wondery.
With each episode costing one dollar to produce, a mere 20 listens is enough to turn a profit. Automation has lowered the threshold for selling advertising space — previously set at several thousand downloads.
Wright gives the example of a “hyper-niche” program about pollen counts in a specific city, heard by a few dozen people that can attract antihistamine advertisers.
With the rise of generative AI, many worry about synthetic content of poor quality — often called “AI slop” — flooding the Internet, particularly social media.
Inception mentions AI’s role in every episode, a disclosure that generates “very little drop-off” among listeners, Wright told AFP.
“We find that if people like the (AI) host and the content, then they don’t care that it’s AI-generated or they’ve accepted it.”

Finding an audience 

Martin Spinelli, a podcast professor at Britain’s University of Sussex, decried a flood of content that will make it “harder for independent podcasters to get noticed and to develop a following” without the promotional budgets on the scale of Google or Apple.
The expected surge in programming will also cut into the advertising revenue of non-AI podcasts.
“If someone can make 17 cents per episode, and then suddenly they make 100,000 episodes, that 17 cents is going to add up,” warned Nate DiMeo, creator of “The Memory Palace,” a pioneering podcast for history buffs.
The industry veteran, whose program began in 2008, said he’s skeptical about the mass adoption of AI podcasts.
But even if listener tastes don’t change significantly, a glut of AI podcasts can “still impact the art form,” independent podcasting where most programs are barely managing to stay afloat.
Currently, the three major platforms — Apple Podcasts, Spotify and YouTube — don’t require creators to disclose when a podcast was created by AI.
“I would pay money for an AI tool that helps me cut through that noise,” said Spinelli, who finds the streaming giants ineffective at connecting niche content with its target audience.
Wright argues it’s pointless to draw a dividing line between AI and non-AI content because “everything will be made with AI,” to one degree or another.
She does believe, however, that AI-generated podcasts with synthetic voices will emerge as a distinct genre — somewhat like live-action films and animation, which have proven their storytelling potential and appeal over time.
“People dismissing all AI-generated content as slop right now are being thoughtless, because there’s a lot of great, compelling AI content that deserves their interest.”
DiMeo doesn’t see it that way.
He compares podcasting to reading a novel or listening to a song.
You simply want to connect “with some other human consciousness,” he said. “Without that, I find there’s less reason to listen.”
 


Israeli prisons treated like another war front after Oct. 7, says freed Palestinian author

Israeli prisons treated like another war front after Oct. 7, says freed Palestinian author
Updated 04 November 2025
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Israeli prisons treated like another war front after Oct. 7, says freed Palestinian author

Israeli prisons treated like another war front after Oct. 7, says freed Palestinian author
  • Brutality rose significantly in last 2 years, says Nasser Abu Srour

DUBAI: Palestinian author Nasser Abu Srour, who was released last month after 32 years in captivity, said torture and brutality inside Israeli prisons had intensified in the past two years, turning detention centers into “another front” of the conflict in Gaza.

Abu Srour was among more than 150 Palestinians serving life sentences who were freed under a US-brokered Gaza ceasefire deal. He was exiled to Egypt, where he was placed in a five-star hotel in Cairo — a jarring contrast, he said, to the conditions he endured during imprisonment.

After Oct. 7, 2023, beatings and deprivation of food and warmth increased in prisons. Even the guards’ uniforms were replaced with ones bearing tags that read “fighters” or “warriors,” he said.

Abu Srour added: “They started acting like they were in a war, and this was another front, and they started beating, torturing, killing like warriors.”

He described how areas without security cameras became “places for brutality,” where guards would tie prisoners’ hands behind their heads, throw them to the ground, and trample on them.

“All cultural life in the prison ended in the last two years,” he said, as all reading and writing materials were confiscated. Daily rations were minimal, and prisoners were only given one set of thin clothes.

He recalled that prisoners were always hungry, and because their bodies were weak they “couldn’t handle even a medium temperature.”

He added: “Whenever someone was leaving prison, everyone would try to become their friends so they would get their T-shirt or underwear, or anything.”

Abu Srour took part in the First Intifada, the Palestinian uprising between 1987 and 1993, when he was charged as an accomplice in the death of an Israeli Shin Bet security officer.

He was sentenced to life in prison without parole in 1993, based on a confession extracted under torture.

In his more than three decades behind bars, Abu Srour completed a bachelor’s and a master’s degree in political science and turned to writing. He began composing poetry and other works that were smuggled out of prison.

His memoir “The Tale of a Wall: Reflections on Hope and Freedom,” dictated to a relative through phone calls over two years, has been translated into seven languages and is a finalist for the Arab Literature Prize.

After years of torture and unheeded appeals, Abu Srour struggled to believe until the final moment that his name was on the list of prisoners to be released after the Oct. 10 ceasefire.

He said: “They were calling out cell numbers, and I was sitting on my bed in room number six feeling like I am not part of it.

“There were so many times when I should have been part of it over all those years. But the whole thing is so huge and so painful, I didn’t want to interact. It was a defense mechanism.”

The 24 hours before his release were particularly painful, as prisoners were subjected to an intense final round of beatings.

During the 48-hour transfer that followed, prisoners were not allowed to open the curtains on the buses until they reached Egypt.

It was only then that Abu Srour saw the sky for the first time outside prison walls.