Facelift helps Morocco’s Old City of Fez lure tourists

Facelift helps Morocco’s Old City of Fez lure tourists
A view of the tannery in the 9th century walled medina in the ancient Moroccan city of Fez. Since 2013, €92 million of investments was poured into Fez to restore the medina and develop tourism. (AFP)
Updated 02 June 2019

Facelift helps Morocco’s Old City of Fez lure tourists

Facelift helps Morocco’s Old City of Fez lure tourists
  • The imperial city of Fez has been overlooked by tourists in favour of Marrakesh
  • Now Morocco’s ‘spiritual’ capital is bustling with visitors thanks to major renovations and low-cost flights

FEZ, Morocco: In recent times the imperial city of Fez has been overlooked by tourists in favor of Marrakesh, but now Morocco’s “spiritual” capital is bustling with visitors due to major renovations and low-cost flights.
“It is an open air museum, with the largest pedestrian zone in the world and its 10,000 alleyways,” said Yassir Jawra, vice president of the Fez tourism commission.
Fez “is the spiritual capital of Morocco, famed for its culture and its (age-old) handicraft work,” he added.
Since 2013, more than one billion dirhams (92 million euros, $103 million) of investment have been poured into Fez to restore the 9th-century walled medina and develop tourism.
The medina, home to the world’s oldest working library, was listed as a UNESCO World Heritage Site in 1981 for its “outstanding universal value.”
Guardian of priceless treatises in Islamic studies, astronomy and medicine, the library is nestled in the maze of narrow and dark alleyways which tourists and donkey-drawn carts can struggle to navigate.
Like many monuments it has been renovated after the authorities in the late 1980s sounded the alarm in a report saying that more than half of the buildings in the medina were crumbling and 10 percent were threatened with ruin following years of neglect and a lack of public funds.
Behind the high crenellated walls that surround the medina lie 9,000 historical houses, 11 madrassas, 83 mausoleums, 176 mosques and 1,200 handicraft workshops.
Patrician palaces with their secret gardens and terraces, elegant fountains and ancient caravansary, or inns, are among the jewels lying there to be discovered.
According to Fouad Serrhini, head of the Agency of Development and Restoration tasked with rehabilitating the medina, “thousands” of buildings and monuments have been saved from ruin since 2013.
“They were chosen according to their state of degradation and how urgently the work was needed,” he said.
In all, 4,000 buildings were saved between 2013 and 2018, while 27 monuments were restored.
In mid-April, King Mohammed VI visited Fez to inaugurate some buildings that had been renovated and launch the second phase of the rehabilitation program.
Following his visit, authorities issued a report insisting that the rehabilitation work respect the medina’s “authenticity” and “original architecture.”
“The ancient medina is a live treasure, hidden and secret, which cannot be taken lightly,” said Salim Belghazi, a 33-year-old who has transformed his 14th-century riad, or traditional family home, into a private museum.

Belghazi, who hails from a wealthy background, said he hopes that despite the transformation, Fez will maintain its soul.
Meanwhile, tourists are flocking to Fez, where the regional Fes-Saiss airport has undergone an expansion to accommodate the growing number of visitors and low-cost flights mainly from across Europe.
The number of passengers has jumped from 108,000 in 2004 to more than a million in 2018, according to official figures.
But Marrakesh remains the country’s top tourist destination, with more than two million arrivals in 2017.
Tourism is a major source of revenue for Morocco, which received more than 12 million visitors in 2018, according to official figures,
Abderahim Belkhayat, head of a regional body of artisans, said the influx of visitors to Fez “benefits” craftsmen, noting that three quarters of the medina’s residents earn a living directly or indirectly from the sector.
Local authorities have mapped out a “vision” to revamp the sector by giving it a “new look” in order to produce “high quality” crafts, he said.
A 2005 official report indicated that in the long term, authorities hope to transform the medina into a “showcase” of handicrafts while the workshops themselves would be relocated outside the walls.
So far, 6,000 potters and brass and copper workers have been moved into zones with modern infrastructure and tanners are expected to follow suit in a separate location.
The idea is to rid the medina of the cacophony of noise emanating from brassware and potter workshops as well as the pungent odours that rise from the ancient tanneries — the latter a “must” stop on the tourist circuit.
Tourists, their noses covered with mint leaves to ward off the stench, congregate on terraces overlooking the tanneries to snap pictures of the men working below, using the same methods as their ancestors did.
The tanners stand almost knee-deep in large vats containing quicklime, cow urine, salt and water to clean the hides, which they will later soak in pigeon poop and water before the dying process can begin.
The smell is always nauseating.
But the sight seems to delight the visitors and the end result, such as leather belts and bags sold in the boutiques, proves popular with buyers.


COVID-19 kills men’s fashion buzz in Milan

COVID-19 kills men’s fashion buzz in Milan
Updated 15 January 2021

COVID-19 kills men’s fashion buzz in Milan

COVID-19 kills men’s fashion buzz in Milan

MILAN: A year after the last COVID-free catwalk shows in Milan, men’s fashion week begins on Friday, but without the buzz of its traditional audience of buyers, bloggers, celebrities and media.

As the pandemic continues to upend Italy’s crucial luxury sector nearly 12 months after it first swept through the country, fashion houses have turned to technology to showcase their fall/winter 2021-22 collections.

Shows will be broadcast live on the fashion houses’ own websites or be replaced with pre-recorded presentations, short films and other artistic projects. Others such as Dolce & Gabbana have withdrawn entirely.

The four-day men’s fashion event takes place with infections rising in Italy’s Lombardy region with a return a full lockdown possible as early as the weekend.

Lombardy, whose capital is Milan, is one of five in Italy classified “orange” by the government, which means that stores and most schools are closed, while a curfew remains in force at night.

Among those opting for live shows to be broadcast by the fashion houses are Fendi, Etro and Kway.

Most other brands, however, including Ermenegildo Zegna, Tod’s, Prada and Church’s, have opted for pre-records – choices that allow for creative freedom but lack the immediacy and drama of live shows.

Dolce & Gabbana, which was originally scheduled to offer a traditional runway show on January 16, announced on Monday its decision to pull out entirely.

In view of COVID-19, it said, “the conditions essential to the realisation of our fashion show are not met.”

For the moment, no digital presentation is planned.