Model Malika El-Maslouhi collaborates on jewelry line crafted in Kabul

London-based retailer Ishkar has teamed up with Moroccan-Italian model Malika El-Maslouh. File/Instagram
London-based retailer Ishkar has teamed up with Moroccan-Italian model Malika El-Maslouh. File/Instagram
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Updated 30 March 2021

Model Malika El-Maslouhi collaborates on jewelry line crafted in Kabul

London-based retailer Ishkar has teamed up with Moroccan-Italian model Malika El-Maslouh. File/Instagram

DUBAI: London-based retailer Ishkar has teamed up with Moroccan-Italian model Malika El-Maslouhi on a range of necklaces delicately handcrafted by jewelers in Kabul, Afghanistan.

According to the label, founded by former UAE residents Edmund Le Brun and Flore de Taisne in 2016, the Malika x Ishkar collection is set to drop on the brand’s online marketplace soon. 

“Guys, I’m so excited for this. Can’t wait for all of you to see them,” wrote El-Maslouhi on her Instagram Stories of the new collaboration with Ishkar.

The new collection draws its inspiration from the word “malika,” which translates to “queen” in Arabic. 

The brand also shared some behind-the-scenes footage of the jewelers Mohammed Haider and Waqas Ahmed Amiri handcrafting the delicate gold chain link necklace.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by I S H K A R (@ishkar.co)

Ishkar is an online marketplace for skilled artisans from war-torn countries like Afghanistan, Yemen, Syria and Somalia to showcase their talent while earning a living to support their families. Ishkar also sources products from Pakistan, Burkina Faso, Lebanon and Myanmar.

Products range from jewelry and homeware to clothing and face oils. 

The founders of Ishkar met while working in Kabul, Afghanistan.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by I S H K A R (@ishkar.co)

The name Ishkar is derived from a plant found in the deserts of Northern Afghanistan that is used as a substance to make dyes more vibrant.

It is the first time that Ishkar has collaborated with a model for a collection and El-Maslouhi seems like a fitting choice.

The breakout star has been taking the industry by storm since making her modelling debut when she was 18-years-old.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

A post shared by MALIKA (@malika.elmaslouhi)

In addition to gracing the runways of storied fashion houses that most models can only dream of, such as Dior, Chanel, Valentino and Jacquemus among others, the fashion star has also appeared in international campaigns for the likes of Off-White, Lanvin, Calvin Klein Swim and most recently, Zadig & Voltaire.

When she’s not being featured in ad campaigns, the rising star, who was born in Milan to an Italian mother and a Moroccan father, can be found posing in the pages of prestigious publications such as Vogue Paris and Elle France, for which she recently served as a cover star.


‘All the Women Inside Me’ a complex tale of coping with family, society

‘All the Women Inside Me’ a complex tale of coping with family, society
Updated 06 December 2021

‘All the Women Inside Me’ a complex tale of coping with family, society

‘All the Women Inside Me’ a complex tale of coping with family, society

CHICAGO: Shortlisted for the 2021 International Prize for Arabic Fiction is the novel “All the Women Inside Me” by award-winning novelist and journalist Jana ElHassan. The story is about the complex life of a woman and how she copes with her family, society, and the unhappiness that plagues her. Translated into English by Michelle Hartman, ElHassan’s novel is an intimate look at the many things that seem to be out of the young woman’s control and how she navigates a path to help her survive.

Sahar is 30 years old and lives in Tripoli, Lebanon. Her story does not have a linear timeline. Instead, it is told in vignettes of memories: of her leftist father who rejects love, religion, and relationships for the sake of keeping his political persona alive; of her mother who yearns for a love that always seems too distant for her to grasp; of her husband Sami whose love she must now escape from; and of Hala, a friend whose misery matches hers but who gives her the strength to go on.

Admitting as much, Sahar observes her life just like her readers. She is disconnected from reality, which is too harsh and loveless. She believes that those who submit to reality are the ones who are caged and that she is free in her imagination to love and be loved. Although she grows up in a large house, everything has always been closed-off and separated. Each room has always been meticulously kept, not to be lived in but to show a certain decorum, as ElHassan describes: “The place was like a gun with a silencer; there was always continuous pressure on the trigger. Shots were fired and penetrated deep.”

ElHassan seamlessly weaves Sahar’s story into the city of Tripoli and its society. Patriarchy runs deep in the world of her character and so ElHassan’s story is of a woman trying to understand her position in the world, to see where and if she belongs. She explores how society reacts to this woman and pushes to the forefront the choices people have in life. Some live according to their principles, some choose joy, some choose to be miserable and subservient and scoff at those who choose independence. As for Sahar, her choice is to escape.


The hottest tickets at the Red Sea International Film Festival

The hottest tickets at the Red Sea International Film Festival
Updated 06 December 2021

The hottest tickets at the Red Sea International Film Festival

The hottest tickets at the Red Sea International Film Festival
  • Must-see movies at the long-awaited inaugural edition of Saudi Arabia’s first major film festival, which starts December 6

‘Huda’s Salon’

Hany Abu-Assad has long been one of Palestine’s most lauded filmmakers, receiving an Oscar nomination for his now-classic 2005 film “Paradise Now,” and another for 2013’s “Omar.” Both movies chronicled men struggling under occupation, uncertain of how to best live their lives for themselves, their families, or their country. With “Huda’s Salon,” Abu-Assad returns to Palestine for the first time since 2015’s “The Idol” for another true story. This one focuses on the plight of Palestinian women, however, and has been labelled a ‘feminist thriller.’ Abu-Assad’s long-time collaborator Ali Suliman brings his trademark naturalism to the role of Hasan, but it is Maisa Abd Elhadi as Reem and Manal Awad as Huda who shine most brightly, as two women caught in a suspenseful game that pushes past the trappings of the male perspective with intention.

‘Feathers’

It is unlikely that any other Arab film this year will be as hotly debated as the feature debut of Omar El-Zohairy, the latest genuine visionary to emerge from the rich world of Egyptian cinema. With this absurdist satirical drama El-Zohairy has crafted a story in which the circumstances may not resemble our own — in “Feathers,” a woman is forced to support her family after her husband is turned into a chicken — but the struggles certainly do, as the magical realist concept gives way to an unflinching look at modern society, and the very real suffering of women in rural Egypt. Already a big winner at this year’s Cannes Film Festival, the film has caused uproar in El-Zohairy’s home country, which may have denied it a potential Oscar-nomination. But doesn’t make it any less of a must-see on the Red Sea.

‘Casablanca Beats’

Morocco’s official submission for Best International Feature Film at the Academy Awards 2022, “Casablanca Beats” is a lively, often-joyous look into the country’s music culture, following a former rapper named Anas (Anas Basbousi) who takes a job at the Positive School of Hip Hop, a real-life cultural center in Casablanca. Anas’ non-traditional teaching techniques inspire his young students in ways they never thought possible, with each finding their own voice through rap, showing the intense spirit that can follow a dream ignited, as well as the pain of the societal realities that may get in the way.

‘Ghodwa’

Tunisia’s Dhafer L’Abidine has had a career full of twists and turns. Once a professional footballer in his homeland, he moved to London and found success in British film and television before becoming a massive star in Egypt. With “Ghodwa,” his directorial debut, L’Abidine has turned his attention back to Tunisia with a stark and serious look at the political challenges in modern Tunis. The story follows a father (played by L’Abidine) and son for whom Tunisia’s political past and present collide in ways neither is prepared for.

‘The Choice’

Ask any Egyptian director who inspired them to become a filmmaker and there’s one name that you will hear again and again: Youssef Chahine. Thirteen years on from his death, Chahine’s reputation as a chronicler of Egyptian life both big and small who showed generation after generation through his layered melodramas the many facets of what film could accomplish has only grown. If “The Choice” is your first venture into classic Egyptian cinema, you’ve picked a good place to start; this beautifully shot, thrilling adaptation of Nobel Prize-winner Naguib Mahfouz’s novel is Chahine at his best.

‘The Lost Daughter’

Given their ubiquity, we may feel that we know the Gyllenhaal family all too well at this point, but “The Lost Daughter,” the directorial debut of Maggie Gyllenhaal, shows there is plenty left to discover and that the hugely talented actor may also be one of her generation’s best filmmakers. Her adaptation of Elena Ferrante’s novel of the same name features another powerhouse performance from Oscar-winner Olivia Colman (“The Favorite”) and also gets the best out of Dakota Johnson, in this story of a woman who becomes obsessed with another woman while on holiday. It’s a film that becomes just as unsettling as you may expect from that premise.

‘Becoming’

This anthology weaves together stories from five different Saudi filmmakers — Sara Mesfer, Jawaher Alamri, Noor Alameer, Hind Alfahhad and Fatima Al-Banawi — to show different sides of a changing Kingdom. For example, an 11-year-old girl arrives at her aunt’s house one day just before Friday prayers only to find that she can suddenly express everything she had been keeping secret from her conservative parents; a bride disappears on her wedding night; and a divorced mother grapples with an anxiety disorder. The stories are bold and uncompromising, showcasing women who are destined to shape the future of Saudi cinema in front of and behind the camera.

‘The Gravedigger’s Wife’

An audience hit at Cannes, this debut from the Finnish-Somali filmmaker Khadar Ayderus Ahmed follows a man in Djibouti who discovers his beloved, vivacious wife will die unless he can come up with $5,000 for emergency surgery — a sum he has little hope of accumulating. While this intimate film is small in scale, its heart is huge, and the film’s cultural specificity and assured direction make it stand out. It’s an inviting look into an unfamiliar world that is wholly relatable, with characters you won’t soon forget and just enough social satire to leave you with plenty to discuss.

‘Ennio’

Few composers have as outsized a reputation as the late Italian maestro Ennio Morricone, and with good reason — across the 500 films he helped bring to life through his music, many have become cultural milestones, including “The Good, The Bad and the Ugly,” “The Thing,” and “Cinema Paradiso.” When Morricone passed away in 2020, the latter’s director, his old friend and collaborator Giuseppe Tornatore (head of the Red Sea Film Festival’s jury) gathered some of his most famous collaborators, including Quentin Tarantino and Clint Eastwood, for a look back at the life and work of a true genius, with all the joy and emotion that Tornatore and Morricone famously brought to the tear-stained finale of “Cinema Paradiso.”


Lebanese-Australian model Jessica Kahawaty explores Saudi Arabia

Australian-Lebanese model Jessica Kahawaty is no stranger to jetting around the world. File/ Getty Images
Australian-Lebanese model Jessica Kahawaty is no stranger to jetting around the world. File/ Getty Images
Updated 05 December 2021

Lebanese-Australian model Jessica Kahawaty explores Saudi Arabia

Australian-Lebanese model Jessica Kahawaty is no stranger to jetting around the world. File/ Getty Images

DUBAI: Australian-Lebanese model, entrepreneur and influencer Jessica Kahawaty is treating her one million Instagram fans to a tour of Saudi Arabia.

This week, the model hopped between Riyadh and Jeddah, with a pitstop in the Saudi desert, for a number of events.

She hit the ground running in Riyadh with a visit to the Times Square entertainment destination in the capital and stopped off at the Echo Beauty department store and the We Cre8 department store in The Boulevard.

“Riyadh. Wow. What a welcome. Thank you #VedaHolding a pioneer in entrepreneurship in concepts like @wecre8.sa and @echobeauty.sa, for your hospitality and thank you to the people of Riyadh who found me in a quick and quiet visit to Times Square late last night after the desert and gave me the funnest welcome ever!!! Can’t wait for what’s to come soon Saudi (sic),” Kahawaty posted on Instagram alongside a carousel of images and videos of her visit.

For the occasion, she showed off a dazzling pink dress by Miu Miu.

Before her 3 a.m. trip to the mall, Kahawaty enjoyed a traditional dinner in the desert and shared a cozy-looking carousel of photos in which she can be seen enjoying kabsa in a desert camp complete with a roaring fire.

“My first Saudi desert experience with a traditional kabsa dinner (rice with lamb),” she captioned the post on Instagram.

The model, who is also an avid humanitarian, then hopped on a plane to Jeddah, during which she was treated to a meal she had been craving — a McDonald’s burger.

“They asked what cuisine I wanted, I said ‘Le McDonald’s’,” she joked on her Instagram feed.

In Jeddah, Kahawaty received a warm welcome as she arrived to stay with Saudi designer Arwa Al-Banawi before the pair enjoyed a spread of pastries and homemade goodies.

When she’s not jetting around the world, the Dubai-based 32-year-old can be found setting up charitable endeavors — evidenced most recently in her online fundraiser to support those struggling in Lebanon amid the country’s shortage of fuel, medical supplies and food in August.

“My name is Jessica Kahawaty and I, like many Lebanese expats, feel helpless watching my country and people drown in despair,” she wrote at the time.

Kahawaty said that money raised was distributed among nonprofit organizations that she personally vetted, individual families and students.


Review: Final episodes of ‘Money Heist’ are emotional and action-packed

The final episodes of ‘Money Heist’are now streaming on Netflix. (Supplied)
The final episodes of ‘Money Heist’are now streaming on Netflix. (Supplied)
Updated 04 December 2021

Review: Final episodes of ‘Money Heist’ are emotional and action-packed

The final episodes of ‘Money Heist’are now streaming on Netflix. (Supplied)

CHENNAI: A runaway hit, the last five episodes of Spanish series “Money Heist,” created by Alex Pina, were just released on Netflix to international fanfare.

Readers be warned, this review contains spoilers for the first part of season five, which was released three months ago.

Audiences were left on a cliff hanger, with the shocking death of Tokyo (Ursula Corbero) and the emotional run continues in the second part of the season, with the Professor (played by Alvaro Morte) displaying heightened sadness, triumph and nerves in the final episode.

With Tokyo’s death, the Professor is shattered and loses his grip on the situation, which opens him up to risks from all angles. Of particular interest is the developing relationship between detective Alicia Sierra (Najwa Nimri) and the Professor, all with Sierra’s newborn baby in tow. Featuring a newborn innocent in the heady mix of precarious action ups the ante and introduces a heightened level of risk for audiences who will no doubt watch with bated breath.

In the final episodes, the Professor also sees his reasoning questioned by some members of the gang, including Rio (Miguel Herran) who harbors doubts about the morality of stealing gold from the country’s reserves.

On the opposing side, Colonel Tamayo (Fernando Cayo) lost many of his men when he attempted to storm the bank, but is undeterred. He has made his life's mission to get the Professor and his group down on their knees and will stoop low to achieve this, as we come to see. 

“Money Heist” is gripping to the core, and we are so taken in by what is happening on screen that we are willing not only to forgive the misdeeds of the robbers, but also cheer them on. The emotional notes in the final episodes make it all the more magnetically appealing, and allow audiences to wave off the artistic liberties taken by the director with regards to some of the less than believable scenes. 

A particularly noteworthy focus of the latest run is Berlin (Pedro Alonso), whose life is revealed through flashbacks that make up a marvelous character study.

Audiences will be relieved to find a lot of questions are answered, and due the way it ends this global phenomenon is sure to be remembered for a long time.


US-Iraqi beauty mogul Mona Kattan gets engaged

Mona Kattan is the founder of the Kayali fragrance empire. (File/ Getty Images)
Mona Kattan is the founder of the Kayali fragrance empire. (File/ Getty Images)
Updated 04 December 2021

US-Iraqi beauty mogul Mona Kattan gets engaged

Mona Kattan is the founder of the Kayali fragrance empire. (File/ Getty Images)

DUBAI: Friends and fans flooded US-Iraqi beauty mogul Mona Kattan’s Instagram account on Saturday, after the Huda Beauty global president announced her engagement to Dubai-based businessman Hassan El-Amin.

“Forever Ever,” Kattan captioned a carousel of images posted late on Friday night, showing the Kayali fragrance founder posing with a diamond ring on her finger and alongside her soon-to-be husband.

Influencers, beauty entrepreneurs and celebrities took to Kattan’s comments section to send their well wishes.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Mona Kattan (@monakattan“Congrats baby, (you) deserve the world,” doctor and influencer Sarah Al-Madani commented, while Faryal Makhdoom, wife of British boxing star Amir Khan, wrote “congrats cutie.”

According to El-Amin’s LinkedIn account, he is the head of facultative at Middle East and Africa at Aon Reinsurance Solutions and relocated to Dubai after studying at Cass Business School in London and graduating with a Masters of Science.

It seems Kattan’s new fiancé is as family-focused as she is — he even runs an Instagram account together with his two siblings called @the.elamins.

The siblings feature heavily in the carousel of images shared by Kattan, with snaps including both Sally and Ahmed El-Amin.

With a background in graphic design and illustrating, Sally boasts a portfolio of clients that includes  Huda Beauty, leading some to speculate that she could be the link between the loved-up couple.

The good news tops off a busy year for Kattan, who, alongside her sister Huda, announced a number of new investments and initiatives in 2021.

In the summer, the sister duo announced Ketish as the first brand to be launched by Huda Beauty Angels — which falls under HB Investments, their venture capital firm. Ketish, a feminine care label, is spearheaded by Eman Abbass, a former Huda Beauty product developer.

Since then, Mona has focused heavily on the sisters’ fragrance range, Kayali, of which she is the founder and creative head.

The latest Kayali product was launched this week and is called Eden Juicy Apple — a “playful, vibrant and super juicy” scent that is based on “crisp and juicy red apples, sweet berries and fresh floral notes,” according to the brand.

In October, Kayali won the coveted Niche Product of the Year prize at the Beautyworld Middle East Awards for its Sweet Diamond Pink Pepper fragrance.