UAE-founded sustainable brand The Giving Movement gets charitable

Since its inception, the sustainable label has quickly gone on to become a staple in the wardrobes of social media influencers across the region. (thegivingmovement.com)
Since its inception, the sustainable label has quickly gone on to become a staple in the wardrobes of social media influencers across the region. (thegivingmovement.com)
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Updated 03 December 2021

UAE-founded sustainable brand The Giving Movement gets charitable

Since its inception, the sustainable label has quickly gone on to become a staple in the wardrobes of social media influencers across the region. (thegivingmovement.com)

DUBAI: In the regional fashion industry, a handful of brands and organizations have been putting forth new initiatives that aim to give back to the community. Notably, The Giving Movement, an athleisure brand founded by Dominic Nowell-Barnes in Dubai in 2020, donates $4 of each sale to charity.

Since its inception, the sustainable label has quickly gone on to become a staple in the wardrobes of social media influencers across the region and was picked up by several e-retailers such as Ounass and Sivvi. But perhaps, its biggest accomplishment to date is raising over $1,000,000 in donations for local charities Dubai Cares and Harmony House India.

“The most important thing when I set out to do this project was just around feeling like we’ve done something good for the world,” Nowell-Barnes told Arab News.

“So when I started The Giving Movement, it was all about trying to find fulfillment and to feel that maybe in five, 10 years, when I looked back at where I’ve put my time and energy, it’s had a positive impact.”

The designer’s goal was to partner with charities that look after the basic needs of the less-fortunate, which is why he chose to partner with Dubai Cares and Harmony House India.

“Dubai Cares is predominantly focused on education, so the idea is that if you can educate people then they have the ability to get jobs and make a better future for themselves, as opposed to maybe just giving them a meal here or there. And then with Harmony House, they focus on the kind of immediate needs of providing food and shelter, and then ultimately education,” explains the designer.

The concept of giving back is very important and personal to Nowell-Barnes.

“Growing up in the north of England, I got to see very different types of lives. You can be walking down one street and there will be a guy driving a Ferrari, and the next minute you can be walking down a street where there’s people living on the sidewalk. This was my earliest recollection of feeling like life can be unfair to people,” he reflects.

“Therefore, I chose these charities because there are people who have just been dealt a bad hand so I want to spend the rest of my life supporting these people,” he added.

Harmony House currently looks after 700 disadvantaged children. The money raised by The Giving Movement will help provide food and shelter for these kids, in addition to providing the materials required to educate children with Dubai Cares.

Nowell-Barnes launched his genderless label in April 2020, after slowly losing interest in his 9-5 e-commerce job.

Despite launching in the peak of the COVID-19 pandemic — during the lockdown in Dubai when residents needed a police permit to leave their homes to go grocery shopping or run errands — the made-in-UAE brand was met with immediate success, which Nowell-Barnes attributes to people wearing activewear and loungewear more than ever as they were going out less and spending more time indoors.

In addition to its charitable aspect, the brand is sustainable too.

The Giving Movement only utilizes fabric that is either certified recycled or organic as well as low-impact dyes. Eventually, the brand wants to move into circularity by launching some sort of initiative to collect garments from customers once they have used them and rather than them throwing them away, the brand can send them to be recycled or reused.

“I want to make sure that what I am doing is not only good for other people, but also good for the planet,” concludes Nowell-Barnes.

 


‘Dubai Hologram Universe’ launches with show dedicated to Egyptian star Abdel Halim Hafez

‘Dubai Hologram Universe’ launches with show dedicated to Egyptian star Abdel Halim Hafez
Updated 9 sec ago

‘Dubai Hologram Universe’ launches with show dedicated to Egyptian star Abdel Halim Hafez

‘Dubai Hologram Universe’ launches with show dedicated to Egyptian star Abdel Halim Hafez

DUBAI: It is never too late to attend a concert by legendary Egyptian singer Abdel Halim Hafez — thanks to hologram technology — and organizers are marking the launch of the “Dubai Hologram Universe” at the Al Habtoor City Theatre with a show dedicated toward the late artist on Jan. 30.

“Dubai Hologram Universe” is a joint venture by the Dubai Festivals and Retail Establishment (DFRE) in collaboration with New Dimension Productions (NDP) and will feature state-of-the-art hologram concerts by legendary singers and musicians twice a week at the Al Habtoor City venue.

The tribute concert, titled “Sawwah,” saw media guests enjoy a hologram of Hafez singing some of his most famous songs. (Supplied)

Arab News attended a press preview that took place earlier this week.  

The tribute concert, titled “Sawwah,” saw media guests enjoy a hologram of Hafez – who died in 1977 aged just 47 – singing some of his most famous songs. 

The 90-minute concert featured six backing vocalists who got a chance to sing alongside the star years after his passing. (Supplied)

With live musicians performing behind Hafez, the show kicked off with the star’s hit “Awel Marra,” which he sang in his 1957 movie “El-Wesada El-Khalya.” 

As ardent fans admired Hafez’s hologram figure, which replicated his body movements and facial expressions, a group of dancers joined the show for an immersive visual experience. 

With live musicians performing behind Hafez, the show kicked off with the star’s hit “Awel Marra.” (Supplied)

One song after the other, the eight performers wowed the audience with contemporary dance moves that hit every beat of Hafez’s music. 

The theater’s various special effects, ranging from water falls to haze, gave a modern twist to the music sensation’s show.  

The 90-minute concert featured six backing vocalists who got a chance to sing alongside the star years after his passing. 

One song after the other, the eight performers wowed the audience with contemporary dance moves that hit every beat of Hafez’s music. (Supplied)

Music fans also watched the celebrated singer, nicknamed the “Nightingale,” perform “Betlomooni Leh,” “Asmar Ya Asmarani,” “Balash Etab,” “Gana El-Hawa,” “Bahebek” and more. 

The show ended with a rendition of “Sawwah,” which he released in 1972.

The theater’s various special effects, ranging from water falls to haze, gave a modern twist to the music sensation’s show. (Supplied)

During his career, Hafez, who was also an actor, conductor, businessman, music teacher and movie producer, appeared in 15 films and produced more than 200 songs.

In 2019, fans of the singer were able to watch a similar light show in Jeddah.

Music fans also watched the celebrated singer perform “Betlomooni Leh,” “Asmar Ya Asmarani” and “Balash Etab.” (Supplied)

He is not the only late star who fans have been able to enjoy on stage. The late Egyptian songstress Umm Kulthum also appeared in 2019 at the Winter at Tantora festival and at the Dubai Opera in 2020. 

“Dubai Hologram Universe,” which, according to organizers is the world’s first regular hologram series to focus on immersive digital entertainment, will feature future concerts by holograms of Umm Kulthum, Warda Al-Jazairia and more.


Gig guide: Diriyah E-Prix 2022 entertainment preview

Gig guide: Diriyah E-Prix 2022 entertainment preview
Updated 28 min 18 sec ago

Gig guide: Diriyah E-Prix 2022 entertainment preview

Gig guide: Diriyah E-Prix 2022 entertainment preview
  • The lowdown on the lineup for this weekend’s post-race concerts

Craig David presents TS5

Who: Multi-talented British pop star from Southampton who rose to fame when he was still a teenager. His first album “Born to Do It,” released in 2000, was the fastest-selling debut album by a British male solo artist. His decline in popularity was equally swift — aided in part by becoming an object of ridicule on the TV show “Bo’ Selecta!” After a string of mediocre albums that sold increasingly poorly, it seemed like he was doomed to obscurity. However, now aged 40, David — a singer-songwriter, DJ, rapper and producer, has regained much of the credibility that he lost. TS5 is an alter-ego that David first revealed in 2012 when DJing at pre-parties he hosted in his Miami penthouse (TS5 is the apartment number). It has since developed into a project that combines several of his passions — DJing, rapping, singing and sometimes performing with a live band. He has a new album due out this year.

Genre: R&B, dance-pop.

Best known for: 1999’s “Re-Rewind,” a collaboration with the Artful Dodger which became one of the most recognized UK garage tracks and helped push garage music into the mainstream.

In his own words: “My songs are a time stamp for a lot of people’s lives.”

James Blunt

Who: English singer-songwriter beloved by people for whom Coldplay might be “a bit edgy.” The former soldier had a meteoric rise to fame with his debut album, 2004’s “Back to Bedlam,” which sold more than 11 million copies around the world. He became a divisive figure — ridiculed by many for what they saw as bland, wishy-washy music best suited for background noise at posh dinner parties, but championed by just as many for penning some easy-listening classics. He is now hugely popular on social media for his self-deprecating humor, which has forced many to re-evaluate their opinion of him. Expect to hear plenty of examples of his wit onstage in Diriyah.

Genre: Pop-rock.

Best known for: 2005’s “You’re Beautiful,” which seemed to be in constant rotation at radio stations around the world for the following 10 years.

In his own words: “Proof that one song is all you need.”

Wyclef Jean

Who: Haitian rapper, multi-instrumentalist, singer-songwriter, actor and three-time Grammy winner who first gained attention as a member of the seminal US alt-hip-hop band Fugees (with his cousin Pras Michel and Lauryn Hill), whose second album, 1996’s “The Score” became one of the best-selling LPs of all time. When they split up, Jean went on to have a successful solo career, with 13 studio albums under his belt and some hugely popular collaborations with Mary J. Blige, Lil Wayne, Destiny’s Child and Shakira, among others. He also garnered headlines in 2010, when he announced his intention to run in the Haitian presidential elections. He was eventually ruled ineligible because he had not been a resident for the requisite amount of time.

Genre: Hip-hop, R&B, neo-soul.

Best known for: “Gone till November,” released in 1997, from his debut solo album “The Carnival.” This earworm had orchestral accompaniment provided by the New York Philharmonic Orchestra.

In his own words: “I’d say music resonates if you base your stories on real events.”

Two Door Cinema Club

Who: The most left-field selection from this year’s Diriyah E-Prix lineup, this Irish trio — frontman Alex Trimble, lead guitarist Sam Halliday, and bassist and keyboardist Kevin Baird — are UK festival alumni who formed while still at high school (as Life Without Rory) and recorded their debut, self-recorded EP, in 2008. “Four Words to Stand On” gained an online following (it wasn’t officially released until 2018) and the band began to generate buzz through their live shows. Their debut studio album, “Tourist History,” demonstrated Two Door Cinema Club’s knack for blending catchy, angular indie-pop music with literary lyricism and earned comparisons with Editors, Bloc Party and Futureheads. After an acrimonious not-quite-split around 2014, when Trimble was, he has said, “depressed and stressed,” the band overcame their differences and have continued to perform together.

Genre: Indie-rock, post-punk.

Best known for: “What You Know,” which was released in 2011 — the fifth single from “Tourist History.” It didn’t sell particularly well, but was picked up by Microsoft for online ads for Outlook.

In their own words: “There’s a lot of very safe music out there. We wanted to have some fun and do something that was truly interesting.”

The Script

Who: Another Irish trio (lead vocalist Danny O’Donoghue, lead guitarist Mark Sheehan, and drummer Glen Power), The Script formed in 2007 and were quickly signed to Sony imprint Photogenic. Their self-titled debut album, released in 2008, spawned three successful singles and hit number one in both Ireland and the UK (as did their next three LPs). Their radio-friendly lighter-waving anthems have been featured in numerous TV shows and The Script have sold more than 20 million albums to date. Initially met with skepticism by rock fans (thanks in no small part to the fact that O’Donoghue and Sheehan were formerly part of a boy band called Mytown), they have since earned respect (perhaps grudgingly at first) for their undeniably catchy songwriting (they wrote for Britney Spears and Boyz II Men, among others, before becoming famous) and musicianship.

Genre: Pop-rock.

Best known for: Their second single, 2008’s anthemic stadium singalong “The Man Who Can’t Be Moved.” Or maybe 2010’s anthemic stadium singalong “Breakeven,” their first US single, which sold more than 1 million copies in the States.

In their own words: “I think a lot of musicians would turn around and say, if you’re trying to (fit in), you’ve got it wrong. Personally, I think they’re idiots. If you’re not using the tools in order for you to make a great record that sits on radio, you’re not doing your job.” 


Washington exhibition showcases contemporary art from the UAE

Washington exhibition showcases contemporary art from the UAE
Updated 40 min 12 sec ago

Washington exhibition showcases contemporary art from the UAE

Washington exhibition showcases contemporary art from the UAE
  • Highlights from ‘Between the Sky and the Earth,’ a show to mark the UAE’s Golden Jubilee, which runs until March 31 at the Middle East Institute

Lamya Gargash — ‘The Court, The Indian Club’

“Between the Sky and the Earth: Contemporary Art from the UAE,” scheduled to mark the 50th anniversary of the establishment of the UAE, is curated by Munira Al-Sayegh and hosted by the Washington-based Middle East Institute in partnership with the NYU Abu Dhabi Art Gallery. It shows the work of 12 UAE-based artists and “challenges standard narratives about the Emirates through an intergenerational dialogue exploring their social, cultural and natural landscapes,” according to the MEI. Emirati photographer Lamya Gargash “documents the forgotten spaces in public and private realms in Emirati society.” This image is taken from her “Clubs” series. “Taking visual cues from interior decoration, theatre and museum exhibits, Gargash creates works that layer anxiety, nostalgia and restlessness,” her representatives The Third Line say of Gargash’s work.

Tarek Al-Ghoussein — ‘Island Making 2’

This shot is taken from Al-Ghoussein’s ongoing “Odysseus” series, which the Kuwaiti artist of Palestinian origin began in 2015. “One day I read an article explaining that the planning council was in the process of naming the 215 islands of Abu Dhabi. That was mind-blowing to me. I had no idea that Abu Dhabi had so many islands,” he told Arab News last year, talking about the series. “That article triggered my desire and imagination to go out and visit as many of (them) as I could in a spirit of discovery.”  In the series, according to the show catalogue, “Al-Ghoussein lingers on the traces of human presence, capturing images of places and objects that will soon cease to exist.”

Mohamed Ahmed Ibrahim — ‘Sapling’

Ibrahim — a founding member of the Emirates Fine Art Society in 1980 — was born in the small city of Khorfakkan, an exclave of Sharjah, and much of his work has been inspired by his relationship with his hometown. “His deep connection to his local environment is reflected in his practice, whether through his installations, drawings or objects,” the show catalogue says. Sculptures such as this one — made of cardboard, stone, copper wire, papier-mâché, and linen — “reflect the natural formations of his domestic landscape.”

Mohammed Kazem — ‘Windows’

Kazem is a significant figure in the ‘Second Generation’ of contemporary UAE artists. He has used a range of mediums in his work. In his recent “Windows” series, from which this painting is taken, he focuses on the fleeting, often-mundane nature of daily life for many of the UAE’s inhabitants. “Invisible and intimate events in the landscape … are witnessed by shadowy, retreating figures, reduced to mere traces,” the catalogue states. In 2019, Kazem told Arab News: “All of my work is really about what I’m seeing and what I’m thinking. It’s playful work. But it’s also serious. And ironic.”

Shaikha Al-Mazrou — ‘Untitled (Blue Chevron)’ 

The acclaimed Emirati sculptor’s work are, according to the show catalogue, “articulations of tension and the interplay between form and content.” This particular piece, made from wet coated steel, it continues, “is an example of her irreverent use of material and its apparent contradictions.”

Augustine Paredes — ‘Am I Driving Safely?’

The Dubai-based Filipino artist and photographer uses the series from which this image is taken to examine Abu Dhabi’s Mina Zayed port, “capturing the transient lives of the truckers who transport goods to and from the port to destinations across the Arab world, providing a snapshot of the human face of globalization,” the show catalogue says.


REVIEW: ‘The Tale of Princess Fatima’ — excellent English adaptation of a thrilling Arab epic

REVIEW: ‘The Tale of Princess Fatima’ — excellent English adaptation of a thrilling Arab epic
Updated 55 min 2 sec ago

REVIEW: ‘The Tale of Princess Fatima’ — excellent English adaptation of a thrilling Arab epic

REVIEW: ‘The Tale of Princess Fatima’ — excellent English adaptation of a thrilling Arab epic

CHICAGO: According to its translator, Melanie Magidow, “The Tale of Princess Fatima, Warrior Woman: The Arabic Epic of Dhat Al-Himma” was originally printed in 1909 by a man named Ali Al-Maqanibi in Cairo. That version spans several volumes and thousands of pages of text, and it was reprinted in Beirut in 1980. It is the latter text from which Magidow selected a dozen stories to share — in English — with contemporary audiences in her recently published book.

Magidow stresses that her work is not a literal translation — however, the heart of her tale and the atmosphere it encapsulates is equally as electrifying as the original.

“Dhat Al-Himma” is, Magidow says, the only epic to be named after a woman. The tales are as captivating as they are complex, following events that begin at the end of the seventh century, with the fading power of the Umayyads and rise of the Abbasid Caliphate. The stories of the sword-wielding, spear-throwing, horse-riding, battle-hardened legend Princess Fatima (aka Dhat Al-Himma) thrill. The heroine’s adventures take her north from the Arabian Peninsula to the border of the Byzantine Empire.

Princess Fatima is born into a long line of leaders of the Bani Kilab tribe. However, her father Mazlum sees no value in girls, and when Fatima is abducted by the Bani Tayy — a rival tribe — Mazlum makes no attempt to rescue her.

With her captors, Fatima learns to ride a horse, to craft weapons and to fight, and wins the hearts of those around her with her ferocity and bravery. Eventually she finds her way home and becomes a hero of her tribe — despite patriarchal traditions.

Along the way Fatima encounters Byzantine emperors and Abbasid caliphs as Muslim and Christian armies compete for regional dominance and is caught up in fierce tribal wars. All the while she must protect herself from scheming tribe members who wish her ill.

This is a classic hero’s journey. Fatima sets out troubled by uncertainty but devotes herself to a higher purpose — service to God and to her tribe. Magidow’s translation is a fine introduction to a thrilling epic filled with fabulous characters and adventure.


Picasso heirs launch digital art piece to ride ‘crypto’ wave

Picasso heirs launch digital art piece to ride ‘crypto’ wave
Updated 27 January 2022

Picasso heirs launch digital art piece to ride ‘crypto’ wave

Picasso heirs launch digital art piece to ride ‘crypto’ wave
  • Picasso's granddaughter and her son opened up their apartment, which is swimming in works from their illustrious ancestor, in an upscale Geneva neighborhood
  • They're looking to cash in on and ride a wave of interest in non-fungible tokens, or NFTs, which have netted millions for far-less-known artists

GENEVA: Pablo, meet Crypto. Heirs of Pablo Picasso, the famed 20th-century Spanish artist, are vaulting into 21st-century commerce by selling 1,010 digital art pieces of one of his ceramic works that has never before been seen publicly — riding a fad for “crypto” assets that have taken the art and financial worlds by storm.
For an exclusive interview before the formal launch this week, Picasso’s granddaughter, Marina Picasso, and her son Florian Picasso opened up their apartment — which is swimming in works from their illustrious ancestor — in an upscale Geneva neighborhood. There they offered up a glimpse, however tantalizingly slim, of the piece behind what they’re billing as an unprecedented fusion of old-school fine art and digital assets.
They’re looking to cash in on and ride a wave of interest in non-fungible tokens, or NFTs, which have netted millions for far-less-known artists and been criticized by some as environmentally costly get rich schemes.
A Picasso, his family’s promoters say, would mark the entry of a Grand Master into the game.
In economics jargon, a fungible token is an asset that can be exchanged on a one-for-one basis. Think of dollars or bitcoins — each one has the exact same value and can be traded freely. A non-fungible object, by contrast, has its own distinct value, like an old house or a classic car.
Cross this notion with cryptocurrency technology known as the blockchain and you get NFTs. They are effectively digital certificates of authenticity that can be attached to digital art or, well, pretty much anything else that comes in digital form — audio files, video clips, animated stickers, even a news article read online.
“We’re trying to build a bridge between the NFT world and the fine art world,” said Florian Picasso, the artist’s great-grandson.
The artist’s descendants are playing close to the vest, to drum up interest and protect — for now — a family heirloom. They’re showing only a sliver of the underside of the work linked to the NFTs, a ceramic piece about the size of a large salad bowl. The exposed parts show forms like a thick yellow line, a dribbling green splotch, and a brushed-on number “58” at the base.
Marina Picasso says the cherished pottery piece dates to October 1958, when she was a child.
“It’s a work that represents a face, and it’s very expressive,” she said. “It’s joyful, happy. It represents life ... It’s one of those objects that have been part of our life, our intimate lives — my life with my children.”
Cyril Noterman, a longtime manager for Florian Picasso, and Kathryn Frazier, a publicist for the project, told The Associated Press that Sotheby’s would host an auction in March that will include a unique NFT as well as the actual ceramic bowl.
But Matthew Floris, a spokesman for Sotheby’s, contacted the AP on Wednesday and said in a statement: “Sotheby’s has clarified that it will not be selling an NFT of a work by Pablo Picasso.”
Noterman and Frazier said a first-phase, online sale of more than 1,000 other NFTs starts Friday through the Nifty Gateway and Origin Protocol platforms.
Florian Picasso said they agreed on the colorful ceramic piece because it was “a fun one” to start.
An NFT Picasso brings with it almost epochal symbolism, something like when the Beatles collection was finally put up on iTunes. The family and its business managers say the aim is to create a younger community of Picasso fans.
“Everything is evolving,” said Florian Picasso, insisting that the NFT honors the great artist.
“I think it fits within Picasso’s legacies because we are paying tribute to him and his way of working, which was always being creative,” he said.
How quaint seem those days of yore when Picasso, as the legend has it, would simply doodle on a napkin as payment for a restaurant meal — his handiwork supposedly carrying a value far in excess of the cost of the food and drinks he had enjoyed.
Some of the proceeds will be donated — one portion to a charity that aims to help overcome a shortage of nurses, and another to a nongovernmental organization that wants to help reduce carbon in the atmosphere. The NFTs will also come with music put together by Florian Picasso, who is a DJ and music producer, along with songwriter John Legend and rapper Nas.
Even a full rendering of that track isn’t being publicly released just yet: Florian Picasso played a snippet for a reporter, then turned it off.
“And to hear more, you gotta purchase the NFT,” he quipped.