How ramped-up Saudi foreign aid is helping the world’s neediest

Special How ramped-up Saudi foreign aid is helping the world’s neediest
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A KSrelief project to combat eye disease in Nigeria. (Supplied)
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Saudi Arabia has provided more than $7 billion in development, humanitarian and charitable projects, worldwide, with primarily through KSrelief. (Supplied)
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Saudi foreign aid between 1996 and 2021 totalled $94.6 billion, delivered to 165 countries. (Supplied)
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KSrelief has built on Saudi A|rabia’s long history of helping developing countries. (Supplied)
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Saudia aircraft arrives in Afghanistan carrying food and shelter. (Supplied)
Special How ramped-up Saudi foreign aid is helping the world’s neediest
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KSrelief donates beds for a hospital in Yemen. (Supplied)
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Updated 10 June 2022

How ramped-up Saudi foreign aid is helping the world’s neediest

How ramped-up Saudi foreign aid is helping the world’s neediest
  • Kingdom has a long history of assistance for developing countries, led by Saudi Fund for Development
  • Many Arab countries are reeling from the economic impacts of the pandemic and the war in Ukraine

DUBAI: The creation of a joint development fund with France to assist Lebanon is the latest in a string of announcements signaling a ramp-up in Saudi aid to Middle East and North African countries being pushed deeper into debt by conflict and crisis.

The fund, unveiled in April, made an initial $30 million pledge to support food security in Lebanon and the country’s crippled health sector, according to a statement from the French embassy.

Funds will also be used for humanitarian projects that will provide emergency aid to the country’s most vulnerable communities and help improve access to primary healthcare in the northern city of Tripoli.

Before Lebanon, it was Mauritania, a desert country in northwest Africa with only 0.5 percent of arable land, that received significant assistance from the Kingdom.




KSRelief medical volunteers performed critical surgeries for indigents in Mauritania in 2020. (Supplied)

In April, Saudi Arabia converted its $300 million deposit with the Mauritania central bank into a soft loan as part of efforts to develop the country’s economy, and encourage regional and international investment.

Across the African continent, Saudi Arabia has provided more than $7 billion in development, humanitarian and charitable projects, covering food security, health and education, according to the King Salman Humanitarian Aid and Relief Center, the Kingdom’s leading aid agency.

Since its establishment in 2015 KSrelief has built on the Kingdom’s long history of helping developing countries.

In late May, the agency delivered humanitarian assistance worth $3.2 million to the Philippines, which included $1.7 million of medical equipment to help fight COVID-19. 




Saudi officials deliver $3.2 million worth of aid to the Philippines last month to mitigate the impacts of Typhoon Rai and to help health relief and emergency works in Marawi City. (Supplied)

A further $1.5 million is earmarked to help the Philippines Ministry of Health alleviate the impact of Typhoon Rai, alongside health relief and emergency works for the southern city of Marawi. 

During Ramadan, it gave cash support to more than 900 individuals in 19 countries, including Afghanistan, Yemen and Chad, through the Saudi Ramadan Eta’am initiative.

KSrelief distributed 500 Ramadan food baskets to Afghan families in the Char Asiab district of Kabul and 887 food baskets to households in the Chadian city of Massenya, benefiting 5,322 people.




KSrelief workers distributes Ramadan food baskets at the camps of Rohingya refugees in April 2022. (SPA)

The agency also implemented more than 40 humanitarian projects in Afghanistan, targeting food security, health, education, water and sanitation.

Meanwhile, in Yemen’s war-scarred Marib governorate, KSrelief has provided more than 72 tons of food, helping 4,080 people.

According to KSrelief, Yemen has received the largest share of aid spending at $4 billion, covering everything from health services, nutrition, shelter and education to sanitation, emergency communications and logistics.




Saudi Arabia continues to contribute to school projects, particularly in Yemen where tens of thousands of schoolchildren have been affected by the ongoing war between the government and the Iran-backed Houthi militia. (Supplied)

In early April, KSrelief announced a nutrition project aimed at children under 5, as well as pregnant and nursing women, in the Yemeni governorates of Lahij, Taiz, Aden, Hodeidah, Hajjah, Marib and Hadramout.

At the end of March, it announced a $7 million contribution to support education programs in Yemen run by the UN children’s fund UNICEF. The donation is set to improve access to quality education for 578,000 children.

In January, KSrelief signed an agreement with the UN’s migration agency IOM to provide 150,000 Yemenis with shelter, hygiene services, sanitation and clean water.




KSrelief's general supervisor, Dr. Abdullah Al-Rabeeah. (Supplied) 

During a recent lecture at the Islamic University of Madinah, Abdullah Al-Rabeeah, general supervisor of KSrelief, said that Saudi foreign aid between 1996 and 2021 totalled $94.6 billion, delivered to 165 countries.

KSrelief has carried on the work spearheaded by the Saudi Fund for Development, established in 1974. But Saudi Arabia’s charitable initiatives go back even further.

“Since its founding, the Kingdom has been keen to help crisis-affected countries,” Samer Al-Jetaily, a spokesperson for KSrelief, told Arab News. “It has spared no effort to help those in need around the world. Its commitment to providing relief and assistance is based on its noble humanitarian values.”

According to Al-Jetaily, KSrelief has implemented some 1,997 humanitarian projects in 84 countries worth $5.7 billion, focusing on areas ranging from education, healthcare and food security to shelter, sanitation and protection.

KSrelief is the only authority in Saudi Arabia permitted to receive and deliver cash and in-kind assistance to people overseas, regulate and supervise external charitable work, license charitable institutions internationally, and set the structure for other humanitarian work.

The Kingdom’s humanitarian efforts have expanded in tandem with major changes in the way citizens donate to charity.

FASTFACTS

Since 2015, KSrelief has implemented around 2,000 projects in 84 countries worth $5.7 billion.

The Saudi aid agency has implemented 815 projects aimed at women at a cost of $533 million.

Children around the world have benefited from 730 projects at a cost of $769 million.

(Source: KSrelief)

The country’s digital transformation has led to the creation of regulated donation services, including KSrelief, Ehsan, Shefaa and the National Donations Platform, all developed and supervised by the Saudi Data and Artificial Intelligence Authority.

Ehsan, launched in 2021, enables philanthropists and donors to choose from a selection of charitable causes, ranging from social and economic issues to health, education and the environment.

By focusing on individual values and specific societal issues, the platform aims to encourage a greater sense of social responsibility among the public and private-sector organizations, while also promoting a culture of transparency in charitable giving.

Last year, King Salman and Crown Prince Mohammed bin Salman made multiple donations via Ehsan that pushed the platform’s total figure past the SR1 billion mark.




Ehsan has made it easier for Saudi Arabia’s residents to donate to causes such as renovating and furnishing the homes of the needy, giving food baskets to families, and providing care for the elderly. (SPA)

Since its launch, Ehsan has received more than SR1.4 billion ($373.2 million) in donations, which have been distributed to more than 4.3 million beneficiaries.

The National Donations Platform also connects donors with needy individuals across the Kingdom, while ensuring a reliable and secure digital donation process supervised by the Ministry of Human Resources and Social Development.

To date, more than 3.5 million people, including orphans, the sick, the elderly and those living in substandard housing, have benefited from money gifted through the platform.

These regulated official platforms were designed to ensure donations go to those genuinely in need, and to prevent funds falling into the hands of fraudsters and even terrorist groups looking to exploit public generosity.

“The Kingdom hopes that the assistance it provides will contribute to ensuring that all people are able to live safe, healthy, dignified lives,” Al-Jetaily told Arab News.




Many underprivileged people in the Middle East and Africa have benefitted from Saudi Arabia's medical aid missions through the years. (Supplied)

“The aid provided globally is impartial, based solely on the needs of its beneficiaries.”

With many Arab countries struggling to overcome the economic blows of the pandemic, as well as the inflationary impact of the war in Ukraine on food and fuel prices, charitable donations are needed more than ever.

Lebanon is a case in point. While many nations have been reluctant to provide aid until its government implements much-needed economic reforms, Saudi Arabia and France chose to establish the joint development fund to help the Lebanese people.

Initially, money from the fund will be split between the French Development Agency and KSrelief, according to official sources.




Saudi and French officials join a photo session in Beirut during the signing of an aid agreement for Lebanon. (SPA)

Since 2019, Lebanon has been in the throes of its worst-ever financial crisis, which has been further compounded by the economic strain of the pandemic and the nation’s political paralysis.

For many Lebanese, the final straw was the Beirut port blast of Aug. 2020, which killed 218, injured 7,000, caused $15 billion in property damage and left an estimated 300,000 people homeless.

Deteriorating socioeconomic conditions have sent thousands of young Lebanese, including many of the country’s top medical professionals and educators, abroad in search of security and opportunity.

Those Lebanese who have chosen to remain are forced to endure shortages of basic necessities, crumbling infrastructure, rolling blackouts and mass unemployment.

 


Winners of King Faisal Prize 2023 honored in Riyadh

Winners of King Faisal Prize 2023 honored in Riyadh
Updated 21 March 2023

Winners of King Faisal Prize 2023 honored in Riyadh

Winners of King Faisal Prize 2023 honored in Riyadh
  • Ceremony held in Riyadh under auspices of King Salman
  • An Emirati, a Moroccan, a South Korean, two Brits and three Americans were honored with the King Faisal Prize 2023

RIYADH: They served people and enriched humanity with their pioneering work so deserve to be honored and recognized for their distinguished efforts, the King Faisal Foundation said when honoring the winners of the King Faisal Prize 2023.

A glittering award ceremony was held in Riyadh on Monday under the patronage of King Salman, and on his behalf, Prince Faisal bin Bandar, governor of Riyadh Region, attended the ceremony for handing over the King Faisal Prize to the winners this year.

The annual awards are the most prestigious in the Muslim world and recognize outstanding achievement in services to Islam, Islamic studies, Arabic language and literature, medicine and science.

Professor Jackie Yi-Ru Ying. (Twitter @KingFaisalPrize)

This year an Emirati, a Moroccan, a South Korean, two Brits and three Americans won the prestigious prize, which in its 45th session recognized COVID-19 vaccine developers, nanotechnology scientists and eminent figures in Arabic language and literature, Islamic studies, and service to Islam.

The prize for service to Islam was awarded jointly to Shaikh Nasser bin Abdullah of the UAE and Professor Choi Young Kil-Hamed from South Korea.

The prize for Islamic studies was awarded to Professor Robert Hillenbrand from the UK.

Professor Dan Hung Barouch. (Twitter @KingFaisalPrize)

The prize for Arabic language and literature was awarded to Professor Abdelfattah Kilito of Morocco.

The prize for medicine was awarded jointly to Professor Dan Hung Barouch from the US and Professor Sarah Catherine Gilbert from the UK.

In his acceptance speech, Barouch said, “The Ad26 vaccine for COVID-19 demonstrated robust efficacy in humans, even after a single shot, and showed continued protection against virus variants that emerged. This vaccine has been rolled out across the world by the pharmaceutical company Johnson & Johnson, and over 200 million people have received this vaccine, particularly in the developing world.”

Professor Chad Alexander Mirkin. (Twitter @KingFaisalPrize)

Gilbert said that she was “humbled to join the other 2023 laureates, and to follow-in the footsteps of the men and women whose work has been recognized by the foundation for more than four decades. This award is in recognition of my work to co-create a vaccine for COVID-19. A low-cost, accessible, efficacious vaccine that has now been used in more than 180 countries and is estimated to have saved more than six million lives by the start of 2022.”

The prize for science was awarded jointly to Professor Jackie Yi-Ru Ying and Professor Chad Alexander Mirkin, both from the US.

Ying’s research focuses on synthesis of advanced nano materials and systems, and their application in biomedicine, energy conversion and catalysis.

Her inventions have been used to solve challenges in different fields of medicine, chemistry and energy. Her development of stimuli-responsive polymeric nanoparticles led to a technology that can autoregulate the release of insulin, depending on the blood glucose levels in diabetic patients, without the need for external blood glucose monitoring.

“I am deeply honored to be receiving the King Faisal prize in science, especially as the first female recipient of this award,” she said in her acceptance speech.

This year two women scientists have been honored as winners of the King Faisal Prize for medicine and science categories.

The woman behind the Oxford–AstraZeneca COVID-19 vaccine, Professor Sarah Gilbert, the Saïd chair of vaccinology in the Nuffield department of Medicine at Oxford University, was honored with the medicine award.

The other woman scientist honored with the King Faisal Prize in science is Professor Jackie Yi-Ru Ying; the A-star senior fellow and director at NanoBio Lab, Agency for Science, Technology and Research. She is a professor at Massachusetts Institute of Technology, and was chosen for her work on the synthesis of advanced nanomaterials and systems, and their applications in catalysis, energy conversion and biomedicine.

The King Faisal Prize was established in 1977. The prize was granted for the first time in 1979 in three categories: Service to Islam, Islamic studies and Arabic language and literature. Two additional categories were introduced in 1981: Medicine and science. The first medicine prize was awarded in 1982, and in science two years later.

Since 1979, the King Faisal Prize in its different categories has awarded 290 laureates who have made distinguished contributions to different sciences and causes.

Each prize laureate is given $200,000 (SR750,000); a 24-carat gold medal weighing 200 grams, a certificate inscribed with the laureate’s name and a summary of their work that qualified them for the prize, and the certificate signed by chairman of the prize board, Prince Khalid Al-Faisal.

 

 


Saudis patiently watching as Riyadh-Tehran deal unfolds

Saudis patiently watching as Riyadh-Tehran deal unfolds
Updated 16 min 59 sec ago

Saudis patiently watching as Riyadh-Tehran deal unfolds

Saudis patiently watching as Riyadh-Tehran deal unfolds
  • Almost two weeks after deal signing, Saudis are reminded of past incidents but optimistic of peace deal to start new page
  • After seven year rift, Saudis apprehensive of Chinese-brokered deal between Riyadh and Tehran but understand the need for a more stable and secure region

JEDDAH: Apprehension, wariness, skepticism, cautious optimism: These were just some of the reactions among the Saudi public indicative of the mixed mood that followed the unprecedented announcement of a Chinese-brokered deal between the Kingdom and Iran. In short, people are watching with interest and waiting to see how it all plays out.

Seven years ago, the world watched in horror as the Kingdom’s embassy and consulate in Iran were attacked and set on fire by Iranian protesters. This led to the severing of diplomatic ties, which were only restored less than two weeks ago. The scenes in 2016 brought back memories for many people of the torching of the Saudi and Kuwaiti embassies in Tehran in 1987.

Mixed feelings and reactions or not, the agreement to restore diplomatic ties between Riyadh and Tehran has certainly been a major talking point since it was announced on March 10. There are still more questions than answers about exactly what it means, but the three parties involved in the negotiations have asserted that the rapprochement is part of a process after a zero-sum game that continued for nearly a decade.

The Saudi Press Agency reported that Riyadh and Beijing have agreed to respect state sovereignty and not interfere in each other’s internal affairs. This a problematic notion, however, given the history of Iranian aggression toward the Kingdom, including the 1987 Makkah demonstrations, the 1996 Khobar tower attacks, the 2011 plot to assassinate the then Saudi ambassador to Washington, Adel Al-Jubair, and the 2019 missile attacks on the Kingdom’s oil facilities in Abqaiq and Khurais, to name a few incidents.

A man in Tehran holds a local newspaper reporting on its front page the China-brokered deal between Iran and Saudi Arabia to restore ties, signed in Beijing the previous day, on March, 11 2023. (AFP)

Saudi Foreign Minister Prince Faisal bin Farhan said that the Kingdom’s agreement with Iran to restore diplomatic ties does not mean that the countries have resolved all of their disagreements but that it underscores a mutual desire to “resolve disputes through communication and dialogue.”

The rapprochement follows years of tensions across the region so it is no surprise that Saudis took to social media to share their opinions on the agreement.

Many expressed support for their government’s decision, saying that that they hope and believe it could be a significant step forward, as the deal includes the reactivation of a security agreement, signed in 2001, for cooperation on efforts to combat terrorism, drug smuggling, money laundering and other criminal activity.

“The Saudi-Iranian agreement will bring forth greater security benefits to the Gulf region, the Middle East and the broader global community, as the Kingdom’s position is always to seek security and stability in the region,” retired Maj. Gen. Saleh Mohammed Al-Malik, a professor of military and security media at Naif Arab University for Security Sciences, told Arab News.

Riyadh and Tehran announced on March 10 that after seven years of severed ties they would reopen embassies and missions within two months and implement security and economic cooperation agreements signed more than 20 years ago. (AFP)

“I hope that this agreement will limit Iranian interference in the countries of the region and that security and stability will prevail in the Middle East so that governments can devote themselves to reforms and development in a way that serves the entire region; namely (in) Yemen.

“There is no doubt that this (agreement) will contribute to directing national economic blueprints to achieve visions such as (Saudi) Vision 2030 goals, aimed at comprehensive and continuous development for their respective nations.”

The full details of the agreement between Riyadh and Tehran are yet to be clarified but some Saudis suggest they are immaterial because they believe a focus on internal affairs and building the Kingdom’s capacity across the board should be a higher priority than relations with their neighbors across the Gulf.

Others believe the deal could contribute in a positive way to the development of Saudi Arabia and, perhaps, Iran as well.

The two countries would re-open their embassies and missions within a period not exceeding two months. (Screenshot/Nour News)

“We don’t know what is going on in Iran except from what we see on our screens,” one Saudi citizen told Arab News.

“Whatever it is, it shows a country divided, a people who are suffering and resisting. They want a prosperous Iran and there’s no need to liken (hopefully) its progression to that of Saudi Arabia; they can create their own path, one that suits them personally.

“Every country is growing except theirs; it’s time to join the club.”

Saudi Arabia and its citizens have dealt with a number of regional challenges in recent years in ways the wider world is not used to. Saudi officials and citizens have long pointed out that the Kingdom and Iran share many long-standing religious, historical, geographical and cultural connections, and that such common ground can only strengthen efforts to resolve disagreements between “rivals” through negotiation.

“I am sure that if all the provisions of the agreement are implemented, it will restore security, peace and meaningful and constructive cooperation in the region in the service of the entire Middle East and neighboring countries,” said Al-Malik.

The broad initial support for the deal among the Saudi people is nothing new, he added, as they trust their authorities to negotiate such deals for the greater good.

“Saudis are keen on peace and stability,” he said. “They see their goals achieved through Vision 2030, and their trust in the government to support security and stability in the region stems from that.”


Pre-Ramadan pop-up show celebrates local and regional brands in Riyadh

Pre-Ramadan pop-up show celebrates local and regional brands in Riyadh
Updated 21 March 2023

Pre-Ramadan pop-up show celebrates local and regional brands in Riyadh

Pre-Ramadan pop-up show celebrates local and regional brands in Riyadh
  • The four-day exhibition consists of curated pop-up shops that feature brands from local and regional designers

RIYADH: Art, music, fashion, and coffee are among the perks of attending the pre-Ramadan pop-up show in Riyadh’s Lakum Artspace this week.

The four-day exhibition consists of curated pop-up shops that feature brands from local and regional designers.

The shops boast workshops for visitors interested in flower arranging, along with live art and fashion sketching.

And, for refreshments, there are drinks from the studio’s own coffee shop, Malmoum Cafe.

Art curator Dana Qabbani says that the pop-up show has been created to celebrate local brands and give them a platform to share their work.

She said: “I wanted to celebrate the success of the brands that grew with us 10 years ago.

“These Saudi brands are led by amazing ladies and men, who have proved themselves in the market both locally and internationally.”

Art curator Dana Qabbani at the Pre-Ramadan Show in Lakum Artspace in Riyadh. (Supplied)

One of the featured brands is Tamashee, a well-known high-end Arabian Gulf footwear brand based in Dubai that has expanded to the Kingdom.

Muneera Al-Tamimi, co-founder of Tamashee, said that the brand had collaborated with Qabbani in the past.

She said: “Tamashee has been around for 10 years now. We have worked with the team behind the ‘pre-show’ and Lakum Artspace many times and admire their creativity and choice of unique brands that they bring together under their platform.

“Tamashee thrives to create a soulful narrative from within the region that contributes to advancing the Arabian Peninsula’s identity through our products.

“We cater to our customers who enjoy the cultural experience firsthand through our products when visiting one of our shops or pop-ups.”

Saad Ahmed, who is an assistant at the gallery, said that he enjoyed Tamashee’s products.

He said: “My favorite part of the pop-up show is Tamashee because there are options for men. 

“But there are a lot of brands that have exciting gifts and I would recommend them to my mother or sister.”

“Tamashee thrives to create a soulful narrative from within the region that contributes to advancing the Arabian Peninsula’s identity through our products,” said Muneera Al-Tamimi, co-founder of Tamashee. (Supplied)

Formally known as Alaan Artspace, Qabbani says that Lakum Artspace is looking back with its latest venture.

She said: “In the past Alaan was one of the only places that dedicated their space to pop-up shops, music shows, art and seminars.

“When it started it was absolutely groundbreaking, so this is the first pop-up show that resembles the old days.

“There was a demand to create pop-up shops like we used to in the past. The past couple of years, most of the shows have just been art, but with the recent demand for pop-up shows, we decided to take a different approach this year.”

Qabbani added that the studio wanted the community to shop for clothing and accessories before the beginning of the holy month.

She said: “We wanted the experience to be curated, for people to enjoy their time, look at designs and indulge in good food and art.”


When Persian music, culture and spirit were celebrated at Saudi Arabia’s AlUla

When Persian music, culture and spirit were celebrated at Saudi Arabia’s AlUla
Updated 15 min 5 sec ago

When Persian music, culture and spirit were celebrated at Saudi Arabia’s AlUla

When Persian music, culture and spirit were celebrated at Saudi Arabia’s AlUla
  • Maraya Concert Hall hosted two-night event titled “Persian Night – Music Without Borders” in March 2020
  • Music transcended borders as Saudis swayed to the beat of Persian songs in traditional Arab attire

RIYADH: To mark Nowruz, we relive the moment Iran’s most beloved musicians brought to AlUla a rich burst of Persian culture and spirit.

The two-night event, “Persian Night – Music Without Borders,” occurred in March 2020 at the Maraya Concert Hall in AlUla, Saudi Arabia’s ancient archaeological jewel.

 

The seven legendary Iranian singers who performed included the king of Persian pop Shahram Shabpareh, classical pop singer Leila Forouhar, Ebrahim Hamedi (known by the stage name Ebi), Sasy, Shadmehr Aghili, Andy and Arash Labaf — all who flew from their homes in the US and Europe to be part of the historic moment.

Shadmehr Aghili opened the night with “Royaye Ma,” one of his famed songs featuring Ebi, where the pair sing of their dream for a better world.

A few songs later, Leila Forouhar, looking dazzling in a beautifully embellished maroon gown, entertained the crowd with elegant Persian moves while performing classics such as the popular bandari song “Jooni Joonom.”

Shahram Shabpareh included his famous hit “Pariya” in his performance and even showed off some Arabic skills on stage by calling to his fans “ahlan wa sahlan” (an Arabic expression of welcome).

Ebi's performance swept the audience at the Maraya Concert Hall off their seats to dance to his famed Persian songs. (Supplied) 

The Iranian stars sang many upbeat romantic tunes, radiating love, joy, and gratitude to an international crowd.

Saudis in the audience were seen in traditional Arab gowns dancing to the beat of Persian songs, embodying the event’s slogan that music truly goes beyond borders.

Whilst on stage, the prince of Persian pop, Andy, told the audience that they would be welcomed in his home in Los Angeles with the same hospitality he received in the Kingdom.

In his own words, the event was “like the Olympics,” and he was not wrong in many ways.

The event was one of honor, and had the same power to set aside politics to celebrate global talents.

Ebi told event-goers how “happy and proud” he felt that there were two women in his band before proceeding to sing his 1989 hit “Khanom Gol,” a song he dedicated on the night to women in Iran, whom he wishes one day can likewise perform on a stage.

Iranian Gen Z's beloved and famed pop singer Sasy rocked on stage at the "Persian Nights" event during the 2020 Winter at Tantora festival. (Supplied)

The two magical nights provided a beacon of hope to the artists and a window to the endless possibilities the future holds for the region.

Backstage, Leila spoke to the Independent about how witnessing the Kingdom’s social reforms — specifically in the realm of Saudi women’s empowerment — has been a source of fascination and happiness for her.

It was not only Leila who felt compelled by the social changes; Ebi also expressed similar feelings to Arab News.

“Many beautiful things are happening in Saudi Arabia. A lot of great shifts are occurring,” he said, using the event as one example of this transformation.

The iconic Persian night was a part of the annual Winter at Tantora, Saudi Arabia’s first music and cultural festival.

Since launching in 2018, it has become synonymous with cultural exchange, from hosting world-renowned Greek composer Yanni, Italian tenor Andrea Bocelli, and the Kingdom’s legendary singer Mohammed Abdu.

Shadmehr Aghili opened the "Persian Nights" event during the 2020 Winter at Tantora festival with a thrilling and emotionally-charged show. (Twitter/@AlUlaMoments)

The host city of AlUla — which this year joined Conde Nast Traveler’s “Seven Wonders of the World” and is home to a UNESCO World Heritage Site — plays a symbolic role.

The city sits on the ancient incense trade route that connected Africa, Asia and Europe. For this reason, AlUla is known to the world as an embodiment of cultural interaction.

It is, therefore, no surprise that this would be the place where two of the world’s richest cultures — Arab and Persian — crossed paths.

For Arash, AlUla had awed him as a “crazy, beautiful” place, making him feel like he was on set on “an old Western movie” when galloping on the horses nearby.

He told Arab News that he made it to the event to represent Persian culture to the world and ultimately “to spread love, Persian love.”

And that was precisely what happened on March 5 and 6, 2020. Persian love made its mark in the history books of modern Saudi Arabia, bringing together different cultures that share a profound passion for music, dance and romance.


Saudi art exhibition goes back to future inspiring modern culture

Saudi art exhibition goes back to future inspiring modern culture
Updated 20 March 2023

Saudi art exhibition goes back to future inspiring modern culture

Saudi art exhibition goes back to future inspiring modern culture
  • Al-Khudhairi told Arab News: “Tradition is such a loaded word, and it has so much meaning to so many people in a lot of really strong ways

RIYADH: Misk Art Institute’s spring display, titled “Brand New Ancients,” presents 17 artists’ existing works derived from oral and material traditions, showing how history can revive itself in innovative ways.

Curated by Wassan Al-Khudhairi and Cecilia Ruggeri, the exhibition was born out of Kae Tempest’s poem of the same title, both telling a story of the past’s impact on future potential.

Al-Khudhairi told Arab News: “Tradition is such a loaded word, and it has so much meaning to so many people in a lot of really strong ways.

Saudi artist Dana Awartani presents "Love is my Law, Love is my Faith," embroidering on silk as a response to poems by Abdalisian scholar Ibn Arabi that describes an intimate experience with the Kaaba. (Photo/Misk Art)

“In our contemporary culture today, not just artists, but a lot of people, look at stories, ideas, techniques, traditions that come from the past as ways to tackle our current culture, and even to envision the future.”

Paralleling the theme, the exhibition has been staged using only existing works.

“You can take the work that’s been made two, five, eight years ago, and put it in another context and breathe a different life into it and allow it to have another life through its relationship to the theme and the other works around it,” Al-Khudhairi said.

Taking Lapis Lazuli stones found in Afghanistan, Kuwaiti-born Hamra Abbas creates an unconventional mosaic out of the second highest mountain in the world, K2, titled 'MOUNTAIN 1.' (Photo/Misk Art)

Kuwait-born visual artist Hamra Abbas has used lapis lazuli stones from Afghanistan to create a mosaic of K2, the second-highest mountain in the world, and titled it “Mountain 1.”

The structure is described as a relic of Pakistani history, embodying perfection, paradise, and truth. The artist used the classical 17th-century Florian marquetry technique of pietra dura, which later became prominent in her local region and used in the Indo-Islamic Mughal architecture style.

Blocks of stone were painstakingly cut into fragments and then individually polished, shaped, and pieced together to form the 320-kilogram artwork as a symbol for cultural exchange and diversity, gluing together notions and materials from around the world.

Sarah Brahim’s video installation “Bodyland” depicts the inheritance and generational passing-down of grief through genetics. (Photo/Misk Art)

Abbas told Arab News: “It was a completely experimental piece. I did not know I could create an image using only lapis. You can’t tell what you’re making for months while you’re making it. It’s only after you polish it that you see the result.”

Pakistani artist Wardha Shabbir’s miniature painting, “In Search of Light,” uses the atmosphere of the city of Lahore, nuanced by bright yellow and orange colors, to portray symbols of loss, despair, hope, and survival inspired by her experience as a woman from Pakistan.

It is an emblem of personal traditions as well as ones handed down through generations, commemorated by the drawings of flora native to the region and mapped across archival paper.

Under the theme “Brand New Ancients,” 17 artists share their existing works derived from passed down oral and material traditions across various cultures, considering how history has a tendency to revive itself in innovative ways. (Photo/Misk Art)

Shabbir said: “I’ve been looking at the city and how it evolved and grew, and all those plants became my foremost influence. My mother was a gardener and when we were younger, we took care of plants more than our toys, so I developed a relationship with them.”

Her drawings depict the experiences, people, economic and political turmoil, and struggles for survival within Lahore.

“This is how I’m taking the (miniature painting) tradition forward. This is how I stand in the world,” she added.

Using the principle that a poem is not a poem unless it has seven lines, Saudi artist Maha Malluh presents “Riyadh Poem,” the final piece within her Food for Thought series. The artwork is a seven-piece hanging installation made of 156 aluminum pot covers. (Photo/Misk Art)

Using the principle that a poem is not a poem unless it has seven lines, Saudi artist Maha Malluh’s presentation, “Riyadh Poem,” is the final piece in her “Food for Thought” series.

The artwork is a seven-piece hanging installation made of 156 aluminium pot covers, reflecting traditional motifs within Islamic culture, such as the seven rounds in Hajj around the Kaaba, the seven heavens, and the seven days of the week.

Saudi contemporary artist Ahmed Mater’s “Ashab Al-Lal: Fault Mirage, A Thousand Lost Years” exhibit layers glass slide images of the past and present, allowing them to instantly interact.

Riyadh-born visual and performance artist Sarah Brahim’s video installation “Bodyland” depicts the inheritance and generational passing-down of grief through genetics.

The institute’s show not only exhibits the recycled crafts of ancient traditions, but also incorporates contemporary understandings of heritage, contextualized in modernity. By digging into the past, “Brand New Ancients” aims to carve a path for the future.

The artists’ works will remain on display at the Prince Faisal bin Fahd Fine Arts Hall in Riyadh until July 15.

Also among the featured artists are Filipino Pacita Abad, Palestinian Dana Awartani, Mexican Abraham Cruzvillegas, American Derek Fordjour, Kuwaiti Tarek Al-Ghoussein, Joana Hadjithomas and Khalil Joreige from Lebanon, Canada-based Lotus Laurie Kang, Qatari American Sophia Al-Maria, Nasser Al-Salem from Saudi Arabia, and Italian duo Ornaghi and Prestinari.