DUBAI: Saudi designer and fashion influencer Tamaraah Al-Gabaani is back from her “manic and exhilarating” Paris Fashion Week trip and it was one for the books, she told Arab News.
“It’s like that feeling you get after doing CrossFit for 10 days and you can’t feel your legs anymore,” she said.
She attributed part of the intense nature of the trip to having her stylist and assistant both miss the trip for various reasons.
“The main challenge was definitely that I didn’t have my stylist and assistant with me. Unpacking alone took me six hours. The second challenge was that we didn’t predict that the weather would be cold and rainy. We didn’t really prepare for that,” she added.
What followed was an intense shopping exercise in Paris, while Al-Gabaani had her stylist Wafa Nasser go over all the choices with her on the phone.
“She was on the phone with me the whole time and we were selecting all the boots and everything we needed because of the change of weather conditions. And we were re-creating looks while I was in Paris and shopping right before the shoot, which was in a few hours and we had to do all this last minute over the phone,” Al-Gabaani said.
But even before she arrived in Paris, Al-Gabaani had her work cut out for her. Behind the glitz and the glamor of an influencer’s life is steady teamwork, rigorous attention to detail, and a lot of preparation.
“My stylist and I began our prep three weeks in advance. But because she was in Riyadh and I was in Dubai and then at New York Fashion week, we had to work virtually to put all my looks together. We worked online for five days straight to decide on all the looks. And this time, we collaborated with Net-a-Porter for most of the looks,” she added.
On her favorite styles from her Paris trip, Al-Gabaani picked out her Saint Laurent and Coperni outfits.
The Coperni yellow twisted cutout cady blazer combined a with an eye-catching Bottega Veneta mint-green crochet skirt, all perfectly brought together with season-favorite Barbie pink Bottega Veneta heels.
The Saint Laurent look featured a more masculine silhouette with a single-breasted tailored blazer dress in denim. Al-Gabaani paired this with thigh-high white boots and chunky gold hoops.
Saudi icon Mohammed Abdu — ‘The Artist of the Arabs’
In our latest Arab Icons feature, we profile the Saudi singer, oud player and composer who remains one of Khaleeji music’s biggest draws
Updated 37 sec ago
DUBAI: With a career spanning 60 years, Saudi singer and oudist Mohammed Abdu, dubbed ‘The Artist of the Arabs,’ has been an inspiration to many — and not just for his music.
Abdu was born in Asir province, Saudi Arabia, on June 12, 1949. His father, a fisherman, died when Abdu was just three years old, leaving behind his wife and five other children.
Unable to provide for her children, Abdu’s mother surrendered her children to Ribat Abu-Zinadah — a local Yemenite hospital for orphaned families. She then petitioned King Faisal bin Abdulaziz Al-Saud to find her children places at an orphanage, which he did. Abdu spent the remainder of his childhood in an orphanage in Jeddah.
“This was really the actual struggle,” Abdu once said in an interview on Rotana’s “Ya Hala” show. “I remember every moment and every detail in my life. God gave me a memory that helps me remember things from when I was one. My struggles were of a child who wanted to be like the rest of the children in his neighborhood. They were all rich. I would see this and dream of reaching this level one day.”
This was Abdu’s motive to work hard and build a name for himself. His got his first job when he was only seven, as an assistant to a mailman. He also raised money by helping housewives with their shopping and selling fruit and vegetables on the street.
While he was interested in music as a kid, Abdu’s dream was to be involved with sailing or seamanship, like his father. He even joined a shipbuilding institute. But eventually, he abandoned the idea of becoming a sailor and turned to his true calling: music.
Abdu began his music career in the 1960s when Saudi presenter Abbas Faiq Ghazzawi invited him to sing on the radio show “Baba Abbas.” Two songs in particular — “Al-Rasayel” and “Ab’ad” — became extremely popular. Both remain part of his live sets today.
“Ab’ad” was a hit around the world, with Iranian and Indian translations both garnering airplay, and even European bands performing covers of the track.
With his strong voice and distinctive style of oud playing — reminiscent of the Syrian-Egyptian virtuoso Farid Al-Atrash, Egyptian composer Baligh Hamdi, and fellow Saudi Talal Maddah — Abdu toured the world. It was at a concert in Tunisia in the 1980s that he first received the soubriquet “The Artist of the Arabs,” from then-Tunisian President Habib Bourguiba.
At the end of the Eighties, Abdu took an abrupt sabbatical from music after the death of his beloved mother. It would be eight years before he performed or released another track.
Aside from being an acclaimed performer, Abdu is also a talented composer in his own right. He wrote several of his own tracks, including “Al Remsh Al Taweel,” “Ya Shoog” and “Ya Sherouq Al Shams,” but has also written for other stars, including the Egyptian singer Carmen Soliman, who partnered with Abdu after winning the first season of “Arab Idol,” releasing the 2014 Khaleeji track “Akhbari.”
Soliman told Arab News that composer Abdul Latif Al-Sheikh was the driving force behind this perhaps unexpected partnership. “He wished for a collaboration like that to happen, and he worked a lot until he made it happen,” she said. “I would like to thank him for choosing me. I could not believe it at the time. I felt like I would have a song in my history that would never be forgotten. And everyone would know that this song was composed by Mohammed Abdu.
“He was my favorite singer to listen to,” she continued. “To me, Mohammed Abdu is a legend (whose like we will not see again). I love his voice. He has an amazing, strong voice. Through it, he can reach the hearts of the audience. I love his music.”
Soliman cited “Ma’ad Badri,” “Ala El-Bal” and “Shebeeh El-Reeh” as some of her favorite Abdu songs. “His performance in these songs is non-replicable,” she said.
Soliman also praised Abdu’s humility, which she said is not common among artists these days. “That, and his humor,” she said. “You feel like you are sitting with someone from your family. He is very down-to-earth and close to the heart.”
Soliman is not the only singer who hails Abdu as an icon. Saudi artist Hassan Eskandarani, who is also a researcher of Saudi songs, told Arab News: “Mohammed Abdu is an independent school. He sang to all categories.
“I can’t give my opinion on an artist who has (such a long) career,” he added. “Mohammed Abdu lives through three generations from the beginning of the Sixties. He played a pivotal role in expanding Khaleeji music outside of the Kingdom. I hope he keeps singing until he decides to stop.”
Eskandarani says Abdu is “a stage master,” who has had a major influence on his own live performances.
“Not everyone who sings a song on stage is a (real) singer,” he said. “Mohammed knows how to choose (songs) the fans like, so they engage with him.”
Abdu remains a vital and relevant musician. Only this month, he reportedly broke the record for the biggest acquisition of an artist’s back catalog (which includes an astonishing 122 albums) in the Middle East when Rotana announced on Nov. 8 that it had bought the rights to his works.
“Rotana signed the largest deal of its kind in the Middle East – the agreement to purchase the full artistic content of Arab artist Mohammed Abdu,” the label announced on Instagram.
Chairman of the Saudi General Entertainment Authority Turki Al-Sheikh said at the event: “It is a courageous move from Mohammed Abdu to give up (these precious) works that he worked hard on for 60 years. It is similar to someone giving away one of his children.
“We at the General Entertainment Authority support the archiving of the artistic history of Saudi artists,” he added. “However, Mohamed Abdu remains ahead of the rest of the artists.”
Fans opt for Dubai’s relaxed atmosphere over Qatar during World Cup
Daily round trip to Qatar allows supporters to attend matches while enjoying city’s nightlife
Updated 25 November 2022
LONDON: Dubai has enjoyed a huge boost in tourism as thousands of football fans have decided to base themselves in the UAE during the World Cup after being lured by the city’s relaxed atmosphere, the Financial Times has reported.
Supporters have reportedly preferred the vibrant UAE, making daily trips to Qatar on the shuttle flights that connect the countries during the tournament.
Fans from participating countries have opted for Dubai’s more relaxed vibes and lively nightlife over Doha’s more straitlaced atmosphere.
“If you cannot stay in Qatar, Dubai is the place you would most like to go as a foreign tourist,” said James Swanston, a Middle East and North Africa expert at Capital Economics.
“It is somewhere safe, somewhere more liberal in terms of Western norms. It is the most attractive destination.”
Concerns were raised in the weeks before the tournament about available hotel room space in Qatar, while a controversial 11th-hour U-turn to ban alcohol in and around the stadiums resulted in many fans looking for an alternative place to stay.
Dubai has been buzzing with supporters from all over the world in recent days, and they have added to the many tourists in the city in search of winter sun.
Passenger numbers have surpassed 6 million a month in the latest quarter, topping pre-pandemic levels, according to figures released by airport operators.
“Dubai has extremely strong demand at this time of year and I’m sure there will be people traveling through Dubai to the World Cup,” said Issam Kazim, chief executive of Dubai Tourism. “This tournament will be a boost for the entire region.”
Although exact figures have yet to be disclosed, the Dubai Sports Council said the city was expecting an estimated additional 1 million visitors during the course of the tournament.
Paul Griffiths, CEO of Dubai Airports, previously described the city as “the major gateway” to the World Cup and predicted it would see more tourists than Qatar itself.
However, officials say the number of fans visiting the emirate with the sole purpose of catching games in Qatar is likely to be in the low tens of thousands, or the equivalent of a three percentage point increase in hotel occupancy.
Many match tickets have been sold to expatriates living in the city, which constitute up to 90 percent of Dubai’s 3.5 million population.
Although it is still too early to evaluate the impact of the World Cup across the region, the demand for hotel rooms has seen a massive surge compared to last year.
Many of the fans who chose Dubai as their base to travel to Qatar, or as the main hub to immerse themselves in the tournament atmosphere, have had the opportunity not only to enjoy the city’s lavish lifestyle, but to explore its world-class attractions.
Hip-hop stars Busta Rhymes, Fat Joe, Future and more to join DJ Khaled at SOUNDSTORM
Updated 25 November 2022
DUBAI: Calling all fans of rap and hip-hop. Globally renowned hip-hop stars Busta Rhymes and Fat Joe will join Grammy Award-winning American rapper, songwriter and record producer Future, along with Rick Ross and T.I., on the BIG BEAST stage at SOUNDSTORM, taking place in Banban, Riyadh, from Dec. 1-3.
The legends will perform together with DJ Khaled as part of his “DJ Khaled & Friends” set on Dec. 2.
MDLBEAST Chief Operating Officer and Head of Talent Bookings and Events Talal AlBahiti said: “We always aspire to cater for our audiences’ needs, and we are pleased to bring the biggest – ever programme of internationally acclaimed artists to SOUNDSTORM for a roller-coaster of thrilling memories and memorable moments.”
Algerian artist Baya in the spotlight at new exhibition in Paris
The iconic painter and sculptor created ‘a joyful celebration of nature and life,’ curator says
Updated 25 November 2022
PARIS: The mysterious Fatma Haddad – known by her artist name Baya – rose to fame aged just 16. She was elevated to the rank of icon by a generation of post-war French intellectuals. More than 20 years after her death in 1998, she continues to be venerated by critics and collectors alike.
A new exhibition at the Institut du monde Arabe in Paris, with works donated by Claude and France Lemand, presents a selection of her drawings, gouache paintings and sculptures in a comprehensive tribute to Baya’s career, which spanned more than five decades. Many of the masterpieces on display in “Baya: Women in Their Garden,” which runs until March 2023, come from archives left by the artist’s adoptive mother, Marguerite Caminat.
Caminat was the first and greatest supporter of Baya’s exceptional artistic talent, which was noted by Parisian gallery owner Aimé Maeght on a trip to Algiers. Maeght invited the 16-year-old to contribute to a major exhibition in Paris in November 1947, where her work dazzled art lovers in the French capital, including André Breton, who wrote: “I speak not like so many others to lament an end, but to promote a beginning. The beginning of an age of emancipation and harmony, in radical rupture … And, of this beginning, Baya is queen.”
“Baya was a gifted artist and a hard worker,” Claude Lemand, one of the exhibition’s curators, told Arab News. “She affirmed her personality, her identity, her autonomy, her decision to (be an artist) at a very young age, but without ever offending others.”
In 1953, Baya married musician El Hadj Mahfoud Mahieddine and took a 10-year break to devote herself to her family in their home in Blida, Algeria. When she started producing art again, new perspectives were revealed, no doubt influenced by the Algerian War of Independence, which had taken place in the interim.
It was a pivotal period for the artist. “From 1963, she developed new themes, starting with her landscapes — her Garden of Eden — a joyful celebration of nature and life … surrounded by sunny mountains and dunes, with four rivers, the symbolic trees of Algeria — the olive tree and the date palm, and full of birds and fish of all colors. The birds sing, the fish dance,” Lemand said. “Oasis or island, the Garden of Eden has the colors of Algeria: the blue of the Mediterranean, the red of its land, the green of its vegetation, the gold of its dunes.”
Some critics highlighted the repetitive nature of Baya’s work, and in response, Lemand explained, she developed other themes, including her “living stills,” which often incorporated musical instruments, inspired by her husband’s profession.
“All the elements of her (still life works) are represented as living beings, their eyes always wide open to others and to the world, with expressive attitudes of seduction and mutual affection, participating in general harmony, in a symphony of forms and colors,” Lemand added.
From 1963 onwards, Baya developed a third theme: women: “Musicians, dancers, mothers, women alone in their garden or in groups, blooming and happy, standing or sitting, surrounded by musical instruments and birds with which they converse,” Lemand said.
Visitors to the exhibition will see the power of Baya’s joyful, vibrant paintings alongside the elegance of her clay sculptures.
“Baya favors turquoise blue, Indian pink, emerald and deep purple. She paints with unparalleled finesse the world of childhood and motherhood, expressing her fascination for the memory of her mother,” Lemand said. “She drew first in pencil, then she put the color. She started with the women and then moved on to other elements, leaving blanks in her early works, before giving in to the ‘horror of the void’ of the Arab-Muslim aesthetic and filling with motifs all the spaces left empty in her compositions.”
In her paintings, there is harmony between women and all living beings: “Each has their own language, which is understood by all the actors on the scene,” Lemand observed.
Far from the naive image that some have of her work, Baya appears here as an empress of a lush kingdom where young women could freely put their dreams down on paper. As Breton wrote, Baya was the “Queen of happy Arabia.”
SOUNDSTORM 2022: All the must-see acts at Riyadh music festival
Our pick of the lineup for MDLBEAST’s three-day music festival in Riyadh, which starts Dec. 1
Updated 25 November 2022
RIYADH: The Gulf’s largest music festival returns to Riyadh next weekend for three nights (Dec. 1-3) packed with huge international stars and local up-and-comers. Last year’s SOUNDSTORM reportedly welcomed 730,000 attendees and, according to organizers MDLBEAST, the festival has almost doubled in size this year, with dozens of artists appearing on seven different stages over the course of the weekend.
The festival is once again dominated by EDM DJ sets, although one of the biggest names on this year’s lineup is US singer Bruno Mars, whose fusion of funk, pop, R&B, and soul will be a departure from SOUNDSTORM’s trademark vibe. There are other non-DJ-driven performances lined up too, from acts including veterans of the Arab indie scene Autostrad, and the German-Syrian electronic music duo Shkoon, whose fusion of Arabic-styled instrumentation and Western electro (or ‘Oriental Slow-House’) has established them as one of the most thrilling acts on the Arab electronica scene. As organizers MDLBEAST’s CEO Talal Albahiti explained in a recent press release, the promotion of Arab artists remains an important part of the company’s strategy for its events.
“As well as bringing superstar global headliners to the Kingdom, it is also essential to us that we center our efforts on showcasing unseen talent from across the region,” he said.
Those superstar global headliners include quite a few acts returning from last year — usually a sign that a show has gone well (and/or that the fee is extremely generous) — such as Steve Aoki, David Guetta and Tiesto.
With a few acts still to be confirmed at the time of writing, here are our picks for some of the must-see sets at this year’s SOUNDSTORM.
As mentioned, the French DJ-producer David Guetta will once again be performing at SOUNDSTORM (and at just about every other dance festival that ever happens anywhere), and will doubtless once again prove just why he’s a must-have for almost all EDM promoters around the globe, with his undeniable knack of giving the crowds exactly what they’re there for — Guetta’s unmatched ability to create commercial dance-pop that gets people moving.
While Guetta’s appearance as a headliner is a given, the same certainly can’t be said for Bruno Mars (pictured). But one thing Mars does have in common with his fellow headliners is his danceability. He’s also a consummate old-school showman, whose magnetic live performances have been compared (favorably) with Michael Jackson, James Brown and Elvis Presley for their irresistible charisma. US rapper Post Malone will also be a welcome addition for those who like a little variety at their festivals — his mixture of hip-hop, R&B, and trap will neatly bridge the gap between Mars’ more-commonplace pop and the festival’s mainly electronic vibe.
Elsewhere on the bill, we’re looking forward to seeing another DJ returning for a second year, Tiesto (Tijs Michiel Verwest) — often cited as the “Godfather of EDM” for his mastery of house music — and his compatriot Hardwell; DJ Snake, the French-Algerian producer behind Lady Gaga’s “Born This Way” album, his huge hit with Lil Jon “Turn Down for What,” and 2019’s viral smash, the reggaeton/EDM crossover “Fuego”; Palestinian-American DJ Khaled, on the bill as DJ Khaled & Friends — a moniker that has, in the past, seen him perform with luminaries including Lil Wayne, Mary J. Blige and Drake, so be prepared for some exciting surprises on the night; the Latin-American infused sounds of Swiss-Chilean DJ Luciano; the bass-heavy grooves of Marshmello; the hugely popular French house DJ Cedric Gervais, who won a Grammy for his 2013 remix of Lana Del Rey’s “Summertime Sadness”; and Salvatore Ganacci, the Bosnian-Swiss DJ whose live shows are some of the most thrilling around — as shown by the online popularity of his sets at Tomorrowland in 2018 and 2019. Also returning from last year are US superstar Steve Aoki and another acclaimed Dutch DJ — Afrojack.
As we said before last year’s event, the festival’s programmers deserve plaudits for showing some love to dance-music pioneers, as well as today’s chart-topping big names. UK DJ-producer Carl Cox — renowned for popularizing three-deck mixing in his homeland’s rave scene — was one of the world’s first celebrity DJs, and is returning to SOUNDSTORM for the second year running. Also making his second appearance is Sven Vath (pictured), a hugely important figure in Germany’s influential underground electronic music community, who garnered international recognition as one of the figureheads of Ibiza’s rise to the top of the global party scene. They are joined by Italian dance-music legend Benny Benassi, whose 2002 hit “Satisfaction” played a major part in EDM’s crossover into the mainstream.
Once again, SOUNDSTORM will give local and regional artists a rare opportunity to perform in front of a sizeable crowd. For Saudi DJs and musicians in particular, these are shows to savor, in a country where it was impossible for them to perform in public just a few years ago. Those who played in 2019 and 2021 certainly raised their profiles, and many will be returning this year. Saudis performing include Cosmicat (Nouf Sufyani), Dish Dash, Baloo, Hats & Klaps, Birdperson, Omar Basaad, and Saudi house music champion Tarek Antabi. The aforementioned Shkoon (pictured) and Autostrad will be repping Arab alternative acts, while there’ll be a no-doubt emotional trip home for LA-based Saudi singer-songwriter Tamtam. Lovers of deep cuts should also check out the set from Shadi Megallaa, founder of Dubai’s The Flip Side, one of the region’s only independent record stores.