Potential Omani bishop’s palace uncovered near Christian monastery on UAE’s Siniyah Island 

Potential Omani bishop’s palace uncovered near Christian monastery on UAE’s Siniyah Island 
TAD UAQ hosted for the first time students from the New York University of Abu Dhabi (NYUAD) to participate in the excavation process. (AN Photo/Maria Botros)
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Updated 02 February 2023

Potential Omani bishop’s palace uncovered near Christian monastery on UAE’s Siniyah Island 

Potential Omani bishop’s palace uncovered near Christian monastery on UAE’s Siniyah Island 
  • Archeologists uncover possible Omani bishop’s palace near Umm Al-Quwain’s recently discovered Christian monastery

DUBAI: Fresh findings by archeologists suggest the existence of a possible bishop’s palace — potentially Omani — near a recently discovered Christian monastery on the UAE’s Siniyah Island, off the coast of the state of Umm Al-Quwain.

A series of walls and rooms were uncovered last year that intrigued archeologists and historians involved in the excavation process on Siniyah Island, according to Tim Power, an archeology professor at UAE University.  




“This year, we came back to expand the trenches to try to understand what’s going on there,” said Power. (AN Photo/Maria Botros)

“It seems that we really have an interesting building that might be interpreted as an abbot’s house or perhaps even a bishop’s palace,” he continued.  

The archeology professor explained that similar buildings had been found in the Arabian Gulf over the years, which has helped historians and archeologists create parallels.  

Power added that recently what is thought to be a bishop’s palace was uncovered in Bahrain that had similar characteristics to the structure discovered on Siniyah Island.  




The newly discovered structure on Siniyah Island believed to be a bishop's palace. (AN Photo/Maria Botros)

“Historical sources, in particular the acts of the synods of the Nestorian church, mention a bishop of Oman between the fifth and seventh centuries,” said Power.  

Oman during that period included the region that later became the northern emirates of the UAE, so it is possible this was the actual palace of a bishop, he added.  

This year, the focus has shifted to excavating a different part of the island, with extensive work carried out on settlements and other structures surrounding the monastery.  

Findings on the island suggest the presence of both Christian and Muslim communities, who are believed to have coexisted during a period of time.  

They also shed light on the transition from late antiquity to early Islam, just before the Arab conquest.  

Power, who was invited by the Tourism and Archeology Department of Umm Al-Quwain to put together a “dream team of leading experts,” chose individuals who can contribute to the project.  

“The goal of this season will be to outline the context of the monastery so it’s not just an isolated structure in the middle of this sand pit,” said Michele Degli Esposti, a researcher at the Institute of Mediterranean and Oriental Cultures of the Polish Academy of Sciences.  




(AN Photo/Maria Botros)

Esposti, who sat categorizing artifacts and materials found during the dig, explained why the site of the alleged bishop’s palace was different than other structures.  

“This area, contrary to what happens in the settlement, is quite poor in material remains,” he said.  

“One reason is that the core complex, which had a very nice plaster floor, was constantly kept swept and clean, so we found very little materials left behind.”  

A possible warehouse was found in the vicinity of the structure thought to be the bishop’s palace, containing further clues for archeologists to draw conclusions.  




“The bulk of the materials are made of pottery, quite remarkable quantities of glass as seen in the settlements, and a few stone vessels, which are quite interesting,” said Esposti. (AN Photo/Maria Botros)

Radiocarbon dating used to assess the pottery excavated suggests that the community believed to have occupied the island was there between the seventh and eighth centuries.  

Esposti said similar methodologies will be used to determine the age of the objects recently found to further narrow down the window of the predicted time period.  




Findings will allow archeologists and researchers to better understand the pattern of occupation in the new site discovered on the island in order to draw relevant conclusions. (AN Photo/Maria Botros)

The excavation process, which has a more multidisciplinary approach, involves experts and materials from around the world to aid archeologists on site. 

It is also the first time that TAD UAQ is hosting students from the New York University of Abu Dhabi to participate in the excavation process.  

Hoor Al-Mazrouei, an Emirati biology student at NYUAD, participated in the excavations taking place in the settlements where she helped find a pot potentially used for cooking.   




“While we were digging, we found that it doesn’t have a base, and that’s probably why it’s not used for storage but used for baking bread or used as a cooking base,” said Al-Mazrouei. (AN Photo/Maria Botros)

NYUAD students were involved in the process from Jan. 4-20, alongside archeologists from TAD UAQ such as Ammar Al-Banna.  

Al-Banna, who predicts that the island will welcome visitors in the foreseeable future, said the first step is to uncover all findings to proceed.  

“By uncovering them, we hope to understand why they are here and what the relationship between all the structures and the sites next to them is,” he said. “Of course, with the finds, some will be studied, some will be exhibited.”  

Excavation work on the island will continue until March and will end before the Ramadan fast begins.  

Siniyah Island’s monastery is the second to be found in the UAE, with the first discovered in Abu Dhabi’s Sir Bani Yas Island in the 1990s.


London’s Victoria & Albert Museum hosts ‘open iftar’ for hundreds

London’s Victoria & Albert Museum hosts ‘open iftar’ for hundreds
Updated 26 March 2023

London’s Victoria & Albert Museum hosts ‘open iftar’ for hundreds

London’s Victoria & Albert Museum hosts ‘open iftar’ for hundreds

DUBAI: More than 500 people flocked to London’s Victoria and Albert Museum on Friday for an ‘Open Iftar’ event organized by the Ramadan Tent Project charity.

“Ramadan 2023 marks 10 phenomenal years of the Ramadan Tent Project and our signature Open Iftar events. Over the past nine years, our humble tent on a patch of green grew and grew, before it traveled to landmark locations,” the project said.

Similar events will take place this year at Shakespeare’s Globe theater, Wembley Stadium, Chelsea’s Stamford Bridge stadium and the Royal Albert Hall.

“The theme to mark our 10-year anniversary is ‘Belonging’. For the past decade we’ve connected and convened over half a million people from all backgrounds. Our passion in bridging between different communities is rooted in sharing our authentic selves with the world. 

“True belonging shouldn’t require you to change who you are – rather, it’s to celebrate who you are,” read an additional statement on the website.

Since 2013, the Open Iftar events have hosted more than 500,000 people across the UK at some of the country’s most iconic cultural spaces including Trafalgar Square, the BALTIC Museum, Bradford’s Centenary Square and Coventry Cathedral.
 


Finding treasures at the Islamic Arts Biennale’s Al-Matjar in Jeddah

Finding treasures at the Islamic Arts Biennale’s Al-Matjar in Jeddah
Updated 26 March 2023

Finding treasures at the Islamic Arts Biennale’s Al-Matjar in Jeddah

Finding treasures at the Islamic Arts Biennale’s Al-Matjar in Jeddah
  • Sustainability key to the concept store; more than 620 rare, custom-made items on display

JEDDAH: Visitors to the inaugural Islamic Arts Biennale in Jeddah can pick up Ramadan-themed items and intricate works of art at the on-site Al-Matjar concept store, a retail space developed by the Diriyah Biennale Foundation.  

“The biennale store is never, ever the same. We change it every week. The only constant is that you’ll see is the Diriyah Foundation merchandise,” Dalia Al Akki, the store representative, told Arab News.

According to Al Akki, the DBF hopes the shop can become one of Jeddah’s new cultural destinations. It aims to have something for everyone — and allow them to take a bit of the Biennale’s “Awwal Bait” (First House) theme back home with them.

“The idea of this collaboration is that the Diriyah Foundation wants to open a platform to support digital artists. It’s like a marketing tool for us to use their illustrations and create merch with them, or stationery, or puzzles,” she said. “We didn’t want to just do merchandise this year; we wanted to really enhance this idea of collaboration.”

Since the biennale is a temporary exhibition, the idea was to create tangible items that people can take back home with them.

The Islamic Arts Biennale store in Jeddah features a wide range of themed and customized products that visitors can buy as mementos. (Photos by Diriyah Biennale Foundation)

After thorough research, they reached out to around 180 brands, of which 95 made it to the shelves. Since the DBF is a non-profit organization, it was obligated to use the space as a launching pad for brands and to cultivate creativity.

“Some of these items are very rare and very beautiful, and soon they’ll be collectible,” Al Akki said proudly.

HIGHLIGHT

The store prioritizes collaborating with brands that focus on sustainability, and many of the over 620 items are rare and custom-made. According to Dalia Al Akki, every item in the store will be reused, including the wayfinding flags that will be repurposed into tote bags later.

It was always meant to be a pop-up shop, which is perhaps part of the allure. If you like something, pick it up and buy it instantly or it might be gone. Maybe forever. Many items were custom-made for the shop and won’t ever be sold anywhere else.

The galag garage exclusive capsule collection created in collaboration with the Diriyah Biennale Foundation. (Photo/Instagram/ @galag.co)

There’s one section that is distinctly pre-owned. It is dedicated to selling secondhand books and Al Akki hopes this will help shift people’s perception of pre-owned and think of it as ‘pre-loved.’

“We know a guy that collects books from all over the region, so we really wanted to add that in,” she explained. “A lot of artists actually just buy books and end up throwing them. A lot of people in the Kingdom don’t know the value of these books. But for us, secondhand books are still valuable. We even have vintage magazines.”

She said that she has been surprised by the popularity of the secondhand books and have had to replenish their stocks.

The Islamic Arts Biennale store in Jeddah features a wide range of themed and customized products that visitors can buy as mementos. (Photos by Diriyah Biennale Foundation)

“We also work with a lot of product makers (who focus on) sustainability. Nothing in the store is going to be thrown away; everything is going to be reused — even the wayfinding flags; we are actually taking them and making tote bags out of them for next year,” she said. “We are supporting local and international artists and sustainability is a main goal.”

It was crucial for the curation of the products to be inclusive of different countries and styles, as well as price ranges, and to provide something that non-Muslims could buy too.

“What’s amazing about the whole idea of this pop-up store is that we really get to know the community — beyond the Kingdom. We can’t wait for the (next Biennale cycle) because there’s so many places you could go. I mean, this was limited, challenging, but definitely worth it,” Al Akki said. “We’ve learned, we’ve grown, we’ve met many beautiful people along the way.”

The Islamic Arts Biennale store in Jeddah features a wide range of themed and customized products that visitors can buy as mementos. (Photos by Diriyah Biennale Foundation)

One of those people is Sultan bin Mohammed, the shy-but-charming millennial leader of the Galag Garage clothing brand (Galag translates to “nuisance”).

He was proud to take part in this pop-up store in his hometown of Jeddah and is shaking up the shop — one stitch at a time.

The filmmaker and entrepreneur showed Arab News his exclusive capsule Galag collection, created in collaboration with the Diriyah Biennale Foundation store. Rows of durable-but-soft hoodies, t-shirts, tote bags and caps with the word “Galag” written in Arabic using the custom biennale font and typography.

“They (Diriyah Biennale Foundation) wanted really to represent the structures in the Hajj terminal. So I wanted to recreate that, but give a bit of a retro-wave design,” he told Arab News.

He also added elements that are distinctly ‘Galag,’ such as images of vintage cars.

“We wanted something that’s wearable, has a bit of style, has a bit of weight to it — something that people would be happy and comfortable with. We decided to do very simple but high-quality material with interesting colors,” bin Mohammed told Arab News.

Most of those color inspirations were derived from local nature. The sandy hoodie has a bit of saturated blue that pops — meant to represent the sky. The white hoodie, in contrast, was meant to be muted.

“Every color choice here is meant to look better with age; so the longer we wear it, the better it looks — that was the concept,” he said.

Like Al Akki, bin Mohammed was adamant that he wanted to produce something that would last.

“Sustainability is a huge thing. We really wanted to use something that lasts — something that you can wear for years, maybe put in your closet then bring it out and it still keeps its shape; it keeps the quality and it doesn’t disintegrate,” bin Mohammed said.

He was also keen to have the date incorporated into the t-shirts. “It’s the first Islamic Arts Biennale and to have the date on it to commemorate it was really important. I think it’s really cool to have a piece of history. It’s great that we’re a small part of that,” said bin Mohammed.

 


Saudi Fashion Commission chief among international panelists at first-ever Egypt Fashion Week

Saudi Fashion Commission chief among international panelists at first-ever Egypt Fashion Week
Updated 25 March 2023

Saudi Fashion Commission chief among international panelists at first-ever Egypt Fashion Week

Saudi Fashion Commission chief among international panelists at first-ever Egypt Fashion Week
  • The event will kick off with an opening night on May 12 at the Egyptian Museum, featuring the “Best of Egyptian Designers” fashion show curated by US stylist Julie Matos, followed by a gala dinner

DUBAI: Saudi Fashion Commission CEO Burak Cakmak is set to speak at the first edition of Egypt Fashion Week, which will take place from May 12 to 15.

The event will also be attended by US fashion blogger Diane Pernet, Nigerian entrepreneur Omoyemi Akerele and co-founder of the Egyptian Fashion & Design Council Austrian Egyptian Susan Sabet.

Sabet said in a statement: “We are very proud and grateful to have won over so many distinguished speakers and major worldwide media partners and attendance to ensure that all eyes will be on Egyptian fashion.”

The second two days of the event will be held at the Museum of Agriculture. (Supplied)

The fashion week, which has been in the making for about four years, is titled “Past, Present & Future” and is set to celebrate Egypt’s rich heritage and civilization, inspired by its culture, and to show the world Egypt’s present.

“Inspired by the rising number of emerging designers and growth of the local fashion industry, we knew the time had come to show the world our pool of creative talents and local cotton and textile industry,” Sabet added.

“The EFW program goes far beyond fashion shows and exhibitions and aims to connect the local, African and Middle Eastern markets through design, craftsmanship, education, sustainability, production and retail.”

The fashion week is set to celebrate Egypt’s rich heritage and civilization. (Supplied)

The event will kick off with an opening night on May 12 at the Egyptian Museum, featuring the “Best of Egyptian Designers” fashion show curated by US stylist Julie Matos, followed by a gala dinner.

The following two days will be held at the Museum of Agriculture, one of the most important museums of its kind in the world, which will open its doors for the first time after five years of renovation for EFW.

The museum traces the history of agriculture and cotton in Egypt from prehistory to modernity, acknowledging agriculture as the basis on which Ancient Egyptians built a civilization.

The fashion week’s guests will discover designer exhibitions curated by the Saudi Fashion Commission, Lagos Fashion Week, Jordan Fashion Week and GTEX-ITC.

EFW will also host panel talks by local, regional and international industry leaders in the fields of design, education, craftsmanship, production, retail, sustainability, women’s empowerment and finance.

Launchmetrics, a partner of New York and Paris fashion weeks, is EFW’s logistics partner.


Qatar pushes tourism and culture after the World Cup  

Qatar pushes tourism and culture after the World Cup  
Updated 24 March 2023

Qatar pushes tourism and culture after the World Cup  

Qatar pushes tourism and culture after the World Cup  
  • The tiny Gulf state is looking to capitalize on the exposure it received late last year and the billions invested in hosting the world’s biggest sporting event

DUBAI: After 12 years of preparation to host prestigious FIFA World Cup last year — 12 years that transformed the tiny-gas rich Gulf nation of Qatar — the country is focusing on maintaining its momentum and boosting its tourism and cultural industries. 

“The World Cup, to us, was a bonus on top of what we were already doing in the cultural realm,” Sheikha Reem Al-Thani, acting deputy CEO of exhibitions and marketing for Qatar Museums, tells Arab News. 

Much of Qatar’s tourism and cultural boom, says Al-Thani, is part of the Qatar National Vision 2030 strategy, which was formalized in July 2008, the same year the Museum of Islamic Art, designed by the renowned Chinese-American architect I.M. Pei, opened in Doha.  

Jeff Koons' 'Dugong' in Doha's Al-Masrah Park. (Getty Images)

The World Cup crowds may have left, but a multitude of projects are ongoing, signaling further growth on the horizon. Throughout Doha and in nearby desert landscapes sit dozens of specially commissioned public art installations, 30 percent of which were commissioned in the year leading up to the World Cup. Works by Qatari artists including Shouq Al-Mana, Ghada Al-Kater, Mubarak Al-Malik and Salman Al-Malek sit alongside creations of acclaimed international names such as Jeff Koons, whose “Dugong” — a massive site-specific polychromed mirror-polished stainless-steel sculpture of the marine mammal that symbolizes Qatar’s natural heritage — is stationed near the Corniche. Richard Serra’s “East West/West East” stands in the Qatari desert, as does KAWS’ “The Promise,” depicting a parent and a child contemplating a globe — stressing the need to protect the environment.  

“The public art emphasizes our identity while also giving context to everything that is taking place in Qatar,” says Al-Thani. “For example, before Richard Serra’s artwork, people didn’t have much of a reason to go to that area in the desert. Now they go and are encouraged to explore the local landscape.” 

According to the Qatar News Agency, the overall attendance at all the World Cup matches combined was 3.4 million. And visitors are still flocking to Qatar. In January 2023, the country registered 3,559,063 people arriving on flights, according to air transport statistics released by Qatar’s Civil Aviation Authority, which marked a 64.4 percent increase from the same period in 2022.  

Qatar's Museum of Islamic Art. (Supplied)

The country has set several ambitious targets. By 2030, it aims to attract six million visitors a year and increase the contribution of the tourism sector to its GDP from 7 percent to 12 percent. To that end, the country is investing billions into culture, art, technology and tourism. In February this year, Doha was recognized as the Arab Tourism Capital 2023 by the Arab Tourism Organization. 

Qatar Creates, a government-backed, year-round cultural movement conceptualized at the opening of the National Museum of Qatar in 2019 has evolved into an extravaganza combining museum exhibitions, film, fashion, hospitality, cultural heritage, performing arts and private-sector initiatives.  

Earlier this month, Qatar Creates Week presented a host of exhibition openings and events, including the Tasweer Photo Festival Qatar — the second biennial program of exhibitions, awards, commissions and collaborations that aims “to diversify practices and dialogues of photographers from Qatar and the Western Asia and North African regions,” “Beirut and the Golden Sixties,” a show at the Mathaf Arab Museum of Modern Art, and Icelandic-Danish artist Olafur Eliasson’s “The Curious Desert” at the NMOQ, bringing together a dozen new site-specific installations located in the desert near the Al-Thakhira Mangrove in Northern Qatar as well as an extensive gallery presentation.  

Inside the National Museum of Qatar. (Danica O Kus)

Other highlights include the Doha Film Institute’s Qumra, an initiative offering mentorship and other opportunities for filmmakers in Qatar and around the world. 

Elsewhere, “Lusail Museum: Tales of a Connected World” at Qatar Museums’ Gallery Al-Riwaq in Doha introduced the new museum, designed by Herzog & de Meuron, currently under development in Lusail, Qatar’s second-largest city. It will be dedicated to Orientalist art, archaeological artifacts, and media from prehistoric times to the 21st century.  

The Lusail Museum is one of three new museums that Qatari global art patron Sheikha Al-Mayassa Al-Thani announced in March to expand the country’s cultural offerings. The others are the Qatar Auto Museum and the Art Mill on Doha’s waterfront promenade, which is due to open in 2030 and that will transform a former industrial flour mill on the Doha Corniche, forming a triangle with the already existing Jean Nouvel-designed NMOQ and the Museum of Islamic Art. Designed by Chilean studio ELEMENTAL, Art Mill aims to be, according to its website, “a pioneering institution in the non-Western world representing the modern and contemporary arts of all regions of the globe on an equal basis.”  

While a bonanza of cultural events continues in Qatar, what officials stress is how the cultural scene has grown in tandem with, and even prior to, the country winning the right to host the World Cup. The Mathaf Art Museum of Modern Art opened in Doha in 2010 — the same year the nation won the bid and two years after the opening of the Museum of Islamic Art. Since then, particularly under the patronage of Sheikha Al-Mayassa, Qatar has injected billions of dollars into culture and tourism. Its goal is not only to build a robust art scene and strengthen its national identity, but also to diversify its economy to reduce dependency on petroleum and natural gas.  

Urs Fischer's 'Lamp Bear' at Hamad International Airport. (Supplied)

Even during the five years of blockade, from 2017 to 2021, when Saudi Arabia, the UAE, Bahrain and Egypt severed diplomatic relations with Qatar, the country continued to develop its cultural and tourism sector.  

“The World Cup definitely gave us a drive to move faster,” says Al-Thani. 

“However, for us it has always been about maintaining and developing our cultural and creative economy, educating people and really making sure that what we’re doing is (done) in a very thoughtful and homegrown way.” 

During the World Cup, she adds, 80 percent of exhibitions staged were conceived by Qatar Museums through its collections.  

“Very little came from the outside,” she says. “We wanted to focus mainly on the MENASA.”  

In February this year Qatar’s $450 billion sovereign wealth fund stated that it was looking to rebalance its portfolio and considering investments in football, finance and technology. 

“The World Cup offered us a tremendous awareness boost, exposing Qatar to many (new) people,” Qatari businessman Tariq Al-Jaidah tells Arab News. “The event gave us enormous exposure on a global level. We are already feeling its impact, especially with the increase in regional tourists that are coming.” 

The Peninsula Qatar reported in February that 58 cruise ships carrying around 200,000 visitors are expected to arrive in Qatar by the end of April. The new Grand Cruise Terminal opened in November 2022, and is ideally located for tourists within walking distance of the National Museum of Qatar, Msheireb Downtown and Souq Waqif — all of which are decorated with works of public art — among others. 

“The World Cup, new hotels and existing and upcoming museums have all served to help Qatar mature as a tourist destination on the cultural front,” added Al-Jaidah. 

The country looks well set to capitalize on that exposure and translate it into a cultural and economic boom.  


‘Dubai Collection Nights’ puts the focus on art events

‘Dubai Collection Nights’ puts the focus on art events
Updated 23 March 2023

‘Dubai Collection Nights’ puts the focus on art events

‘Dubai Collection Nights’ puts the focus on art events
  • Week-long initiative promises panel discussions, film screenings, visits to private collections, studios

DUBAI: The Dubai Collection has announced the launch of a week-long series of art events set to take place from March 25-31, the Emirates News Agency has reported.

The inaugural edition of “Dubai Collection Nights” will include panel discussions on institution building and collecting by influential art professionals, film screenings, unique opportunities to visit patrons’ private collections, and studio visits by acclaimed UAE-based artists.

It will provide insight into A.R.M. Holding’s corporate collection, illustrating how companies are increasingly becoming a part of Dubai’s creative landscape. 

The Dubai Collection is an initiative that aims to provide the public with a chance to explore important artworks, while also encouraging a new, long-term collecting culture in the emirate.

Muna Faisal Al Gurg, chair of the Dubai Collection’s Curatorial Committee, said: “Our new initiative, ‘Dubai Collection Nights,’ underscores Dubai Collection’s mission to build a community of committed patrons of the arts and ignite creativity across the city.

“It is created to offer a new platform for local audiences to explore the stories in the collection and connect our communities of artists, collectors, and art professionals.”

Benedetta Ghione, executive director of Art Dubai, said: “‘Dubai Collection Nights’ is the first dedicated initiative that will bring together the wider Dubai Collection community in the city for the first time.

“The lineup of activities is an important opportunity for our local audiences to see the collection and connect with Dubai-based artists and patrons.

“Talks and debates will bring to the fore the voices of professionals and collectors committed to changing the landscape of institutional collecting, whilst every day during the week-long event there will be an opportunity for the public to see artworks and learn more about the collection.”