Lebanese-Canadian comedian Dave Merheje talks ‘Ramy’ and his new film with Daisy Ridley 

Lebanese-Canadian comedian Dave Merheje talks ‘Ramy’ and his new film with Daisy Ridley 
Merheje performed at the Dubai Comedy Festival in May. (Supplied)
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Updated 31 May 2023
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Lebanese-Canadian comedian Dave Merheje talks ‘Ramy’ and his new film with Daisy Ridley 

Lebanese-Canadian comedian Dave Merheje talks ‘Ramy’ and his new film with Daisy Ridley 

DUBAI: There was a single moment that Lebanese-Canadian comedian Dave Merheje knew that it was time to move into acting. He was in Singapore on another grueling stand-up tour, traveling across Southeast Asia with only a small, worn suitcase, forced to use the hotel laundry service because he ran out of clothes.  

“I had just gotten paid, and I went to the front desk holding the envelope with all the money I’d made from the shows. I asked them if my clothes were done, and they said yes, and slid the bill across the desk. I realized it was everything I’d earned. I literally had to hand them the entire envelope,” Merheje told Arab News in Dubai, ahead of his appearance at the Dubai Comedy Festival in May. 

“I said to myself, ‘I can’t be doing this anymore.’ And then, later that same night, I got a call from my agent in the United States. I had landed a role on ‘Ramy,’” he continued with a smile.  




Dave Merheje and Ramy Yousef in “Ramy.” (IMDB)

“Ramy” changed everything for Merheje. The acclaimed series, created by Egyptian-American Golden Globe winner Ramy Youssef, broke ground as the first series in the West to put Arabs and the Muslim faith front and center from their own perspective, and has since catapulted the careers of not only its titular star and Merheje, but Palestinian actress Hiam Abbass (“Succession”), Egyptian-Palestinian actress May Calamawy (Marvel’s “Moon Knight”), and fellow comedian and now Peabody Award-winner Mohammed Amer (‘Mo’) as well.   

“I was born and raised in Windsor, Canada to Lebanese immigrant parents, and growing up, I never felt connected to either side. I was either not Canadian enough or not Lebanese enough. It wasn’t until I was on the set of ‘Ramy’ that I got to be around people like me. I finally felt accepted,” said Merheje. 

Merheje long dreamed of getting into acting before he worked up the courage to share that deram with someone. One of the first people he told was a then-19-year-old former child actor and aspiring comedian at the 2010 Arab Comedy Festival in New York: Ramy Youssef.  




Dave Merheje and Daisy Ridley in “Sometimes I Think About Dying.” (IMDB)

“He hadn’t yet started doing stand-up. He told me how much he wanted to get into comedy, and I told him that I wanted to use comedy to find my voice before moving into acting. I forgot I told him that, but I guess he never did,” said Merheje. 

Before making that move, Merheje still had a lot of growing to do on stage, especially because he was doing comedy in an era when his non-white identity was perceived by those more bigoted in his profession to be a weakness, causing him to initially shy away from it.  

“At one point I was doing my dad’s accent on stage when telling a story, and a white comic came up to me after and said, ‘Why did you just do that? There’s too many people doing this ethnic thing.’ So I stopped,” Merheje said. 




Dave Merheje performs during the Just For Laughs Comedy Night in Canada. (Supplied)

“Then after a show one night, I was telling a story about my dad to another comedian, Jocko Alston. He said, ‘Why don’t you talk about this on stage? This is a good story. Just do that!’ That was the first time I started talking about my dad, my culture, my upbringing. I had been too in my own head about it all, but the second I tried it, people really responded to it,” Merheje continued. 

Alston tragically passed away shortly after in 2010, but Merheje never forgot the gift he had been given. “It was really him who pushed me to embrace who I was. That’s how I was able to find myself on stage,” he said. 

When Merheje moved to the United States in the middle of the last decade, he reconnected with Youssef, and the two stayed friends as Merheje continued his comedy tours and Youssef worked tirelessly at creating his series.  

When the show got picked up and went into production, Merheje ran into Youssef again at the Arab Comedy Festival. It was there that Youssef remembered what his friend had told him all those years ago, the dreams he had of becoming an actor, and he asked Merheje to audition for a role. 

“By the time auditions came around, I was in China, and so Ramy asked me to send in a self-tape of me performing all my lines as a monologue. I had no idea what I was doing. I asked the events promoter there to help me film it in my hotel room, and after I was done, I asked her, ‘Was that good?’ She looked me straight in the eye and said, ‘No.’” 

Merheje tried again and got it right, and looking back at that video on his phone, he can hardly fathom how much he’s grown as a performer since that moment. His character, a doctor named Ahmed, has developed into a key figure through the show’s three seasons, and Merheje is particularly proud of the standout 2022 episode “Second Opinion Doctor,” which centered around his character and was directed by Abbass.  

“I learned so much, and I feel like I got better because she pushed me to go places that I either didn't know existed, couldn’t access, or had never really explored,” said Merheje. “I remember at one point I got really nervous. Hiam said, ‘What's wrong?’ I said, ‘It just feels heavy.’ She said, ‘It won’t be — we’ll work together.’ She made me feel safe, and that allowed me to get where I needed to be.”  

Merheje’s growth as an actor has already paid dividends, as his work on “Ramy” landed him a starring role opposite Daisy Ridley in the 2023 Sundance hit “Sometimes I Think About Dying,” which was being shopped for global distribution at last month’s Cannes Film Festival.  

“The director sent me a very beautiful letter — the nicest words someone has said to me besides my mother. She said she loved how earnest my performance on Ramy was — how sincerely he loves his friends and his faith — and she wanted me to bring that same energy to her film. And it was a deeply inspiring experience. I feel blessed to have been a part of it,” Merheje said. 

At 43, Merheje is happy to be thriving both with his comedy — the Dubai festival was the first time he’d performed in the Gulf — and with his acting, with more roles on the way, and even a potential series of his own.  

“I’ve been shopping it for about a year — it’s about Arabs and mental health, and the challenges in unpacking that to your family,” he said. “I’m pushing myself to continue to learn and get better — and to get to the level of the people that I’m inspired by, the people that helped me get to where I am today.” 


Amira Al-Zuhair walks for Yohji Yamamoto at Paris Fashion Week

Amira Al-Zuhair walks for Yohji Yamamoto at Paris Fashion Week
Updated 30 September 2023
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Amira Al-Zuhair walks for Yohji Yamamoto at Paris Fashion Week

Amira Al-Zuhair walks for Yohji Yamamoto at Paris Fashion Week

DUBAI: Saudi model Amira Al-Zuhair hit the runway for Japanese-helmed label Yohji Yamamoto and French jewelry brand Messika at Paris Fashion Week, just days after she walked for French label Balmain.

Japanese fashion designer Yamamoto, who is based in Tokyo and Paris, sent models down the runway in an assortment of all-black looks as part of the labels Spring/Summer 2024 collection.

Earlier in the week, Al-Zuhair opened the Balmain show during Paris Fashion Week. 

The rising star, who was born in Paris to a French mother and Saudi father, wore a white polka dot jumpsuit with colorful three-dimensional flower designs around the chest.  

When Gertrude Stein, a close confidant of house founder Pierre Balmain, penned “a rose is a rose is a rose,” she likely never envisaged its metamorphosis into a Paris runway’s guiding theme. Yet, designer Olivier Rousteing, embracing this iconic friendship, orchestrated a floral ode for Balmain’s Spring 2024 show. 

Rousteing channeled the essence of Balmain’s couture from the late 1940s and early 1950s, celebrating Balmain’s architectural wizardry. With every fold, cut and stitch, he echoed the legacy of the maison, fused with his own brazen touch. Sprinklings of the petit pois (polka dot), a staple from Monsieur Balmain’s era, added whimsy amid the blossoming rose narrative. 


K-Pop’s Super Junior ‘looking forward’ to performing at KCon in Saudi Arabia 

K-Pop’s Super Junior ‘looking forward’ to performing at KCon in Saudi Arabia 
Updated 30 September 2023
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K-Pop’s Super Junior ‘looking forward’ to performing at KCon in Saudi Arabia 

K-Pop’s Super Junior ‘looking forward’ to performing at KCon in Saudi Arabia 

DUBAI: South Korean boy band Super Junior are gearing up to perform at Saudi Arabia’s popular K-Pop music festival KCon, which will be held at Boulevard Riyadh City on Oct. 6 and 7. 

The group — which consists of Leeteuk, Heechul, Yesung, Shindong, Sungmin, Eunhyuk, Donghae, Siwon, Ryeowook and Kyuhyun — will hit the stage on Oct. 7.  

In an interview with Arab News, Shindong said that the group is looking forward “to proper fandom culture. I hope that singers and fans will work together to have a positive impact on society,” he said.  

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KCON (@kconofficial)

 

For his part, Donghae, said:  “I am looking forward to performing in Saudi Arabia after a long time and I am glad to be able hear the cheering of Saudi fans again. I know that K-Pop is very popular in Saudi Arabia, so I want to perform there quickly.” 

“We will make you happy and (give you) precious memories  — as much as the time you waited,” he promised his fans.  

Ryeowook views art as a powerful connective tool.  

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KCON (@kconofficial)

 

“We would be honored if many future artists were inspired by Super Junior and found themselves in great positions,” he told Arab News. “I want to show you songs and performances that can have a positive impact right here and now.”  

During the interview, Siwon said he would love to collaborate with local talent in the Kingdom. “I really hope this will happen. I believe that collaboration in the field of cultural exchange is a great development for both countries,” he said.  

Meanwhile, Leeteuk was surprised to learn that people in the Kingdom are fans of K-Pop. “I was very surprised and once again moved by their passion. I will do my best to repay their passionate love,” he said.  

Eunhyuk, who will perform twice at the festival, told Arab News: “We will be able to show you Super Junior and Super Junior-D&E’s performance together, so you will be able to see the charm of our diverse music and performances.” 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KCON (@kconofficial)

 

Super Junior falls under South Korean multinational agency SM Entertainment, which manages groups like EXO, SuperM and Red Velvet.  

The first day of the festival will see performances by Riize, Everglow, Highlight, Hyolyn, Kard, Super Junior-D&E (which are members Donghae and Eunhyuk) and 8Turn.  

On the second day, Super Junior will perform alongside Dreamcatcher, El7z Up, Evnne, Oh My Girl, Tempest and TNX.  

The event, which launched in Los Angeles in 2012, is said to be one of the largest Korean cultural festivals worldwide.  

The Kingdom’s hosting of the event is part of an agreement signed between the Saudi Ministry of Culture and Seoul-based entertainment company CJ ENM in June 2022. It also reflects the ministry’s efforts to boost international cultural exchange in line with the goals of Vision 2030. 


Review: Chilling drama ‘Wilderness’ is a wild – if overly long – ride

Review: Chilling drama ‘Wilderness’ is a wild – if overly long – ride
Updated 30 September 2023
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Review: Chilling drama ‘Wilderness’ is a wild – if overly long – ride

Review: Chilling drama ‘Wilderness’ is a wild – if overly long – ride

LONDON: From the first beats of the first trailer, it’s very clear what “Wilderness” is about – newly married Liv (Jenna Coleman) has discovered her husband’s infidelity and, during a spectacular American road trip, decides to seek revenge in the most definitive way possible. It’s also set to Taylor Swift’s “Look What You Made Me Do (Taylor’s Version)” so you don’t have to be Benoit Blanc to deduce what’s about to go down. 

But then you realize that “Wilderness” is six episodes long, so perhaps there’s more to the story than a simple tale of a scorned woman settling the score? 

Well, yes and no. There’s more to learn about Liv’s marriage to handsome, charismatic Will (Oliver Jackson-Cohen), her relationship with her abrasive mother (Claire Rushbrook) and what brought the newlyweds to the US in the first place. There’s more sleuthing for Liv to do as she reveals the extent of Will’s philandering, and there’s some commentary on the trope of the slighted wife and how reductive it can be.  

But there certainly isn’t six episode’s worth of material, so “Wilderness” ends up feeling stretched thin in some places, and overly padded in others. Ironically, after congratulating itself for reflexively highlighting how women are always assumed to be the unhinged victims of male misbehavior, the show decides to rob Liv of much of her agency. She’s either reacting to things Will has done, or scrabbling to adjust when his web of lies throws up another curveball. 

Coleman is captivating, that’s for sure, but she’s slightly penned in by a character who flits from empowered decisiveness to pleading submissive so easily that it’s hard to get a firm handle on exactly who Liv is. At times, she’s steely and cold, at others she falls foul of many of the tropes “Wilderness” attempts to send up.  

“Wilderness” is certainly a gorgeous, stylish show. It’s just a shame that it’s two episodes – and twists – too long.


Bruno Mars hits the stage with ‘Uptown Funk’ in Saudi Arabia’s AlUla

Bruno Mars hits the stage with ‘Uptown Funk’ in Saudi Arabia’s AlUla
Updated 30 September 2023
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Bruno Mars hits the stage with ‘Uptown Funk’ in Saudi Arabia’s AlUla

Bruno Mars hits the stage with ‘Uptown Funk’ in Saudi Arabia’s AlUla

DUBAI: Grammy-winning singer Bruno Mars was joined on stage at the Azimuth Canyon in AlUla by Saudi DJ Shaolin and DJ Loush on Friday night.

Mars’s performance was held at the same site that hosted the contemporary outdoor art exhibition Desert X AlUla in 2022 and where the flagship music and entertainment festival Azimuth took place the week prior.

The US singer-songwriter hit the stage with some of his greatest hits, including “Just The Way You Are” and “Uptown Funk” as the crowd sang along.

Meanwhile, DJ Shaolin previously hit the stage at some of Saudi Arabia’s leading events, including XP, MDLBEAST BRIJ, and the Red Sea International Film Festival, and has been a Resident DJ at Riyadh’s Black Tap since 2022. DJ Loush has played at MDLBEAST, F1, and the FIFA World Cup in Qatar.

The concert marked the launch of the AlUla Moments’ 2023/24 concert series.


Arab movies ‘Inshallah a Boy,’ ‘Bye Bye Tiberias’ join Oscars race 

Arab movies ‘Inshallah a Boy,’ ‘Bye Bye Tiberias’ join Oscars race 
Updated 29 September 2023
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Arab movies ‘Inshallah a Boy,’ ‘Bye Bye Tiberias’ join Oscars race 

Arab movies ‘Inshallah a Boy,’ ‘Bye Bye Tiberias’ join Oscars race 

DUBAI: Jordan has submitted Amjad Al-Rasheed’s movie “Inshallah a Boy” and Palestine submitted Lina Soualem’s documentary “Bye Bye Tiberias” for consideration in the Best International Feature Film category at the 96th Academy Awards, it was announced this week. 

This means that both films are considered for the shortlist. If the Arab movies get shortlisted, they could then get nominated for an Academy Award.

“Inshallah a Boy” was the first Jordanian film to compete in the Cannes Film Festival in May. The feature film was chosen to compete in Cannes Critics’ Week, a subsidiary event that ran alongside the 76th edition of the festival. 

“Bye Bye Tiberias” is by Lina Soualem. (Supplied)

The film, titled “Inshallah Walad” in Arabic, portrays the narrative of a young widow, Nawal, and her daughter, who are about to lose their home. 

The 90-minute film was shot last year in the Jordanian capital Amman over the course of five weeks. It received a Jordan Film Fund and Royal Film Commission production grant in 2019, as well as a post-production grant in 2022. 

In the much-hyped documentary “Bye Bye Tiberias,” Soualem, who is French, Palestinian and Algerian, captures the stories passed on by four generations of Palestinian women in her family, one of whom is her mother Hiam Abbass, the actress whose credits include “Succession,” “Ramy,” “Inheritance” and “Munich.”  

Soualem accompanies her mother and questions her choices as Abbass returns to her native Palestinian village 30 years after she left in her early 20s to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters.  

The film will screen in the Documentary Competition section of the 67th BFI London Film Festival, set to take place from Oct. 4 – 15, 2023. 

Jordan and Palestine are not the only two Arab countries that submitted movies for the Oscars. 

Egypt has selected Mohamed Farag-starring “Voy Voy Voy!” while Yemen has selected director Amr Gamal’s “The Burdened” and Tunisia is competing with Kaouther Ben Hania’s “Four Daughters.”

Morocco has selected Asmae El Moudir’s documentary “The Mother of All Lies.”