Blockbuster movies coming your way in 2024 

Blockbuster movies coming your way in 2024 
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Updated 06 January 2024
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Blockbuster movies coming your way in 2024 

Blockbuster movies coming your way in 2024 
  • A selection of the feature films set to light up the silver screen in the year ahead

DUBAI: The longest strike in the history of the Screen Actors Guild — American Federation of Television and Radio Artists, which ran from July 14 to November 9 last year, means that many major movies and shows slated to open this year no longer have confirmed release dates. However, there’s still much to be excited about on the silver screen over the next 12 months, including a slew of superhero and sci-fi epics, intriguing spinoffs, long-awaited sequels and prequels, and some hotly tipped originals. 

Among the latter, look out for Senegalese actor Seydou Sarr’s acclaimed turn in Italian director Matteo Garrone’s “Io Capitano,” a coming-of-age immigration drama that follows two young African men, Seydou and Moussa, as they make the perilous journey from Dakar to Europe. It’s been compared to both “Pinnochio” and Homer’s “Odyssey” — and Sarr’s performance is making waves on the festival circuit.  

We’re also eager to see BAFTA-winning director Mahalia Belo’s “The End We Start From,” a low-key survival drama adapted from Megan Hunter’s climate-change-themed novel, in which Jodie Comer (of “Killing Eve” fame) plays a mother fleeing a flooded London with her newborn baby, desperately trying to find safety.  

Whether either of those films makes an impact commercially as well as critically remains to be seen. Safer bets for box-office returns, as always, lie with established franchises, and 2024 won’t be short in that department.  




Jodie Comer in “The End We Start From.” (Supplied)

There are several films set for release that will flesh out the backstories of successful characters or movies, not least “Furiosa: A Mad Max Saga,” in which Anya Taylor-Joy plays a young Imperator Furiosa — previously portrayed by Charlize Theron in director George Miller’s gripping post-apocalyptic adventure “Mad Max: Fury Road” (2015). Having been kidnapped by a biker horde as a young girl, the grown-up Furiosa tries to find her way back home through the Wasteland. If it’s even half as good as “Fury Road,” this one will be a lot of fun. 

Meanwhile, the animated fantasy “The Lord of the Rings: The War of the Rohirrim” will take audiences back to J.R.R. Tolkien’s much-loved, much-copied Middle Earth almost 300 years before the events of Peter Jackson’s live-action trilogy from the 2000s to tell the story of Helm Hammerhand, King of Rohan, defending his kingdom from savage human invaders. 

As the name suggests, “A Quiet Place: Day One” focuses on the beginning of the invasion of the sound-sensitive alien killers that terrorized the Abbott family in the two previous instalments of the sci-fi horror franchise. Presumably, there’ll be more dialogue in this one since the new characters won’t yet have learned the consequences of not staying silent.  




“Ballerina” stars Ana de Armas in the title role. (Lionsgate)

Fans of the “John Wick” franchise will get to learn more about the ballerina-assassin named Rooney in “Ballerina,” starring Ana de Armas in the title role (taking over from Unity Phelan). Keanu Reeves’ Wick also makes an appearance. Len Wiseman directs the movie, which is set between the third and fourth installments. 

In terms of superhero movies, the most anticipated of the year is doubtless Marvel’s “Deadpool 3,” in which Ryan Reynolds returns as Wade Wilson, the unkillable, wise-cracking, foulmouthed antihero and forms an unlikely alliance with Wolverine (Hugh Jackman) to take on “a deadly enemy.” Shawn Levy directs, and the film is due out in May. 




In terms of superhero movies, the most anticipated of the year is doubtless Marvel’s “Deadpool 3,” in which Ryan Reynolds returns as Wade Wilson, the unkillable, wise-cracking, foulmouthed antihero and forms an unlikely alliance with Wolverine (Hugh Jackman) to take on “a deadly enemy.” (Supplied)

In other Marvel news, “Spider-Man: Beyond the Spider-Verse,” originally due out in March 2024, should hopefully still see the light of day this year. It’s the third installment in the “Spider-Verse” animated movies centered on Miles Morales and featuring a whole host of incarnations of the web-slinging hero, including one that’s a ninja-vampire. The two previous outings of the trilogy have been brilliant, loved by critics and fans alike. Hopefully they can nail the landing.  

2024 will also see the return of one of cinema’s most popular supervillains, when Joaquin Phoenix returns as Arthur Fleck/the Joker in “Joker: Folie à Deux,” the sequel to Todd Phillips’ acclaimed 2019 “Joker.” Phillips is back behind the camera for this hotly anticipated follow-up to that darkly comic psychological thriller, which will also introduce Lady Gaga as Harley Quinn — a psychiatrist who quickly becomes obsessed with Fleck and begins a romantic relationship with him, with deadly consequences. 

And speaking of sequels, 24 years after his hugely successful original starring Russell Crowe, director Ridley Scott will bring us “Gladiator 2,” in which Paul Mescal plays Lucius — the nephew of Emperor Commodus who was saved by Crowe’s Maximus in the original while a young boy. Having spent 15 years living in the wilderness, Lucius is now a grown man. Egyptian-Palestinian actress May Calamawy also stars.  

The year’s biggest sequel, though, is likely to be “Dune: Part Two,” the second of Denis Villeneuve’s two-part adaptation of Frank Herbert’s sci-fi epic. Timothée Chalamet’s Paul Atreides has united with the Fremen of the planet Arrakis to wage war on those who destroyed his aristocratic family. Villeneuve did a terrific job on 2021’s “Dune,” and we expect the follow-up to be equally gripping. 

If sci-fi is your thing, then keep an eye out for “Mickey 17,” due out in March. It’s the latest feature from acclaimed director Bong Joon-ho (whose 2019 black comedy “Parasite” picked up Best Picture and Best Director Oscars) and stars Robert Pattinson as the title character, an ‘expendable’ space traveler sent on a dangerous mission to colonize an ice planet. When one Mickey dies, another is cloned with most of his memories intact.  


Yusra Mardini champions Refugee Olympic Team in Paris

Yusra Mardini champions Refugee Olympic Team in Paris
Updated 15 sec ago
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Yusra Mardini champions Refugee Olympic Team in Paris

Yusra Mardini champions Refugee Olympic Team in Paris

DUBAI: Syrian Olympic swimmer Yusra Mardini will champion the Refugee Olympic Team at the Olympic Games in Paris this week.

She took to Instagram to post a message encouraging support for the team.

In a video shared with her 804,000 followers, Mardini said: “I am here to introduce you to a very special team that have fought harder and traveled further to be here tonight. They are the Refugee Olympic Team.

“Please support them with all your hearts, and when you see them, show your support by sharing your heart with them.”

The Olympian also gave fans a behind-the-scenes glimpse of her career highlights. One snap shows her posing next to a sign reading “Brazil,” with the caption: “Where it all started eight years ago,” a nod to her participation in the 2016 Rio Olympics.

On Wednesday, Mardini carried the Olympic flame while representing the Refugee Olympic Team.

The Olympic torch tradition dates back to the 1936 Berlin Olympics when Carl Diem, secretary-general of the Olympic organizing committee, proposed the idea of a relay carrying the symbol from the founding site of the ancient Olympics to the Games.

Yusra and her sister Sarah’s journey from Syrian war refugees to Olympic athletes has been chronicled in the BAFTA-nominated film “The Swimmers.”

The sisters fled their war-torn home in 2015, making a perilous journey to Europe that included swimming for three hours to push a sinking boat to safety. Settling in Germany, Yusra resumed her training and joined the Refugee Olympic Team, competing in the 2016 Rio Olympics and 2020 Tokyo Olympics.

She is also a UNHCR Goodwill Ambassador, and focuses on her Yusra Mardini Foundation, which facilitates education and sports opportunities for refugees.


Time magazine names Dar Tantora among ‘world’s greatest places’

Time magazine names Dar Tantora among ‘world’s greatest places’
Updated 52 min 31 sec ago
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Time magazine names Dar Tantora among ‘world’s greatest places’

Time magazine names Dar Tantora among ‘world’s greatest places’

DUBAI: Time magazine released its annual list of the “world’s greatest places” this week, with Saudi Arabia securing a spot due to its Dar Tantora The House Hotel in AlUla Old Town historical village.

Designed by Egyptian architect, Shahira Fahmy, the hotel is the “first and only lodging option built directly out of the over 800-year-old mudbrick houses that were once a pivotal stop along the incense trading route through the Arabian Peninsula,” Time reported.

Fahmy and her team restored 30 buildings in the area. The hotel is candlelit with minimal electricity.

“(The inhabitants) used to use cross-ventilation for optimal airflow, with one window higher than the other and one larger, so we have replicated that too,” she told Arab News in a previous interview. “They kept cool on terraces, so our rooms are terraced.” 

People who lived in the city 800 years ago whitewashed the interior walls and adorned them with red and blue murals, Fahmy said.

“I was dealing with heritage. It’s an (ancient) Islamic city, so, it’s an archaeological ruin. You have context, where buildings are built between stones, mud bricks and farms. You are restoring something that already exists,” she said.


Lady Gaga adds sparkle to star-studded Olympic show

Lady Gaga adds sparkle to star-studded Olympic show
Updated 26 July 2024
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Lady Gaga adds sparkle to star-studded Olympic show

Lady Gaga adds sparkle to star-studded Olympic show
  • In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes“
  • “It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media

PARIS: Lady Gaga and French-Malian singer Aya Nakamura joined dancers, an opera diva and even a heavy metal band in an opening ceremony for the Paris Olympics that sought to proudly showcase French culture with a modern twist.
The first-ever opening ceremony held outside a stadium — on the River Seine — had to battle driving rain that cast a pallid gloom over the City of Light.

The fast-moving and multi-location ceremony masterminded by acclaimed French theater director Thomas Jolly was aimed at impressing the global TV audience as much as those who braved the weather and intense security to watch live.
“It is now. The world is watching us. Let’s open the Games in style!” French President Emmanuel Macron, who watched the ceremony in a VIP stand with other leaders, wrote on X.

In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes” (“My Thing With Feathers“) an iconic French music hall hit by the legendary Zizi Jeanmaire.
“It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media channels after the performance, saying she always “felt a very special connection with French people and singing French music.”

Franco-Malian R&B superstar Aya Nakamura, the most listened-to French-speaking singer in the world, performed a medley with two of her hits “Pookie” and “Djadja” and a classic by Charles Aznavour, “For me Formidable,” one hundred years since his birth.
Rumours she was to perform had sparked a backlash from the extreme right in France and a torrent of racist abuse on social media. But in a striking symbol, she was accompanied in her performance by musicians from France’s Republican Guard.


According to Jolly, the 12 different phases of the ceremony tell the story of a country rich in its “diversity,” “inclusive,” “not one France but several Frances,” and celebrating “the whole world united.”
He has been backed by a writing team including famed novelist Leila Slimani and screenwriter Fanny Herrero, who penned the smash-hit casting agency comedy “Dix pour cent” (“Call My Agent).
In another highlight, the star “etoile” dancer of the Paris Opera Guillaume Diop performed on a Paris rooftop.


For many French spectators, the highlight was the surprise appearance of the heavy metal group Gojira, who burst out onto platforms constructed on the Conciergerie, a key building in the French Revolution, where deposed queen Marie-Antoinette was held.
With a mannequin of headless Marie Antoinette after her guillotine execution for good measure, they belted out the revolutionary chant “Ah! Ca ira.”
In an unlikely collaboration, they were joined by the French-Swiss mezzo-soprano Marina Viotti, who makes no secret of her taste for metal as well as classical.


Jakub Jozef Orlinski, a Polish couter-tenor who is also a break-dancer, interpreted an aria from the opera “Les Indes Galantes” by Jean-Philippe Rameau combining both of his talents.

The ceremony, which was due to last several hours, had got under way with a clip of French actor Djamel Debbouze carrying the Olympic torch into the national stadium, the Stade de France, only to realize he should have gone to the river.
Helped by French football great Zinedine Zidane, he then takes the torch on un underground odyssey through Paris and hands it to a group of children who are then guided by a mysterious masked individual who is expected to eventually light the Olympic flame.


Etihad Airways flying high with classic cartoon caper

Etihad Airways flying high with classic cartoon caper
Updated 26 July 2024
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Etihad Airways flying high with classic cartoon caper

Etihad Airways flying high with classic cartoon caper

DUBAI: An Etihad Airways aircraft has been decorated with classic cartoon characters as part of a collaboration with the film and entertainment giant Warner Bros. World.

The Boeing 787-10 Dreamliner will feature favorite Looney Tunes characters on one side of the aircraft and popular DC super heroes on the other.

Passengers up to 10 years of age traveling on Etihad Airways’ longer flights will receive new Warner Bros. World Kids Packs, which include activities designed to entertain and educate, such as drawing their favorite super heroes and engaging in fun tasks throughout the flight.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila. (Supplied)

Infants will receive a DC super hero-themed soft blanket, while older children will receive items such as a branded backpack, superhero cape, water bottle and activity kit.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila.

Antonoaldo Neves, CEO of Etihad Airways, said in a statement: “Building on the strong reputation we have built as a family-friendly airline, we’re thrilled to take our partnership with Warner Bros. World to the next level.

“Our Looney Tunes and DC Super Hero-themed aircraft will take our brands to destinations worldwide, promoting one of Abu Dhabi’s many attractions. We look forward to welcoming more and more visitors inspired to visit our home, Abu Dhabi, and in particular delighting our little VIP guests while they journey with us.”


Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens
Updated 27 July 2024
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Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens
  • 250 creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK have worked to complete “The Glassworker”
  • Artist and composer Usman Riaz hand-drew each frame of film, which comprises 1,477 cuts and 2,500 individual drawings

KARACHI: Pakistan’s first hand-drawn animated film, “The Glassworker,” is poised to debut nationwide today, Friday, a feature that took its creator Usman Riaz a decade to complete since he first picked up a pencil and started to sketch. 
Riaz has hand-drawn and storyboarded each frame of the movie, comprising 1,477 cuts and 2,500 individual drawings, bringing to life the coming-of-age tale of two people from disparate backgrounds: young Vincent who is an apprentice at his father’s glass workshop, and the talented violinist Alliz, the daughter of a military colonel. Around them, a war threatens to upend their lives and the relationships between the children and parents are tested. 
“It has been a 10-year obsession to get this done,” Riaz told Arab News in an interview this week, saying the film was the work of creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK.
“The film’s production took four years but the entire journey took 10 years. I was 23 when I started and I am 33 now.
“The first year was just me drawing alone. I would stay up all night sketching my concepts for the characters and on the storyboards. I wanted to do it well and present something to the rest of the world of animation that we can proudly say was made in Pakistan.”
Riaz grew up obsessing over animated films and said he had been drawing ever since he could hold a pencil, spending long hours watching films like Kiki’s Delivery Service, Porco Rosso and Princess Mononoke by famed Japanese animation company Studio Ghibli. 
By the time he was 21 in 2012, he was considered something of a whiz at the percussive guitar and was selected that year as a TED Fellow to attend TED Global as a speaker. The TED Fellows program hand-picks young innovators from around the world to raise international awareness of their work and maximize their impact.
The following year, Riaz was selected as a Senior TED Fellow and has since spoken at TED and TEDx conferences in Japan, India, Malaysia, Costa Rica, Turkiye, Canada, the United Kingdom and the United States.
In 2015, as the result of giving a TEDxTokyo talk about his love for Japanese animation, Riaz was extended an invitation to Studio Ghibli where he got to share his work with his heroes and was advised to make something that was truly his own. 

After finishing a degree in composition on a full scholarship at the Berklee College of Music in 2017, Riaz returned to Pakistan and co-founded Mano Animation Studios, the country’s first-ever hand-drawn animation facility, with his now wife Mariam Paracha and his cousin Khizer Riaz as its CEO.
“I realized there must be many people like me who loved animation but worked on their own. What if I were to bring some of these artists under one roof?” Riaz wrote in an article for TED in 2016, explaining how Mano Studios came about.
“I searched online for likeminded artists, architects, animators and video game designers, and spread the word by holding workshops in art schools about what I wanted to achieve. I managed to gather a small team of incredibly talented professionals from the UK, South Africa, Malaysia and of course Pakistan.
“I chose the name Mano for the studio because it was my first cat’s name, but I found out later that in Spanish it means “hand” — perfect for a studio that will make animation by hand.”
“COMPELLING STORY”
Riaz said financing to make the film was “extremely difficult” given that Mano was a first-time studio and he was a first-time animation director. 
“As much as I have obsessed over the film since I was a child, there was no way to quantify that when I was pitching,” Riaz said, adding that his network and experience at TED helped him obtain funding and get the right people on board.
A total of 250 people worked on “The Glassworker,” including a national and an international cast and crew. Paracha is the art director on the film and Khizer is the producer, alongside Spanish animation veteran Manuel Cristobal of Wrinkles and Bunuel in the Labyrinth of the Turtles. Apoorva Bakshi of Delhi Crime fame is executive producer while international sales are being handled by Charades. The film has been made in both the English and Urdu languages. 
“We got to work with David Friedman on the English language version of ‘The Glassworker’ and that was very special because David has worked on a lot of my favorite animated movies. He and his wife, Lynn Friedman, did the casting for the film with us,” Riaz said, speaking about the conductor of the music scores for Disney’s animated features, including Beauty and the Beast, Aladdin, Pocahontas and The Hunchback of Notre Dame.

 The voice cast for Riaz’s film includes Art Malik (“Man Like Mobeen”), Sacha Dhawan (“Wolf”), Anjli Mohindra (“The Lazarus Project”) and Tony Jayawardena (“Ackley Bridge”).
“For the Urdu version, I learned everything that I could from David, and I voice-directed it here in Karachi,” Riaz said. 
Before the film releases in Pakistan today, “The Glassworker” had its world premiere on June 10 at the Annecy International Animation Festival 2024 in the Contrechamp competition, the first Pakistani film ever to take part in this competition. The film also received rave reviews at the Shanghai International Film Festival 2024.
“Pakistan’s filmmaking tapestry needed something different and I am hoping that this film could be that,” Riaz added.
“Even though ‘The Glassworker’ is an animated film, I hope people resonate with its characters and story. Animation is just the medium we chose to tell this story. We have a compelling story but ultimately the people will decide.”