Chef Igor Macchia talks Italian-infused creations, collaboration with Riyadh’s new Lavazza Coffee Design eatery

Chef Igor Macchia talks Italian-infused creations, collaboration with Riyadh’s new Lavazza Coffee Design eatery
Italian chef Igor Macchia designed the menu at Riyadh's Lavazza Coffee Design. (Supplied)
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Updated 27 May 2024
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Chef Igor Macchia talks Italian-infused creations, collaboration with Riyadh’s new Lavazza Coffee Design eatery

Chef Igor Macchia talks Italian-infused creations, collaboration with Riyadh’s new Lavazza Coffee Design eatery

DUBAI: Italian chef Igor Macchia is excited about the opening in Riyadh of Lavazza Coffee Design, which infuses his signature dishes and brews with Middle Eastern tastes and flavors.

Having designed the menu for the establishment, which opened on May 23, Macchia is looking forward to Saudi Arabia customers experiencing his creations.




Italian chef Igor Macchia designed the menu at Riyadh's Lavazza Coffee Edition. (Supplied)

“The creative process started from a local consumer taste perspective combined with the Lavazza Italian DNA and my Michelin-star background from La Credenza Restaurant (San Maurizio Canavese, Torino, Italy),” said Macchia in an interview with Arab News.




Lavazza’s premium 1895 collection cosists of  limited-quantity microlot coffee, specialty blends and single-origin brews. (Supplied)

“I’ve visited different restaurants and spots in Middle East and tasted a lot of local recipes to get inspiration for my project for Lavazza Coffee Design store. The result is a rich and tasty menu, ranging from breakfast to dinner, ideal to be paired with 1895 premium coffee, selected by Lavazza for this store in Riyadh.”

Inspired by Lavazza’s flagship stores in London and Milan, the Riyadh location boasts signature design elements, such as the iconic chandelier made up of more than 300 illuminated coffee beans and the main counter finished with exhausted coffee powder and resin for an original effect.

Additionally, the coffee experience is elevated by the introduction of Lavazza’s premium 1895 collection sourced from around the world. It consists of limited-quantity microlot coffee, specialty blends and single-origin brews.

Here, Macchia discusses his favorite dish, early mistakes and management style.

When you started out, what was the most common mistake you made?

I’ve never made a mistake. (Laughs.) I’m joking. I think my most common mistake was to try and enrich a recipe, looking for the best taste when, in the end, it’s sufficient to buy good-quality ingredients and give value to them for a ‘Wow’ effect.

What’s your top tip for amateur chefs, cooking at home?

Cooking’s all about passion. Recipes are fine, but they need a personal touch to become really wonderful dishes.

What one ingredient can instantly improve any dish?

Parmesan cheese in all kinds of forms.

When you go out to eat, do you find yourself critiquing the food? What’s the most common issue that you find in other restaurants?

When I go out for dinner, it is a moment of pure pleasure and I love enjoying it without any fussing or critiquing. The most common mistake is building a very beautiful venue, but with no soul in it. The vibe you can feel inside your preferred spot will make all the difference.

When you go out to eat, what’s your favorite cuisine/dish to order? And why?

It all depends on the mood: it can be a traditional place like an Italian trattoria as well as a fine-dining restaurant, or ethnic food which I do love.

What’s your go-to dish if you have to cook something quickly at home?

Easy and fancy at the same time: rigatoni with butter and Parmigiano Reggiano cheese, finished with a pinch of ground coffee powder.

What customer request most annoys you?

Clients are our guests: we need to listen to their requests. Maybe a suggestion from a client could one day be a new dish on the menu.

What’s your favorite dish to cook?

Risotto. No doubt about it. I spent my childhood summers in the Vercelli area, where Piedmont rice comes from. Risotto has a special place in my heart.

What’s the most difficult dish for you to get right?

I think it’s tiramisu — the iconic Italian coffee-based dessert. The way we do it, with sponge cake, instead of lady fingers biscuits, means it needs to be prepared in the right way to be light and airy. Then you finish the dish with mascarpone foam with syphon and pour the 1895 Cocoa Reloaded espresso on top. Different steps and textures for an amazing result.

As a head chef, what are you like? Do you shout a lot?

I’d say I’m a disciplinarian, but I’ve learned that motivation is key to great results. There’s no need to shout, you just need to build team spirit.

Recipe: MASCARPONE & DRIED FRUITS TOAST




The chef's marscapone and dried fruits toast. (Supplied) 

1. Cut a 1cm slice of sourdough bread and gently toast it.

2. Spread generously with mascarpone cheese, add pomegranate seeds, decorate with fresh mint leaves and finish with a sweet sauce made from honey with chopped dried fruits, such as dates, and nuts, such as pistachio.

3. Serve. Ideal when paired with coffee.

 


Yusra Mardini champions Refugee Olympic Team in Paris

Yusra Mardini champions Refugee Olympic Team in Paris
Updated 30 min 44 sec ago
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Yusra Mardini champions Refugee Olympic Team in Paris

Yusra Mardini champions Refugee Olympic Team in Paris

DUBAI: Syrian Olympic swimmer Yusra Mardini will champion the Refugee Olympic Team at the Olympic Games in Paris this week.

She took to Instagram to post a message encouraging support for the team.

In a video shared with her 804,000 followers, Mardini said: “I am here to introduce you to a very special team that have fought harder and traveled further to be here tonight. They are the Refugee Olympic Team.

 

 

“Please support them with all your hearts, and when you see them, show your support by sharing your heart with them.”

The Olympian also gave fans a behind-the-scenes glimpse of her career highlights. One snap shows her posing next to a sign reading “Brazil,” with the caption: “Where it all started eight years ago,” a nod to her participation in the 2016 Rio Olympics.

On Wednesday, Mardini carried the Olympic flame while representing the Refugee Olympic Team.

 

 

The Olympic torch tradition dates back to the 1936 Berlin Olympics when Carl Diem, secretary-general of the Olympic organizing committee, proposed the idea of a relay carrying the symbol from the founding site of the ancient Olympics to the Games.

Yusra and her sister Sarah’s journey from Syrian war refugees to Olympic athletes has been chronicled in the BAFTA-nominated film “The Swimmers.”

 

 

The sisters fled their war-torn home in 2015, making a perilous journey to Europe that included swimming for three hours to push a sinking boat to safety. Settling in Germany, Yusra resumed her training and joined the Refugee Olympic Team, competing in the 2016 Rio Olympics and 2020 Tokyo Olympics.

She is also a UNHCR Goodwill Ambassador, and focuses on her Yusra Mardini Foundation, which facilitates education and sports opportunities for refugees.

 

 


Time magazine names Dar Tantora among ‘world’s greatest places’

Time magazine names Dar Tantora among ‘world’s greatest places’
Updated 27 July 2024
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Time magazine names Dar Tantora among ‘world’s greatest places’

Time magazine names Dar Tantora among ‘world’s greatest places’

DUBAI: Time magazine released its annual list of the “world’s greatest places” this week, with Saudi Arabia securing a spot due to its Dar Tantora The House Hotel in AlUla Old Town historical village.

Designed by Egyptian architect, Shahira Fahmy, the hotel is the “first and only lodging option built directly out of the over 800-year-old mudbrick houses that were once a pivotal stop along the incense trading route through the Arabian Peninsula,” Time reported.

Fahmy and her team restored 30 buildings in the area. The hotel is candlelit with minimal electricity.

“(The inhabitants) used to use cross-ventilation for optimal airflow, with one window higher than the other and one larger, so we have replicated that too,” she told Arab News in a previous interview. “They kept cool on terraces, so our rooms are terraced.” 

People who lived in the city 800 years ago whitewashed the interior walls and adorned them with red and blue murals, Fahmy said.

“I was dealing with heritage. It’s an (ancient) Islamic city, so, it’s an archaeological ruin. You have context, where buildings are built between stones, mud bricks and farms. You are restoring something that already exists,” she said.


Lady Gaga adds sparkle to star-studded Olympic show

Lady Gaga adds sparkle to star-studded Olympic show
Updated 26 July 2024
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Lady Gaga adds sparkle to star-studded Olympic show

Lady Gaga adds sparkle to star-studded Olympic show
  • In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes“
  • “It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media

PARIS: Lady Gaga and French-Malian singer Aya Nakamura joined dancers, an opera diva and even a heavy metal band in an opening ceremony for the Paris Olympics that sought to proudly showcase French culture with a modern twist.
The first-ever opening ceremony held outside a stadium — on the River Seine — had to battle driving rain that cast a pallid gloom over the City of Light.

The fast-moving and multi-location ceremony masterminded by acclaimed French theater director Thomas Jolly was aimed at impressing the global TV audience as much as those who braved the weather and intense security to watch live.
“It is now. The world is watching us. Let’s open the Games in style!” French President Emmanuel Macron, who watched the ceremony in a VIP stand with other leaders, wrote on X.

In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes” (“My Thing With Feathers“) an iconic French music hall hit by the legendary Zizi Jeanmaire.
“It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media channels after the performance, saying she always “felt a very special connection with French people and singing French music.”

Franco-Malian R&B superstar Aya Nakamura, the most listened-to French-speaking singer in the world, performed a medley with two of her hits “Pookie” and “Djadja” and a classic by Charles Aznavour, “For me Formidable,” one hundred years since his birth.
Rumours she was to perform had sparked a backlash from the extreme right in France and a torrent of racist abuse on social media. But in a striking symbol, she was accompanied in her performance by musicians from France’s Republican Guard.


According to Jolly, the 12 different phases of the ceremony tell the story of a country rich in its “diversity,” “inclusive,” “not one France but several Frances,” and celebrating “the whole world united.”
He has been backed by a writing team including famed novelist Leila Slimani and screenwriter Fanny Herrero, who penned the smash-hit casting agency comedy “Dix pour cent” (“Call My Agent).
In another highlight, the star “etoile” dancer of the Paris Opera Guillaume Diop performed on a Paris rooftop.


For many French spectators, the highlight was the surprise appearance of the heavy metal group Gojira, who burst out onto platforms constructed on the Conciergerie, a key building in the French Revolution, where deposed queen Marie-Antoinette was held.
With a mannequin of headless Marie Antoinette after her guillotine execution for good measure, they belted out the revolutionary chant “Ah! Ca ira.”
In an unlikely collaboration, they were joined by the French-Swiss mezzo-soprano Marina Viotti, who makes no secret of her taste for metal as well as classical.


Jakub Jozef Orlinski, a Polish couter-tenor who is also a break-dancer, interpreted an aria from the opera “Les Indes Galantes” by Jean-Philippe Rameau combining both of his talents.

The ceremony, which was due to last several hours, had got under way with a clip of French actor Djamel Debbouze carrying the Olympic torch into the national stadium, the Stade de France, only to realize he should have gone to the river.
Helped by French football great Zinedine Zidane, he then takes the torch on un underground odyssey through Paris and hands it to a group of children who are then guided by a mysterious masked individual who is expected to eventually light the Olympic flame.


Etihad Airways flying high with classic cartoon caper

Etihad Airways flying high with classic cartoon caper
Updated 26 July 2024
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Etihad Airways flying high with classic cartoon caper

Etihad Airways flying high with classic cartoon caper

DUBAI: An Etihad Airways aircraft has been decorated with classic cartoon characters as part of a collaboration with the film and entertainment giant Warner Bros. World.

The Boeing 787-10 Dreamliner will feature favorite Looney Tunes characters on one side of the aircraft and popular DC super heroes on the other.

Passengers up to 10 years of age traveling on Etihad Airways’ longer flights will receive new Warner Bros. World Kids Packs, which include activities designed to entertain and educate, such as drawing their favorite super heroes and engaging in fun tasks throughout the flight.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila. (Supplied)

Infants will receive a DC super hero-themed soft blanket, while older children will receive items such as a branded backpack, superhero cape, water bottle and activity kit.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila.

Antonoaldo Neves, CEO of Etihad Airways, said in a statement: “Building on the strong reputation we have built as a family-friendly airline, we’re thrilled to take our partnership with Warner Bros. World to the next level.

“Our Looney Tunes and DC Super Hero-themed aircraft will take our brands to destinations worldwide, promoting one of Abu Dhabi’s many attractions. We look forward to welcoming more and more visitors inspired to visit our home, Abu Dhabi, and in particular delighting our little VIP guests while they journey with us.”


Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens
Updated 27 July 2024
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Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens
  • 250 creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK have worked to complete “The Glassworker”
  • Artist and composer Usman Riaz hand-drew each frame of film, which comprises 1,477 cuts and 2,500 individual drawings

KARACHI: Pakistan’s first hand-drawn animated film, “The Glassworker,” is poised to debut nationwide today, Friday, a feature that took its creator Usman Riaz a decade to complete since he first picked up a pencil and started to sketch. 
Riaz has hand-drawn and storyboarded each frame of the movie, comprising 1,477 cuts and 2,500 individual drawings, bringing to life the coming-of-age tale of two people from disparate backgrounds: young Vincent who is an apprentice at his father’s glass workshop, and the talented violinist Alliz, the daughter of a military colonel. Around them, a war threatens to upend their lives and the relationships between the children and parents are tested. 
“It has been a 10-year obsession to get this done,” Riaz told Arab News in an interview this week, saying the film was the work of creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK.
“The film’s production took four years but the entire journey took 10 years. I was 23 when I started and I am 33 now.
“The first year was just me drawing alone. I would stay up all night sketching my concepts for the characters and on the storyboards. I wanted to do it well and present something to the rest of the world of animation that we can proudly say was made in Pakistan.”
Riaz grew up obsessing over animated films and said he had been drawing ever since he could hold a pencil, spending long hours watching films like Kiki’s Delivery Service, Porco Rosso and Princess Mononoke by famed Japanese animation company Studio Ghibli. 
By the time he was 21 in 2012, he was considered something of a whiz at the percussive guitar and was selected that year as a TED Fellow to attend TED Global as a speaker. The TED Fellows program hand-picks young innovators from around the world to raise international awareness of their work and maximize their impact.
The following year, Riaz was selected as a Senior TED Fellow and has since spoken at TED and TEDx conferences in Japan, India, Malaysia, Costa Rica, Turkiye, Canada, the United Kingdom and the United States.
In 2015, as the result of giving a TEDxTokyo talk about his love for Japanese animation, Riaz was extended an invitation to Studio Ghibli where he got to share his work with his heroes and was advised to make something that was truly his own. 

After finishing a degree in composition on a full scholarship at the Berklee College of Music in 2017, Riaz returned to Pakistan and co-founded Mano Animation Studios, the country’s first-ever hand-drawn animation facility, with his now wife Mariam Paracha and his cousin Khizer Riaz as its CEO.
“I realized there must be many people like me who loved animation but worked on their own. What if I were to bring some of these artists under one roof?” Riaz wrote in an article for TED in 2016, explaining how Mano Studios came about.
“I searched online for likeminded artists, architects, animators and video game designers, and spread the word by holding workshops in art schools about what I wanted to achieve. I managed to gather a small team of incredibly talented professionals from the UK, South Africa, Malaysia and of course Pakistan.
“I chose the name Mano for the studio because it was my first cat’s name, but I found out later that in Spanish it means “hand” — perfect for a studio that will make animation by hand.”
“COMPELLING STORY”
Riaz said financing to make the film was “extremely difficult” given that Mano was a first-time studio and he was a first-time animation director. 
“As much as I have obsessed over the film since I was a child, there was no way to quantify that when I was pitching,” Riaz said, adding that his network and experience at TED helped him obtain funding and get the right people on board.
A total of 250 people worked on “The Glassworker,” including a national and an international cast and crew. Paracha is the art director on the film and Khizer is the producer, alongside Spanish animation veteran Manuel Cristobal of Wrinkles and Bunuel in the Labyrinth of the Turtles. Apoorva Bakshi of Delhi Crime fame is executive producer while international sales are being handled by Charades. The film has been made in both the English and Urdu languages. 
“We got to work with David Friedman on the English language version of ‘The Glassworker’ and that was very special because David has worked on a lot of my favorite animated movies. He and his wife, Lynn Friedman, did the casting for the film with us,” Riaz said, speaking about the conductor of the music scores for Disney’s animated features, including Beauty and the Beast, Aladdin, Pocahontas and The Hunchback of Notre Dame.

 The voice cast for Riaz’s film includes Art Malik (“Man Like Mobeen”), Sacha Dhawan (“Wolf”), Anjli Mohindra (“The Lazarus Project”) and Tony Jayawardena (“Ackley Bridge”).
“For the Urdu version, I learned everything that I could from David, and I voice-directed it here in Karachi,” Riaz said. 
Before the film releases in Pakistan today, “The Glassworker” had its world premiere on June 10 at the Annecy International Animation Festival 2024 in the Contrechamp competition, the first Pakistani film ever to take part in this competition. The film also received rave reviews at the Shanghai International Film Festival 2024.
“Pakistan’s filmmaking tapestry needed something different and I am hoping that this film could be that,” Riaz added.
“Even though ‘The Glassworker’ is an animated film, I hope people resonate with its characters and story. Animation is just the medium we chose to tell this story. We have a compelling story but ultimately the people will decide.”