Inside Elie Saab’s fashion empire ahead of his Riyadh showcase

Inside Elie Saab’s fashion empire ahead of his Riyadh showcase
Fashion designer Elie Saab poses with models after the Elie Saab Spring Summer 2018 show as part of Paris Fashion Week in Jan 2018. (Getty Images)
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Updated 07 November 2024
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Inside Elie Saab’s fashion empire ahead of his Riyadh showcase

Inside Elie Saab’s fashion empire ahead of his Riyadh showcase
  • Ahead of his show in Riyadh this week, Arab News looks back at the acclaimed Lebanese designer’s career

DUBAI: Reinvention is a term the fashion world is very familiar with: Heads of houses come and go, archival signatures are foraged and flipped, collections strategically expanded or cut according to social media impressions or sales success. For most brands there’s a continuous necessity to pivot. Not Elie Saab. The Lebanese designer has cleverly curated an empire with slow, measured precision, bolstered by an absolute belief in the art of craftsmanship. 

“The code of my collections will always remain the same,” the glamour-focused Saab has often stated, referring to his luxury pairing of Western silhouettes with a Middle Eastern flair for ornamentation and embellishment. Rather than reinvent the wheel, he fine-tunes, dreaming up multi-generational investment pieces that are studied, worked and tweaked to perfection — an approach that has garnered him a loyal following and an impressive 45-year legacy.  

To mark this anniversary (and simultaneously show some love to his longtime Saudi supporters), Saab is joining forces with Riyadh Season to host what promises to be an immersive one-of-a-kind fashion spectacle in the Saudi capital on Nov. 13. Titled “1001 Seasons of Elie Saab” — a nod to the famed “One Thousand and One Nights” collection of Arabic folktales — the event will forgo a standard runway presentation in favor of a theatrically orchestrated tableau of models, live music and 300 fresh looks for Fall 2025. 

“We will be preparing something unprecedented and new to mark this important occasion,” Saab said during a press conference in London earlier this year, “and celebrate the city of Riyadh as it continues to support creativity and the diversity of culture in the region.”  

Whether by way of the soundtrack, set design or the clothing itself (which will be styled by former French Vogue editor, Carine Roitfeld), a nod to his hosts’ aesthetic sensibilities seems inevitable. After all, his relationship with the Kingdom is an important one, cemented last year with the opening of a spacious flagship store in VIA Riyadh that carries his most recent ready-to-wear and bridal collections, childrenswear, accessories and fragrances, in addition to a private haute couture salon. The space itself — all white walls, marble floors and plush carpets — was designed and furnished by another of his exploits, Elie Saab Maison. 




Carolina Mendes, Vladimir Restoin Roitfeld, Elie Saab Jr, Designer Elie Saab and Carine Roitfeld attends the Elie Saab Paris Womenswear Spring-Summer 2025 show as part of Paris Fashion Week on September 28, 2024. (Getty Images)

Such a broad portfolio might be the norm for fashion’s biggest conglomerates with major financial backing, the likes of LVMH or Kering, say, but in Saab’s case, as an independent designer, it’s especially impressive given where he started from. Born and raised in Damour, a coastal suburb of Beirut, he was barely 10 years old when he began teaching himself how to sew. Apart from a single year spent at a fashion school in Paris, his education was shaped by instinct, imagination and circumstance. Long before the rest of the fashion world woke up to their environmental misdemeanours, Saab was dressing his sister in scraps of fabrics from their mother’s closet. Sustainable design was simply a necessity. 

In 1982, aged 18, he opened his own studio in war-torn Beirut — an act of loyalty to the city he refers to as his “Queen” — and navigated his way through a civil war that had been raging in Lebanon since 1975, displacing almost a million people including members of Saab’s own family. His commitment to his heritage, to the Lebanese people, their resilience, optimism and creativity, is unshakeable. Following the Beirut Port blast on Aug. 4, 2020, which caused 218 deaths, thousands of injuries and US$15 billion in property damage, Saab responded with a tribute collection titled “Beyrouth, Source Eternelle.”  




Claudine Saab, designer Elie Saab, Jennifer Lopez and Elie Saab Jr pose at the backstage prior to the Elie Saab Haute Couture Spring/Summer 2024 show. (Getty Images) 

“I want people to talk about Beirut in a positive way,” he told Arab News in March 2021, “and remember that (the city) is not all those bad things they are seeing.” 

Saab’s determination to make the best of a truly bad situation is a common trait in his country where, despite it all, creativity is flourishing. Beirut remains the region’s home of couture, spawning a design collective that includes Zuhair Murad, Georges Hobeika, Georges Chakra and Rabih Kayrouz, plus an ever-expanding roster of rising talent: Racil, Roni Helou, Hussein Bazaza, Cynthia Merhej, and Sandra Mansour, who trained under Saab and recognises his influence within her choice of diaphanous fabrics and delicate embroidery. 

“The biggest lesson I learned (from working with Saab) is the importance of staying true to your vision,” says Mansour. “He has always had a deep understanding of what women want to feel when they wear a dress — powerful, elegant, and confident — and his attention to detail and craftsmanship is unmatched…that’s what makes it timeless.” 

Halle Berry brought Saab to the attention of Hollywood when she accepted her 2002 Academy Award in a standout sheer embroidered gown with a crimson taffeta skirt of his design. Since then, he has found himself dressing everyone from Middle Eastern royalty (Queen Rania of Jordan famously wore one of his gowns for her coronation ceremony in 1999) to Julia Roberts and Beyoncé.  




Halle Berry accepting her 2002 Best Actress Oscar in an Elie Saab gown. (AFP)

“It is true that I know all of them and that we are friends — the person matters to me and how the relationship started and goes on,” Saab told Arab News in March 2021. “When you deal with Meryl Streep, (for example), even with all her glory and despite all the awards she has won, you feel how simple she is. I like people who are modest.” 

“Fast-fashion,” “trend-led” and “disposable” are not part of Saab’s vocabulary and despite an increasingly digitally focused market, he remains one of few designers able to prioritize perfectionism and the personal touch. A year after his Oscars moment, he became the first Arab designer to be admitted to the Chambre Syndicale de la Haute Couture in Paris, where he continues to present his most creatively elaborate work. For now, though, fashion’s spotlight and the female gaze is set firmly on Saab’s return to Riyadh and a hotly anticipated front row. 


Red Sea International Film Festival 2024: The award contenders — part two

Red Sea International Film Festival 2024: The award contenders — part two
Updated 29 November 2024
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Red Sea International Film Festival 2024: The award contenders — part two

Red Sea International Film Festival 2024: The award contenders — part two

DUBAI: Following part one, here is the second half of our rundown of the films in competition at this year’s RSIFF, which begins Dec. 5. 

‘Seeking Haven For Mr. Rambo’ 

Director: Khaled Mansour 

Mansour’s debut feature will tug at the heartstrings of animal lovers. Set in Cairo, the film centers on 30-year-old Hassan, who faces eviction from the home he shares with his mother and his dog, Rambo. Their landlord, Karem, wants them out so he can expand his auto-repair workshop. When Karem attacks Hassan, Rambo steps in, and the landlord is humiliated in front of the whole neighborhood. Karem vows to take revenge. Mansour told Deadline that the film is “not about extreme violence against dogs, but about me and my generation’s relationship with society … That relationship in which we always feel chased in our city like stray dogs. At the same time, we do not know any other haven to belong to.” Mansour’s film was backed by the Red Sea Film Foundation.  

 

 

‘Sima’s Song’ 

Director: Roya Sadat 

Starring: Mozhdah Jamalzadah, Niloufar Kookhani, Aziz Deildar 

Sadat has established herself as one of Afghanistan’s leading filmmakers. Her latest feature is a period piece, set in Kabul in 1978, and follows two friends — Suraya, a wealthy communist, and Sima, a not-so-wealthy Muslim conservative — navigating their country’s transition to socialism, the Soviet invasion of Afghanistan, and the rise of anti-Soviet resistance, including the mujahideen. With the Taliban once again controlling her country, Sadat’s film is a timely one. “The world has turned a blind eye and a deaf ear to what is happening to Afghan women,” she told Variety. “Perhaps this film can … invite the audience to join this collective call for solidarity through a shared sense of empathy.” 

 

 

‘Aïcha’ 

Director: Mehdi M. Barsaoui 

Starring: Fatma Sfar, Nidhal Saadi, Yasmine Dimassi 

The Tunisian filmmaker’s second feature — which was backed by the Red Sea Film Foundation — is reportedly based on real-life events. A dissatisfied woman in her late twenties, Aya, is the sole survivor of a bus crash. Realizing that no one knows she is alive, she impetuously takes the opportunity to flee to Tunis under a false identity. But when she witnesses a crime, she learns just how precarious her new life is. 

 

 

‘6 in the Morning’ 

Director: Mehran Modiri 

Starring: Samira Hasanpour, Mehrdad Sedighian, Mona Farjad 

Multi-hyphenate Modiri is, according to the Tehran Times, “Iran’s leading social satirist.” In his latest feature, a young woman named Sarah is due to leave Tehran for Canada for three years to study for her doctorate. The night before her 6 a.m. flight, after a tense final family dinner, she heads out to a farewell party at her friend’s apartment. Then there’s a knock on the door from the police. 

 

 

‘To Kill a Mongolian Horse’ 

Director: Xiaoxuan Jiang 

Starring: Saina, Undus, Qilemuge, Tonggalag 

The Manchurian filmmaker’s moving debut feature is the story of a Mongolian horseman (played by Jiang’s real-life friend Saina) who decides to become a performer in the hugely popular local horse shows, where Saina’s spectacular stunts help him make enough money to support his young son and cover his father’s gambling debts. But all Saina really wants is to care for his beloved sheep and horses on the wild grasslands — a way of life threatened by climate change and capitalism.  

 

 

‘Saba’ 

Director: Maksud Hossain 

Starring: Mehazabien Chowdury, Rokeya Prachy, Mostafa Monwar 

The Bangladeshi filmmaker directorial debut has already impressed on the festival circuit. The title character is the sole carer for her paraplegic mother Shirin. When Shirin suffers a heart attack, Saba rushes to sell their home, putting her life on hold in order to save her mother. Variety called it “a pressing work of social realism, expressing — in quiet but poignant ways — the tenor of the nation’s disaffected youth.” 

 

 

‘My Friend An Delie’ 

Director: Zijian Dong 

Starring: Liu Haoran, Zijian Dong 

Li Mo is flying home for his father’s funeral when he bumps into his former best friend An Delie, whom he hasn’t seen since middle school and who insists he doesn’t know Li Mo — even though they are both heading to the same funeral. With their flight diverted, the two embark on a long drive together. Through flashbacks to the late Nineties, we see the formation of their friendship and the difficult relationships both had with their parents.   

 

‘Bin U Bin, Elsewhere the Border’ 

Director: Mohamed Lakhdar Tati 

Starring: Salim Kechiouche, Slimane Dazi, Hanaa Mansour 

Tati’s atmospheric drama is set in the unforgiving desert on the Algerian border. Saad is a filmmaker trying to scrape enough money together to finish his movie. To do so, he has been living with his friend Fethi and his family who are professional smugglers, taking goods — usually fuel — into Tunisia. While Fethi and his family have welcomed Saad into their home, he remains, essentially, an outsider. 


Best and Worst: Saudi influencer Bayan Omar talks entertainment, fashion, and life

Best and Worst: Saudi influencer Bayan Omar talks entertainment, fashion, and life
Updated 29 November 2024
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Best and Worst: Saudi influencer Bayan Omar talks entertainment, fashion, and life

Best and Worst: Saudi influencer Bayan Omar talks entertainment, fashion, and life

DUBAI: The Saudi influencer shares some favorites — and least-favorites — from entertainment, fashion, and life. 

Best TV show/film you’ve ever seen?    

“Friends.” I have never seen a series with a cast that is so real. It is relatable even for our culture. For example, I relate a lot to Rachel, because I know a friend here in Saudi Arabia that looks like her and has her personality.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bayan Omar (@its.beno_omar)

Worst TV show/film you’ve ever seen?   

There’s a lot, but one I remember is “Tusk.” It was a bad idea and the animation was terrible. 

Best personal style moment so far?    

The dress I wore when I was nominated for the Best Content Creator Award in Dubai in 2022. I wore a white dress and I really liked that outfit. Also, every year we have MDLBeast (Soundstorm) in Saudi Arabia and I go all out for that — including the makeup and hair. 

Worst personal style moment?    

I don’t think I have one. I’ve never worn something that I’m not comfortable with or that I’m not impressed with the style. I like the outfits I put together because I create each one from scratch.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bayan Omar (@its.beno_omar)

  Best accessory for a little black dress?    

Gold. It just ties everything together and makes it look very nice. 

Worst accessory for a little black dress?    

Silver. I don’t like how it looks. I also don’t like silver with my skin tone. I feel like it doesn’t suit me. I prefer gold.  

Best fashion trend of 2024?    

I really like the olive green color trend. And denim skirts — I like to see a lot of forgotten trends like this come back. It takes me back in time and I like that a lot.  

Worst fashion trend of 2024?  

The neon trend. It grabs attention, but in a bad way. It takes away from the rest of the look. They don’t see your hair or your face, and I hate that.  

  Best advice you’ve ever been given? 

“Age is just a number.” My grandma used to say that all the time. She was so young when she passed away — everyone saw her as a young and youthful woman, because her soul was young.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bayan Omar (@its.beno_omar)

Worst advice you’ve ever been given?  

There’s an Arabic saying: “Eat what you like and wear what people like.” I don’t like that advice at all. You cannot represent yourself, or express your personality or your interests while wearing something that other people like. You need to represent yourself through what you like. If you always try to please people, you’ll never succeed.  

Best book you’ve ever read?    

“The Subtle Art of Not Giving a F***.” I always used to think certain things, but I never said them out loud. When I read this book, it was technically saying the same things and beliefs that I had in my mind. So I felt very connected. I got validation.  

Worst book you’ve ever read?    

I do not have a worst book. Every book you read, you end up learning something from it.  

Best holiday destination? 

I like Los Angeles and Amsterdam.  I feel like I belong in these cities — they are easygoing cities and very simple.  

Worst holiday destination?    

Istanbul. I didn’t like the people there. They were not very friendly and I don’t know how to communicate with unfriendly people or aggressive people who don’t smile. 

 

 

 


Review: Netflix movie ‘The Piano Lesson’ is an intense family affair

Review: Netflix movie ‘The Piano Lesson’ is an intense family affair
(L to R) John David Washington, Samuel L. Jackson, Michael Potts and Ray Fisher in The Piano Lesson.
Updated 29 November 2024
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Review: Netflix movie ‘The Piano Lesson’ is an intense family affair

Review: Netflix movie ‘The Piano Lesson’ is an intense family affair
  • Adaptation of August Wilson’s play is a heady, character-led drama

LONDON: To say “The Piano Lesson” is a family affair would be something of an understatement. This cinematic adaptation of August Wilson’s 1987 play follows a pair of siblings, locked in disagreement about a family heirloom — an engraved piano, ‘liberated’ from the Charles family’s ancestral enslavers and now residing in 1936’s Pittsburgh. But there’s a neat parallel, too, about the film’s journey to the big screen (and Netflix subscribers shortly thereafter), produced as it is by Denzel Washington, directed by son Malcom, co-produced by daughter Katia, and starring son John David Washington as Boy Willie.

Washington (John David, that is) reprises his role from the 2022 stage production, and is joined by fellow castmates Samuel L Jackson (Doaker), Ray Fisher (Lymon) and Michael Potts (Wining Boy).

Boy Willie wants to sell the piano and buy a plot of land following the untimely death of his employer, James Sutter. His sister Bearniece (Danielle Deadwyler), on the other hand, wants to keep it in the family as testament to the suffering endured by their ancestors. What’s more, Bearniece suspects Boy Willie had something to do with Sutter’s death, as she begins seeing the latter’s ghoulish specter around the house. Uncles Doaker and Wining Boy want peace and quiet, while Willie’s friend Lymon simply wants to escape his old life and start over.

It's a complicated, convoluted setup, and Washington (Malcolm, this time) skillfully takes his time establishing who is who, utilizing the kind of character-led exposition better suited for a stage play, in fact. The cast (as you’d expect, given their familiarity with the roles) all turn in powerhouse performances. A rendition of “O’ Berta” is a chilling standout, as is the simmering tension between widowed Bearniece and the affable Lymon.

The only place “The Piano Lesson” falls down is when it leaves the intense trappings of the family house, where it loses a little momentum as it ventures beyond the limits of the stage production. As good as it is, there’s a question of whether this needed remaking as a movie at all — but regardless, “The Piano Lesson” makes for a riveting, unsettling study on familial trauma and legacy.


Recipes for success: Chef Jonas Plangger at Myra Jeddah offers advice and a fruit madeleine recipe 

Recipes for success: Chef Jonas Plangger at Myra Jeddah offers advice and a fruit madeleine recipe 
Updated 29 November 2024
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Recipes for success: Chef Jonas Plangger at Myra Jeddah offers advice and a fruit madeleine recipe 

Recipes for success: Chef Jonas Plangger at Myra Jeddah offers advice and a fruit madeleine recipe 

DUBAI: When German pastry chef Jonas Plangger first accepted the offer of a job in Saudi Arabia from Amro Bagedo, founder and CEO of Kraiv, three years ago (a job that has since involved overseeing the launch of the pattiserie and “all-day dining concept” Myra Jeddah, where he is the executive pastry chef), it nearly ended his marriage.  

Plangger, no stranger to travelling abroad for work, took the job, he says, because his “gut feeling” once presented with the challenge made him say yes. Before he checked with his wife, who wasn’t especially impressed at not being consulted.  

Fortunately, the move has paid off personally and professionally for Plangger and his family, who have now settled happily into life in the Kingdom.  

Myra Jeddah, where Jonas Plangger is the executive pastry chef. (Supplied)

And Myra, he says, is thriving. “Breakfast trade is extremely strong. The lunch trade is extremely strong. And then the evening trade is where the most people eat cake,” he tells Arab News. “So we have a very strong customer base throughout the whole day.” 

It’s a customer base he describes as a tough crowd.  

“The Saudi customer is very, very challenging,” Plangger says. “Wants everything, wants it now, is very picky… but once convinced is the most loyal customer you can experience. 

“We’re ready to transfer the brand to Riyadh. That’s the next step. I’m really looking forward to this. The company is growing. It’s really exciting times. My staff, they’ve all been with me from the beginning. I’m really proud of them. They’re really, really strong pastry chefs. We are proud of what we’re doing. If you compare what else is on the market, I think we can put our chests out a bit.” 

What’s your top tip for amateurs? 

The secret to all cooking — at home, in a professional kitchen, wherever — is to plan ahead. Take a piece of paper, 1, 2, 3, 4, 5, and follow those steps. What (inexperienced) chefs do, what I did myself… You want to do everything right now, everything all together. But that doesn’t work. The to-do list is crucial. Work clean and organized, have an idea of what you’re doing. Plan it through. Is the oven ready? Do I have my bowls? Do I have my sieve? Do I have my ingredients? Because when you suddenly need the flour, and it’s in a cupboard somewhere, and you need to call your mom, it ends in disaster.  

What one ingredient can improve any dish? 

For me, vanilla bean. I think it’s the turbo for every dessert, it gives everything an elegant touch — a bit of luxury. I’m obsessed with it. It’s an expensive ingredient, but it just adds another layer of flavor to everything, 

And what’s the most underrated ingredient? 

Probably cinnamon. Everyone knows you’ll have it in an apple crumble or a cinnamon roll or whatever, but, especially in the Middle East, cinnamon is used for so many different things. Even in pastry, or just a normal vanilla sponge, you add half a gram of cinnamon and it just lifts the whole thing up, without tasting of cinnamon. It’s very nice and very, very underrated. 

When you go out to eat do you find yourself critiquing the food? Or are you able to switch off your ‘chef brain?’  

No, I can’t. I’m really pleased if I like something on a personal and a professional level, it makes me very happy. But of course I start nitpicking. It’s normal. But it goes both ways. Yes, (chefs are) more critical, but if I find someone who puts effort in and the service is good and the food is good and the whole experience is good then I love praising people.  

And what’s the most common issue that you find in other restaurants?  

Lack of seasoning. I can forgive a lot, you know? Like it might be a busy restaurant… so service (might suffer). Maybe it’s not to your personal liking. But if the food is bland, that’s just a lack of care. Because it means the chef didn’t taste his food.  

What’s your favorite cuisine?  

Italian. It’s the simplicity of it. Simplicity and flavor. I absolutely love pasta. I was in Italy recently and it’s a different game. It’s, like, four, five, six ingredients. I love it. 

What’s your favorite dish to cook?  

Black Forest gateaux. I’m from the Black Forest. We take that very, very seriously. It’s a joy to make. It’s where I come from. It’s my identity. That’s why I really enjoy doing it. 

I’d imagine that’s quite a lot of pressure the first time you make one? 

To be fair, at the bakery where I was an apprentice, we made like, 80 a day. I really learned it from scratch in the Black Forest.  

What customer behavior most frustrates you? 

When someone seasons the food without trying it. Yeah, I can’t deal. I think it’s very rude. It disrespects the chef. At least try it. 

What’s the most difficult dish for you to perfect? 

From a chef’s point of view, the most difficult is anything that is very clean and very neat, and you don’t have a lot of flavors going on. You have nowhere to hide. Obviously, pastry chefs are very good at hiding (things) by chocolate. I think sushi is one of the most difficult to get right, because you have rice and you have fish. That’s it. If the rice is not spot on, or the fish is not spot on, or the technique is not spot on… see you later. In the pastry world, I think that goes more for baking, like, a croissant, say. You make a simple mistake there, in the lamination or in the proving… People don’t understand how much effort goes into a single croissant. 

In the kitchen, what are you like as a leader?  

Firm but fair. I’m very passionate. Extremely passionate. Things get a bit wild. But I love to lead. I love to teach to let people grow. Discipline is crucial. I have a big Michelin background, and without discipline… don’t even start. My team is from all parts of the world, but we all have one common path to guide us; that’s the discipline.  

Chef Jonas’ fruit madeleines 

WARNING: You’ll need a madeleine baking pan (pan with small shell-shaped molds) and a piping bag. 

INGREDIENTS 

For the madeleine batter:  

3 eggs; 10g honey; 100g sugar; 5g baking powder; 120g all-purpose flour; 1g salt; 2g vanilla essence; 110g melted butter 

For the fruit mixture (all fruits should be dry): 50g dates; 50g apricots; 50g cherry; 50g mango; 50g raisins; 1 vanilla stick; zest of 1 orange; 3g cinnamon; 300g stock syrup 

INSTRUCTIONS:  

1. Mix the eggs, honey and sugar in a bowl or processor for 3 minutes. Set aside. 

2. Sieve together the baking powder, all-purpose flour and salt and fold under.  

3. Add melted butter and vanilla essence. 

4. Combine both mixtures together and mix until it becomes firm.  

5. Refrigerate for at least 2 hours, but ideally for 12 hours. 

6. In a separate bowl, put all the ingredients for the fruit mixture, including the syrup, and allow to soak for at least 2 hours, but ideally for 12 hours. 

7. Combine the batter with the fruit mixture, put in a piping bag. Line your madeleine molds with grease and flour. Pipe the mix into the molds. 

8. Bake in a pre-heated oven at 165 C for 11-13 minutes. 


Marrakech Film Festival opens in Morocco with ‘The Order’

Marrakech Film Festival opens in Morocco with ‘The Order’
Updated 29 November 2024
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Marrakech Film Festival opens in Morocco with ‘The Order’

Marrakech Film Festival opens in Morocco with ‘The Order’
  • The Marrakech International Film Festival, now in its 21st year, will showcase Oscar contenders and screen films for members of the public

MARRAKECH: One of the Middle East and North Africa’s largest film festivals opened Friday in Morocco, drawing actors and directors from throughout the world to present 70 features from 32 countries.
The Marrakech International Film Festival, now in its 21st year, will showcase Oscar contenders and screen films for members of the public. But unlike larger festivals in Venice, Cannes or Toronto, it places unique emphasis on emerging directors and films from the Middle East and Africa.
The roster of actors and directors who will participate in this year’s conversations and tributes includes Sean Penn, Alfonso Cuaron and David Cronenberg.
Remi Bonhomme, the festival’s artistic director, said what makes the festival unique is its ability to draw talent on par with the world’s largest festivals while also spotlighting up-and-coming directors from Morocco, the Middle East and Africa.
“We pay a lot of attention to countries that are underrepresented in cinema,” he said. “We support filmmakers who have their own voice, who develop a story that is in a specific context, whether it is Iran, Morocco or the US“
“But they don’t have to be the voice of their country. They have the need to have the freedom to express their own personal vision,” he added.
Among the themes that Bonhomme is excited about in this year’s films is family. Filmmakers, including “The Seed of the Sacred Fig” director Mohammad Rasoulof, are “exploring social and political impact through the scale of a family,” Bonhomme said.
The festival opens Friday with “The Order” — a thriller starring Jude Law that chronicles an FBI manhunt for the leader of a white supremacist group.
The jury competition contains 14 first or second films. The nine-person jury includes actors Jacob Elordi and Andrew Garfield as well as Ali Abbasi, the Iranian-Danish director of “The Apprentice.” Luca Guadagnino, the Italian-Algerian director of “Queer” will preside over the jury.
The films in competition include Saïd Hamich’s “Across the Sea” about a young Moroccan man’s immigration to Marseille and Damian Kocur’s “Under the Volcano,” Poland’s Oscar entry for Best International Feature.
The festival — founded by Morocco’s King Mohammed VI and is presided over by his brother Prince Moulay Rachid — plays a major role in showcasing and promoting Moroccan films and directors.