SHIRAZ, Iran: In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighborhood into a cultural and tourist hub through vibrant paintings and carved relief faces.

Narenjestan, a neighborhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens, and revered poets.

“Most of the dilapidated walls in old Shiraz have no historical value,” said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalizing Narenjestan.

Over the years, Yazdi has turned the long-neglected neighborhood walls into a vivid visual tapestry “telling the stories of the people living here,” he said.

Arabesque patterns and relief faces carved with intricate details and painted in vivid hues of greens, pinks, blues, and purples now adorn the walls.

With its striking designs and bright colors, Yazdi’s art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran’s artistic heritage that goes beyond the conventional focus on traditional architecture.

The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the “One Thousand and One Nights” collection of folktales.

Yazdi’s work stands out in Shiraz, where graffiti and murals are rare, and it has become a social media sensation and a tourist attraction.

Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s. He hopes his efforts can turn Shiraz’s alleyways into a more vibrant cultural center.

At his residence, visitors are particularly drawn to what Yazdi calls “the Finger Room.”

Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.

“The room is inspired by the legend of an angel that counts raindrops with thousands of fingers,” he said, referring to a religious fable.

“These fingers constantly remind us that the present moment is precious and that we must seize it.”