Double amputee girl debuts on Paris fashion catwalk

Daisy-May Demeter presents a creation by designer Eni Hegedus-Buiron for luxury children’s wear label Lulu et Gigi during Paris Fashion Week in Paris on Friday, September 27, 2019. (Reuters)
Updated 28 September 2019

Double amputee girl debuts on Paris fashion catwalk

  • Daisy-May Demeter was born with fibular hemimelia, where part or all of the bone in the lower leg is missing

PARIS: A British girl who lost both her legs when she was just 18 months old has made her Paris catwalk debut on the Eiffel Tower.
Nine-year-old Daisy-May Demeter from Birmingham walked for a luxury French children’s brand in the show high on the Paris landmark Friday and said the experience “makes me feel pretty and special.”
Daisy-May was born with fibular hemimelia, where part or all of the bone in the lower leg is missing.
She had to have the double amputation while still a baby and later received prosthetic legs on which she learned to walk.




Daisy-May Demeter walks with Eni Hegedus-Buiron creation for Lulu et Gigi during Paris Fashion Week. (Reuters)


The Paris show was her third appearance as a model for the label Lulu et Gigi, after New York and London fashion weeks.
Her father Alex Demeter said the disabled community were behind his daughter.
And he said he was not surprised at all the attention.
“I’m not surprised because I know what Daisy is like, she’s an exceptional young girl proving that disability doesn’t hold you back and she’s a great role model for anybody trying to pursue their dreams.
“Any goal she has in her head I think she can achieve, anything she chooses to do. That’s a great feeling as a parent,” Demeter added.
“Obviously coming back from a situation when she was born, when you see no future, where you see no hope ... (now) anything is possible, that’s an amazing thing,” he said after the show.


Elle Fanning poses in fairytale Reem Acra gown

Elle Fanning stars in ‘Maleficent: Mistress of Evil.’ (Getty)
Updated 23 October 2019

Elle Fanning poses in fairytale Reem Acra gown

DUBAI: Hollywood actress Elle Fanning, the star of Disney’s latest fairytale flick “Maleficent: Mistress of Evil,” just posed for a photoshoot in an ethereal gown by Lebanese designer Reem Acra.

The star posed alongside Angelina Jolie for People magazine wearing a blush gown by the designer.

In the series of playful images, Fanning wears a horned headpiece — usually worn by Jolie’s character, Maleficent — and a gown with a sweetheart neckline and beaded bodice. The geometric beading runs across the length of the gown, which also features a barely-there belt to cinch in the waist and a spray of tulle at the hip.

“Fairytale magic. @ElleFanning wears #ReemAcraBohemianDisco while promoting her latest film #Maleficent2,” the Lebanese fashion house posted on its Instagram account.

In “Maleficent: Mistress of Evil,” the sequel set six years later, Maleficent hardly lives up to that title, but rumor would have it otherwise. The story of the sleeping beauty Aurora (Fanning) has spread across the land, painting Maleficent as the villain, rather than the one whose love saved her. Now, as Aurora plans to marry Prince Phillip (Harris Dickinson), Maleficent must meet the neighboring Queen Ingrith (Michelle Pfeiffer), who wishes to destroy Maleficent and her magical world.

While the film features a lot of violent spectacle, the inner conflict of the lead characters themselves is whether they are strong enough to resist becoming violent, rather than the inverse.

“That’s something that isn’t portrayed a lot on screen — a lot of princesses grew up and they said, ‘Well, we’re going to make her a strong princess, and we’re going to make her tough, so we’re going to make her fight!’ Is that what being a strong woman means? We’re going to have to have a sword and armor on and fight? Aurora can do that in a different way, in a pink dress. It’s beautiful that she keeps her softness and vulnerabilities as her strengths,” Fanning told Arab News in a previous interview.

“Maleficent: Mistress of Evil” debuted atop the North American box office at the weekend, but the big-budget fantasy flick fell far short of expectations, industry figures showed Monday.

The film took in $36.9 million, but that was well shy of projections that it would earn $45 million and a sharp drop-off from the first film’s $69.4 million launch in 2014.