Gaza TV studio produces Hamas response to Israeli hit shows

A vehicle is hit by an explosion in this scene from Al-Aqsa TV series
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A vehicle is hit by an explosion in this scene from Al-Aqsa TV series "Qabdat al-Ahrar" in Gaza city on Dec. 29, 2021. (Photo by Mahmud Hams / AFP)
Palestinian actors and crew shoot a scene of the series by local Al-Aqsa TV
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Palestinian actors and crew shoot a scene of the series by local Al-Aqsa TV "Qabdat al-Ahrar" in Gaza city on Dec. 29, 2021. (Photo by Mahmud Hams / AFP)
Palestinian actors and crew shoot a scene of the series by local Al-Aqsa TV
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Palestinian actors and crew shoot a scene of the series by local Al-Aqsa TV "Qabdat al-Ahrar" in Gaza city on Dec. 29, 2021. (Photo by Mahmud Hams / AFP)
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Updated 17 January 2022

Gaza TV studio produces Hamas response to Israeli hit shows

Gaza TV studio produces Hamas response to Israeli hit shows
  • “We want to flip the equation, to show the Palestinian point of view," says Gaza director Mohammed Soraya

GAZA CITY: In a Gaza TV studio of the ruling Islamist armed movement Hamas, a set features Israeli flags, Hebrew documents and a portrait of Theodor Herzl, the father of modern Zionism.
The make-believe office of enemy state Israel’s security service is being used to shoot a “pro-resistance” television series on the Israeli-Palestinian conflict.
It is Hamas’s answer to Israeli hit shows such as the special forces drama “Fauda” that have gained millions of viewers on platforms such as Netflix, HBO and Apple TV+.
“Fauda,” which in Arabic means chaos, portrays a military unit led by commander Doron Kavillio that launches raids inside Palestinian territories.




A portrait of the founder of of modern political Zionism Theodor Hertzl hangs on the set as Palestinian actors and crew shoot a scene of "Qabdat al-Ahrar" in Gaza city on Jan. 10, 2022. (Photo by Mahmud Hams / AFP)

Admitting to having watched “Fauda,” though, is not a good idea in Gaza, the Palestinian coastal enclave blockaded by Israel, said local director Mohammed Soraya.
To watch any Israeli TV series means supporting the “normalization” of relations with the Jewish state, argued Soraya, who is directing Hamas’s own TV series on the conflict.
He charged that such shows “support the Zionist occupation” because their plots “criminalize the Palestinian people,” speaking with AFP in the Gaza City studio.
“We want to flip the equation, to show the Palestinian point of view, to broadcast a drama about the spirit of our resistance.”
Hamas is considered a terrorist organization by Israel, the United States and the European Union. The Islamist group controls the Gaza Strip, an impoverished territory of 2.3 million people.
It also runs the Al-Aqsa channel, and has been investing in series inspired by Hollywood, and by Turkish soap operas that are popular across the Middle East.
The series now in production, “Qabdat Al-Ahrar” (Fist of the Free), revisits a 2018 Israeli operation in the Gaza Strip that resulted in the deaths of seven Hamas fighters and an Israeli officer.
The protagonists are the fighters of Hamas, which has fought four wars against the Jewish state since 2008.




Unlike Israeli series that often feature actors from the country’s Arab-Israeli minority, productions in Gaza do not use any Israeli actors. (Photo by Mahmud Hams / AFP)

Budgets are meagre, actors’ salaries are low, sets are basic and deadlines are tight, with the production team expected to deliver some 30 episodes by April, in time for the Muslim holy month of Ramadan.
While Israeli series often feature actors from the country’s Arab-Israeli minority, productions in Gaza do not use any Israeli actors.
This forces studios to recruit local actors to play Israelis — a job that, the performers say, can expose them to real-world hostility and danger.
One of them is Jawad Harouda, aged in his early sixties and with a husky voice, who portrays the head of Israel’s Shin Bet domestic security service in the new TV series.
To get into character, Harouda said he “soaked up the script,” but added that being too convincing can lead to trouble.
“Some women look at me and pray that I die,” he said, leaning back in his boss’s chair in the fake Shin Bet office.
“I’m happy when people insult me. It means I’ve succeeded ... The actor is a chameleon, he must be able to act out all colors.”
In Gaza productions, Israeli characters speak in Arabic. And, at the request of the Hamas mufti, or Islamic jurist, women wear their headscarves even if they play Jewish characters.




Palestinian women actors have to wear the hijab even if they are playing the part of Israeli women in the film. (Photo by Mahmud Hams / AFP)


“In one series, I played a Jewish woman,” said one actress, Kamila Fadel, who added that she may have been just a little too convincing for her own good.

“After the series was broadcast, a woman tried to strangle me,” she recounted.
“She told me: ‘I hate you, you are hurting us so much’. On another day a 13-year-old boy threw a stone at my head thinking I was Jewish... This means I played my part well.”
Not everyone is a fan of the Hamas productions, which are firmly focused on the conflict.
“There is no love” in the dramas, argued Palestinian director and critic Jamal Abu Alqumsan, who expressed regret that the rare local productions served primarily as a “tool of resistance.”
Abu Alqumsan said the potential for such productions to tell Palestinians’ stories was huge, but the challenges were many.
“In Gaza, we live under a blockade, it’s a unique situation in the world,” he said, speaking in his art gallery, which he hopes to turn into a small film library.
“So we need producers to invest in quality series and tell the rest of the world our story. We have good actors, they just need good directors and means.”
For now, Abu Alqumsan said he was unsure of the impact such shows would have.
“TV dramas are a weapon, but in the face of Israel, local productions are of a low level,” he said.


Serie A reaches TV rights deal with Abu Dhabi Media

Serie A reaches TV rights deal with Abu Dhabi Media
Updated 01 July 2022

Serie A reaches TV rights deal with Abu Dhabi Media

Serie A reaches TV rights deal with Abu Dhabi Media
  • For the next three seasons, Abu Dhabi Media, an Emirati public body, has been awarded the rights for a minimum total amount of $79 million
  • In the absence of a satisfactory offer in its call for tenders last year, the Italian League had developed its own Youtube channel in Arabic

ROME: Serie A on Thursday accepted the offer of TV platform Abu Dhabi Media to broadcast the Italian league in the Middle East and North Africa after more than a year without a broadcaster in this region.
For the next three seasons, Abu Dhabi Media, an Emirati public body, has been awarded the rights for a minimum total amount of $79 million, the Italian League announced.
To this guaranteed minimum income may be added any additional revenue linked to the number of subscribers that Italian football will generate on the platform, a spokesperson for Serie A told AFP.
In the absence of a satisfactory offer in its call for tenders last year, the Italian League had developed its own Youtube channel in Arabic to offer matches free of charge.


Twitter launches branded likes in Saudi Arabia

Twitter launches branded likes in Saudi Arabia
Updated 30 June 2022

Twitter launches branded likes in Saudi Arabia

Twitter launches branded likes in Saudi Arabia
  • Custom animation encourages users to like, unlike and relike a tweet

DUBAI: Twitter is rolling out its new “branded likes” feature across the US, Britain, Japan and Saudi Arabia.

Branded likes are essentially custom animations for the like button on a tweet that brands can pay for.

 

 

The feature is available as an add-on to Twitter’s Timeline Takeover offering, which ensures a brand’s ad is the first ad to appear when someone opens Twitter for the first time on a given day.

Advertisers can select a hashtag — and up to 10 translations of that hashtag. Twitter then works with its creative partner Bare Tree Media for the US, Britain and Saudi Arabia to create custom artwork for the campaign.

When a user taps the like button on any tweet containing the pre-selected hashtag, the custom branded like animation will appear.

Branded likes have been in testing for nearly two years with testers including brands such as Disney, Paramount Pictures, Tesco, NASA and the NBA.

 

 

 

https://twitter.com/disneyplus/status/1289092933598081025?ref_src=twsrc%5Etfw 

 

Disney+ was the first brand to pay for the feature as part of the beta test, reported AdAge. The streaming platform used it to promote the premiere of “Black Is King,” Beyoncé’s highly anticipated visual album inspired by “The Lion King.”

The tweet has over 113,000 likes and more than 10,000 retweets. 

 

 

During testing, branded likes generated a positive impact when paired with the Timeline Takeover feature, resulting in a 277 percent lift in recall, and 202 percent lift in purchase and consideration intent.

Branded likes are well received by consumers too, with two-thirds of people finding them “appealing,” according to Twitter Insiders research.

It is unclear at this time when the branded likes feature will launch in other countries.


‘In Arab countries, being a journalist is a sedentary and urban profession,’ says TV5 editor-in-chief Slimane Zeghidour

‘In Arab countries, being a journalist is a sedentary and urban profession,’ says TV5 editor-in-chief Slimane Zeghidour
Updated 30 June 2022

‘In Arab countries, being a journalist is a sedentary and urban profession,’ says TV5 editor-in-chief Slimane Zeghidour

‘In Arab countries, being a journalist is a sedentary and urban profession,’ says TV5 editor-in-chief Slimane Zeghidour
  • Zeghidour laments the sorry state of journalism in the Arab world

RIYADH: Earlier this month, the French embassy in Saudi Arabia held a conference titled “France and the Arab World — From Charlemagne to the Fifth Republic” hosted by Slimane Zeghidour.

Zeghidour, an expert in regional affairs, is the editor-in-chief of French television network TV Monde, and a researcher at the French Institute of International and Strategic Research specializing in the Maghreb and Middle East region.

He spoke to Arab News en Francais during his visit to the Saudi capital, expressing his frustration with the lack of communication from the Kingdom and the state of journalism in the Arab world. 

Zeghidour’s first visit to Saudi Arabia was in 1987, 35 years ago, when he was visiting to write a book and a geopolitical essay.

A lot has changed since then. “Some transformations were unimaginable just five years ago,” he said. There are new events happening in the Kingdom, some rather “daring,” but “we (journalists) are not aware,” he added.

For example, Zeghidour learnt about a symposium on tolerance when it was already over.

Although TV5 Monde does not have a broadcast station in the Middle East, its channel Maghreb-Orient is dedicated to the region’s shows, movies and documentaries subtitled in Arabic. 

“It is through this pillar that we exist and try to exist in the Arab world,” Zeghidour said, drawing attention to countries such as Lebanon, Morocco, Algeria and Tunisia, where French is the unofficial primary language. 

A veteran reporter for 25 years, Zeghidour has covered the first and second Intifadas, as well as wars in Sudan, Iraq and Algeria, among others. Never has he seen an Arab reporter working for an Arab newspaper on-site. “The only Arab journalists or those of Arab-origins that I met, worked for The Guardian and The New York Times.”

Investigative journalism in the Arab world is a near fallacy, according to Zeghidour, who said: “We do not recognize the right of a journalist in asking questions, although that is what their job consists of. It (their job) is not to give answers. They must first ask the right questions.”

He added: “The press, the power and the authority of each country must evolve. This mutual development must generate mutual trust and respect.”

Moreover, he believes that “in Arab countries, being a journalist is a sedentary and urban profession.” Journalists usually get their information from their contacts and there is “no extensive work or in-depth investigation on the ground in the country or abroad,” he added.

It is imperative to train investigative journalists in the Arab world, who can tell stories — not just rehash stories from news wires.

“Even in the most important and oldest Arab newspapers, the articles are simply a synthesis of international stories, or reflections and digressions on current events,” Zeghidour said. “As long as this persists, the Arab public will seek information about themselves, their situation, their daily life and their country in the international press.”

It is partly why he is unsurprised that over half (61 percent) of Arab youth get their news from social media, according to the Arab Youth Survey 2021. He also attributes the popularity of social media as a source of news to the confirmation bias people have. 

“The result of this poll is not surprising since most people are only looking for information that supports their own beliefs,” he said. “It (social media) doesn’t teach them anything new; it only reinforces what they already know.”


Journalist murdered in Mexico, 12th this year

Journalist murdered in Mexico, 12th this year
Updated 30 June 2022

Journalist murdered in Mexico, 12th this year

Journalist murdered in Mexico, 12th this year
  • De la Cruz, who had been a journalist for 15 years, was also a spokesman for a political party, Movimiento Ciudadano.
  • More than 150 journalists have been murdered since 2000 in Mexico, one of the world’s most dangerous countries for the media

CIUDAD VICTORIA: A Mexican reporter was shot dead on Wednesday in the violence-plagued northeastern state of Tamaulipas — the 12th journalist killed so far in a particularly bloody year for the country’s press.
Antonio de la Cruz, who worked for the newspaper Expreso, had frequently denounced alleged acts of corruption by politicians in his posts on social media.
His wife and daughter were injured in the attack, which took place as the reporter was leaving his home in Ciudad Victoria.
“We must not allow more attacks on journalists and activists. These crimes will not go unpunished,” President Andres Manuel Lopez Obrador’s spokesman, Jesus Ramirez, tweeted.
Expreso demanded “justice from authorities at all levels.”
In 2018, another one of the newspaper’s journalists, Hector Gonzalez, was beaten to death.
This year is already one of the deadliest yet for the Mexican press, prompting calls for an end to a culture of impunity.
“The prevailing impunity in the murders of journalists has become an effective weapon for criminals,” said Jorge Canahuati, president of the Inter American Press Association.
Doctors were fighting to save the life of De la Cruz’s daughter, State Governor Francisco Cabeza de Vaca said, urging prosecutors to ensure “that this cowardly crime does not go unpunished.”


De la Cruz, who had been a journalist for 15 years, was also a spokesman for a political party, Movimiento Ciudadano.
Gustavo Cardenas, a state legislator for the party, described De la Cruz as “a family man, a good man” who had sought to expose alleged corruption by local authorities.
“The main suspects are in the state government... I have not the slightest doubt that a significant responsibility falls on these men,” he said.
Media rights group Reporters Without Borders urged authorities to carry out “a prompt investigation” into the murder and whether it was linked to De la Cruz’s journalistic work.
The Tamaulipas prosecutor’s office confirmed the murder and said that it was investigating the case under protocols for dealing with crimes against freedom of expression.
More than 150 journalists have been murdered since 2000 in Mexico, one of the world’s most dangerous countries for the media, with only a fraction of the crimes resulting in convictions.
The United States and the European Parliament have urged Mexico to ensure adequate protection for journalists following the recent string of killings.
Lopez Obrador has vowed “zero impunity” for the crimes.
Before de la Cruz’s murder, the government had considered that nine of this year’s victims were killed because of their media work.
It has reported the detention of 26 suspects in the murders, nine of whom have been formally charged.
Tamaulipas is one of the Mexican states most affected by violence involving drug cartels, which have repeatedly tried to silence the press with attacks, according to rights groups.
In 2012 a car bomb exploded in front of Expreso’s offices, although nobody was injured.
In 2018, a human head was left outside its offices.


A US FCC commissioner urges Apple, Google to boot TikTok from app stores

A US FCC commissioner urges Apple, Google to boot TikTok from app stores
Updated 30 June 2022

A US FCC commissioner urges Apple, Google to boot TikTok from app stores

A US FCC commissioner urges Apple, Google to boot TikTok from app stores

WASHINGTON/NEW YORK: A Republican member of the Federal Communications Commission has urged the chief executives of Apple Inc. and Alphabet Inc’s Google to kick Chinese-owned TikTok out of its app stores.
Brendan Carr, the FCC commissioner, said in a letter to the CEOs, dated June 24 and sent on FCC letterhead, that video-sharing app TikTok has collected vast troves of sensitive data about US users that could be accessed by ByteDance staff in Beijing. ByteDance is TikTok’s Chinese parent.
Carr tweeted details of the letter on Tuesday.
“TikTok is not just another video app. That’s the sheep’s clothing,” Carr said on Twitter. “It harvests swaths of sensitive data that new reports show are being accessed in Beijing.”
Carr asked the companies to either remove TikTok from their app stores by July 8 or explain to him why they did not plan to do so.
Carr’s request is unusual given that the FCC does not have clear jurisdiction over the content of app stores. The FCC regulates the national security space usually through its authority to grant certain communications licenses to companies.

A TikTok spokeswoman said the company’s engineers in locations outside of the United States, including China, can be granted access to US user data “on an as-needed basis” and under “strict controls.”
Google declined comment on Carr’s letter, while Apple did not immediately respond to a request for comment.
TikTok has been under US regulatory scrutiny over its collection of US personal data. The Committee on Foreign Investment in the United States (CFIUS), which reviews deals by foreign acquirers for potential national security risks, ordered ByteDance in 2020 to divest TikTok because of fears that US user data could be passed on to China’s communist government.
To address these concerns, TikTok said earlier this month that it migrated the information of its US users to servers at Oracle Corp.
A spokesperson for the US Department of the Treasury, which chairs CFIUS, did not immediately respond to a request for comment.
“What we’re seeing here from Commissioner Carr is a suggestion that at least some parts of the US government don’t think that this is enough,” Richard Sofield, a national security partner at law firm Vinson & Elkins LLP, said about TikTok’s partnership with Oracle.