Saudi EDM festival Freaks of Nature debuts in Amsterdam

Saudi EDM festival Freaks of Nature debuts in Amsterdam
Short Url
Updated 25 October 2023
Follow

Saudi EDM festival Freaks of Nature debuts in Amsterdam

Saudi EDM festival Freaks of Nature debuts in Amsterdam

AMSTERDAM: Freaks of Nature, Saudi Arabia’s homegrown boutique electronic music festival series, made its first appearance at the Amsterdam Dance Event (ADE) this week. Originating in Riyadh, the creators of Freaks of Nature organized this event, named “querencia,” with the vision of creating a dreamlike place for free expression and unity among “fabulous freaks.”

The Amsterdam showcase featured a lineup of Saudi talents including Sound of Yaz, Rash, DJ Igniter, Bigg3, Yazeed and DJ Hannah, who presented back-to-back sets with international artists such as Toby Romeo and Lucaz, as well as Dutch artists like DJ Basicz, Brooks, WeDamnz, Seth Hills.

Every October, Amsterdam becomes the epicenter of the world’s electronical music industry during the Amsterdam Dance Event (ADE). It features a mix of music festivals, warehouse raves, boat parties, hundreds of panels, conferences, business sessions, and many other adjacent events. The city comes alive with non-stop energy throughout the five-day event, spanning over 200 clubs and cultural institutions hosting over 1,000 activities.

Freaks of Nature’s organizers said that their mission is to connect international DJs, industry professionals and booking agencies with Saudi artists. They want to provide them with a platform and boost their presence beyond the Kingdom.

Dutch DJ Basicz, who has performed in Riyadh twice, said, “Saudi Arabia is not really on the map right now in the event scene, so it’s great that they (they organizers) are bringing it to ADE, it will gain more recognition now.” He unexpectedly discovered the Saudi music scene when he met Yazeed Al-Hashim, the festival’s CEO, in Amsterdam. DJ Basicz explained, “he liked my vibe and invited me to be part of the new music scene in Saudi.” In an earlier interview with Arab News, Al-Hashim talked about ADE, mentioning, “for us, it was really essential to show the international music community the Saudi entertainment scene as well as Saudi local artists.”  

Saudi talent Bigg3 said that ADE is also an opportunity to learn about new music technologies and industry trends. He emphasized ADE’s importance, saying “it’s almost necessary for all the event makers, DJ’s and producers to be at ADE; everyone is here.”

Bigg3 and DJ Basicz, paired up for one of the night’s sets, discussed the contrasts between performing in the two countries. They noticed that the Dutch crowd is more familiar with techno music, while in Saudi Arabia, Bigg3 said, “we are just starting to get used to it, we are building the industry.”

A little over two weeks ago, Freaks of Nature organized a two-day festival in Riyadh, also themed “querencia.” “Every event of our series is unique, but we want people to recognize it under the same title, just like the well-known Awakenings techno festival,” the organizers said. During the festival, partygoers enjoyed performances by both international DJs like Lost Frequencies, Agents of Time, Nic Fanciulli, DJ Morten, as well as local and regional artists.


Saudi ballet star, 18, dances to inspire dreams

Saudi ballet star, 18, dances to inspire dreams
Updated 27 July 2024
Follow

Saudi ballet star, 18, dances to inspire dreams

Saudi ballet star, 18, dances to inspire dreams
  • Halaa Nagadi desires to represent Kingdom on world stage
  • Hopes others ‘embrace this beautiful and expressive art form’

RIYADH: Saudi Arabia ballet dancer Halaa Nagadi, 18, is captivating audiences with her unwavering passion and hopes others would be inspired to “embrace this beautiful and expressive art form.”

She is currently preparing for the 2024 Dubai International Dance Competition set to start on Nov. 17 that will have professional and amateur dancers participating from all over the world.

“I became interested in ballet when I was on a journey to find a dance form that truly resonated with me,” Nagadi told Arab News. “The way ballet dancers could convey such powerful emotions and narratives through their bodies was simply captivating.”

Halaa Nagadi is currently preparing for the 2024 Dubai International Dance Competition set to start on Nov. 17 that will have professional and amateur dancers participating. (Supplied)

From a young age, Nagadi was mesmerized by the graceful movements and emotive storytelling of ballet, and she has pursued her dream with determination.

“One of my greatest goals is to represent Saudi Arabia on the international ballet stage,” Nagadi said. “I want to showcase the talent and artistry that exists within our country, and inspire others to embrace this beautiful and expressive art form.”

FASTFACTS

• Though ballet may not have been a typical path for a young Saudi Arabia woman, Nagadi was undeterred.

• She immersed herself in studying ballet, first through online videos and then by seeking out local and international training opportunities.

Though ballet may not have been a typical path for a young Saudi Arabia woman, Nagadi was undeterred. She immersed herself in studying ballet, first through online videos and then by seeking out local and international training opportunities.

“Balancing my studies in tourism and event management at King Abdulaziz University with my rigorous ballet training has not been an easy task,” Nagadi revealed.

“But I’ve remained steadfast in my pursuit, spending four to eight hours each day honing my skills, whether it’s at the ballet studio or the gym, ensuring that I am constantly improving and pushing the boundaries of my craft.”

Nagadi’s journey has not been without its challenges, however. Finding suitable ballet facilities in Saudi Arabia has been a significant hurdle, and sourcing specialized equipment is proving to be an ongoing obstacle, she explained.

Undaunted, Nagadi has sought out opportunities abroad, including a summer program in Romania and a ballet performance opportunity in Turkiye.

“I also took a masterclass for professional dancers from the principal of the Royal Ballet in London,” she added.

Nagadi’s dedication and passion have not gone unnoticed locally. “I have received the support of the Saudi Ministry of Culture, who have provided me with opportunities to showcase my talents at local events, such as the Taif Rose Festival and a theatrical performance that fused Arabic music with ballet,” she said.

As Saudi Arabia’s arts and culture scene continues to evolve, the ballet talent envisions a future where the dance form will flourish and draw audiences from across the Kingdom.

“I believe the ballet scene in Saudi Arabia will only continue to grow and develop,” she said. “More and more people are becoming interested in learning and practicing this art form.”

Nagadi’s unwavering determination has not only earned her recognition within the Saudi Arabia arts community but has also inspired a new generation of young people to explore the world of ballet.

Her story is a reminder that with hard work, dedication, and a willingness to challenge societal norms, anything is possible.

 


Jon Voight criticizes daughter Angelina Jolie’s Israel-Palestine stance

Jon Voight criticizes daughter Angelina Jolie’s Israel-Palestine stance
Updated 26 July 2024
Follow

Jon Voight criticizes daughter Angelina Jolie’s Israel-Palestine stance

Jon Voight criticizes daughter Angelina Jolie’s Israel-Palestine stance

DUBAI: US veteran actor Jon Voight this week has publicly criticized his daughter Angelina Jolie’s views on the Israel-Palestine war, accusing her of being “influenced by antisemitic individuals.” 

In November, Jolie – known for her humanitarian activism and was formerly a special envoy of the UN High Commission for Refugees – posted a statement accusing Israel of “deliberately bombing children, women, families, deprived of food, medicine, and humanitarian aid” in violation of international law. 

In an interview with Variety this week, Voight said: “She has been exposed to propaganda. She’s been influenced by antisemitic people. Angie has a connection to the UN, and she’s enjoyed speaking out for refugees. But these people are not refugees.”

“I love my daughter. I don’t want to fight with my daughter,” added the Academy Award-winning actor. “But the fact is, I think she has been influenced by the UN. From the beginning, it’s been awful with human rights. They call it human rights, but it’s just anti-Israel bashing. She’s ignorant of what the real stakes are and what the real story is because she’s in the loop of the United Nations.” 


REVIEW: Natalie Portman and Moses Ingram shine in ‘Lady in the Lake’

REVIEW: Natalie Portman and Moses Ingram shine in ‘Lady in the Lake’
Updated 25 July 2024
Follow

REVIEW: Natalie Portman and Moses Ingram shine in ‘Lady in the Lake’

REVIEW: Natalie Portman and Moses Ingram shine in ‘Lady in the Lake’
  • Alma Har’el’s adaptation of Laura Lippman’s novel is mesmerizing TV

DUBAI: In Apple TV+’s excellent drama-thriller miniseries “Lady in the Lake,” Natalie Portman becomes the latest major movie star to make the move to television.

Portman plays Maddie Schwartz, a discontented Jewish housewife living in Baltimore in the 1960s. Maddie used to harbor dreams of becoming a journalist, but instead married the overbearing and abusive — at least verbally — Milton (played by Brett Gelman of “Stranger Things” fame) and became a stay-at-home mom to their son Seth (Noah Jupe), now a teenager. When a young girl, Tessie, goes missing during the Thanksgiving Day parade, Maddie becomes obsessed with finding her (which she does, though Tessie is dead) and, in the process, makes the decision to leave her husband and dedicate her time to trying to solve Tessie’s murder. In the process, her life converges with that of Cleo (Moses Ingram), a Black woman who is working three jobs to try and lift her children out of poverty, unaided by her feckless husband, an aspiring standup comedian.  When — spoiler alert, kind of — Cleo’s body is found near the same lake as Tessie’s, Maddie continues her rise as a reporter at the Baltimore Sun by involving herself in that investigation too.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Apple TV (@appletv)

Portman shouldn’t have felt too out of place filming “Lady in the Lake.” Showrunner Alma Har’el’s adaptation of Laura Lippman’s novel is a heavily stylized, sometimes surreal, cinematic experience that suggests the budget can’t be too far below that of a big-budget movie. The greatest surprise, perhaps, is that the star of the show, at least based on the first two episodes, is not Portman (who is, nevertheless, excellent), but Ingram, whose portrayal of Cleo is a magnetic blend of confidence, vulnerability, courage, anxiety, street smarts, and wit. Awards will surely be coming her way.

“Lady in the Lake” is hugely impressive and confident in terms of performance, directing, writing, and aesthetic. But it won’t be for everyone. It’s also very dense and takes its time building its characters’ worlds. And it’s not just a straightforward thriller; it also addresses hot-button topics such as race, privilege, oppression, institutionalized injustice and more. So “easily accessible” this is not. But once you’re drawn in, it’s some of the most engrossing television you’ll see this year.


Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 

Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 
Updated 25 July 2024
Follow

Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 

Saudi violinist, DJ and producer Kayan: ‘Everyone wants to see how the new generation will present the Saudi song’ 
  • Kayan talks creating a new style of music for her homeland 

DUBAI: The Saudi violinist, DJ and producer Kayan (whose real name is Noor Faisal) doesn’t do things by halves. When she decided to learn Indian music, for example, she went all in. She dressed the part, met with a guru, and sat on the floor while learning in order to “feel it fully and live it fully and understand its essence,” she tells Arab News. “I don’t know if it’s a good thing or a bad thing, but when I get into something, I get into it with all its elements.”  

Kayan’s journey has been unconventional and unique. She was reportedly the first female violinist in the Saudi National Orchestra. She is the first musician in her family, but says she may have inherited a love of the arts from her grandmothers, who both painted.  

Kayan was raised in the Eastern Province, and went to a government school, where she wrote poetry, painted, danced and took part in school plays. (Supplied)

Kayan was raised in the Eastern Province, and went to a government school, where she wrote poetry, painted, danced and took part in school plays. Where music was concerned, she says she was a “deep listener,” enjoying Khaleeji, Egyptian, and Lebanese tunes. Later, Western pop and electronic music entered the picture. 

“For me, sound and music is how I express myself — how I see life, how I feel life, how I remember life. It is my way of experiencing this existence, externally and internally,” she says. “Existence” is the translation of her chosen artist name. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAYAN (@kayan_music)

After school, Kayan spent six years living in Bahrain, earning a bachelor’s degree in international relations. But her heart always belonged to music.  

“My degree could get me the best corporate job, and it did get me that for the longest time. So choosing to leave that and go into music, it was a question of course,” she says. “There were a lot of questions along the way.” 

Kayan performing at Riyadh Golf CLub. (Supplied)

While in Bahrain she studied Eastern music — from Khaleeji to Hindi — and also worked for BBC World Radio, where she learned about music software and hardware. It was also where she began to learn what she calls the most challenging instrument in the world: the violin. 

“It picked me, I did not pick the violin,” says Kayan. It all began with a YouTube video of a violinist playing on the streets, using a loop pedal.  

“I was in that moment. I was frozen in time and space, listening to that performance over and over again,” she recalls. “Something inspired me and, the next day, I bought a violin and I registered with an institute. I didn’t think about it. I just did it. 

“I had no clue that the violin was the hardest instrument in the world,” she continues. “With the violin, there is no way to know where the note is. Your ear has to guide you because the instrument has no identification of where the note is.” So, she bought other instruments to experiment with, including the drums and the xylophone. But, at the back of her mind, she was still thinking of the violin.  

Kayan believes that playing the violin requires both technical and emotional abilities, as they both “contribute to one another.” She favors the emotional part more. The violin is known as a highly expressive instrument, tapping into melancholy, longing and sorrow. It is also believed that the violin is the closest instrument to the human voice, akin to a person telling an intimate story.   

For her solo work, Kayan combines her violin playing with electronic music — she is also a DJ and producer. (Supplied)

Her relationship with the instrument was strengthened when she returned to Saudi Arabia in 2020, a time when the country’s entertainment industry was undergoing unprecedented changes and receiving heavy government backing. She won a scholarship for aspiring musicians launched by the Ministry of Culture and the Saudi Music Commission, then joined the Saudi National Orchestra. As its first female violinist, Kayan says that the pressure is on, not just for her, but for her Saudi colleagues too.  

“It’s a big responsibility, because Saudi is developing in a way that, when it opened up, you’re expected to be the best in the world. I’m someone who didn’t start in a proper way, because I was trying to figure things out. . . We are expected to learn Eastern and Western music, and be the best at both, and represent the country, and score A-plus.”  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KAYAN (@kayan_music)

For her solo work, Kayan combines her violin playing with electronic music — she is also a DJ and producer. She has performed across the Kingdom, notably in AlUla and Riyadh, as well as abroad. One of her main goals is to modernize Saudi music — staying true to its essence while infusing it with electronic vibes.  

“People are curious to know what Saudi music sounds like — not in its traditional form, but in its contemporary form. And that’s the question,” she says. “Everyone wants to see how the new generation will present the Saudi song.”  

Kayan is currently working on a new concept album of Saudi electronic music, she says, adding that her ultimate dream as an artist is connection.  

“Sometimes, music is a friend. Sometimes, it’s a healer. Sometimes, it is magic. To me, it is not an escape — but it can be,” Kayan says. “On a personal level, I always dreamed that if I felt something beautiful and I played it and I felt its beauty, I would love for someone else to feel that beauty.” 


Sofia Boutella unveils poster for ‘The Killer’s Game’

Sofia Boutella unveils poster for ‘The Killer’s Game’
Updated 24 July 2024
Follow

Sofia Boutella unveils poster for ‘The Killer’s Game’

Sofia Boutella unveils poster for ‘The Killer’s Game’
  • Boutella plays the role of the protagonist’s love interest
  • Cast includes Dave Bautista, Terry Crews, Ben Kingsley

DUBAI: French Algerian actress Sofia Boutella took to social media recently to share the poster for her latest film “The Killer’s Game,” and revealed that it would hit theaters on Sept. 13.

Set against a bold red background, the poster features her alongside the ensemble cast, including Dave Bautista, Terry Crews, Scott Adkins, Marko Zaror, Pom Klementieff and Ben Kingsley.

Bautista stands at the center of the image, surrounded by his co-stars, each holding various weapons including knives, swords and axes. The tagline “Winning is all in the execution” appears at the bottom.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

Directed by JJ Perry and based on the novel by Jay R. Bonansinga, the screenplay was written by Rand Ravich and James Coyne.

Diagnosed with a terminal illness, hit man Joe Flood (Bautista) decides to take a hit out on himself. However — and here is where the comedy kicks in — the hospital made a mistake and Flood is not dying at all. And now he has to escape a steady stream of hit men who will not be called off.

Boutella plays the role of the protagonist’s love interest, who gets caught up in the mayhem.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

Boutella this week also shared the trailer of the director’s cut of her film “Rebel Moon,” directed by Zack Snyder.

Both “Rebel Moon – Chapter One: Chalice of Blood” and “Rebel Moon – Chapter Two: Curse of Forgiveness” will be released on Netflix on Aug. 2, Boutella wrote on Instagram.

The cuts are the extended and more intense versions of the initial releases. The new drops will include entirely new scenes, alternate takes, and a different sequence of events.

Boutella plays the role of Kora, a mysterious stranger living on a peaceful moon settlement threatened by the armies of the tyrannical Regent Balisarius. Kora, a former soldier of the Imperium, becomes the settlement’s best hope for survival.

She is tasked with finding and assembling a group of warriors — outsiders, insurgents, peasants, and orphans of war — to make a stand against the oppressive forces of the Motherworld.

Her journey delves into themes of redemption and revenge as she leads this diverse group to defend their home.