Chef Fadi Kattan’s debut cookbook celebrates Palestinian cuisine

Chef Fadi Kattan’s debut cookbook celebrates Palestinian cuisine
Divided into the four seasons of the year, “Bethlehem” features over 60 recipes. (Supplied)
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Updated 22 June 2024
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Chef Fadi Kattan’s debut cookbook celebrates Palestinian cuisine

Chef Fadi Kattan’s debut cookbook celebrates Palestinian cuisine

DUBAI: Franco-Palestinian chef Fadi Kattan says the release of his debut cookbook, which pays tribute to Palestinian cuisine, feels “confusing.”

More than eight months have passed since the start of the Israel-Hamas war, and the current catastrophe is something Kattan could never have predicted when he began writing the book two years ago.

However, in the middle of every difficulty lies an opportunity, as they say.




Kattan is based in Bethlehem. (Supplied)

“None of us imagined this horror,” Kattan, who is based in Bethlehem, told Arab News. “On the one hand, I think we need it. People need to see what we are and who we are. We have had enough of this monolithic, dehumanizing image of Palestinians. At the same time, it’s very difficult to be talking about food and celebrating food in this situation.”

The pages of Kattan’s book, “Bethlehem,” reveal a personal portrait through vibrant snapshots of local foods and markets, natural landscapes, Kattan’s family members, and Bethlehem’s culinary community. Designed by Lebanese illustrator Nourie Flayhan, the book cover features warm hues of red and yellow, embellished with a border of patterned embroidery, reportedly native to Bethlehem. It is a love letter to Kattan’s ancient hometown.




Divided into the four seasons of the year, “Bethlehem” features over 60 recipes. (Supplied)

“Bethlehem is called ‘the city’, but in reality it’s a small town,” he said. “It’s a very interesting place. It has a lot of history. The symbolism is very strong because you have (one of) the oldest churches in the world, Church of the Nativity, and opposite it you have the Mosque of Omar. It refers to Omar Ibn Khattab’s pledge to not build mosques in place of churches, but next door. And I think that’s a very strong message of the fact that there’s no coexistence here: We’re all Palestinian. It’s beyond coexistence.” 

Despite Bethlehem’s vibrancy, Kattan says his home has been impacted by the Israeli occupation. The settlements and concrete walls give the “feeling that the city is being choked more and more. At the same time, what I see in Bethlehem is the resilience of people and the fact that people are still surviving and are still here, even though a lot of the components of a normal life are not there.”




“Bethlehem” includes recipes such as taboon bread, cauliflower makloubeh and stuffed eggplant. (Supplied)

Tourism in Bethlehem has also taken a hit since last year’s Oct. 7 attacks, he adds.

Divided into the four seasons of the year, “Bethlehem” features over 60 recipes including classics such as taboon bread, cauliflower makloubeh and stuffed eggplant. The chef describes his recipes as accessible, aiming to make Palestinian food as approachable as French or Italian cooking. He also touched upon the contested topic of Israel’s appropriation of Palestinian food and culture. “I don’t always fight it. I think that just telling our story is enough, because our story is the real story,” he said with a smile.

Kattan, who founded the modern Palestinian eatery “Akub” in London, hopes readers will “make a mess” out of his book. “I want them to cook with it and make their copies dirty,” he said. “I want it to be a book in kitchens across the world.”

Chef Fadi Kattan’s cheese-stuffed grape leaves




Chef Fadi Kattan’s cheese-stuffed grape leaves. (Supplied)

Serves 10

Ingredients:  

Cheese parcels 

20 fresh grape leaves (or substitute leaves stored in brine) 
1 tablespoon raisins 
Olive oil, for brushing 
150 g / 5 1⁄4 ounces Akkawi or Nabulsi cheese (or substitute another fresh brined cheese, 
such as halloumi, fresh Syrian cheese, or queso blanco) 

2 small tomatoes, thinly sliced 
3 tablespoons dried and crumbled zaatar leaves (or substitute oregano)

Dressing: 

2 tablespoons extra-virgin olive oil 
1 pinch of salt 
Leaves of 5 sprigs of fresh mint or fresh zaatar or another green herb of choice 
2 drops of water (optional)

Method: 

  1. To make the parcels, if you’re using fresh grape leaves, blanch the whole leaves in a large pot of lightly salted water until they turn a deep green and are soft to the touch, 5 to 7 minutes depending on the thickness of the leaves. Drain well. 
  2. Put the raisins in a bowl filled with enough warm water to cover them, because we need to hydrate them slightly.
  3. Brush ten little ramekins, 5 to 7 cm / 2 to 3 inches in diameter, with a bit of olive oil. Place two grape leaves in each one, with the top side downwards so that when we flip the ramekin, we’ll end up with the outside of the leaves facing up.
  4. Cut the cheese into ten equal portions. Drain the raisins.
  5. Put one piece of cheese, a slice of tomato, a few raisins, and a bit of zaatar leaves on the grape leaves. Fold the leaves to enclose the filling in the ramekins.
  6. Preheat the oven to 160°C / 325°F. Place the ramekins in a roasting pan and fill the pan with water to the height of the grape leaves in the ramekins.
  7. Cover the top of the ramekins with a baking sheet; we don’t want the grape leaves to dry out.
  8. Bake for 20 minutes. Remove the ramekins from the water bath and let cool.
  9. When you’re ready to serve, flip the ramekins onto plates to see the beautiful stuffed grape leaves.
  10. To make the dressing, combine the olive oil, salt, and herbs in a blender and process to a homogenous green sauce. Add the water to thin the dressing, if needed.
  11. Sprinkle it on top of the grape leaves and serve.

Princess Rajwa and Crown Prince Hussein visit speech therapy center in Amman

Princess Rajwa and Crown Prince Hussein visit speech therapy center in Amman
Updated 02 December 2024
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Princess Rajwa and Crown Prince Hussein visit speech therapy center in Amman

Princess Rajwa and Crown Prince Hussein visit speech therapy center in Amman
  • The Saudi-born royal looked elegant in an all-black ensemble from Max Mara

DUBAI: Jordan’s Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein visited the Seeds of Hope Center, which specializes in treating speech and language disorders in children and adults, in Amman on Sunday.

Princess Rajwa looked elegant and professional in an all-black ensemble featuring a wrap jacket and trousers from Italian fashion label Max Mara.

The royal couple, who welcomed their first child — Princess Iman bint Al-Hussein bin Abdullah II — this year, toured the facility, which houses the only space in Jordan designed to provide multi-sensory experiences aimed at promoting relaxation and sensory integration. The visit also included a look at the center’s gym.

Sharing photos from their visit on Instagram, Crown Prince Hussein wrote, “Rajwa and I were inspired by the dedication of the young Jordanians we met at the Seeds of Hope Center. They carry a noble mission driven by compassion and a commitment to serve those in need.”

Aya Al-Jazi, the center’s director, briefed the couple on the services it provides. These include evaluation and treatment of speech, language, and voice disorders, as well as support for difficulties with swallowing.

Princess Rajwa made her first public appearance since giving birth when she attended Jordan’s 2026 FIFA World Cup qualification match at Amman International Stadium in October, alongside her husband. Princess Iman was born on Aug. 3.


Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh
Updated 01 December 2024
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Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

RIYADH: Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh, the annual Saudi festival of light and art. The festival runs until Dec. 14.

At this year’s edition, Ruijters digs deeper into hybrid cultures through the interplay of light, shadow and fabric. “This is telling my own story from a very personal way. But by doing that, hopefully connecting to all kinds of people,” Ruijters told Arab News. 

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation. (Supplied)

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation: a steel-based structure stands at the center of the space where strips of red fabric hang off vein-like rods. A light is suspended in the center while steel light structures with sharp metal spikes frame the surrounding walls. 

The work came about after three months’ research in Indonesia, where the work was created. While he was born and is based in the Netherlands, Ruijters’ mother is a seventh-generation Indonesian, with family roots going back to China.

These multi-ethnic groups, referred to as Peranakan, demonstrate a fusion between Chinese and Indonesian culture. “They have their own arts, colors, patterns, music, and their own culture,” he said.

The Betawi people, native to Jakarta and its outskirts, blend cultures including native Indonesian, Arab, Chinese and Portuguese. 

“Actually, a lot of Chinese and Asians immigrated after the independence of Indonesia after the Second World War because the colony was over. So, they went to the Netherlands and America, and then they had children like me, but those children do not know about their ancestors,” Ruijters said. 

Taking ownership of his own difficult history, he decided to research the topic not just for himself but also “for my other generations of Chinese Indonesians living in the Netherlands, younger people, to show them: this is your heritage,” he said. 

Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh. (Supplied)

The mix of cultures is realized in the motifs: the sun-shaped lamps on the periphery which are reminiscent of kembang kelapa decorations, the petal shapes at the structure’s base that are popular in Javanese batik dyeing techniques, and the red fabric, which is made in collaboration by Chinese and Indonesian craftsman with a special red color, associated with the Peranakan culture. This fabric was specially made in a batik house for this project.

“To make big installations, it’s never one person,” Ruijters said. “So, I was always trying to emphasize this as part of a team. I worked with an Indonesian electronic engineer, with a Dutch electronic engineer, with the batik workshop house for the fabric … I’m more like a guide to the creative process,” he said. 

The artwork branches out from the light in the center, a symbol of Ruijters’ ancestors. As time progresses, the lamp moves forward, symbolically straying from those strong roots of the past, toward the twiggier branches at the forefront, leading us to the present. 

Shadowplay is an important element, because it preserves Indonesian culture through shadows as a means of accessing an inner world. “You can feel your ancestry; you can feel the past shivering and whispering to you. And this is similar, I think, to the guiding light that is the constellation of the theme … I think shadow is a beautiful way of expressing that, because you cannot touch it. It's there, but it’s also not,” he said. 


Elyanna lights up New York Times Square billboard

Elyanna lights up New York Times Square billboard
Updated 01 December 2024
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Elyanna lights up New York Times Square billboard

Elyanna lights up New York Times Square billboard

DUBAI: Palestinian Chilean singer Elyanna recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal” playlist.

Under the name “Equal Arabia,” the local version of Spotify’s Global Music Program aims to amplify the work of women creators by using the platform’s resources and generating more opportunities for these creators through delivering a global, cohesive and branded experience.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Spotify (@spotifyarabia)

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Each month, Equal Arabia spotlights an ambassador of the month, focusing on their new music release and encouraging fans to discover them, and Elyanna was picked as the latest feature, promoting her new track “Janni.”

Elyanna has enjoyed a record year, sharing the stage with British band Coldplay on NBC’s “Today” show in New York in October, performing their song “We Pray.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

The track is part of Coldplay’s new album, “Moon Music,” which was released that month. Joining Elyanna and the British band on stage was Argentine singer and actress Tini, who is also featured on the song. 

Elyanna also released her own Arabic-language version of the track on Sept. 20.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Elyanna made her “Saturday Night Live” debut the same month, teaming up with frequent collaborators Coldplay on stage to perform the song. The singer took to Instagram to celebrate the milestone after the show by reposting footage of backstage rehearsals recorded minutes before she hit the stage. 

The “SNL” performance came just days after the 22-year-old appeared at iHeartRadio Music Festival in Las Vegas to perform the same song.

Elyanna is expected to perform live with Coldplay again when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025. The band will perform as part of the “Music of the Spheres World Tour” on Jan. 9, 11, 12 and 14 at Zayed Sports City Stadium.

In August, she was on stage in Dublin to perform “We Pray” in Arabic. She performed alongside rapper Little Simz, Nigerian singer Burna Boy and Tini.

“I’m still in awe of last night! Sharing this moment with all these amazing artists on @coldplay’s stage felt so wholesome,” she told her 1.7 million followers on Instagram. “I sang ‘We Pray’ in Arabic, I sang for hope and, most importantly, for my hometown Palestine.”

The Los Angeles-based singer’s music is a mix of Arab and Western influences, which she attributes to her multicultural upbringing.


‘Moana 2’ dials up its Pacific Island influences in grown-up sequel, say filmmakers

‘Moana 2’ dials up its Pacific Island influences in grown-up sequel, say filmmakers
Updated 30 November 2024
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‘Moana 2’ dials up its Pacific Island influences in grown-up sequel, say filmmakers

‘Moana 2’ dials up its Pacific Island influences in grown-up sequel, say filmmakers

DUBAI: Out now in cinemas across the Middle East, Walt Disney Animation Studio’s highly anticipated “Moana 2” reunites audiences with its seafaring heroine (Auli’i Cravalho) and her best buddy Maui (voiced by Dwayne Johnson).

Directed by David Derrick Jr., Jason Hand and Dana Ledoux Miller, the sequel sees Moana journey to the far seas of Oceania for a new adventure after receiving an unexpected call from her wayfinding ancestors.

The filmmakers said that they were especially committed to representing the Pacific Island communities and peoples respectfully and with integrity, and that meant turning to the Oceanic Cultural Trust once again for guidance.

As with the first film, the “Moana 2” filmmakers assembled a team of cultural experts in anthropology, history, dance and movement, canoes and navigation, linguistics and various cultural practices from the Pacific Islands.

“I think we’re just really fortunate to work with our Oceanic Cultural Trust, led by Kalikolehua Hurley. We all care really deeply about the world of ‘Moana,’ and want to get it right. We definitely wanted to be intentional about the cultural nuances and home in on it, whether it was with clothing or designs in any way, but we also just wanted to create a movie that felt true to what it means to be from the Pacific,” said co-director Hand in an interview with Arab News.

“I would say that we really let Moana sort of dictate where the story goes,” added co-director Ledoux Miller. “We were really intentional about building off that foundation of the first film and thinking really carefully about what that first journey was. It was a story of identity and of her really coming into her own. So, it felt like a really natural extension that we would continue that idea of self-growth and evolution. We love the idea that as you grow as a leader, you learn new things about yourself, and you have to realize that you never stop discovering new depths to yourself and new things that you’re capable of.”

Being of Samoan descent, Ledoux Miller said that she felt the weight of representing her community through filming and beyond.

“I would say it’s front of mind even right now, it’s every day. To be a part of making the key creative decisions for creating this film was truly an honor, but absolutely a responsibility as well. I feel very protective of my community, but I feel protective of Moana too. I’m also like a Moana fan, and I want to do right by her, but I couldn’t be prouder of what we put together, and I’m so excited for my family to see this. I think I’ll breathe a little easier once they do,” she said.

One of the main new characters we meet in “Moana 2” is Simea, Moana’s younger sibling (voiced by Khaleesi Lambert-Tsuda).

“The first film was really about Moana connecting to her past, and as this story is really all about the future and where she is going to bring her people, it made so much sense to put in an emotional relationship that she has with her little sister, and that embodiment of the future is right there for her. I think you really fall in love with the relationship from the first moment that you see them together, and that lasts all the way until the very end of the film,” Hand said.


Dubai-based Lindsay Lohan thanks fans for hit Netflix film

Dubai-based Lindsay Lohan thanks fans for hit Netflix film
Updated 30 November 2024
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Dubai-based Lindsay Lohan thanks fans for hit Netflix film

Dubai-based Lindsay Lohan thanks fans for hit Netflix film

DUBAI: Dubai-based Hollywood star Lindsay Lohan took to Instagram to thank fans after her latest festive film “Our Little Secret” became Netflix’s No. 1 streamed movie this week.

“Thank you for everyone who tuned in,” she wrote on Instagram Stories.

The actress — who is married to Kuwaiti financier Bader Shammas — also showed her appreciation for the MENA region when she appeared on “The Tonight Show Starring Jimmy Fallon” recently in an outfit from Lebanese designer Zuhair Murad’s Resort 2025 ready-to-wear collection, which included a black, long-sleeved top with structured shoulders and silver jeweled detailing down one side. The ensemble was completed with a matching black skirt, paired with black heels.

Lohan also attended the premiere of the romantic comedy in a Murad outfit, choosing a black gown from the label’s spring/summer 2025 ready-to-wear collection. The sleeveless dress featured a plunging neckline with two statement crystal-embellished motifs at the midriff.

The flowing skirt incorporated sheer panels, and she topped off the look with open-toe black heels and subtle jewelry, and her hair in soft waves.

“Our Little Secret” tells the story of Avery (Lohan) who is planning to spend Christmas with her boyfriend’s family. Things take an unexpected turn when she discovers that ex-boyfriend Logan (played by Ian Harding) is also joining the festivities, as it transpires their current partners are siblings. Avery and Logan must navigate the holiday while ensuring their former relationship remains a secret.

Lohan will next be returning to her Disney roots by reuniting with Jamie Lee Curtis for next year’s “Freaky Friday” sequel, titled “Freakier Friday.”

The film was shot over the summer and had Lohan feeling like a child again, she told ABC’s “Nightline.”

“I think really for me was when I went onto the Disney lot,” Lohan said. “And being back on the Disney lot because that’s not just ‘Freaky Friday’ for me. That’s ‘The Parent Trap,’ that’s ‘Confessions of a Teenage Drama Queen,’ that’s ‘Herbie.’ It’s so many moments for me. So when I got there, I kind of felt like this essence of a little kid again.”

“I’m so grateful for every moment of it, every second,” she said of being back on the lot. “I’m going to, like, get emotional. It’s a great experience.”