ROME: The legend of Leonardo da Vinci is shrouded in mystery: How did he die? Are the remains buried in a French chateau really those of the Renaissance master? Was the “Mona Lisa” a self-portrait in disguise?
A group of Italian scientists believes the key to solving those puzzles lies with the remains — and they say they are seeking permission from French authorities to dig up the body to conduct carbon and DNA testing.
If the skull is intact, the scientists can go to the heart of a question that has fascinated scholars and the public for centuries: the identity of the “Mona Lisa.”
Recreating a virtual and then physical reconstruction of Leonardo’s face, they can compare it with the smiling face in the painting, experts involved in the project said.
“We don’t know what we’ll find if the tomb is opened, we could even just find grains and dust,” says Giorgio Gruppioni, an anthropologist who is participating in the project. “But if the remains are well kept, they are a biological archive that registers events in a person’s life, and sometimes in their death.”
The leader of the group, Silvano Vinceti, said he plans to press his case with the French officials in charge of the purported burial site at Amboise Castle early next week.
Leonardo moved to France at the invitation of King Francis I, who named him “first painter to the king.” He spent the last three years of his life there, and died in Cloux, near the monarch’s summer retreat of Amboise, in 1519 at age 67.
The artist’s original burial place, the palace church of Saint Florentine, was destroyed during the French Revolution and remains that are believed to be his were eventually reburied in the Saint-Hubert Chapel near the castle.
The tombstone says simply, “Leonardo da Vinci;” a notice at the site informs visitors they are the presumed remains of the artist, as do guidebooks.
Arguably the world’s most famous painting, the “Mona Lisa” hangs in the Louvre in Paris, where it drew some 8.5 million visitors last year.
Mystery has surrounded the identity of the painting’s subject for centuries, with speculation ranging from the wife of a Florentine merchant to Leonardo’s own mother.
That Leonardo intended the “Mona Lisa” as a self-portrait in disguise is a possibility that has intrigued and divided scholars. Theories have abounded: Some think that Leonardo’s taste for pranks and riddles might have led him to conceal his own identity behind that baffling smile; others have speculated that the painting hid an androgynous lover.
Most researchers believe the woman may have been either a concubine of the artist’s sponsor, the Florentine nobleman Giuliano de Medici, or Lisa Gherardini, the wife of a rich silk merchant, Francesco del Giocondo. The traditional view is that the name “Mona Lisa” comes from the silk merchant’s wife, as well as its Italian name: “La Gioconda.”
