Stars put on a show at El-Gouna Film Festival’s opening ceremony

Stars put on a show at El-Gouna Film Festival’s opening ceremony
Passant Shawky and Mohamed Farrag attended the opening ceremony. (AFP)
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Updated 15 October 2021

Stars put on a show at El-Gouna Film Festival’s opening ceremony

Stars put on a show at El-Gouna Film Festival’s opening ceremony

EL-GOUNA: The fifth edition of El-Gouna Film Festival (GFF) in Egypt kicked off on Thursday, bringing together international filmmakers, producers, actors, industry insiders and cinema enthusiasts who all flocked to the Egyptian resort town for a lavish opening ceremony.

Despite the fire that broke out in the site’s main hall on Wednesday, just a day before the event was scheduled to begin, the show still went on. Organizers managed to reconstruct and repaint the structure that was engulfed in flames in 24-hours.  




Egyptian actress Shereen Reda descended upon the red carpet wearing a luxurious gown from Maison Yeya. (Arab News/ Hams Saleh)

Celebrities, including Egyptian actress Shereen Reda and Lebanese singer Maya Diab, descended upon the red carpet wearing luxurious, eye-catching evening gowns to the event that has quicky become one of the most important film festivals in the MENA region.

The opening ceremony, which started at around 10 p.m., featured speeches by Samih Sawiris, founder of GFF, Amr Hanafy, governor of the Red Sea Governorate and Egyptian icon Youssra, who is also a member of GFF’s International Advisory Board.




Lebanese singer Maya Diab wore an eye-catching dress with a giant red hat from Jean-Louis Sabaji. (Arab News/ Hams Saleh)

During the ceremony, Egyptian actor Sayed Ragab presented a video that paid tribute to the works of stars and filmmakers who passed away earlier this year, including Samir Ghanem, Dalal Abdel Aziz, Wahid Hamed, Ezzat El-Alaili, Ramses Marzouk, Moufida Tlatli and Jean-Paul Belmondo.

Later on in the evening, Tunisian-Egyptian award-winning actress Hend Sabri introduced GFF’s Career Achievement Award, which was presented to Egyptian actor Ahmed El-Saka, who made a special red carpet appearance with his family.




Egyptian actor Ahmed El-Saka made a special red carpet appearance with his family. (Arab News/ Hams Saleh)

The opening day came to a triumphant close with a live performance from Egyptian singer and actor Mohamed Ramadan, who took to the stage to perform his new song “Gaw El Banat,” alongside Moroccan-Swedish record producer RedOne and Amsterdam-born singer Nouamane BelAiachi.  

Also at the star-studded event was Canadian-Lebanese musician Massari, Chilean-Palestinian singer Elyana and Lebanese-Canadian entrepreneur Wassim Slaiby, who manages The Weeknd and founded the record label XO. 

This year, the festival, which launched in 2017, will screen films from countries around the world including France, Germany, Russia, Finland, Australia and more. 

The festival will also show a selection of award-winning Arabic movies from Saudi Arabia, Lebanon, Egypt, Morocco, Iraq, Tunisia and others. 

Here we have rounded up some of our favorite gowns from the opening night.




Yasmine Sabri wearing Rami Kadi. (AFP)




Mona Zaki wearing Maison Yeya. (Arab News/ Hams Saleh)




Dorra Zarrouk wearing Georges Chakra. (Arab News/ Hams Saleh)




Yousra wearing Georges Hobeika. (Arab News/ Hams Saleh)




Bushra Rozza wearing Michael Cinco. (Arab News/ Hams Saleh)




Hend Sabri wearing Fouad Sarkis. (Arab News/ Hams Saleh)




Amina Khalil wearing Salma Osman. (Arab News/ Hams Saleh)




Laila Elwi. (Arab News/ Hams Saleh)

 


Designer Amina Muaddi shows off streetstyle at Paris Men’s Fashion Week

The designer showed off a yellow-hued makeup look at the show. (Getty Images)
The designer showed off a yellow-hued makeup look at the show. (Getty Images)
Updated 26 June 2022

Designer Amina Muaddi shows off streetstyle at Paris Men’s Fashion Week

The designer showed off a yellow-hued makeup look at the show. (Getty Images)

DUBAI: Jordanian Romanian footwear designer Amina Muaddi was spotted at Paris Men’s Fashion Week wearing a colorful ensemble that caught the attention of streetwear photographers.

Muaddi — whose namesake label is a favorite among celebrity clientele such as the Kardashian-Jenner sisters and Rihanna, with whom she has collaborated, attended the Louis Vuitton showcase and the Loewe show, to which she wore a white V-neck crop top with multi-colored wide-legged pants complete with a bright yellow crossbody bag by the Spanish label.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)

Loewe thrust Paris Menswear Fashion Week into a bleak and dystopian vision of the future on Saturday — turning its runway into a dead space where nature and animal life only existed to be harnessed and exploited by humankind. A sanitized white wall descended onto a bare deck as models walked by robotically, bathed in misty white light, the Associated Press reported.

Models wore plates of television screens showing deep water fish in the ocean, and plasma screen visors beamed out growing chrysanthemums. The only place that grass grew in designer Jonathan Anderson’s fashion dystopia was literally out of shoes, where green blades quivered and flapped surreally as the automatons filed by.

The British designer used the remarkable set and concept not only as a springboard for some of the most accomplished designs seen this season, but to make a thoughtful comment about ecology and humanity’s contempt for the natural world.

The organic versus the robotic was explored in Anderson’s conceptual designs that were intentionally off-kilter, according to the Associated Press. A white minimalist sweater had surplus sleeves that flapped about limply at the side of the model, on top of white sports leggings and loafers sprouting 10-centimeter clumps of grass.

Bare chests and legs exposed vulnerability, while hard, square-strap bags slung across the shoulder added a contrasting fierceness. But the piece de resistance must have been the giant mustard toggle shoes that looked like the hooves of a horse but could equally have come from the set of a “Star Wars” planetary village.

Elsewhere, Cowgirls and cowboys mingled in Moroccan French brand Casablanca’s eye-popping show that was notable for its highly unusual set. The co-ed collection was staged in front of several fenced-off horses that paid little attention to the clothes, passed waste nonchalantly and sniffed in the opposite direction.

Designer Charaf Tajer cared little for the indifferent equine reaction, sending down the runway energetic and enthusiastic looks that harked from the heartland of American rodeos and the Wild West.

 


Refugee choir performs at UK’s Glastonbury Festival

The choir, which was founded in 2015 in response to the Syrian refugee crisis, is made up of 50 people. (Instagram)
The choir, which was founded in 2015 in response to the Syrian refugee crisis, is made up of 50 people. (Instagram)
Updated 26 June 2022

Refugee choir performs at UK’s Glastonbury Festival

The choir, which was founded in 2015 in response to the Syrian refugee crisis, is made up of 50 people. (Instagram)

DUBAI: The Citizens of the World Refugee Choir performed at the UK’s Glastonbury Festival on Sunday.

The choir, which was founded in 2015 in response to the Syrian refugee crisis, is made up of 50 people.

Becky Dell, the musical director, told PA that the choir is a 50/50 split of refugees and non-refugees, and calls itself a “rainbow tribe (because) none of us look the same as each other – it’s amazing.”

She said the choir hopes to “elevate the narrative around refugees; too often the story is ‘poor refugees,’ it’s sending them far away. We wanted to show refugees in a different way. They are displaced human beings first and foremost.”

The choir opened the festival’s Avalon Stage on Sunday with a solo 40-minute set.


Emirati arts patron Huda Alkhamis-Kanoo receives prestigious award from Spain’s queen

Emirati arts patron Huda Alkhamis-Kanoo receives prestigious award from Spain’s queen
Updated 25 June 2022

Emirati arts patron Huda Alkhamis-Kanoo receives prestigious award from Spain’s queen

Emirati arts patron Huda Alkhamis-Kanoo receives prestigious award from Spain’s queen

DUBAI: Huda Alkhamis-Kanoo, founder of the Abu Dhabi Festival, has become the first Arab to receive the Reina Sofía School of Music’s prestigious medal of honor. 

The Emirati national, who was born to a Saudi father and a Syrian mother, received the award from Queen Sofia of Spain at the school’s academic closing ceremony in Madrid. 

Alkhamis-Kanoo was awarded for supporting the development of music culture and education, as well as for her outstanding support to the school.

When receiving the award, she dedicated her accomplishments to Sheikha Fatima bint Mubarak — the wife of Sheikh Zayed bin Sultan Al-Nahyan, founder of the UAE — whose unwavering support she said “empowers women throughout the UAE.” 

Alkhamis-Kanoo, who was born in Beirut, founded the Abu Dhabi Music and Arts Foundation in 1996 and the Abu Dhabi Festival in 2004.

She has received numerous awards, including the Abu Dhabi Award and Abu Dhabi Medal (conferred by UAE President Sheikh Mohammed bin Zayed Al-Nahyan), the UN-affiliated Women Together Award, the Aspen Institute Emerging Voice Award for Cultural Stewardship, and the Puccini Festival Foundation Award.

 


German model Toni Garrn weds in Elie Saab gown

German model Toni Garrn weds in Elie Saab gown
Updated 25 June 2022

German model Toni Garrn weds in Elie Saab gown

German model Toni Garrn weds in Elie Saab gown
  • Former Victoria’s Secret model wore a custom flowy dress cut out at the waist with a lace bustier
  • She exchanged vows for the second time with British actor Alex Pettyfer

DUBAI: German model and actress Toni Garrn tied the knot this week in Greece wearing an Elie Saab gown.

The former Victoria’s Secret model exchanged vows for the second time with British actor Alex Pettyfer in an intimate wedding on Monastiri beach.

For her special day, Garrn wore a custom flowy dress by the Lebanese couturier. The gown was cut out at the waist and featured a lace bustier. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TONI GARRN (@tonigarrn)

“Yesterday felt like the most beautiful dream,” the star told her 3.6 million followers. “The beautiful natural wedding ceremony that was actually a full-on rock-climbing adventure … in the most delicate wedding dress made completely by hand.”

Garrn, whose runway debut was in 2008 for the Calvin Klein spring/summer show, shared a series of images on her Instagram of the tough trip she took to get to where her husband and the rest of her guests were standing on the cliff.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TONI GARRN (@tonigarrn)

“The chances were actually around 50 percent I (and) the dress wouldn’t make it in one piece to where Alex and everyone else was waiting. I’ll never forget this day.”

The couple previously wed in October 2020 in Hamburg, Germany in front of family and friends.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TONI GARRN (@tonigarrn)

In March 2021, Garrn revealed on Instagram that she and Pettyfer were expecting their first child together. “I’ve been keeping this secret for … pretty much 6 months exactly. FINALLY I can share my biggest news with you all,” she captioned her short pregnancy reveal video back then.

The couple welcomed their daughter Luca Malaika in July 2021.

Besides tying the knot, the couple also celebrated, over the weekend, Pettyfer’s first Father’s Day.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TONI GARRN (@tonigarrn)

The new mom walked over 60 shows for prestigious designers including Stella McCartney, Dior, Louis Vuitton, Chanel, Hermès, Dolce & Gabbana and Michael Kors.

Her first acting role was in 2017. She played the role of South African model Reeva Steenkamp in the movie “Oscar Pistorius: Blade Runner Killer.”

She also appeared on productions like the Marvel blockbuster “Spider-Man: Far from Home” and the German drama series “You Are Wanted.”

Garrn is not the first celebrity to wed in an Elie Saab gown. South Korean actress Son Yejin, the “Games of Thrones” star Rose Leslie and actress Debby Ryan have all chosen the Beirut-born designer to make their dream dresses.


‘Elvis’: Baz Luhrmann’s biopic steers clear of the shadows 

‘Elvis’: Baz Luhrmann’s biopic steers clear of the shadows 
Updated 25 June 2022

‘Elvis’: Baz Luhrmann’s biopic steers clear of the shadows 

‘Elvis’: Baz Luhrmann’s biopic steers clear of the shadows 

CHENNAI: Baz Luhrmann’s biopic of the legendary singer “Elvis” is lukewarm at best. 

Given Elvis’s legendary status, Luhrmann’s 160-minute work disappoints, largely because he has chosen to edit the piece so as to make it seem restless — a movie without a soul with frames flashing past so fast that there is no time to sit and savor the spectacle. 

The story is mostly narrated by Colonel Tom Parker (Tom Hanks), who as Elvis’s shrewd manager was as much responsible for the singer’s rise, pushing him to travel from Memphis to breathtaking heights, as for his fall. It is this strange and sometimes vicious relationship between a domineering Parker and the singer (played by Austin Butler) that the movie fails to explore — it merely skims the surface here and there and audiences are only given glimpses of how the young star was manipulated and controlled, with his dream of becoming a serious actor derailed by his manager.

The story is mostly narrated by Colonel Tom Parker (Tom Hanks), who as Elvis’s shrewd manager was as much responsible for the singer’s rise. (YouTube)

We do get a glimpse of Elvis’s early life, including his struggles, the influence of black music — which is a relief given the recent realization in the press and on social media that the star was indeed influenced by the music of black artists in an atmosphere of entrenched racism — his two-year military service in Germany and marriage to Priscilla, among other events. However, the director chooses to remain on the brighter side, with the rock ‘n’ roll legend presented as dashing and debonair until the very end, although that was not the reality. 

But what audiences are really here for is the music, and on that note “Elvis” fails to deliver. Presley’s own vocals were used in the later part, and Butler sings the early hits and does offer some electrifying moments, but the soundtrack could have been far more engaging. 

A magnificent Hanks manages to evoke the Jekyll-and-Hyde persona he plays with fair degree of conviction, although he does slip up now and then. Meanwhile, an equally impressive Butler as the hip-swiveling, guitar strumming, foot tapping king is often mesmeric but it is not easy to impersonate a man whose aura is still dazzling. The writing by Sam Bromell, Craig Pearce, and Jeremy Doner fails to give balance to the narrative and despite some engaging performances, “Elvis” is a bit of a let down.