French Algerian model Loli Bahia hits the runway in Paris 

French Algerian model Loli Bahia hits the runway in Paris 
Loli Bahia has hit the runway for a number of fashion houses, including Louis Vuitton earlier this year. (Getty Images)
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Updated 28 September 2022

French Algerian model Loli Bahia hits the runway in Paris 

French Algerian model Loli Bahia hits the runway in Paris 

DUBAI: From Milan to Paris, French Algerian model Loli Bahia has been gracing the runways for renowned luxury labels this month. 

This week, the catwalk star modeled for French luxury fashion house Yves Saint Laurent at Paris Fashion Week in a show set against the backdrop of a twinkling Eiffel Tower.

Guests, including K-Pop star Rose of Blackpink, trickled into the venue under brooding clouds as night began to fall, stopping for selfies in front of a huge, flowing water fountain, while crowds lined up on the esplanade overlooking the venue, The Associated Press reported.

Designer Anthony Vaccarello presented the summer collection of sleek evening wear that featured dramatic 80s shoulders, column silhouettes and hoods.




The model shared a close up of her Yves Saint Laurent look on social media. (Instagram)

Bahia emerged from the dark, wearing a sheer floor-length black dress with a turtleneck as she made her way slowly down a broad set of stairs before marching around the fountain. 

Her look was accessorized with chunky gold bangles, large earrings and one-toed heels. 

Other looks in the fashion show included 90s designs infused with the glaringly 80s capuches that came in muted or caramel tones — hues also reminiscent of that era. 

Hoods formed the base silhouette of many pared-down ensembles, which contrasted with statement gold earrings or large wooden bracelets, just like the ones Bahia wore. 

Heavy open wool coats and regal trenches, which caressed the floor, created a rectangular window frame through which to see the pants in some clever fashion theater.

The house founder turned the capuche into one of his most iconic styles – originally inspired by the tubular sheath donned by dancer Martha Graham for her 1930 choreography “Lamentation.”

Paris Fashion Week kicked off on Tuesday. Saint Laurent and Dior are among some 107 brands showcasing Spring-Summer 2023 collections.

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

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Last week, Bahia modeled for Italian luxury label Versace during Milan Fashion Week alongside part-Arab models Gigi and Bella Hadid, Imaan Hammam and Nora Attal. Emily Ratajkowski, Paris Hilton and Irina Shayk were also among the models who walked the runway. 

Bahia wore a hot-pink dress with a short bridal veil.

Bahia, who is signed to Women Management Paris, made her runway debut in 2020 at Louis Vuitton’s Fall 2021 show. She would go on to star in the Parisian luxury house’s advertising campaign for Fall 2021.

She has also featured in campaigns for Saint Laurent, Courreges and Max Mara in addition to starring on the cover of Vogue Italia.


Lebanese Designers Exhibition held in London

Lebanese Designers Exhibition held in London
Updated 05 December 2022

Lebanese Designers Exhibition held in London

Lebanese Designers Exhibition held in London
  • Event focused on empowering Lebanese women
  • Products included jewelry, clothing, homeware and art

LONDON: The Arab British Chamber of Commerce hosted the first Lebanese Designers Exhibition in London, celebrating the country’s culture and creatives with a variety of locally handcrafted artisan jewelry, clothing and art. 

Organized in partnership with the Lebanese Embassy in London, the event ran from Dec. 1 to Dec. 4 in Mayfair.  

The ABCC, established in 1975, aims to promote trade and investment between Britain and Arab countries. 

This exhibition focused on empowering Lebanese women by providing them with a platform to display their entrepreneurship in one of the world’s most famous shopping districts. 

Rami Mortada, the Lebanese ambassador to the UK, described it as “an event of endurance against all odds.” 

Mortada said the designers displayed their worth with “defiance against all the circumstances prevailing in our country, Lebanon, and determination to never allow these hardships to take away the soul of the Lebanese people, which is a soul soaked in ingenuity and imagination.”

Kuwaiti Ambassador to the UK Bader Al-Awadi, Algerian Ambassador to the UK Lounes Magramane and Saudi Arabian Cultural Attache Amal Fatani also attended the launch. 

Catching the eye of visitors was the display of LVNT, an online concept store curating products immersed in Levantine heritage and representing the best of the region’s handicraft.

Among the products on sale included the Blatt Chaya coaster set, designed by a Lebanese artisanal firm using tile-making methods dating to the 1880s, and crochet bags hand-knitted by Syrian refugees.

An LVNT representative said the firm was “really happy with the exhibition. We’ve seen a mix of cultures coming in from all over the world that are very interested in learning more about  products, how they’re made and trying them.”  

Nour Artisan, a Beirut-based atelier, displayed a range of hand-embroidered abayas that embraced traditional styles while marketing to both eastern and western cultures. 

The garments were made by women who work from home, whose work supports around 250 families in Lebanon. 

“The atmosphere is really nice. People are coming in and asking. They really like the history and the idea of keeping this heritage,” Nour Artisan Sales Representative Rima Rizk said. 

UK-Based Lebanese charity Give a Child a Brighter Future also exhibited a variety of homeware, with proceeds going toward the construction of the country's first pediatric oncology unit in the country’s south governorate. Since 1985, the charity has raised more than $6 million. 

Other exhibitors included artist Shirine Osseiran, who sold prints of Arabic calligraphy abstract series, and Hala Gharib, the founder of Alaabi who displayed educational children’s games on Arabic language and culture.

 


Review: ‘Down to Earth with Zac Efron’

Review: ‘Down to Earth with Zac Efron’
Updated 05 December 2022

Review: ‘Down to Earth with Zac Efron’

Review: ‘Down to Earth with Zac Efron’
  • With eight episodes per season, we really got to know Efron and his travel companion, well-being expert Darin Olien
  • Each episode of the second season ends with the message: ‘The team acknowledges the traditional owners of the lands across Australia’

One of the shows that helped me escape my confined space during the 2020 pandemic was Netflix’s “Down to Earth with Zac Efron.”

In the first season actor Zac Efron ventured to France, Puerto Rico, London, Iceland and many other spots.

In each of those places he touched upon the themes of nature, sustainable living and green energy.

He sometimes brought in his famous friends to help with certain adventures. At other times he consulted experts to explain what they were working on to help save the planet.

The first season was a bit all over the place, jumping from topic to topic, much like our attention span during lockdown. This made it the perfect show for those times.

I had only been a casual viewer of Efron’s work up to that point, and knew nothing of his personality, but by the end of season one I had concluded that he seemed like a cool guy to go on a trip with. Many critics agreed, as the season won a daytime Emmy in 2021.

With eight episodes per season, we really got to know Efron and his travel companion, well-being expert Darin Olien.

The second season, also made up of eight episodes, premiered on Netflix in November.

The new season is much more focused, not only because it is centered in one country, or continent, but the two are much more aware of their immense male white privilege, something that seemed a bit lacking in the first — albeit immensely fun — season.

The duo this time around explored the indigenous communities of Australia much more mindfully, and seemed to pass on the mic so that natives could tell us their own story.

Both Efron and Olien were there to learn, enjoy and inspire. And we were like flies on the wall who got to witness it all without leaving our sofas.

Each episode ends with the following message: “The team acknowledges the traditional owners of the lands across Australia.

“We pay respect to the elders past, present and emerging for they hold the memories, the traditions, the culture and hopes of Aboriginal and Torres Strait Islander people across the country.”

Showing the additional wisdom of the last two years, the two men seemed to really want to get it right this time and not be “the white saviors” in this narrative.

They wanted to be the individuals who let natives take up the space and rightfully guide us all.

Efron and Olien, along with the audience, were merely coming along for the ride. We were all passengers on the journey, with the natives the ones at the wheel.

Narrated by Efron, who would often sneak in playful puns and philosophical observations, season two is a more down-to-earth exploration and one well worth sitting through.

Both seasons can now be streamed on Netflix MENA.


Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar
“From Strike to Stroke” is on show at Msheireb Galleria, Doha. (Supplied)
Updated 05 December 2022

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

Saudi Arabia’s Ithra hosts football-inspired NFT art show in Qatar

DUBAI: Saudi Arabia’s King Abdulaziz Center for World Culture (Ithra) is hosting a football-themed exhibition on the sidelines of the 2022 FIFA World Cup in Qatar.  

“From Strike to Stroke” is on show at Msheireb Galleria, Doha, and features 64 NFTs by 32 artists from the competing nations. Meanwhile, Artificial Intelligence (AI) will fuse the pieces from the contending two countries in each of the matches into a unique piece based on the results of the game. The result will be a singular collection of 64 one-of-a-kind NFTs created through a collaboration of man and machine.  

The exhibition will run until Dec. 23. 

“The passion shared by football fans for the love of the beautiful game can be tangential to the passion shared by art aesthetes,” said Dr. Shurooq Amin, according to a released statement. “By connecting 32 artists from both the traditional and digital arenas, Ithra not only bridges the gap between Web2 to Web3, and between football and art, but furthermore between human and machine.” 


US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival
Lauded US director Spike Lee was at Jeddah’s Red Sea International Film Festival on Sunday. (AFP)
Updated 05 December 2022

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

US director Spike Lee talks ‘Malcolm X’ at Red Sea International Film Festival

JEDDAH: Lauded US director Spike Lee was at Jeddah’s Red Sea International Film Festival on Sunday to present a screening of his Oscar-nominated 1992 epic biopic “Malcolm X.”

He also took part in an In Conversation event and touched on a number of topics, including whether her would consider filming in Saudi Arabia.

Spike Lee at the Red Sea International Film Festival. (AFP)

“I can barely speak English. I speak fluent Brooklynese. There are so many things I want to do but to come into a culture you don’t know is dangerous territory. I’ve seen that in many attempts to make films about Black people,” he said.

The director’s trip coincides with the 30th anniversary of his film on American civil rights activist Malcolm X — the first fiction feature to shoot in Makkah, using a Muslim crew to shoot B-roll in the city.  

“It was imperative that we shoot, that we film Malcolm’s Hajj so we were the first film ever allowed to bring a camera in the old city of Mecca. I couldn’t go. We hired a Muslim crew. The highest law court, they didn’t do that for me, they realized how important Malcolm was to Islam,” he said.

“We had a screening yesterday. That is the first time Malcolm X has ever been screened in the country on a movie screen. We’ve come full circle.”


Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 
‘The Banshees of Inisherin' is part of the ongoing second edition of the Red Sea International Film Festival. (Supplied)
Updated 05 December 2022

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

Review: Red Sea title ‘The Banshees of Inisherin’ explores a friendship that goes tragically wrong 

JEDDAH: A hit at the recent Venice Film Festival, Martin McDonagh’s “The Banshees of Inisherin” is part of the ongoing second edition of the Red Sea International Film Festival in Jeddah. McDonagh’s latest adventure got its lead star Colin Farrell an acting award in Venice.  

Much like the director’s “Three Billboards Outside Ebbing, Missouri,” which won its lead star Frances McDormand an Oscar in 2018, “Banshees” is a poignant story. 

This time it is about a broken friendship between two men. It is set in 1923 on the fictional island of Inisherin as the sound of Irish civil strife is heard wafting across the sea. This is a harbinger of things to come – of an internecine struggle that is knocking on the door of dairy farmer Padraic (Colin Farrell) and his best friend is Colm (an equally brilliant performance by Brenden Gleeson). While Padraic is a simpleton, who can talk for hours about horse manure, Colm is an artist, writing music and playing the fiddle, and is prone to bouts of melancholy.

 The pair are inseparable, but something triggers a stand-off. Colm begins to avoid Padraic. The musician sits on his chair in deep thought and the film never makes the reason clear — leaving us as confused as the poor Padraic, who nags his sister, Siobhan (Kerry Condon), for information. “Perhaps, he just does not like you no more,” she quips. This may have sounded like a joke, but the truth leads to horrifying incidents.  

Colm is anxious about the passing years and does not want to waste his time with a “limited man.” He is serious about keeping Padraic away, and every time he tries to connect, the tortured artist cuts off one of his fiddle-playing fingers. But in the midst of all this macabre, there are lighter moments that will make the audience laugh.  

Cinematographer Ben Davis and production designer Mark Tildesley create artistic interiors which look like a 17th century Vermeer painting. Meanwhile composer Carter Burwell makes the film feel like a fairy tale. The cast is absolutely flawless and “The Banshees of Inisherin” has an excellent chance of making a mark at the upcoming Oscars.