Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 

Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 
Wim (Ravi Cabot-Conyers), Fern (Ryan Kiera Armstrong), KB (Kyriana Kratter) and Neel (Robert Timothy Smith) in ‘Star Wars: Skeleton Crew.’ (Disney)
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Updated 05 December 2024
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Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 

Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 
  • Showrunners and stars discuss the latest Disney+ TV show 

DUBAI: “Skeleton Crew” — the latest TV series from the “Star Wars” universe to land on the Disney+ platform — ignores the lofty narrative goals of previous efforts like “Andor” and “The Mandalorian” to offer something altogether simpler — and more fun: a children’s adventure story. 

“I think there’s something beautiful in the eyes of the children being our eyes and seeing the world of ‘Star Wars’ in its complexity — the threat, the potential, the adventure, the potential for heroics, the potential for drama, the humor, the absurdity — through them. I just find that very refreshing, and I hope people embrace it,” series star Jude Law — who plays the mysterious cad Jod Na Nawood — said at a recent media roundtable at which Arab News was the sole regional representative. 

“Skeleton Crew” introduces four young troublemakers: Wim (Ravi Cabot-Conyers), who secretly dreams of being a Jedi one day; Neel  (Robert Timothy Smith), Wim’s blue elephant-y best buddy and resident goody-two-shoes; Fern (Ryan Kiera Armstrong), the rebellious, high-achieving daughter of a local official; and KB (Kyriana Kratter), Fern’s tech-whiz bestie. 

When Wim discovers a mysterious object buried in the woods close to their neighborhood, the four kids are whisked off on a galaxy-spanning adventure as they try to make their way back home, crossing paths with the likes of Law’s Jod. 




Jod Na Nawood (Jude Law) and Neel (Robert Timothy Smith) in ‘Skeleton Crew.’ (Disney)

For 13-year-old Cabot-Conyers, Wim was easy to get a handle on; he said he has been fascinated by Jedis for as long as he can remember. 

“Wim really desperately wants an adventure, because he’s stuck in the suburbs, he’s not exactly happy with it. He wants to be a Jedi. The idea of that, to him, is so fascinating. And I thought the Jedi were so cool too. That’s what actually drew me to the ‘Star Wars’ universe, Luke Skywalker interested me so much, and playing that into my performances as Wim really, really helped,” he said. 

Series creators Jon Watts and Christopher Ford have had the idea for “Skeleton Crew” for a while, they explained. 

“Ford and I both love ‘Star Wars,’” said Watts, “and felt like we had a story to tell that worked well in that universe should we ever be given the opportunity.” 

Ford added: “We had always talked about a Jude Law-like character named Jod — that’s probably why we thought of that name. And we couldn’t believe it, when we reached out to him, that no one has asked him to be in ‘Star Wars’ yet. We were the first ones to ask. And it turns out he’s a huge, huge ‘Star Wars’ fan. We gave him a little bit of a background of the project and his character, and he was all in.” 




Fern (Ryan Kiera Armstrong), KB (Kyriana Kratter), Wim (Ravi Cabot-Conyers), Neel (Robert Timothy Smith) in ‘Star Wars: Skeleton Crew.’ (Disney)

For Law, the original “Star Wars” movie, released in 1977, offered a new way of looking at entertainment. “I just have a recollection of the impact of this film on my life and on my family. No one had ever seen anything like it — the bravery of it, the vision and the realization of this incredibly imaginative universe.” 

Aside from George Lucas’ sci-fi franchise, “Skeleton Crew” also owes a debt to Steven Spielberg’s early Amblin Entertainment movies, with comparisons already being made to the classic 1985 coming-of-age movie “The Goonies.” 

“I don’t think we ever consciously thinking, ‘Oh, let’s make this like Amblin,” said Ford. “But what’s really amazing about the Amblin films — and a lot of the films from that time period — is that they weren’t afraid to let kids be the protagonists, and they didn’t talk down to the kids, and they weren’t afraid to put the kids in real danger. We grew up with those films and we knew we wanted to do something similar. I think it’s just always been in our DNA. When you’re trying to tell an authentic story about a group of kids, you know, you go back to the best films.” 

Kratter believes the show has something for everyone, age no bar.  

“‘Skeleton Crew’ is kind of like a perfect ‘on ramp’ for a new generation of ‘Star Wars’ fans,” she said. “And not only that, it’s also going to be great their parents, because of its Amblin style, and hopefully they can get a sense of nostalgia from watching the show and also get to see a bunch of Easter eggs in there.” 


Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity
Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Tiffany Trump stuns in Zuhair Murad gown during inauguration week
Updated 21 January 2025
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Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Tiffany Trump stuns in Zuhair Murad gown during inauguration week
  • Tiffany is married to Lebanon-born Michael Boulos
  • Married in 2022, they are expecting their first child

DUBAI: Tiffany Trump, the daughter of US President Donald Trump, turned heads this week in a dress by Lebanese designer Zuhair Murad at the Inaugural Candlelight Dinner, hosted at the National Building Museum in Washington, D.C.

Traditionally held on the eve of a US presidential inauguration, the black-tie event honors the incoming administration with an evening of celebration and speeches.

For the occasion, Tiffany, who is expecting her first child with husband Michael Boulos, chose a custom, chocolate-brown chiffon gown with an asymmetric one-shoulder neckline, and a cape-like sleeve that flowed dramatically.

The dress was cinched at the waist and highlighted by intricate draped detailing on the bodice.

On Monday morning, Tiffany and Boulos attended services at St. John’s Church in Washington, D.C., a longstanding tradition for incoming presidents and family members.

Later in the day, she joined her family at the swearing-in ceremony, which was held indoors at the Capitol Rotunda due to extreme cold weather.

She also attended the inaugural parade at the Capital One Arena and the inaugural balls that evening.

For the day’s events, she wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots.

She wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots. (Getty Images)

Tiffany and Boulos tied the knot in 2022. For her special day, the bride wore a custom-made Grecian-style gown by Lebanese designer-to-the-stars Elie Saab.

Tiffany chose her wedding dress as a nod to Boulos’ heritage. “It’s a Lebanese-American wedding, so we were so happy to have Elie Saab create the magic,” said mother of the bride Marla Maples at the time, according to People magazine.

Boulos is of Lebanese and French descent and grew up in Lagos where his father, Massad, runs Boulos Enterprises and is the CEO of SCOA Nigeria.

The family is also linked to the world of Hollywood through Michael’s brother Fares, who is an actor and appeared in a 2017 episode of “The Crown.”

Boulos and Tiffany were engaged in January 2021, the day before Trump left office following defeat in the 2020 election.


Camila Alves McConaughey shines in Elie Saab at Riyadh event

Camila Alves McConaughey shines in Elie Saab at Riyadh event
Updated 20 January 2025
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Camila Alves McConaughey shines in Elie Saab at Riyadh event

Camila Alves McConaughey shines in Elie Saab at Riyadh event

DUBAI: Lebanese couturier to the stars Elie Saab took to Instagram to give a shoutout to model Camila Alves McConaughey, who wore the label to the recent concert “Life is a Dream,” led by Hollywood giant Anthony Hopkins in Riyadh.

“@camilamcconaughey attended the ‘Life Is A Dream’ concert composed by Sir Anthony Hopkins with the Royal Philharmonic Orchestra alongside her husband Matthew in an ELIE SAAB Spring Summer 2025 look,” the label captioned the Instagram post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Alves McConaughey, who attended the event with her actor husband Matthew McConaughey, wore a striking yellow gown to the event, with flowing caped sleeves and a plunging neckline.

Meanwhile, US pop sensation Christina Aguilera, who performed at the Joy Awards ceremony over the weekend in Riyadh, also opted for an Elie Saab creation for the first part of her performance.

Aguilera took to the stage in a dramatic burgundy gown from Elie Saab’s Haute Couture Autumn Winter 2024 collection. The glittering gown saw Aguilera channeling old-school 1920s Hollywood glamour. The dress flowed into a feathered train, and she completed the look with a chiffon scarf, draped over her head and shoulders.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

The same event saw Alves McConaughey opt for another yellow gown, this time from Oscar de la Renta.

As for the symphony concert, in a captivating blend of art and humanity, Hollywood icon Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As Salaam o Alaikum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”


Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 
Updated 20 January 2025
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Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Ariana Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

RIYADH: With the theme “Then and Now: Joy in the Struggle of Making,” the sixth edition of the Tuwaiq Sculpture symposium has brought together 30 sculpture artists from around the world.

Among them is Italian artist Ariana Palmieri, whose piece “Motion of Revolution” was inspired by the movement of the solar system around the sun. Depicting the inevitable cycles of birth and death, the work contemplates the notion that birth is conditioned by assured fatality. 

Adriana Palmieri at her Tuwaiq Sculpture symposium booth. (Instagram)

“It’s all about the circularity of life — you are born, you are a child, then you are an adolescent, then you grow older, and then you die. But your life will continue after this, and we give life to other things. So it’s more about how everything is connected and a circularity of life; as humans move within the planets, the planets are moving around the sun,” Palmieri told Arab News. 

Originally from Milan, Palmieri moved to Carrara, a town known worldwide for its white marble, to study sculpting. She graduated in 2023 and the 26-year-old is one of the youngest artists amongst the group at the symposium.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

She says it is an opportunity to learn and grow as an artist. 

“It’s like a dream. I didn't think they would choose me because I am so young,” she said. “The last edition was more about people that had experience. This edition, they tried to concentrate more (on) the artwork and the background of the artist,” she said. 

The finished works will be exhibited from Feb. 12-24 and moved to various locations across the city as part of Riyadh Art’s initiative to beautify the capital.

“Public art is the main thing that our sculptures can achieve because you can do big stuff and they will be like a journal in some way. I’m really, really happy that I can do something so big that will stay there so much longer than me,” she said. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

Palmieri’s work is not merely a reflection of planetary movement but contemplates the existence of the human race and its role within a larger picture. Her work itself is a representation of this thought: As every human diminishes, remnants of them and their work on earth will be set in stone — waiting to be discovered by another. 

“I thought about nature a lot, and all of humanity. I hope at least that my art can get through this idea, to connect all the people,” she said.


Review: ‘A Man on the Inside’ – comedy series on Netflix

Photo/Supplied
Photo/Supplied
Updated 19 January 2025
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Review: ‘A Man on the Inside’ – comedy series on Netflix

Photo/Supplied
  • Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing

“A Man on the Inside” is an eight-episode comedy series that premiered on Netflix in 2024, blending humor, heartfelt storytelling and a touch of mystery.

After retired professor and widower Charles Nieuwendyk (Ted Danson of “The Good Place”) speaks to his concerned only daughter, Emily (Mary Elizabeth Ellis), he decides to make a change. A year after her mother’s death, Emily encourages her father to find a new purpose; to take a class or try a new hobby.

With a love of newspaper cutouts (he would often clip and mail interesting articles to Emily), Charles finds an intriguing yet vague job listing in the classified section.

He is soon recruited by Julie, a private investigator (Lilah Richcreek Estrada), who reluctantly enlists his help to uncover the whereabouts of a stolen necklace in a local San Francisco retirement community.

At its heart, the series explores the evolving father-daughter relationship between Charles and Emily, along with her husband and three teenage sons.

It also shows Charles making friends and trying out new things at an age and stage in his life when he thought life ended with his wife’s death.

Dressed in impeccably pressed suits and armed with plenty of trivia about architecture, he saunters in, shyly at first, then begins to find his footing.

“He’s like if a podcast wore a suit,” one staff member aptly describes him.

Then another valuable item is stolen from the community. Then another.

Stephanie Beatriz (“Brooklyn Nine-Nine”) co-stars as Didi, the sharp and determined managing director of the retirement community, bringing her trademark wit and charm to the role.

The whodunit-style show examines coping with grief, lost love, and the excitement of new beginnings from the perspective of seniors.

Whether you’re here for the mystery, the comedy, or its effortless charm, the series delivers a family-friendly binge-worthy viewing experience.