Saudi filmmaker Ryan Al-Bishri discusses ‘When the Light Shines’ 

Saudi filmmaker Ryan Al-Bishri discusses ‘When the Light Shines’ 
Prince Faissal bin Abdullah bin Mohammad Al-Saud, founder of Layan Culture, at the organization’s headquarters with his daughter, who is also called Layan. (Image courtesy of Dahsha Productions)
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Updated 18 April 2025
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Saudi filmmaker Ryan Al-Bishri discusses ‘When the Light Shines’ 

Saudi filmmaker Ryan Al-Bishri discusses ‘When the Light Shines’ 
  • The documentary about Layan Culture tells a remarkable story of artistic perseverance against the odds 

DUBAI: Saudi Arabia’s cultural scene is becoming increasingly significant both inside and outside of the Gulf region, with the Kingdom’s artists being collected by prestigious international institutions and fetching impressive prices at auction.  

But a common gripe is that there is little archival material on those creatives who, decades ago — and without any of the institutional support the current generation now enjoy — built careers for themselves and inspired those who came after them. 

In his documentary “When the Light Shines,” which screens at the Saudi Film Festival today, Saudi filmmaker Ryan Al-Bishri reveals one long-running initiative that bucks that trend. Layan Culture was officially established in 2007 by Prince Faissal bin Abdullah bin Mohammad Al-Saud and Princess Adelah bint Abdullah bin Abdulaziz Al-Saud, but stems from decades-long support for artists and creators from its founders.  




Filmmaker Ryan Al-Bishri. (Dhasha Productions)

Layan is an archive, a collective, an “art-concept creator” and much more. It celebrates, promotes and is a patron of Saudi creatives. Its website states that its vision is also to “nurture artistic appreciation in the minds and hearts of the Saudi people.” However, despite its significance, Layan Culture is little-known, even inside the Kingdom. Al-Bishri hopes to change that. 

Al-Bishri was first introduced to Prince Faissal through his father, the fashion designer Yahya Al-Bishri.  

“I heard a lot of the stories through my father, of course. And then from Prince Faissal himself. And whenever they talked about it, it was just like ‘Wow!’ Stories I’d never heard —really interesting stuff from back in the 1960s,” Al-Bishri tells Arab News. 

A few of those stories — of trips overseas or to then-rarely visited areas of Saudi Arabia as the prince and his friends attempted to gather information about the Kingdom’s artistic and cultural heritage — made it into “When the Light Shines.” Indeed, Al-Bishri says, one in particular was the spark for the whole project. 

In the 1960s, American artist, photographer and explorer Gerhardt Liebmann entered Saudi Arabia through Yemen. “He just walked in — no visa or nothing — and started painting,” says Al-Bishri. Eventually, Liebmann was discovered by the authorities and deported.  




Layan Culture’s managing director Ghada AlTobaishi (R) and art director Mazen Tarabishi. (Courtesy of Dhasha Productions)

Years later, Prince Faissal and others were on a trip to Geneva. As they were walking past one of its many art galleries, the prince spotted a painting of a mosque minaret. The gallery provided the name of the artist (yes, Liebmann) and Prince Faissal reached out to him. In 1981, Liebmann returned to the Kingdom. The minaret, it turned out, was that of a mosque in Taif. Over the next few years, until Liebmann’s death in 1985, the artist visited regularly, painting portraits of some of the Kingdom’s rulers and its landmarks. Those works form part of Layan Culture’s extensive collection related to Saudi Arabia, much of which the organization has restored, and much of which has never been on public display. 

When putting the documentary together, Al-Bishri was himself left bemoaning the lack of material available from the 20th century. “There’s a lot of archive we wish we had,” he says. “Like, if there was any footage of Gerhardt and his journey and the people around him, that would have been really incredible.” 

Fortunately, Al-Bishri did have access to Prince Faissal’s personal footage. “He had a team around him who filmed, and we had to gather everything we could to get this together. As you see in the film, everyone is really down-to-earth and welcoming. They never had any formalities about anything. Even the prince himself.” 

That footage makes up some of the documentary’s most joyous scenes — including a camping trip to the Empty Quarter — in which you really get a sense of the camaraderie between this handful of people trying to create a lasting cultural legacy. As Al-Bishri’s father says in the film, “Across the Kingdom, there were only individual efforts by people, and only a few who were willing to support these few artists.”  

Those words are echoed on screen by artist, sculptor and photographer Dr. Dia Aziz Dia, who was given a scholarship to study art in Italy, but on his return, he says, “I was surprised that society wasn’t ready to embrace art.” 

“The prince connected a lot of people together. Without that, you’ve lost that sense of community. A lot of people might have given up,” says Al-Bishri. “Especially at a time where everyone was telling you what you’re doing is wrong. You know, my father got that for a long time: ‘This is not right, what you’re doing is very wrong.’ But finding a group of people who are there to support you, as an artist, was incredible. Now we have that, of course, the government, the ministries… all of this change, it’s wonderful. But it kind of feels like it misses the people before this — the people who fought, who struggled. We have to talk about them too. They started this. I want this film to bring people to Layan Culture so they can really appreciate the work that they’ve done.” 

It certainly seems to have done that. Since its premiere at the Red Sea International Film Festival late last year, “When the Light Shines” — the title alludes to Prince Faissal’s feeling that now was the time to make some more noise about the work of Layan Culture — has won Best Film at the Munich New Wave Film Festival and been officially selected to compete at Mexico City’s Mirada Corta Short Film Festival, East Village New York Film Festival, and the Florence Film Awards, as well as appearing at several other festivals. And Al-Bishri hopes his short documentary will spawn a television series.  

“There are so many stories that we discovered that even a feature-length film wouldn’t be enough,” he says. “What we want to do is make a short film about each artist where they talk about their journey. I think that would be great.” 

His goal is a simple one.  

“I want people to recognize the amount of work these people have put in. They sacrificed a lot and they had to fight a lot of people — a lot of family — just to do what they love,” he says. “A lot of these artists — a lot of these communities — were very quiet before and maybe they got used to that. But I think it’s very important that they should not be forgotten.” 


The Smashing Pumpkins to make UAE debut this October

The Smashing Pumpkins to make UAE debut this October
Updated 20 May 2025
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The Smashing Pumpkins to make UAE debut this October

The Smashing Pumpkins to make UAE debut this October

DUBAI: Alternative rock icons The Smashing Pumpkins are set to perform in the UAE for the first time, with a one-night-only concert at Abu Dhabi’s Etihad Arena on Thursday Oct. 9, 2025. The show is part of the band’s global “Rock Invasion 2025” tour and marks their  Middle East debut.

Led by founding member Billy Corgan, with longtime bandmates James Iha and Jimmy Chamberlin, the Chicago-born group will deliver a setlist spanning their three-decade career. Fans can expect to hear beloved classics such as “1979,” “Tonight, Tonight,” and “Bullet With Butterfly Wings,” alongside newer tracks like “Beguiled” and “Empires.”

The Abu Dhabi stop is the final leg of their regional tour, which also includes performances in Tokyo, Seoul, Manila, Bangkok, Singapore, and Bahrain. The tour follows the release of their ambitious rock opera “ATUM” and their latest album “Aghori Mhori Mei,” released in late 2024.

Tickets for the Etihad Arena show go on sale through Live Nation Middle East, with artist and presale tickets available starting May 21, and general public sales opening on May 23 at 12 pm.


Gazan twins in Cannes warn ‘nothing left’ of homeland

Gazan twins in Cannes warn ‘nothing left’ of homeland
Updated 20 May 2025
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Gazan twins in Cannes warn ‘nothing left’ of homeland

Gazan twins in Cannes warn ‘nothing left’ of homeland

CANNES: Twin Gazan filmmakers Arab and Tarzan Nasser said they never thought the title of their new film “Once Upon A Time In Gaza” would have such heartbreaking resonance.
“Right now there is nothing left of Gaza,” said Tarzan when it premiered on Monday at the Cannes film festival.
Since militants from Palestinian group Hamas attacked Israel on October 7, 2023, more than 18 months of Israeli bombardment has ravaged large swathes of the Palestinian territory and killed tens of thousands of people.
Israel has vowed to “take control of all” the besieged territory of more than two million inhabitants, where United Nations agencies have warned of famine following Israel’s two-month total blockade.
Israel allowed in several aid trucks on Monday but the UN said it was only “a drop in the ocean” of needs.
The Nasser brothers, who left Gaza in 2012, said their new film set in 2007, when Hamas Islamists seized control of the strip, explains the lead-up to today’s catastrophic war.
“Once Upon A Time In Gaza,” which screened in the festival’s Un Certain Regard section, follows friends Yahia and Osama as they try to make a little extra cash by selling drugs stuffed into falafel sandwiches.
Using a manual meat grinder that does not rely on rare electricity, student Yahia blends up fava beans and fresh herbs to make the patty-shaped fritters in the back of Osama’s small run-down eatery, while dreaming of being able to leave the Israeli-blockaded coastal strip.
Charismatic hustler Osama meanwhile visits pharmacy after pharmacy to amass as many pills as he can with stolen prescriptions, pursued by a corrupt cop.


Israel first imposed a blockade on Gaza in June 2006 after militants there took one of its soldiers, and reinforced it in September 2007 several months after Hamas took power.
“The blockade was gradually tightened, tightened until reaching the genocide we see today,” said Tarzan.
“Until today they are counting the calories that enter,” he added.
An Israeli NGO said in 2012 that documents showed Israeli authorities had calculated that 2,279 calories per person per day was deemed sufficient to prevent malnutrition in Gaza.
The defense ministry however claimed it had “never counted calories” when allowing aid in.
Despite all this, Gazans have always shown a love of life and been incredibly resilient, the directors said.
“My father is until now in northern Gaza,” Tarzan said, explaining the family’s two homes had been destroyed.
But before then, “every time a missile hit, damaging a wall or window, he’d fix it up the next day,” he said.
In films, “the last thing I want to do is talk about Israel and what it’s doing,” he added.
“Human beings are more important — who they are, how they’re living and adapting to this really tough reality.”
In their previous films, the Nasser twins followed an elderly fisherman enamoured with his neighbor in the market in “Gaza Mon Amour” and filmed women trapped at the hairdresser’s in their 2015’s “Degrade.”
Like “Once Upon A Time in Gaza,” they were all shot in Jordan.

As the siege takes its toll in “Once Upon A Time In Gaza,” a desolate Yahia is recruited to star in a Hamas propaganda film.
In Gaza, “we don’t have special effects but we do have live bullets,” the producer says in one scene.
Arab said, long before Gazan tap water became salty and US President Donald Trump sparked controversy by saying he wanted to turn their land into the “Riviera of the Middle East,” the coastal strip was a happy place.
“I remember when I was little, Gaza actually was a riviera. It was the most beautiful place. I can still taste the fresh water on my tongue,” he said.
“Now Trump comes up with this great invention that he wants to turn it into a riviera after Israel completely destroyed it?“
Hamas’s October 2023 attack resulted in the deaths of 1,218 people on the Israeli side, mostly civilians, according to an AFP tally based on official figures.
Militants also took 251 hostages, 57 of whom remain in Gaza including 34 the military says are dead.
Israel’s retaliatory offensive has killed 53,486 people in Gaza, mostly civilians, according to Gaza health authorities, whose figures the United Nations deems reliable.
Gaza health authorities said at least 44 people were killed there in the early hours of Tuesday.


Met returns looted Mesopotamian artifacts to Iraq after investigation

Met returns looted Mesopotamian artifacts to Iraq after investigation
Updated 20 May 2025
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Met returns looted Mesopotamian artifacts to Iraq after investigation

Met returns looted Mesopotamian artifacts to Iraq after investigation

DUBAI: Three ancient Mesopotamian artifacts once housed at the Metropolitan Museum of Art in New York have been returned to Iraq after an investigation into art trafficking linked to the late British antiquities dealer Robin Symes, authorities announced on Monday.

The return was confirmed in statements by the Met and the Manhattan district attorney’s office, which led the criminal investigation. The artifacts — a Sumerian gypsum vessel from about 2600-2500 BC and two Babylonian ceramic heads dated about 2000-1600 BC — were among 135 looted antiquities linked to Symes and seized earlier this year.

According to The New York Times, the male head sculpture was sold to the Met by Symes in 1972, while the female head and the Sumerian vessel were gifts from a private collection in 1989. All three are believed to have originated from ancient Mesopotamian sites, including Isin and Ur, now in modern-day Iraq.

Manhattan District Attorney Alvin Bragg Jr. said the seizure and return are part of broader efforts to undo the “significant damage traffickers have caused to our worldwide cultural heritage.”

The repatriation was formalized in a ceremony in Lower Manhattan attended by Iraqi officials and Met representatives. The museum said that it had acted upon “new information” received through the DA’s investigation that clarified the artifacts’ illicit provenance.

Authorities estimate the value of the 135 items trafficked through Symes and recovered in New York at $58 million.


 


Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes
Updated 20 May 2025
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Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

DUBAI: French Algerian actress Lyna Khoudri’s film “Eagles of the Republic” premiered this week at the 78th Cannes Film Festival, and it received a coveted standing ovation following the screening.

Directed by Swedish Egyptian filmmaker Tarik Saleh, the film is the final chapter in his acclaimed “Cairo Trilogy,” which includes “The Nile Hilton Incident” (2017) and “Boy From Heaven” (2022), the latter earning him the Best Screenplay award at Cannes.

Set in Cairo, “Eagles of the Republic” follows George El-Nabawi, a fading movie star who reluctantly agrees to play a role in a political biopic.

(L-R) Alexandre Desplat, Lyna Khoudri, Amr Waked, Sherwan Haji and Tarik Saleh at the premiere. (Getty Images)

Khoudri portrays Donya, a journalist who becomes entangled in the political intrigue surrounding the film’s protagonist, Fahmy.

The movie also features Swedish Lebanese actor Fares Fares — a longtime collaborator of Saleh — in the lead role, alongside French Moroccan actress Zineb Triki as Suzanne, the Western-educated wife of Egypt’s defence minister, and Egyptian actor Amr Waked as presidential adviser Dr. Mansour.

For the premiere, Khoudri wore a sculptural strapless Chanel dress featuring a voluminous skirt, a structured bodice, and folded detailing along the neckline. The gown was cinched at the waist and flared into pleats. She completed the look with white open-toe heels and a sleek bun.

She attended the premiere alongside Saleh, Waked, French film composer and conductor Alexandre Desplat, and Kurdish Finnish actor, filmmaker and writer Sherwan Haji, who also stars in the film. 

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

She was also cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton and Owen Wilson.

The actress also stars in Martin Bourboulon’s Afghanistan evacuation drama “In The Hell Of Kabul: 13 Days, 13 Nights,” alongside Danish Bafta-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.


Dubai Fashion Week set to return this autumn

Dubai Fashion Week set to return this autumn
Updated 20 May 2025
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Dubai Fashion Week set to return this autumn

Dubai Fashion Week set to return this autumn

DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).

As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.

The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.