MAKKAH: A young Saudi Arabia artist has found her voice in the geometry of square Kufic calligraphy, transforming Arabic letters into contemporary designs that reflect both discipline and creativity.
Samah Al-Baiti embraced Arabic calligraphy as a way to convey identity and culture, aligning her own journey with Saudi Vision 2030’s broader goal to highlight heritage and creativity.
In an interview with Arab News, she recounted her beginnings and experiences that shaped her artistic career in the world of Arabic calligraphy and Islamic design.
Her first encounter with calligraphy was marked by passion and curiosity.
“Since childhood, I watched my father write Arabic letters with precision and calm,” she said. “It became ingrained in me that letters are not just written words but an art that can be transformed into beautiful paintings.”
She added that her father’s influence led her to view each line as a design imbued with meaning.
Al-Baiti’s mother also encouraged her talent. “My mother always believed in my abilities and asked me to decorate the rooms with my paintings, which gave me the confidence to know I was on the path of value and purpose.”
That confidence, she said, fueled her determination to embark on a long artistic journey.
Studies in Islamic design and ornamentation at King Abdulaziz University further refined her skills.
“This field opened a new window for me, allowing me to understand how calligraphy and decoration complement each other in aesthetic harmony,” she said.
“Through it, I learned the basics of Kufic calligraphy and color techniques, which gave me a solid foundation for developing my distinctive style.”
Al-Baiti was particularly drawn to square Kufic calligraphy. The style, she explained, captivated her with its geometric beauty and balance.
“Square Kufic reflects my personality in terms of precision and discipline, and for me it is a space of boundless creativity,” she added.
Her first participation in the “Symphony with Letters” exhibition in Jeddah was a turning point.
She expressed pride in displaying her work to the public for the first time, noting that the audience’s interaction left the greatest impression on her. This is because many visitors tried to read one of her circular designs that incorporated the wisdom of Imam Al-Shafi’i.
She also highlighted the support and encouragement of media figures and calligraphers.
Those who supported her include calligrapher Mohammed Al-Harazi who trained her in the Diwani style; artist Saud Khan who encouraged her to participate in his exhibition; and media figure Jamil Al-Harthi who introduced her to the world of art exhibitions.
Driven by a desire to innovate, Al-Baiti began experimenting with new materials including thread, nails and coffee capsules. This stemmed from her desire to break from tradition and create works combining art and sustainability.
Balancing daily work commitments with her passion remains a challenge, but she insists on dedicating time to creativity, which she views as her form of self-expression.
Her mission, she explained, is to invite viewers to experience moments of awareness and beauty through her paintings.
“Each participation in an exhibition is a new step that enriches my journey,” she added.
Al-Baiti concluded by noting that Vision 2030 inspires her to use art as a bridge for cultural expression.
“I believe that it is our responsibility as artists to present our heritage to the world in a way that reflects its depth and authenticity, so that it continues to stand as a testament to the beauty of our culture.”
