Recipes for success: Chef Yann Lohez offers advice and a tasty tomato salad recipe 

Recipes for success: Chef Yann Lohez offers advice and a tasty tomato salad recipe 
Yann Lohez is the executive chef at The St. Regis Riyadh. (Supplied)
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Updated 20 June 2024
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Recipes for success: Chef Yann Lohez offers advice and a tasty tomato salad recipe 

Recipes for success: Chef Yann Lohez offers advice and a tasty tomato salad recipe 

DUBAI: French chef Yann Lohez has spent 15 years working in five-star hotels across the world, with stints at the Emirates Palace in Abu Dhabi, Geneva’s Kempinski Hotel, the Evian Resort in France and now The St. Regis Riyadh, where he is the executive chef.  

His passion for cooking began in the quaint countryside school where his mother cooked for 80 children. 

“Every morning, during the break between classes, my classmates would ask me to go to the kitchen and ask for the menu,” Lohez tells Arab News. “I would rush to the kitchen and smell the food. I have all these memories in my head and it stuck in my DNA.”  




The St. Regis Riyadh. (Supplied)

The first dish he tried to make on his own, he recalls, was mayonnaise.  

“My grandmother always made egg noodles for Sunday lunch, and my task was to make the mayonnaise. It’s a great memory. I remember this dish was amazing,” he says. 

Here, he discusses his favorite dish and his top tips for amateur chefs. He also shares an heirloom tomato salad recipe.  




The St. Regis Riyadh. (Supplied)

When you started out, what was the most common mistake you made? 

I faced a lot of challenges, especially when making pastries. For pastries, you always have to follow the recipes and you have to follow the technique. And as a cook, you make the recipes yourself. It was difficult for me to follow a proper recipe. Cooking is more about the sense and the feeling, but for pastries you have to follow the recipe exactly to get the right consistency. It was challenging. I always say I’ll never be a pastry chef because I don’t want to follow all these recipes. That was my challenge. 

What’s your top tip for amateur chefs? 

Let’s take steak for example. When people are cooking at home, they take the steak from the chiller and put it straight in the pan. This is a mistake. You need to keep it at room temperature for at least 20 minutes. When the protein is in the chiller it is very hard, so you need to make it more tender. And you definitely need to add some marination. You add the sauce, the olive oil and some spices in order to overload it and allow the spices to turn into fiber. Only then do you cook your steak. 




Greek Mezze. (Supplied)  

What one ingredient can instantly improve any dish? 

It’s not an actual ingredient. It’s patience. And love. Whoever you’re cooking for — you, your family, your friends or even for customers — without passion you cannot achieve the right dish.  

When you go out to eat, do you find yourself critiquing the food?  

Not really. I always go to the restaurants to enjoy, not to give criticism. It makes me happy to explore different cultures, different food and different ways to cook. And it gives me inspiration.  

What’s the most common mistake you find in other restaurants? 

It’s about how you engage with the guest. Sometimes the waiter is too close or too eager to interrupt. When I’m in a restaurant, I want to be free and enjoy the food and not be disturbed every five minutes.  

When it comes to food, I’m French, so I like my meat to be rare. It’s difficult in this part of the world to get rare meat. It needs to be not cooked on the inside, but hot. Very few restaurants make steak the way I like it. 




Slow braised beef checks orzo ragout. (Supplied)

What’s your favorite cuisine? 

I don’t really have one. I’m very open-minded about food and food culture. I think it’s the best way to get new ideas. I love Indian food. I love Arabic food. I love Asian food. When I go back to France, I love to have traditional slow-cooked meat or something buttery or creamy.  

What’s your go-to dish if you have to cook something quickly at home? 

Omelet. It is very, very fast for me to make. I am very passionate about it also because my father raises chickens and I always get organic eggs. I think it’s the best way to get the right protein as well. An omelet gives you power throughout the day. It really takes five minutes to make. You can make it with anything, whatever you have at home. 




Wild ceps Aquerello risotto aged parmesan. (Supplied)

What request by customers most annoys you? 

Sometimes the guests do not respect the team. Mistakes can happen. We take the opportunities to learn from our mistakes, but there is no point in showing a lack of respect to anyone. 

As a head chef, what are you like? 

To answer this, I’ll tell you a bit about my background. As I told you, my mother was a chef, but my father was a military policeman. So I learned that discipline is very important to get things done right. However, with this new generation, it’s very important to be fair and to be close to them. You need to lead by example. That is what is most important. I’ve had chefs who shout a lot, but this mindset doesn’t work anymore. I don’t shout in the kitchen. I’m strict, but I want to be close with my team. That’s the secret of success.  

Chef Yann’s heirloom tomato salad recipe 




Chef Yann’s heirloom tomato salad recipe. (Supplied)

 

INGREDIENTS: 

160g goat cheese; 10g honey; 2g Espelette chili  

For the Bloody Mary jelly: 0.5L tomato juice; 5 drops Worcestershire Sauce; 2 drops tabasco; 10g vegetal gelatin; 2g celery salt  

For the heirloom tomatoes: 1 beef heart tomato; 2 Black Krim tomatoes; 1 green zebra tomato; 2 yellow pineapple tomatoes; 8 cherry tomatoes; 1/2 bunch chervil; 1/2 bunch dill; 4g oregano salt; 2g three pepper mix  

For the basil oil: 200ml extra virgin olive; 1/2 bunch basil leaves  

For the Kalamata soil: 50g kalamata olive; 50ml balsamic cream sauce   

INSTRUCTIONS: 

1. In a small bowl, mix goat cheese, honey and chili with a fork. 

2. Roll four balls of 80 grams each. Wrap each of them in a 15cm x 15cm square of cling film. Close it by bringing the four corners together and turning to get the shape of a tomato.  

3. Put the four balls in the freezer for three hours, until they turn hard, then remove the plastic and insert a skewer into each. Keep in the freezer until your Bloody Mary jelly is ready. 

For the Bloody Mary jelly 

1. Heat all the ingredients for the Bloody Mary jelly in a pan and whisk until the jelly becomes smooth.  

2. Soak the goat cheese balls in the jelly on their skewers until you get a red, shiny color. 

For the heirloom tomatoes 

1. Cut all the tomatoes into different shapes. 

2. Keep four green tomatoes for decoration. Fry them for 30 seconds. 

3. Seasoning is important. Add salt and pepper five minutes before plating. 

4. Use the chervil and dill leaves for decoration. Dry them, along with the tomatoes, for five hours at 60 degrees.  

For the basil oil 

1. Put the basil leaves and the olive oil in a mixer and blend. Strain the oil through a coffee filter to get clear green oil. 

For the Kalamata soil 

Dry the olives for five hours at 60 degrees (same as the tomatoes). When they harden, allow to cool, then mix until you get a powder. 

PLATING: 

The plating is always a chance to bring your creativity to the stage. My only advice is to reflect nature on the plate. Start with the beef heart tomato slice in the middle as a base for your goat cheese balls. Don’t forget to add a tomato stalk to them to create ‘realistic’ tomatoes. Create a garden around this with the rest of the tomatoes. Add olive dust and a dot of balsamic cream sauce for the acidity. The dish should be served at room temperature. 


Simone Biles wins Laureus award in Saudi design

Simone Biles wins Laureus award in Saudi design
Updated 22 April 2025
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Simone Biles wins Laureus award in Saudi design

Simone Biles wins Laureus award in Saudi design
  • Saudi Arabia’s Eman Al-Ajlan designed Biles’ dress
  • US gymnast won 3 gold, 1 silver at Paris Olympics

DUBAI: US gymnast Simone Biles took home the Sportswoman of the Year award at the 2025 Laureus World Sports Awards this week, wearing a black gown by Saudi Arabia designer Eman Al-Ajlan.

The athlete opted for a strapless dress with a structured corset bodice featuring nude and black embroidered detailing. It included a voluminous peplum-style layer at the waist and a floor-length, sheer black skirt.

Simone Biles opted for a strapless dress with a structured corset bodice. (Getty Images)

She paired the look with simple diamond accessories and a black Tyler Ellis bag.

The American gymnast won three gold and a silver at the Paris Olympics.

Swedish pole vaulter Mondo Duplantis was named Sportsman of the Year. He had won a second Olympic gold medal and twice raised his own world record.

Al-Ajlan shared a photo on Instagram of Biles wearing her design, writing: “Congratulations @simonebiles on winning the Laureus World Sportswoman of the Year Award.”

This is not the first time Al-Ajlan’s designs have appeared on major red carpets.

Earlier this year, at the 96th Academy Awards, US social media personality Kristy Sarah wore a gown by Al-Ajlan.

The dress was a strapless, form-fitting gown in a soft nude tone. It featured a structured, ruched bodice that extended into a mermaid-style silhouette.

The skirt and train were embellished with three-dimensional floral appliques in shades of lavender and lilac.

In 2023, she dressed US actress, dancer, and social media star Tessa Brooks in an all-black ensemble for the MusiCares Persons of the Year event in Los Angeles.

The following year, British model and TV presenter Leomie Anderson wore a structured look by Al-Ajlan at the 2024 amfAR Gala in Cannes, featuring a mini dress layered with a net-like skirt.

Al-Ajlan, who launched her label in 2007, is based in Riyadh and specializes in couture, bridal and pret-a-porter designs.

She has dressed several regional celebrities for international events, including Saudi Arabia actresses Mila Alzahrani and Dae Al-Hilali at the 2019 Venice Film Festival.

In 2024, Riyadh-based TV host Ajwa Aljoudi wore a mustard gown by the designer to the 76th Primetime Emmy Awards in Hollywood.


Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk

Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk
Updated 22 April 2025
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Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk

Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk

DHAHRAN: Japanese filmmaker Kaneko Masakazu — known for his cinematic exploration of nature, memory, and myth — captivated audiences at the 11th Saudi Film Festival (SFF) with an intimate and insightful conversation about the deep connections between culture and storytelling.

Masakazu was joined on stage by Abdulrahman Al-Qarzaee, a fluent Japanese speaker from Saudi Arabia who served as translator with cultural commentator Showg AlBarjas acting as moderator.

The conversation delved into how landscapes, folklore and cultural identity shape cinematic storytelling, facilitating a thoughtful exchange of ideas that spanned cultural boundaries.

During this session, Masakazu shared his approach to filmmaking, particularly in “River Returns” (2024), his third feature film. It was shown just days earlier at the SFF, which is set to wrap up on April 23.

The film, a stunning blend of fantasy and drama, takes place in a rural Japanese village and tells the story of a young boy’s perilous journey to a seemingly haunted body of water. There, he hopes to calm the grief-stricken spirit responsible for devastating floods that have plagued the village. The story is set during the 1958 typhoon, which serves as a backdrop to the boy’s journey.

Masakazu revealed how his work has always been centered on the relationship between humans and nature.

“My work deals with the relationship between nature and humans as its central theme. It tells these stories in a poetic, almost mythical style,” he said.

In “River Returns,” the boy’s journey to the mountain pool is not just a physical one, but a spiritual and emotional quest, too.

The film captures how natural disasters can be viewed as manifestations of spiritual unrest, a concept in Japanese folklore that seemed to resonate with Saudi audiences.

The film’s breathtaking cinematography beautifully contrasts the serene landscapes with the looming, furiously violent storm, underscoring the dynamic between the gentle and the destructive forces of nature.

“The meaning of the narrative is ultimately left to the viewer — whether they experience sadness, love or the echo of an ancient tale,” Masakazu shared. “In the end, it becomes a transmission of culture, a passing down of folklore, all leading back to a shared emotional core. At the same time, I’m interested in how people respond — how a non-Japanese audience might engage with it.”


Quirky abaya brands reveal the changing face of Saudi fashion

Quirky abaya brands reveal the changing face of Saudi fashion
Updated 22 April 2025
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Quirky abaya brands reveal the changing face of Saudi fashion

Quirky abaya brands reveal the changing face of Saudi fashion
  • Designers repurpose traditional looks to highlight individuality
  • Saudi girls, women express themselves, while retaining modesty, tradition

RIYADH: Saudi Arabia’s streets are increasingly seeing women dressed in vibrant and daring colors, patterns and fabrics as abaya designers make more creative choices.

Once considered a garment to hide behind, abayas have become a form of artistic beauty that Saudi girls and women use to express themselves, while retaining modesty and tradition.

Today there is an influx of brands specializing in quirkier designs whose aim is to make women feel both comfortable and unique in their clothing choices.

Reem Al-Bayyat, founder of Mad Since 1982 (Instagram: madsince1982), told Arab News that “every piece tells a story; no two look the same.”

Mad Since 1982 weaves together different pieces of fabric printed with Al-Bayyat’s illustrations. As a collage artist, she never combines the same fabrics in the same way twice.

“It is a story, but also a risk and an adventure, whether things will work out or not … all my friends ask me how I dare to put the fabrics together in this way,” she said.

With a passion for ready-to-wear, Al-Bayyat’s goal is to make wearable, everyday pieces more beautiful and elegant.

“I want it to be close to the hearts of the people wearing it, I want them to feel special.

“That is how I was inspired to created Hadaweh.”

Hadaweh, Mad Since 1982’s recent modest wear creation, is an original clothing concept that can be worn in multiple ways for different occasions.

Al-Bayyat has been working for years with handmade block printing companies in India that use natural colors and fabrics, and occasionally imports fabrics with patterns she creates herself.

“My next step is having my own printing lab in my atelier,” she said.

Al-Bayyat, a former professional photographer who focused on fashion, draws inspiration from both local and international cultures.

“I have a lot of freedom when I’m working without any fear,” she said.

Another Saudi abaya brand exhibiting similar principles of individuality is Lamya’s Abayas (Instagram: lamya.abayas), founded by Lamya Al-Sarra.

Al-Sarra’s abayas are colorful and full of life, designed to reflect the personality and confidence of the women wearing them.

“I would describe Lamya’s Abayas as timeless, elegant, and effortlessly stylish. Each piece is designed to make a statement, while still feeling versatile and wearable,” she said.

“I love playing with bold colors, interesting cuts, and unexpected details that set each design apart.”

As a child, Al-Sarra spent her time sketching dresses and different looks in a notebook, and although that dream did not follow her through university, she found herself returning to her roots when the idea of starting her own abaya brand came to fruition.

Unimpressed with the designs available in stores, Al-Sarra decided to create her own.

“I kept designing pieces that felt true to me, and soon enough, people started stopping me to ask where my abayas were from. I’d tell them, ‘It’s mine. I designed it.’”

The hobby that she practiced for friends and family quickly became a full-fledged business.

Al-Sarra favors self-expression when choosing colors and designs, especially through vibrant summer tones.

The garments are meant to spark joy and represent individuality, helping people feel confident in their clothing.

“I believe your surroundings shouldn’t limit how you express yourself. Whether you’re wearing something bold, trendy, or completely unique, it should always reflect you,” she said.

Al-Sarra uses a variety of different fabrics for different looks and occasions — linen, for example, for light and breathable wear in summer, richer textures like velvet or tweed in winter, and taffeta and katan for more formal or structured looks.

Celebrating both family and sustainability, Moja Majka (Instagram: mojamajka) is a slow fashion abaya brand founded by a mother and daughter that is built on values of authenticity, as well as cultural and natural connection.

Sarah Basaad and her mother Sureyya Barli launched Moja Majka in 2012 to answer their need for more colorful garments that use organic and airy fabrics.

“It is an extension of our characters,” Basaad said.

Going for timeless rather than trendy, Moja Majka takes inspiration from both Turkish and Saudi cultures, since Barli is of Turkish descent.

The brand’s textiles are completely organic linens, cottons, and silks, some woven in Turkiye.

“We support local artisans and artisanal work,” Basaad said.

The brand is focused on bringing back long-forgotten artisanal work. “We collect antique handcrafted pieces and fabrics that are no longer able to be reproduced in our time, she said.

“Our kaftans are not a victim of trends, but a classic to pass onto your loved ones.”


Thousands rock at music shows in Jeddah after F1

Thousands rock at music shows in Jeddah after F1
Updated 22 April 2025
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Thousands rock at music shows in Jeddah after F1

Thousands rock at music shows in Jeddah after F1
  • Jennifer Lopez, Usher lit up the stage on Saturday and Sunday
  • This is cultural tourism via entertainment, says MDLBEAST CEO

JEDDAH: The past two days were filled with high-speed thrills and electrifying musical performances as the Formula One Saudi Arabian Grand Prix 2025 took over the city.

The after-race concerts, held at the Jeddah Corniche Circuit, were headlined by global music icons Jennifer Lopez and Usher, who lit up the stage on Saturday and Sunday night.

The party began right after a thrilling qualifying race, when Lopez stepped on stage. Wearing a dazzling black skintight catsuit, the 55-year-old icon made a bold and unforgettable entrance for an adoring crowd.

From the opening beats of “Get Right” to the final fireworks of “On the Floor,” Lopez delivered a show packed with powerhouse vocals, explosive choreography, and pure star energy.

The Bronx-born singer, who has sold over 80 million records and earned a star on the Hollywood Walk of Fame, treated fans to a string of hits including “Jenny from the Block,” “Ain’t It Funny,” “I’m Real,” and “Love Don’t Cost a Thing.”

“This is an incredible place with an incredible backdrop for F1,” Lopez told the crowd, glowing with excitement. “It feels good to be back out here. I love the energy here. I am feeling myself a little bit here.”

In an emotional moment, the singer told the crowd: “Love is feeling safe, love is secured, that’s what love is.”

JLo graced the stage in a series of stunning outfits, changing into a red suit, followed by a golden one, and finishing the show in pink.

The audience responded with roaring applause, with many in tears.

“JLo brought the energy, the heart, and the glam,” said Reem Al-Sharif, a 29-year-old from Jeddah. “When she talked about love, I really felt that. She’s not just a performer, she’s a storyteller.”

Ramadan Al-Haratani, CEO of MDLBEAST, said: “This is what cultural tourism through entertainment looks like. The music doesn’t just support the race weekend, it transforms it.”

The following night, Usher, the king of smooth R&B, delivered a thrilling performance that brought the Grand Prix to a stylish and electrifying close.

Dressed in an edgy all-black ensemble, Usher commanded the stage with his signature swagger.

The Grammy-winning artist took fans on a journey through two decades of hits, from the crowd-hyping “Yeah!” to slow jams including “Nice & Slow,” “U Got It Bad,” and “My Boo.”

His charisma, vocals, and iconic dance moves had fans on their feet all night.

“This was my first time seeing Usher live, and it was worth every second,” said Talal Saleh, another concertgoer. “His connection with the crowd, the performance, everything was perfect. He even brought some nostalgic 2000s magic to Jeddah.”

Lina Al-Mansour, who attended both concerts, said: “The entire experience felt like a music festival and a Formula 1 race rolled into one. It was world-class entertainment right here in Jeddah.

“I never imagined seeing JLo and Usher in my hometown.”

The concerts also featured supporting acts including Major Lazer and Peggy Gou, who kept the crowd hyped between the headliners.


Saudi Film Festival panel explores parallels between Japanese, Saudi cinema

Saudi Film Festival panel explores parallels between Japanese, Saudi cinema
Updated 22 April 2025
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Saudi Film Festival panel explores parallels between Japanese, Saudi cinema

Saudi Film Festival panel explores parallels between Japanese, Saudi cinema
  • US-based Japanese director Ken Ochiai and Oscar-nominated Japanese animator Koji Yamamura join discussion
  • Saudi film ‘Hobal’ wins praise for striking cinematography, captivating narrative

DHAHRAN: From Tokyo to Dhahran, audience members at the 11th Saudi Film Festival were treated to a rich cross-cultural exchange during a panel this week that explored the cinematic parallels and connections between Japan and Saudi Arabia.

Moderated by Zohra Ait El-Jamar, head of Hayy Jameel Cinema, the panel featured US-based Japanese director and photographer Ken Ochiai, Oscar-nominated Japanese animator Koji Yamamura, and Ithra’s Japanese-fluent Saudi film expert Majed Z. Samman.

Yamamura, who has had a career spanning 45 years and teaches at Tokyo University of the Arts, said: “What I make is more artistic films, not commercial ones.”

The globally acclaimed animator offered a masterclass earlier in the festival.

Ochiai, who viewed the Saudi film “Hobal” at the festival, noted striking similarities between Japanese and Saudi cultural expressions in cinema.

He praised “Hobal,” pointing to the strong emphasis on cinematography, concise dialogue, and captivating narrative.

“Less is good, if you can convey feelings through facial expressions,” he said.

The panel encouraged the audience to watch more foreign films “to broaden your perspective.”

Samman said that Saudi audiences have favored three main film categories for decades: “Hollywood, Bollywood, and anime.”

He said that his love of cinema began while studying in Tokyo.

“Saudis grew up on anime that was mostly dubbed into Arabic,” he said, adding that many popular films, such as “Inception,” were based on Japanese originals.

Japanese films often require a bit of homework beforehand, Samman said.

“If you’re not into it (Japanese storytelling style), or if you’re not going to research it, you might think it’s stupid or cheesy — or, what’s happening here? I think we need to bridge that gap between the culture and the visual language,” he said.

Ochiai explained the differing approaches to film editing, saying that in Hollywood, several takes are shot, and editing happens later. In contrast, Japanese filmmakers often prefer to edit in real time, based on a meticulously planned storyboard, in order to minimize extra work.

While Japanese films can sometimes feel lacking in context, every country has its own visual language, he said.

Japanese cinema’s minimalist sensibility resonates deeply within Japan, though it can sometimes feel mysterious or confusing to outside audiences. This is because Japan’s film industry has traditionally prioritized domestic viewers, without filling in background details that international audiences might need.

Ochiai said that audiences today who focus on trending aesthetics, especially on TikTok, may be looking in the wrong direction.

“What we really need to focus on is the message of the film. How you learn is not on YouTube, but how you learn is from the past, like the movies from the past, because everything is coming from the top.

“Art is a copy of something. So, if you copy the copy of the copy of the copy, it just gets watered down — the quality — so you should learn the history of the cinema so that you can also bring something new to the table,” he said.