DUBAI: Paris Fashion Week is back after a COVID-19-related hiatus. The high fashion world went mainly digital for a year over the pandemic, but big hitters like Chanel, Hermes and Louis Vuitton are finally returning to the live runway this season.
Dior made sure that Tuesday’s ready-to-wear comeback — with VIPs such as actress Rosamund Pike and tennis ace Roger Federer — got off to a glitzy start on the first full day of Spring/Summer 2022 collections. It was the famed house’s first ready-to-wear runway since February 2020 — an emotional return for some.
The eager audience featured a clutch of Arab influencers, including Dubai-based Iraqi favorite Dima Al-Sheikhly and Saudi entrepreneur Nojoud Alrumaihi.
Al-Sheikhly shared their experience with her 701,000 followers on Instagram, treating them to a sneak peek of what it takes to get ready for a fashion show. For the occasion, she showed off a silver metallic mini skirt and sharp black blazer over black tights and lace up boots in a look by Dior.
“@Dior day in Dior. Congratulations @mariagraziachiuri on yet another stunning collection. Thank you for having me!” she wrote on Instagram alongside a short video showing off her look.
For her part, Alrumaihi took things in a more romantic direction by wearing a delicate tulle skirt in black, which she paired with chunky boots and a sharply tailored blazer-and-shirt ensemble.
Designer Chiuri dived into the Dior archives to return with a playful collection that celebrated color and graphic form, The Associated Press reported.
All around the venue — in an annex inside Paris’ Tuileries Gardens — were colored blocks and retro signs that were a clue to the collection’s 1960s aesthetic.
The show was a homage to former designer Marc Bohan, whose “Slim Look” collection from 1961 defined a generation.
On Tuesday, Chiuri revamped Bohan’s slim styles with her contemporary twist. Bold color-blocking — riffing off the decor — came in a camera-snapping palette of raspberry, red, navy, orange and green.
The display evoked a dream world. Models rotated robotically around the decor to off-kilter music. Stylish boxy ‘60s jackets with graphic statement pockets mixed with sporty vests and dresses that channeled a tennis skirt. The main let down of the otherwise tasteful collection were a series of silken boxer pajamas — which made the house appear like it was trying too hard to be youthful.
‘I’m really happy to represent my roots,’ says French-Tunisian ‘Scream’ star Sonia Ben Ammar
Updated 20 min 43 sec ago
DUBAI: French-Tunisian actress Sonia Ben Ammar is joining the ever-growing list of rising Arab stars working their way up the ladder in Hollywood, such as Ramy Youssef, Sofia Boutella, Dali Benssalah and Mena Messoud to name a few.
The 22-year-old recently made her Hollywood debut in the fifth instalment of the “Scream” franchise, which hit theaters on Jan. 14.
With French-Tunisian heritage, Ben Ammar is the first Arab main character in a “Scream” film, performing alongside the most diverse cast in the history of the franchise.
“I’m just really happy to be a part of it and represent my roots and I’m excited for people to watch it,” Ben Ammar told Arab News.
“I’m really looking forward to films representing more of real life and the people and the places we live in so I am really stoked (about) that,” she added.
In her second film role and first Hollywood feature, the actress plays the part of Liv McKenzie, a teenager who is targeted by Ghostface, a mysterious masked killer on the loose. Starring alongside “Scream” veterans Courtney Cox, David Arquette and Neve Campbell, Ben Ammar makes an impressive debut despite her aversion to horror films.
She said that “Scream” is a new experience for her because, unlike the film’s loyal fanbase, she does not like scary movies.
“Doing something that scares me and being a part of that was interesting,” she said, adding “But I think being part of the behind-the-scenes process of being in it really takes a lot of the scary elements out of it. When I saw the movie (at) the screening for the first time, I was jumping up from my seat.”
Although “Scream” marks Ben Ammar’s first high-profile Hollywood gig as an actress, it is not the Paris-born actress’s first foray into the film industry.
Ben Ammar, who is the daughter of Tunisian film director Tarek Ben Ammar and Polish-born actress Beata, previously starred in Guillaume Canet’s French-language film “Jappeloup,” as well as the stage musical “1789: Les Amants de la Bastille.”
Before following in the footsteps of her parents, the multi-hyphenate made headway in the fashion world as a model, fronting campaigns for the likes of Dolce & Gabbana, Miu Miu and Chanel.
Gaza TV studio produces Hamas response to Israeli hit shows
“We want to flip the equation, to show the Palestinian point of view," says Gaza director Mohammed Soraya
Updated 17 January 2022
GAZA CITY: In a Gaza TV studio of the ruling Islamist armed movement Hamas, a set features Israeli flags, Hebrew documents and a portrait of Theodor Herzl, the father of modern Zionism.
The make-believe office of enemy state Israel’s security service is being used to shoot a “pro-resistance” television series on the Israeli-Palestinian conflict.
It is Hamas’s answer to Israeli hit shows such as the special forces drama “Fauda” that have gained millions of viewers on platforms such as Netflix, HBO and Apple TV+.
“Fauda,” which in Arabic means chaos, portrays a military unit led by commander Doron Kavillio that launches raids inside Palestinian territories.
Admitting to having watched “Fauda,” though, is not a good idea in Gaza, the Palestinian coastal enclave blockaded by Israel, said local director Mohammed Soraya.
To watch any Israeli TV series means supporting the “normalization” of relations with the Jewish state, argued Soraya, who is directing Hamas’s own TV series on the conflict.
He charged that such shows “support the Zionist occupation” because their plots “criminalize the Palestinian people,” speaking with AFP in the Gaza City studio.
“We want to flip the equation, to show the Palestinian point of view, to broadcast a drama about the spirit of our resistance.”
Hamas is considered a terrorist organization by Israel, the United States and the European Union. The Islamist group controls the Gaza Strip, an impoverished territory of 2.3 million people.
It also runs the Al-Aqsa channel, and has been investing in series inspired by Hollywood, and by Turkish soap operas that are popular across the Middle East.
The series now in production, “Qabdat Al-Ahrar” (Fist of the Free), revisits a 2018 Israeli operation in the Gaza Strip that resulted in the deaths of seven Hamas fighters and an Israeli officer.
The protagonists are the fighters of Hamas, which has fought four wars against the Jewish state since 2008.
Budgets are meagre, actors’ salaries are low, sets are basic and deadlines are tight, with the production team expected to deliver some 30 episodes by April, in time for the Muslim holy month of Ramadan.
While Israeli series often feature actors from the country’s Arab-Israeli minority, productions in Gaza do not use any Israeli actors.
This forces studios to recruit local actors to play Israelis — a job that, the performers say, can expose them to real-world hostility and danger.
One of them is Jawad Harouda, aged in his early sixties and with a husky voice, who portrays the head of Israel’s Shin Bet domestic security service in the new TV series.
To get into character, Harouda said he “soaked up the script,” but added that being too convincing can lead to trouble.
“Some women look at me and pray that I die,” he said, leaning back in his boss’s chair in the fake Shin Bet office.
“I’m happy when people insult me. It means I’ve succeeded ... The actor is a chameleon, he must be able to act out all colors.”
In Gaza productions, Israeli characters speak in Arabic. And, at the request of the Hamas mufti, or Islamic jurist, women wear their headscarves even if they play Jewish characters.
“In one series, I played a Jewish woman,” said one actress, Kamila Fadel, who added that she may have been just a little too convincing for her own good.
“After the series was broadcast, a woman tried to strangle me,” she recounted.
“She told me: ‘I hate you, you are hurting us so much’. On another day a 13-year-old boy threw a stone at my head thinking I was Jewish... This means I played my part well.”
Not everyone is a fan of the Hamas productions, which are firmly focused on the conflict.
“There is no love” in the dramas, argued Palestinian director and critic Jamal Abu Alqumsan, who expressed regret that the rare local productions served primarily as a “tool of resistance.”
Abu Alqumsan said the potential for such productions to tell Palestinians’ stories was huge, but the challenges were many.
“In Gaza, we live under a blockade, it’s a unique situation in the world,” he said, speaking in his art gallery, which he hopes to turn into a small film library.
“So we need producers to invest in quality series and tell the rest of the world our story. We have good actors, they just need good directors and means.”
For now, Abu Alqumsan said he was unsure of the impact such shows would have.
“TV dramas are a weapon, but in the face of Israel, local productions are of a low level,” he said.
Actress Melissa Barrera talks ‘Scream 5’ wearing a statement jumpsuit by Elie Saab
Updated 16 January 2022
DUBAI: “Scream” will hit theaters in Saudi Arabia this week, more than 25 years after the late Wes Craven’s slasher classic thrilled fans. The new film is the fifth title in the cult series and is a direct sequel to 2011’s “Scream 4.” Directed by filmmakers Matt Bettinello-Olpin and Tyler Gillett, “Scream” sees franchise mainstays Courteney Cox and Neve Campbell reprise their roles, while newcomers include Sonia Ben Ammar, Melissa Barerra, Jenna Ortega, Mason Gooding, Dylan Minnette and Jack Quaid.
“Scream” follows a new Ghostface-masked assailant who begins targeting teenagers to resurrect secrets from the town of Woodsboro’s past.
Following the hotly-anticipated movie’s successful release in the US on Jan. 14, Barrera sat down with show host Kelly Clarkson to promote the new film and to discuss her role in the latest installment of the “Scream” franchise. For her appearance on “The Kelly Clarkson Show” the rising Hollywood star decided to don one of the most versatile pieces in fashion — the jumpsuit.
The 31-year-old exuded casual glam wearing a black power jumpsuit from Lebanese couturier Elie Saab’s Resort 2022 collection, which was titled “Infinite Horizons.” The design featured short, layered sleeves, white stitching throughout and a delicate bow on the neckline. The loose track-suit style jumpsuit boasted a black stripe running down the side. The Mexican star paired the look, which was put together by stylist Penny Lovell, with open-toe pumps and a bedazzled Ghostface-shaped hairclip to secure her raven lengths.
The disco-era favorite that is undergoing a renaissance on the runways — it popped up on the Spring 2022 catwalks of Alberta Ferretti, Etro, Isabel Marant and Fendi — is slowly migrating to the red carpet and photo calls.
Meanwhile, the Monterrey-born star is certainly one to watch. For the past few years, Barrera has split her time between Mexico and the US. After growing up in Monterrey, Mexico, she studied in New York at Tisch School of the Arts, then returned to Mexico to star in telenovela “Siempre tuya Acapulco.” The Clinique brand ambassador moved back to the US to film the TV drama series “Vida” and later to star as Vanessa in Lin-Manuel Miranda’s screen adaptation of the musical “In the Heights.”
Quirky Saudi vintage collector lays down a challenge to the fast-fashion world
‘Re-accessorize everything, borrow from your friends and lend them stuff. The perfect way to not buy for occasions’
Updated 16 January 2022
JEDDAH: A young Saudi fashion enthusiast is trying to make people aware of vintage fashion and the footprint that fast fashion has on the world.
Alia Kurdi is a 27-year-old fashion enthusiast who collects, designs, and sells vintage clothes in Saudi Arabia. She has always felt that, growing up, the only way she could express herself was through her clothes,
“There weren’t many venues for self-expression, and because I am a bit of a radical person, I began showing my personality through my clothes, and that is when I began building this connection to different pieces.”
The appreciation of vintage clothes ran within the Kurdi family. She told Arab News that her grandfather collected Versace shirts that were often loud and bright, “He didn’t dress like the typical Arab man. I still wear some of his shirts today, and people compliment them and are often shocked to find out that they belong to my grandfather.”
I feel like I already have a connection with a piece; I feel called to a store, and immediately from a distance, I know the thing I am going to buy as if these pieces speak to me. Usually, they are extremely special, whether the texture or the pattern.
People in Saudi Arabia have always recycled their used items through charity.
However, the situation has changed as conversations around resale and pre-owned pieces have evolved.
Kurdi said that she began shopping mindfully ever since she learned the footprint that fast fashion had on the globe; that is when she started venturing into vintage and second-hand shops. The collector said that once she had started, she never looked back, and 2022 marks her fast-fashion-free seventh year.
Kurdi advised people thinking of going into fast fashion to start with baby steps and set realistic goals, “One of the most negative things is buying for occasions because people think they cannot repeat. Re-accessorize everything, borrow from your friends and lend them stuff. That will be the perfect way to not buy for occasions.”
The collector said that she loves exploring different streets and shops to find her clothes; she described the process of selecting what to buy as “intuitive.”
“I feel like I already have a connection with a piece; I feel called to a store, and immediately from a distance, I know the thing I am going to buy as if these pieces speak to me. Usually, they are extremely special, whether the texture or the pattern,” she said.
Kurdi also said that the pieces she selects turn out to be beautiful, and she has developed this compass to find hidden treasures.
She describes her style as an “Emo Unicorn,” someone who likes a lot of black but with loud colors, as well. Her emotions are reflected in the outfit she is wearing.
“I did get a lot of negative comments as I was growing up, and I was very triggered by it. However, now not only have I changed my approach, but people are celebrating it a lot more; they say things like it’s amazing that I have stayed true to myself,” she said.
“Still, a lot of people have said that I was much prettier a few years ago, and I recognize that at that time I was much more insecure.”
She said her favorite piece of clothing is a ‘Google Chrome’ jacket that she bought in Berlin: “It’s black with a lot of bright colors. I broke my spending limit rule for this one jacket because I actually had to have it. So many people have complimented me. I made a friend through it as well. I am so glad that it found me.”
She gave that name to the jacket because the colors looked like Google’s logo. If she were to sum up her style and personality in an item of clothing, this would be it: “It is rough in some spots and soft in some, it is all black but also colorful. Kind of like what I feel all the time.”
The collector has started her own brand where she connects people with pieces with stories, “Diskofrenzy was born because often I will find pieces that were very special but not my size, but I had to collect them and keep them with me. My goal for my brand is to make Diskofrenzy the ultimate go-to for vintage and up-cycled fashion.”
The name connects two very personal things for Kurdi: Disco, which is vintage but is now making a comeback, and she said that she feels a frenzy only when she is dancing or shopping. This is why she decided that the perfect name for her brand would be Diskofrenzy.
She said that people often come up to her and say that only she can pull off a certain style. However, in her opinion that is not true, “Anyone can pull off whatever they want. Just be quirky and weird and a little bit rebellious. Express yourself through what you wear.”
Cerruti, who dressed many a Hollywood star in his heyday, introduced “casual chic” into men’s fashion when he created the first deconstructed jacket in the 1970s
He was one of the leading figures in men’s ready-to-wear fashion in the 20th century
Updated 15 January 2022
ROME: Pioneering Italian fashion designer Nino Cerruti has died at the age of 91, it was on reported Saturday.
Cerruti, who dressed many a Hollywood star in his heyday, introduced “casual chic” into men’s fashion when he created the first deconstructed jacket in the 1970s.
He died at the Vercelli hospital in the northwest region of Piedmont, where he had been admitted for a hip operation, the Italian daily Corriere della Sera reported on its website.
Cerruti was one of the leading figures in men’s ready-to-wear fashion in the 20th century, with a style that was at once elegant and relaxed.
“A giant among Italian entrepreneurs has left us,” said Gilberto Pichetto, deputy minister for economic development.
Tall and slim, he always insisted he be the first to try on his creations, many of which were kept at the textile factory his grandfather founded in the northern town of Biella in 1881.
“I have always dressed the same person, myself,” he once said.
Born in 1930 in Biella, Cerruti dreamt of becoming a journalist.
But after his father died when he was 20, he was forced to give up his philosophy studies to take over the family textile factory.
In the 1960s, he met Giorgio Armani and hired him as a creator of men’s fashion.
The duo made a profound mark on the world of fashion, before Armani branched out on his own with his own fashion house in 1975.
Cerruti opened his first shop in Paris in 1967, launching his luxury brand into global fame.
“Clothes only exist from the moment someone puts them on. I would like these clothes to continue to live, to soak up life,” he said.
While French students protested in 1968, he revolutionized fashion by asking male and female models to walk down the catwalk in the same clothes.
“Trousers have given women freedom,” said the designer, who in the 1970s created his first line of women’s clothing.
The man nicknamed the “philosopher of clothing” dressed American actors Richard Gere and Robert Redford as well as French star Jean-Paul Belmondo.
He also made cameo appearances in Hollywood films “Cannes Man” (1996) and “Holy Man” (1998).