Hawaii plans to increase hotel tax to help it cope with climate change

Hawaii plans to increase hotel tax to help it cope with climate change
Hawaii governor Josh Green has long said the 10 million visitors who arrive each year should help the state’s 1.4 million residents protect the environment. (AP)
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Updated 30 April 2025
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Hawaii plans to increase hotel tax to help it cope with climate change

Hawaii plans to increase hotel tax to help it cope with climate change
  • State leaders say they will use the funds for projects to cope with a warming planet
  • Officials estimate the increase would generate $100 million in new revenue annually

HONOLULU: In a first-of-its kind move, Hawaii lawmakers are ready to hike a tax imposed on travelers staying in hotels, vacation rentals and other short-term accommodations and earmark the new money for programs to cope with a warming planet.
State leaders say they’ll use the funds for projects like replenishing sand on eroding beaches, helping homeowners install hurricane clips on their roofs and removing invasive grasses like those that fueled the deadly wildfire that destroyed Lahaina two years ago.
A bill scheduled for House and Senate votes on Wednesday would add an additional 0.75 percent to the daily room rate tax starting Jan. 1. It’s all but certain to pass given Democrats hold supermajorities in both chambers and party leaders have agreed on the measure. Gov. Josh Green has said he would sign it into law.
Officials estimate the increase would generate $100 million in new revenue annually.
“We had a $13 billion tragedy in Maui and we lost 102 people. These kinds of dollars will help us prevent that next disaster,” Green said in an interview.
Green said Hawaii was the first state in the nation to do something along these lines. Andrey Yushkov, a senior policy analyst at the Tax Foundation, a Washington, D.C.-based nonprofit organization, said he was unaware of any other state that has set aside lodging tax revenue for the purposes of environmental protection or climate change.
Adding to an already hefty tax
The increase will add to what is already a relatively large duty on short-term stays. The state’s existing 10.25 percent tax on daily room rates would climb to 11 percent. In addition, Hawaii’s counties each add their own 3 percent surcharge and the state and counties impose a combined 4.712 percent general excise tax on goods and services including hotel rooms. Together, that will make for a tax rate of nearly 19 percent.
The only large US cities that have higher cumulative state and local lodging tax rates are Omaha, Nebraska, at 20.5 percent, and Cincinnati, at 19.3 percent, according to a 2024 report by HVS, a global hospitality consulting firm.
The governor has long said the 10 million visitors who come to Hawaii each year should help the state’s 1.4 million residents protect the environment.
Green believes travelers will be willing to pay the increased tax because doing so will enable Hawaii to “keep the beaches perfect” and preserve favorite spots like Maui’s road to Hana and the coastline along Oahu’s North Shore. After the Maui wildfire, Green said he heard from thousands of people across the country asking how they could help. This is a significant way they can, he said.
Hotel industry has mixed feelings
Jerry Gibson, president of the Hawaii Hotel Alliance, which represents the state’s hotel operators, said the industry was pleased lawmakers didn’t adopt a higher increase that was initially proposed.
“I don’t think that there’s anybody in the tourism industry that says, ‘Well, let’s go out and tax more.’ No one wants to see that,” Gibson said. “But our state, at the same time, needs money.”
The silver lining, Gibson said, is that the money is supposed to beautify Hawaii’s environment. It will be worth it if that’s the case, he said.
Hawaii has long struggled to pay for the vast environmental and conservation needs of the islands, ranging from protecting coral reefs to weeding invasive plants to making sure tourists don’t harass wildlife, such as Hawaiian monk seals. The state must also maintain a large network of trails, many of which have heavier foot traffic as more travelers choose to hike on vacation.
Two years ago, lawmakers considered requiring tourists to pay for a yearlong license or pass to visit state parks and trails. Green wanted to have all visitors pay a $50 fee to enter the state, an idea lawmakers said would violate US constitutional protections for free travel.
Boosting the lodging tax is their compromise solution, one made more urgent by the Maui wildfires.
A large funding gap
An advocacy group, Care for Aina Now, calculated a $561 million gap between Hawaii’s conservation funding needs and money spent each year.
Green acknowledged the revenue from the tax increase falls short of this, but said the state would issue bonds to leverage the money it raises. Most of the $100 million would go toward measures that can be handled in a one-to-two year time frame, while $10 to $15 million of it would pay for bonds supporting long-term infrastructure projects.
Kāwika Riley, a member of the governor’s Climate Advisory Team, pointed to the Hawaiian saying, “A stranger only for a day,” to explain the new tax. The adage means that a visitor should help with the work after the first day of being a guest.
“Nobody is saying that literally our visitors have to come here and start working for us. But what we are saying is that it’s important to be part of the solution,” Riley said. “It’s important to be part of caring for the things you love.”


Man badly hurt by falling palm tree at Cannes film festival

Man badly hurt by falling palm tree at Cannes film festival
Updated 17 May 2025
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Man badly hurt by falling palm tree at Cannes film festival

Man badly hurt by falling palm tree at Cannes film festival
  • The Asian man, believed to have been attending the festival, was badly injured
  • A sudden gust of wind brought the tree down

CANNES: A man was seriously hurt after a palm tree fell onto him at the Cannes film festival on Saturday.

The Asian man, believed to have been attending the festival, was badly injured, firemen who treated him at the scene said.

A sudden gust of wind brought the tree down near the Palais des Festivals on the Croisette esplanade overlooking the Mediterranean, an AFP journalist at the scene said.


The accident happened as the American movie “Eddington,” starring Joaquin Phoenix, Emma Stone and Pedro Pascal was being shown.

The Croisette was crowded with festivalgoers when the tree fell, witnesses said.

“There was a terrible gust of wind and I heard a cry,” said Marthy Fink from Luxembourg.


Musician charged with Chris Brown in alleged London nightclub assault

Musician charged with Chris Brown in alleged London nightclub assault
Updated 17 May 2025
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Musician charged with Chris Brown in alleged London nightclub assault

Musician charged with Chris Brown in alleged London nightclub assault

LONDON: A fellow musician and friend of Chris Brown has been charged alongside the Grammy-winning singer on allegations they beat and seriously injured a music producer at a London nightclub in 2023, police said Saturday.
Omolulu Akinlolu, 38, who performs under the name “Hoody Baby,” was due to appear in Manchester Magistrates’ Court on a charge of causing grievous bodily harm with intent.
Brown, 36, was jailed without bail on the same charge Friday, throwing his upcoming tour into question. He is scheduled to appear at Southwark Crown Court in London on June 13, which is the third day of his world tour.
Akinlolu is a rapper from Dallas, Texas, who has collaborated with Brown and Lil Wayne. He also goes by the names “Fat Leopard” and “Super Hood.”
Police gave no details on what role Akinlolu played in the alleged assault but said he was charged in connection with the same incident as Brown.
Brown was on tour in the UK in February 2023 when he launched an unprovoked attack on producer Abe Diaw, striking him several times with a bottle at the Tape nightclub in the swanky Mayfair neighborhood in London, prosecutor Hannah Nicholls said in court Friday.
Brown then chased Diaw and punched and kicked him in an attack caught on surveillance camera in front of a club full of people, she said.
Brown did not enter a plea and only spoke to confirm his name, birth date and gave his address as the Lowry Hotel, where he was arrested in Manchester early Thursday and taken into custody.
Brown’s representative has not responded to multiple requests for comment from The Associated Press.
Brown, often called by his nickname Breezy, burst onto the music scene as a teen in 2005 and has become a major hitmaker over the years with notable songs such as “Run It,” “Kiss Kiss” and “Without You.”
He won his first Grammy for best R&B album in 2011 for “F.A.M.E.” and then earned his second gold trophy in the same category for “11:11 (Deluxe)” earlier this year.
He is scheduled to launch an international tour next month with artists Jhene Aiko, Summer Walker and Bryson Tiller, opening with a European leg on June 8 in Amsterdam before starting North America shows in July.


Cassie testimony against Sean ‘Diddy’ Combs ends after she spent days describing abuse and texts

Cassie testimony against Sean ‘Diddy’ Combs ends after she spent days describing abuse and texts
Updated 17 May 2025
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Cassie testimony against Sean ‘Diddy’ Combs ends after she spent days describing abuse and texts

Cassie testimony against Sean ‘Diddy’ Combs ends after she spent days describing abuse and texts
  • Cassie, who is pregnant with her third child and nearing her due date, spent four days on the witness stand

NEW YORK: R&B singer Cassie delved further into text messages with former boyfriend Sean “Diddy” Combs during her cross-examination Friday in the music mogul’s sex trafficking trial, telling him “I’m not a rag doll. I’m somebody’s child” after he beat her at a Los Angeles hotel in 2016.
However, as they tried to recover from the episode, she and Combs were expressing love for each other just days later, with Cassie writing in one text: “We need a different vibe from Friday.”
She and one of Combs’ defense attorneys read the couple’s messages aloud during two days of cross-examination in a Manhattan courtroom, which ended Friday afternoon. The defense also tried to discredit Cassie’s testimony that Combs raped her in 2018 after she ended their nearly 11-year relationship.
In the “rag doll” text, Cassie, whose legal name is Casandra Ventura, told Combs he was out of control from drugs and alcohol that day. After hotel security video of the assault was released last year, Combs apologized and said he was “disgusted” by his actions.
Federal prosecutors allege Combs exploited his status as a music executive and businessman to force women into drug-fueled encounters with male sex workers, called “freak-offs,” that he watched and directed. Cassie is one of several accusers expected to testify.
However, Combs’ lawyers want the jury to see Cassie as a willing and eager participant in his sexual lifestyle. He has pleaded not guilty to federal sex trafficking and racketeering charges.
His defense says that, although he could be violent, nothing he did amounted to a criminal enterprise. And Combs insists all the sex at the freak-offs was consensual.
Cassie, the prosecution’s star witness, testified she was ashamed and loathed taking part in “hundreds” of the freak-offs, which could go on for days. But she said she felt compelled because Combs threatened her with violence, and was physically abusive “a lot” during the encounters. He also threatened to publicly release sex videos of her if she made him angry, she said.
Combs, 55, has been jailed since September. He faces at least 15 years in prison if convicted.
Cassie cross-examination ends Friday
Cassie, who is pregnant with her third child and nearing her due date, spent four days on the witness stand.
When Judge Arun Subramanian told her she could leave, saying, “You’ve been here a long time,” Cassie glanced once toward the jury but never looked in Combs’ direction as she walked out of the courtroom for the final time.
Throughout Friday’s testimony, Combs kept lowering his head to write a steady stream of messages on small sheets of paper that he passed to his defense attorneys.
Singer Dawn Richard takes the stand
Dawn Richard is a singer who appeared on Combs’ reality show “Making the Band,” which launched her group act Danity Kane. She testified Friday that she witnessed Combs physically attack Cassie on multiple occasions.
Richard said she and another woman saw Combs hit Cassie “on the head and beat her on the ground” while at his home studio in 2009. He brought them back the next day, giving Richard flowers and putting a spin on what happened.
“He said that what we saw was passion and what lovers in relationships do,” she testified. But he also locked them in his recording studio and allegedly threatened them to stay silent or else, she said.
Richard sued Combs last year, accusing him of physical abuse, groping and psychological abuse during the years they worked together.
Cassie’s texts to Diddy are a key part of cross-examination
During cross-examination on Thursday and Friday, the defense had Cassie read texts and emails that showed her apparent willingness to participate in the sexual encounters Combs orchestrated.
In a 2012 exchange, Combs told Cassie he wanted to “FO one last time tonight,” using initials for freak-off. Cassie replied, “What?” Combs said, “You can’t read?” Then Cassie replied, “I don’t want to freak off for the last time. I want it to be the first time for the rest of our lives.”
Estevao ended her questioning there, but prosecutor Emily Johnson had Cassie read more messages for context.
“I want to see you, but I’m emotional right now,” Cassie wrote. “I don’t want to do one last time. I’d rather not do it at all.”
Cassie testified she was initially open to the encounters because she wanted to make him happy and spend time with him, but grew weary as the years went on.
The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly, as Cassie has.
Cassie filed a lawsuit in 2023 accusing Combs of physical and sexual abuse, but they settled within hours for $20 million — an amount she disclosed publicly for the first time this week. Dozens of other women have since made similar legal claims.
Cassie’s testimony ended with another bombshell disclosure: She said she recently reached an estimated $10 million settlement with Intercontinental Hotel in Los Angeles, where she was assaulted. She didn’t disclose the nature of her claim.
Scrutiny on the 2018 rape claim against Combs
Estevao also raised questions on Friday about Cassie’s rape claim against Combs, noting that Cassie gave differing descriptions of his demeanor and the timing of the alleged assault in interviews with investigators and in her trial testimony.
Cassie contends the rape happened at her Los Angeles home after she and Combs had dinner in Malibu, California, to discuss their breakup, either in August or September 2018.
While Cassie testified this week that Combs was “really nice” and “playful” at the dinner, Estevao pointed out that Cassie told investigators in 2023 that Combs had been “acting very strangely” that night. Cassie clarified, “Nice, but strangely.”
Cassie also testified this week that Combs, during the dinner, was trying to get her to go to the Burning Man festival in Nevada, but previously told investigators that the dinner and rape happened after Combs returned from Burning Man.
Cassie acknowledged she stayed in touch with Combs and had consensual sex with him a few weeks after she says he raped her. She also exchanged warm messages with Combs after they broke up, even after she marrying Alex Fine in 2019.
Cassie’s parting words
Cassie released a statement saying she hoped her testimony helps others “heal from the abuse and fear.”
“For me, the more I heal, the more I can remember,” she said. “And the more I can remember, the more I will never forget.”


Kazuo Ishiguro: ‘When you go from book to film, that’s a fireside moment’

Kazuo Ishiguro: ‘When you go from book to film, that’s a fireside moment’
Updated 17 May 2025
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Kazuo Ishiguro: ‘When you go from book to film, that’s a fireside moment’

Kazuo Ishiguro: ‘When you go from book to film, that’s a fireside moment’

CANNES, France: Kazuo Ishiguro ‘s mother was in Nagasaki when the atomic bomb was dropped.
When Ishiguro, the Nobel laureate and author of “Remains of the Day” and “Never Let Me Go,” first undertook fiction writing in his 20s, his first novel, 1982’s “A Pale View of Hills” was inspired by his mother’s stories, and his own distance from them. Ishiguro was born in Nagasaki but, when he was 5, moved to England with his family.
“A Pale View of Hills” marked the start to what’s become one of the most lauded writing careers in contemporary literature. And, now, like most of Ishiguro’s other novels, it’s a movie, too.
Kei Ishikawa’s film by the same name premiered Thursday at the Cannes Film Festival in its Un Certain Regard section. The 70-year-old author has been here before; he was a member of the jury in 1994 that gave “Pulp Fiction” the Palme d’Or. “At the time it was a surprise decision,” he says. “A lot of people booed.”
Ishiguro is a movie watcher and sometimes maker, too. He penned the 2022 Akira Kurosawa adaptation “Living.” Movies are a regular presence in his life, in part because filmmakers keep wanting to turn his books into them. Taika Waititi is currently finishing a film of Ishiguro’s most recent novel, “Klara and the Sun” .
Ishiguro likes to participate in early development of an adaptation, and then disappear, letting the filmmaker take over. Seeing “A Pale View of Hills” turned into an elegant, thoughtful drama is especially meaningful to him because the book, itself, deals with inheritance, and because it represents his beginning as a writer.
“There was no sense that anyone else was going to reread this thing,” he says. “So in that sense, it’s different to, say, the movie of ‘Remains of the Day’ or the movie of ‘Never Let Me Go.’”
Remarks have been lightly edited.
AP: Few writers alive have been more adapted than you. Does it help keep a story alive?
ISHIGURO: Often people think I’m being unduly modest when I say I want the film to be different to the book. I don’t want it to be wildly different. But in order for the film to live, there has to be a reason why it’s being made then, for the audience at that moment. Not 25 years ago, or 45 years ago, as in the case of this book. It has to be a personal artistic expression of something, not just a reproduction. Otherwise, it can end up like a tribute or an Elvis impersonation.
Whenever I see adaptations of books not work, it’s always because it’s been too reverential. Sometimes it’s laziness. People think: Everything is there in the book. The imagination isn’t pushed to work. For every one of these things that’s made it to the screen, there’s been 10, 15 developments that I’ve been personally involved with that fell by the wayside. I always try to get people to just move it on.
AP: You’ve said, maybe a little tongue in cheek, that you’d like to be like Homer.
ISHIGURO: You can take two kind of approaches. You write a novel and that’s the discrete, perfect thing. Other people can pay homage to it but basically that’s it. Or you can take another view that stories are things that just get passed around, down generations. Even though you think you wrote an original story, you’ve put it together out of other stuff that’s come before you. So it’s part of that tradition.
I said Homer but it could be folktales. The great stories are the ones that last and last and last. They turn up in different forms. It’s because people can change and adapt them to their times and their culture that these stories are valuable. There was a time when people would sit around a fire and just tell each other these stories. You sit down with some anticipation: This guy is going to tell it in a slightly different way. What’s he going to do? It’s like if Keith Jarrett sits down and says he’s going to play “Night and Day.” So when you go from book to film, that’s a fireside moment. That way it has a chance of lasting, and I have a chance of turning into Homer.
AP: I think you’re well on your way.
ISHIGURO: I’ve got a few centuries to go.
AP: Do you remember writing “A Pale View of Hills?” You were in your 20s.
ISHIGURO: I was between the age of 24 and 26. It was published when I was 27. I remember the circumstances very vividly. I can even remember writing a lot of those scenes. My wife, Lorna, was my girlfriend back then. We were both postgraduate students. I wrote it on a table about this size, which was also where we would have our meals. When she came in at the end of the day, I had to pack up even if I was at the crucial point of some scene. It was no big deal. I was just doing something indulgent. There was no real sense I had a career or it would get published. So it’s strange all these years later that she and I are here and attended this premiere in Cannes.
AP: To me, much of what the book and movie capture is what can be a unbridgeable distance between generations.
ISHIGURO: I think that’s really insightful what you just said. There is a limit to how much understanding there can be between generations. What’s needed is a certain amount of generosity on both sides, to respect each other’s generations and the difference in values. I think an understanding that the world was a really complicated place, and that often individuals can’t hope to have perspective on the forces that are playing on them at the time. To actually understand that needs a generosity.
AP: You’ve always been meticulous at meting out information, of uncovering mysteries of the past and present. Your characters try to grasp the world they’ve been born into. Did that start with your own family investigation?

ISHIGURO: I wasn’t like a journalist trying to get stuff out of my mother. There’s part of me that was quite reluctant to hear this stuff. On some level it was kind of embarrassing to think of my mother in such extreme circumstances. A lot of the things she told me weren’t to do with the atomic bomb. Those weren’t her most traumatic memories.
My mother was a great oral storyteller. She would sometimes have a lunch date and do a whole version of a Shakespeare play by herself. That was my introduction to “Hamlet” or things like that. She was keen to tell me but also wary of telling me. It was always a fraught thing. Having something formal — “Oh, I’m becoming a writer, I’m going to write up something so these memories can be preserved” — that made it easier.
AP: How has your relationship with the book changed with time?
ISHIGURO: Someone said to me the other day, “We live in a time now where a lot of people would sympathize with the older, what you might call fascist views.” It’s not expressed overtly; the older teacher is saying it’s tradition and patriotism.
Now, maybe we live in a world where that’s a good point, and that hadn’t occurred to me. It’s an example of: Yes, we write in a bubble and make movies in a kind of a bubble. But the power of stories is they have to go into different values.
This question of how you pass stories on, this is one of the big challenges. You have to reexamine every scene. Some things that might have been a very safe assumption only a few years ago would not be because the value systems are changing around our books and films just as much as they’re changing around us.
 


UK court orders singer Chris Brown held in custody over 2023 nightclub fight in London

UK court orders singer Chris Brown held in custody over 2023 nightclub fight in London
Updated 16 May 2025
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UK court orders singer Chris Brown held in custody over 2023 nightclub fight in London

UK court orders singer Chris Brown held in custody over 2023 nightclub fight in London

LONDON: Grammy-winning singer Chris Brown was ordered held in custody after appearing Friday in a British courtroom to face a charge that he seriously beat a music producer in a London nightclub in 2023.
Brown, 36, was charged in Brown in Manchester Magistrates’ Court with one count of causing grievous bodily harm. He was arrested at a Manchester hotel early Thursday morning and held in custody until the hearing.
His case was transferred to Southwark Crown Court in London, where he will appear on June 13.
Brown arrived at the dock flanked by court officers. His hair was bleached blonde and he wore sweatpants and a black T-shirt.
Brown confirmed his name and birth date and said his address was the local Lowry Hotel where he was arrested.
The charges relate to an incident at a London nightclub in the swanky Mayfair neighborhood in February 2023 when Brown was on tour in the U.K.
Brown’s representative didn't immediately respond to a request for comment from The Associated Press.
Brown, often called by his nickname Breezy, burst onto the music scene as a teen in 2005 and has become a major hitmaker over the years with notable songs such as “Run It,” “Kiss Kiss” and “Without You.”
He won his first Grammy for best R&B album in 2011 for “F.A.M.E.” then earned his second gold trophy in the same category for “11:11 (Deluxe)” earlier this year.
The singer is due to launch an international tour next month with artists Jhene Aiko, Summer Walker and Bryson Tiller, opening with a European leg before starting North America shows in July.